Scipione Sangiovanni what an superb sense of joy listening to you playing these wonderful works. I greatly admire your sublime talent. Thank you! I have listened often and it constantly pleases.
Es mi compositor favorito...su música es lo mas cercano a una sensación espiritual intensa y reconfortante; espero que cuando viaje de este mundo su música me acompañe en el viaje.
I had read that comment once, attributed to LVB. It seems that was mistaken. It seems, though, that Beethoven expressed his reverence for Handel, if anything, in even stronger terms: “Handel is the greatest composer that ever lived... I would uncover my head and kneel down on his tomb." Source: Edward Schulz (English musician who visited Beethoven in 1816 and 1823), "A Day with Beethoven", The Harmonicum (1824). [from gfhandel.org]
@@PabluchoViision I think the quotation needs treating with some caution, and certainly not in isolation. At the time of Schultz’ second visit, Beethoven was working on the 9th symphony and thinking hard about the choral section, he was therefore studying carefully choral works by JS Bach, Mozart, Haydn, and of course Handel - Messiah in particular, so he was of course going to be praising Handel. The related point though is that Schulz was English; Beethoven was well aware of Handel’s status in England, and knew well that to big-up Handel would go down well with someone from that country in particular. Beethoven may also have had at the back of his mind getting some financial support, patronage, and/or subscribers - were the comments about Handel slightly cynical and did he have ulterior motives ? Might his comment not have been wasted on a German, French or Italian for example, and was therefore something served up especially for an English visitor ? That said, Beethoven did clearly rate Handel highly, and studied his works carefully; my question though is whether he really meant ‘greatest’, rather than great, additionally, if he did mean greatest, did he refer to the choruses alone, or to something else in particular, or to Handel generally.* * Beethoven as a keyboard player knew Bach’s 48 well; it is therefore inconceivable that he should rate Handel’s keyboard works above those of JS Bach.
I remember them played by the Maestro Gyorgi Sebok in a documentary from the 90s. I always thought they had a vocal and melodic quality to them, and express the simple joy to be alive
Thanks, beautiful lovely piano music tune is melodious! Handle Suites!Sounds of silence, so incredibly n intensely wonderful great piece! Peace and love while listening to this Fantasy video! Amazing!🎹🎶
What a delight! Handel's inventiveness in these pieces, his evident pleasure in his own talent, gives us a pure, uncomplicated musical enjoyment. Sangiovanni's interpretation in just this spirit easily overcomes my "piano-averse" (for early periods) listening biases. The triumphant sculpture seems a better accompaniment to Handel's grand works, Milton's poetry, etc. - let's call it a proclaimed triumph of BC's wonderful presentations of less-often heard wonders. Thanks!
Thank you for watching our videos! Did you know you can find Piano Classics on different Social Medias? Facebook: PianoClassics.lnk.to/Facebook Instagram: brilliant-classics.lnk.to/Instagram Tracklist: Suite in B-Flat Major, HWV 434: 00:00:00 I. Praeludium 00:02:18 II. Sonata 00:04:29 III. Aria con variazione 00:08:45 IV. Minuetto 5 00:12:35 Ciaccona in G Major, HWV 435 Suite in D Minor, HWV 436: 00:23:52 I. Allemande 00:27:25 II. Allegro 00:28:58 III. Air 00:31:59 IV. Gigue 00:33:52 V. Minuetto Suite in D Minor, HWV 437: 00:38:56 I. Allemande 00:41:21 II. Courante 00:42:46 III. Sarabande con variazione 00:46:24 IV. Gigue Suite in E Minor, HWV 438: 00:47:18 I. Allemande 00:50:12 II. Sarabande 00:54:11 III. Gigue Suite in G Minor, HWV 439: 00:55:59 I. Allemande 01:02:22 II. Courante 01:05:51 III. Gigue Suite in B-Flat Major, HWV 440: 01:10:33 I. Allemande 01:12:55 II. Courante 01:14:25 III. Sarabande 01:17:22 IV. Gigue Suite in G Major, HWV 441: 01:18:52 I. Allemande 01:20:57 II. Allegro 01:24:48 III. Courante 01:27:58 IV. Aria 01:29:38 V. Minuetto 01:33:17 VI. Gavotto 01:36:07 VII. Gigue Ciaccona in G Major, HWV 442: 01:38:52 I. Praeludium 01:40:06 II. Ciaccona con variazioni
Bears a strong resemblance to the second part of an irish traditional song "The Coolin" starting from 1:41 in this video (ruclips.net/video/ZYoJcKHcmdw/видео.html&ab_channel=DulahanIreland)
Did Gould play Haendel? If not, why not? Legend has it that Haendel was a great admirer of Bach. They knew of each other and were neighbors even though 90 miles apart. Since Gould was such a devotee of Bach it would seem logical that Haendel would also be included in that devotion. Both masters of the baroque period.
