Bellissimo, complimenti Andreij ! Io ho comprato usata una Korg Pa300, del 2014, e ho scoperto dietro scritto "made in Italy", e sul manuale in inglese c'e' scritto Korg, Osimo italy ! E' dalle vostre parti ! Ne sai qualcosa? Potresti fare un video sulla Korg "italiana" ? E conosci la Studiologic? Fa strumenti e sinth molto belli. Anche loro sono delle vostre parti.
Ciao, grazie mille! Non sapevo producessero anche Korg in zona Marche, sarebbe da chiedere a quelli del museo maggiori informazioni. Invece conosco la Studiologic, si son macchine molto carine!
Thank you! I think it is such an interesting story but a little bit too unknown, even in Italy. Hope this video will help to spread the word about the Museo's work.
@@AndreijRublev Vedo che nel video parli italiano. Allora mi "sfogo" nella mia lingua!😄 Da tenere in considerazione anche la ricerca fatta non rammento se da Farfisa o da General Music sul chip proprietario o sistema DRAKE. Poi sarebbe interessante ripercorrere il lavoro fatto dalla sezione di ricerca sonora della facoltà universitaria di Pisa, il C.N.U.C.E. , che collaborava con il centro di musica fiorentino Tempo Reale. Conosco uno degli ultimi ingegneri che entrò giovane a fine anni '60 al C.N.U.C.E. ed abita poco fuori Pisa. Non troppo vicino a casa mia ma mi piacerebbe intervistarlo....
@@littlebritain64 sarebbe bellissimo riuscissi a raccogliere quell'intervista (nei limiti del possibile, ovviamente)! Preservare la memoria di quel mondo, del tempo e delle persone che ne hanno fatto parte è una cosa molto importante secondo me e molto poco praticata purtroppo. È soprattutto uno spaccato interessantissimo sull'industria, sulla ricerca e di storia del lavoro e sociale dell'italia del dopoguerra. Sicuramente una situazione che meriterebbe più attenzione, un bel lavoro di conservazione e di divulgazione.
That was great, good work by you & the museum. Showing my age here, my first synth was a Jen Marlin SX-2000 which I bought (because they were cheap) as soon as they were available in the UK. I used & abused it for years, it eventually died when I'd had a homemade metal wind chime wired into the synth & recording (on multiple reel to reel machines) days & days worth of wind derived random noise. Viva Italia!
A very long time ago I went to a music store and there were a CRB2000 and a Roland Jupiter4. Unfortunately I took my money and bought a "microcomputer" with 32KB RAM and a 6502 processor for a ridiculous high prize. Looking back I should have bought the instruments as these instruments are still wonderful 😟.
You lucky duck.... It has been ages that I longed to go there but for a reason or another I've never been able to fulfill my dream. I was talking with some guys in the VCV community and they were so incredibly kind to suggest me some NIT authors; I can bet some of them you know already but spreading the words is always a good thing: - Toshimaru Nakamura ruclips.net/channel/UCzPhvpj_10u4tDt9rTNzyig - La Synthèse Humaine ruclips.net/video/MnYkqlSIr_I/видео.html - Marko Ciciliani ruclips.net/video/CoYE4QOWl3I/видео.html Quest'ultimo mi sembra quasi quasi al livello (QUASI, perchè lei è la dea irraggiungibile) di Maryanne Amacher anche se lei operava in tutt'altro genere di Musica e Ricerca (e forse ho bestemmiato pure).
Ottimi suggerimenti, dei classici! Se ne vuoi altri nell'ambito ti consiglio Simon Grab (il suo progetto con Yao Bobby è una bomba), Closed Circuits (li trovi qua su RUclips) e No Input Ensemble.
I've never heard of it before, so I guess they are. But there are so many unique units there: the synket, the MARS, the Uranus II and many more. Lot of really rare instruments, while not unique (at least in a functioning state).
