Really enjoyed your version. Handel is so much more accessible to modern ears played on the piano and so beautiful. You played the Allemande with a more staccato touch rather than legato. I am getting used to that. I think that is your style of playing in general. I like the way I can hear every note crisply and cleanly rather than "rolled" together.
You play magnificently. There are not so many Handel`s suites played in piano, mostly clavichords, would it be too much to ask you to upload you playing HWV 430?
I would like to hear this great piece played in a "Triumphant" or "Grandiose" style -- not referring to terminologies which refer to 'speed of play' but rather, the 'style of play'. But no such style as "Triumphant" or "Grandiose" exist that I'm aware of. (Maybe I should use the terms; Fully-embellished! or Dramatic! or Confrontational!) But this piece seems to call for it, as it seems as if it should be played the day after a great king and country has won a massive military victory, and not played to sound like it's background music at the king and queen's receiving line. Some parts should be played quietly, while others should have the pianist exuberantly pounding away on the keys, bouncing the rafters out of place, IMHO. The masterful pianist who played in this video could surely arrange such a performance/video. Just my opinion.
Interesante versión, muy meritoria. Invito a compararla con la de Ragna Schirmer. Santirso toca la Sarabanda muy lentamente. Sin ánimo de criticar, pareciera a ratos "arrastrarla" un poco y se oye algo severo. En cambio, la pianista alemana no se ha olvidado que la Sarabanda al final "es" una danza, lenta es cierto, y llena de reflexiones muy profundas, pero la pianista sobresale subrayando el carácter esencial de esta música sublime.
Thinking on this some more, you give the music a MAJESTIC sound which Handel is famous for. His music can sound ceremonial and regal and otherworldly.
I like your comments here, well thought-out.
And the musician hit every note perfectly.
Great music.
9:57 Gigue.
Really enjoyed your version. Handel is so much more accessible to modern ears played on the piano and so beautiful. You played the Allemande with a more staccato touch rather than legato. I am getting used to that. I think that is your style of playing in general. I like the way I can hear every note crisply and cleanly rather than "rolled" together.
I don't know why, but the first ritornello of Courante rembembers me the Glenn Gould's playing style...
It also has a processional sound like a bride and groom walking up the aisle.
Tasty :) Never really had an affinity for Baroque/Classical music but vids like this are helping, keep up the good work !
Thank you for the tips. And congratulations for your talent.
Amazing..
beautiful!
Beautiful
Very beautiful ❤️
Thank you!
damn, i wish i look and play like this guy
Bravo
This is virtuous!
Thanks for your music and your video ;)
Sublime
You play magnificently. There are not so many Handel`s suites played in piano, mostly clavichords, would it be too much to ask you to upload you playing HWV 430?
Quanto mi piace! 💛
Beautiful transcription! Bravo! Who composed it?
I'm agree with you ;)
Excelente
nice work killa
Wow que buena interpretación amigo, mas Handel por favor!
I'm listening to the beautiful performance. How can I get the score for the first part, Händel - Suite in D minor HWV 437 Prelude?
nice
do you have the music sheet for this piece?
Someone get this guy a decent camera! :o)
5mins in is the Barry Lyndon / Dave Gorman sarabande.
I would like to hear this great piece played in a "Triumphant" or "Grandiose" style -- not referring to terminologies which refer to 'speed of play' but rather, the 'style of play'.
But no such style as "Triumphant" or "Grandiose" exist that I'm aware of. (Maybe I should use the terms; Fully-embellished! or Dramatic! or Confrontational!)
But this piece seems to call for it, as it seems as if it should be played the day after a great king and country has won a massive military victory, and not played to sound like it's background music at the king and queen's receiving line.
Some parts should be played quietly, while others should have the pianist exuberantly pounding away on the keys, bouncing the rafters out of place, IMHO.
The masterful pianist who played in this video could surely arrange such a performance/video.
Just my opinion.
Why did you change the rythm on the sarabande??
Yeah what the fuck.
Interesante versión, muy meritoria. Invito a compararla con la de Ragna Schirmer. Santirso toca la Sarabanda muy lentamente. Sin ánimo de criticar, pareciera a ratos "arrastrarla" un poco y se oye algo severo. En cambio, la pianista alemana no se ha olvidado que la Sarabanda al final "es" una danza, lenta es cierto, y llena de reflexiones muy profundas, pero la pianista sobresale subrayando el carácter esencial de esta música sublime.
Very Bachian.
Actually very Handelian.
I didn't know it has a prelude.
where did you find the score of this sonata?
Händels piano work, complette,
Bärenreiter edition, in germany
so technician!
Like your grammar!
For crying out loud. Who is he? why is he not identified?
5:27 thanks me later