14:45 That is something I feel, instruments should be played, not stored away, or put on display. I cringe when I see someone that has collected hundreds of guitars, and they are just stored in closets.
My favorite part of these vids is when you see a "dramatic" turn of a dial/knob (with body movement an all), and get Zero change in the effect. 🤣 Still great stuff though.
That's the funny part with no input stuff: you don't exactly know what will happen when you turn a knob or move a fader! You hope for some dramatic effect but sometime it won't happen hahaha
On a serious side (which is just one of the faces of this topic): the connection between gesture and sound in electronic music is an open field that can be explored in many different ways. Contradictions, analogies, no connection between movement and sound, etc. So many expressive possibilities in terms of performance. Such a fascinating topic, imo.
@@martincaz7772 there is a huge background noise considering all the stuff that it is connected at the same time hahaha! But I love it, it makes you feel the long life of the instruments.
![Andreij Rublev & Zot Lukta - Limestone [Full Album and Recording Session]](http://i.ytimg.com/vi/9qATAeWKezY/mqdefault.jpg)
![Andreij Rublev & Zot Lukta - Limestone [Full Album and Recording Session]](/img/tr.png)
"Unidentified Feedback Objects" ...right? RIGHT?!?!
Perfection!
Oooh smart 😆😆
Интересный канал. Что-то новенькое.
Thank you!
Bellissimo, complimenti Andreij !
Io ho comprato usata una Korg Pa300, del 2014, e ho scoperto dietro scritto "made in Italy", e sul manuale in inglese c'e' scritto Korg, Osimo italy ! E' dalle vostre parti !
Ne sai qualcosa? Potresti fare un video sulla Korg "italiana" ?
E conosci la Studiologic? Fa strumenti e sinth molto belli. Anche loro sono delle vostre parti.
Ciao, grazie mille! Non sapevo producessero anche Korg in zona Marche, sarebbe da chiedere a quelli del museo maggiori informazioni. Invece conosco la Studiologic, si son macchine molto carine!
Pensa, anche la Roland! Credo acquisirono non so se la Gem, la Siel o quale altra ditta italiana per fare produrre loro dei modelli marcati Roland!
What an amazing place, my first instrument was an Antonelli organ. Fantastic jam, absolutely amazing sounds, must have been an incredible experience.
Thank you! Happy you liked the video and that it worked as a little time machine to go back to your first instrument!
what an amazing trip here, nice to know the musem history and to hear some of those strange machines at work, sounds incredible!
Thank you! I think it is such an interesting story but a little bit too unknown, even in Italy. Hope this video will help to spread the word about the Museo's work.
Great Andreij! Thx
Thank you for watching!
As an italian synth lover I say Thank You!!!
@@littlebritain64 You're welcome! Happy to share great stuff with you!
@@AndreijRublev
Vedo che nel video parli italiano. Allora mi "sfogo" nella mia lingua!😄
Da tenere in considerazione anche la ricerca fatta non rammento se da Farfisa o da General Music sul chip proprietario o sistema DRAKE.
Poi sarebbe interessante ripercorrere il lavoro fatto dalla sezione di ricerca sonora della facoltà universitaria di Pisa, il C.N.U.C.E. , che collaborava con il centro di musica fiorentino Tempo Reale.
Conosco uno degli ultimi ingegneri che entrò giovane a fine anni '60 al C.N.U.C.E. ed abita poco fuori Pisa. Non troppo vicino a casa mia ma mi piacerebbe intervistarlo....
@@littlebritain64 sarebbe bellissimo riuscissi a raccogliere quell'intervista (nei limiti del possibile, ovviamente)! Preservare la memoria di quel mondo, del tempo e delle persone che ne hanno fatto parte è una cosa molto importante secondo me e molto poco praticata purtroppo. È soprattutto uno spaccato interessantissimo sull'industria, sulla ricerca e di storia del lavoro e sociale dell'italia del dopoguerra. Sicuramente una situazione che meriterebbe più attenzione, un bel lavoro di conservazione e di divulgazione.
That was great, good work by you & the museum. Showing my age here, my first synth was a Jen Marlin SX-2000 which I bought (because they were cheap) as soon as they were available in the UK. I used & abused it for years, it eventually died when I'd had a homemade metal wind chime wired into the synth & recording (on multiple reel to reel machines) days & days worth of wind derived random noise. Viva Italia!
Thank you so much for sharing your story!
bellissimo video!!!
Grazie mille! Contento ti sia piaciuto!
I happen to remember that also Hainbach visited the same museum not a long time ago...
Yes, he was there too a couple of years ago.
A very long time ago I went to a music store and there were a CRB2000 and a Roland Jupiter4. Unfortunately I took my money and bought a "microcomputer" with 32KB RAM and a 6502 processor for a ridiculous high prize. Looking back I should have bought the instruments as these instruments are still wonderful 😟.
You lucky duck.... It has been ages that I longed to go there but for a reason or another I've never been able to fulfill my dream.
I was talking with some guys in the VCV community and they were so incredibly kind to suggest me some NIT authors; I can bet some of them you know already but spreading the words is always a good thing:
- Toshimaru Nakamura ruclips.net/channel/UCzPhvpj_10u4tDt9rTNzyig
- La Synthèse Humaine ruclips.net/video/MnYkqlSIr_I/видео.html
- Marko Ciciliani ruclips.net/video/CoYE4QOWl3I/видео.html
Quest'ultimo mi sembra quasi quasi al livello (QUASI, perchè lei è la dea irraggiungibile) di Maryanne Amacher anche se lei operava in tutt'altro genere di Musica e Ricerca (e forse ho bestemmiato pure).
Ottimi suggerimenti, dei classici! Se ne vuoi altri nell'ambito ti consiglio Simon Grab (il suo progetto con Yao Bobby è una bomba), Closed Circuits (li trovi qua su RUclips) e No Input Ensemble.
This is awesome, but I was hoping to see the synths from "Close Encounters of the Third Kind". Awesome Channel!
Thank you! I played with a vintage UFO, so I guess they came here long time ago hahaha
That was an ARP 2500, an American synthesizer
@@t55a2 I saw that movie long time ago, didn't remember there was a synthesizer hahaha
Are a lot of those devices hooked up already to play, with speakers or recording outputs, as it appears you playing them?
Yes, they are all playable and connected to an audio interface (with many submixers)
👍I LOVE ! 💙⚪❤
Steelphon mixer must be pretty rare
I've never heard of it before, so I guess they are. But there are so many unique units there: the synket, the MARS, the Uranus II and many more. Lot of really rare instruments, while not unique (at least in a functioning state).
14:45 That is something I feel, instruments should be played, not stored away, or put on display. I cringe when I see someone that has collected hundreds of guitars, and they are just stored in closets.
Totally agree. Instruments are made to be played, not displayed.
My favorite part of these vids is when you see a "dramatic" turn of a dial/knob (with body movement an all), and get Zero change in the effect. 🤣 Still great stuff though.
That's the funny part with no input stuff: you don't exactly know what will happen when you turn a knob or move a fader! You hope for some dramatic effect but sometime it won't happen hahaha
And thank you!
On a serious side (which is just one of the faces of this topic): the connection between gesture and sound in electronic music is an open field that can be explored in many different ways. Contradictions, analogies, no connection between movement and sound, etc. So many expressive possibilities in terms of performance. Such a fascinating topic, imo.
I want to know where you have your speakers.
In the meseum you mean? There are a lot of speakers set all around the walls to listen to what you do with every synth
@@AndreijRublev Yeah, that, was trying to imagine how it sounds in there heh Thanx
@@martincaz7772 there is a huge background noise considering all the stuff that it is connected at the same time hahaha! But I love it, it makes you feel the long life of the instruments.