I believe it is partly the way Bach wove his harmonies/ voices. The movement of voices in contrary motion, for example, is seductive when combined with great harmonic progressions and even sometimes when the harmonies are quite difficult to grasp as in WTC. If you listen to just the opening minute of this video you will hear there is a lot of parallel voice movement. Bach was drawn to a style that avoided this. The opening of this Suite reminds me more of some jazz structures. Vertical harmonies with a lot of running around and little weave of lines.
Hahaha. Funny one about bagpipes and nails on chalkboard. Reminds me of the old quip: Why do bagpipers walk as they play? Answer: To get away from the noise.
I can just about put up with about ten minutes of being exposed to the bagpipes but five minutes of hearing a solo harpsichord is more than I can endure. Harpsichords should be seen and not heard.
Pieter Van Belder's recordings of Duphly's complete works for BC may or may not change your mind ruclips.net/video/tEswceS40iM/видео.html&ab_channel=BrilliantClassics
GEORG FRIEDRICH HAENDEL { HALLE, Saint - Empire 1685~1759 WESTMINSTER } « HANDEL : 9 SUITES « {Date de composition : ca 1710~1717} Magnifique interprétation au piano, de ses œuvres de GEORG FRIEDRICH HAENDEL, de SCIPIONE SANGIOVANNI, un virtuose italien de 29 ans, découvert en France grâce au festival de LA ROQUE D’ANTHERON ou on l’a entendue pour la première fois en 2006. Son palmarès comporte notamment un premier prix au « CITTÀ DI MARSALA « et au « PREMIO MONOPOLI «, et plus d’une dizaine de podiums, où il se classe à la deuxième ou troisième place bravo pour sa carrière musicale qu’il fait. Les 9 SUITES en question constituent le « VOLUME 2 « de la production de HAENDEL pour clavier, qu’on considère généralement comme un amalgame de pièces inégales rassemblées sans vrai projet musical. Un excellent texte d’accompagnement décrit comment cet assemblage disparate mêlant goût français, italien, allemand et anglais a finalement acquis la forme de l’édition de 1733, jouée ici. Si on ajoute que le style un peu échevelé de HAENDEL passe moins bien au piano que les structures très formelles de JOHANN SEBASTIAN BACH {1685~1750}, on comprend que peu de pianistes aient donné l’intégralité du volume. Dans des sélections en revanche, brillent SVIATOSLAV TEOFILOVITCH RICHTER {1915~1997}, ANDREI GAVRILOV, RAGNA SCHIRMER, et EVGENI KOROLIOV, SCIPIONE SANGIOVANNI semble avoir préféré ici un Steinway à son habituel Kawai, ce qui accentue encore sa volonté affichée de ne pas « sonner clavecin « établie d’entrée dans le prélude de HWV 434 étonnamment romantique et saturé de résonances. Mais ce familier des Concours, qui joue certes très propre, peine à renouveler l’intérêt de l’auditeur au long de ces deux heures de musique, en cause peut-être surtout dans les pièces lentes des ornements manquants d’imagination et des climats trop peu variés. Si les pièces rapides avancent bien, il me semble que dans les plus lentes le fil se rompt parfois aux point ou la phrase devrait trouver son rebond. Je garde pour ma part ma préférence pour le clavecin. GEORG FRIEDRICH HAENDEL virtuose hors pair a l’orgue et au clavecin, HAENDEL dut à quelques œuvres très connues notamment l’oratorio le MESSIAH composé en 1741, ses concertos pour orgue et concertos GROSSO, ses suites pour le clavecin, ses musiques de plein air WATER MUSIC publiée en 1733 et MUSIC FOR THE ROYAL FIREWORKS composée en 1749 de conserver une notoriété active pendant tout le XIXe siècle, période d’oubli pour la plupart de ses contemporains. Cependant, pendant plus de trente-cinq ans, il se consacra pour l’essentiel à l’opéra en italien plus de 40 partitions d’opéras séria, avant d’inventer et promouvoir l’oratorio en anglais dont il est un des Maîtres incontestés. Merci pour ses chefs-d’œuvre de GEORG FRIEDRICH HAENDEL compositeur de génie, et ce moment de musique au piano exceptionnel avec SCIPIONE SANGIOVANNI que j’ai beaucoup apprécié bravo.
Hey Brilliant Classics! Nice Video, I really want to know from which resource can i get this suits variaziones especially HWV437 I would really appreciate it if someone could help
Disculpa por responder en español pero mi inglés no es tan bueno. Hay dos ediciones muy buenas Urtext con estas 9 suites de 1733: el segundo volumen de la integral de la música para teclado que sacó la editorial Baerenreiter; la otra opción es el libro con las suites publicado por la editorial Henle. Saludos.
IMSLP is a fantastic resource. Many old editions in public domain, free downloads. Not everything is public domain, but for most pieces there is at least one public domain version.
What piano is this? Does not sound like Steinway at all, more light, like an older instrument with lower string tension. Transparent and many overtones. Would be interesting to hear!
The music is wonderful, as always, but I was drawn in by the beautiful sculpture on the album cover. Does anyone know which piece it is and who made it?
最近私はヘンデルの作品を聴くことか多く、特に組曲(Keyboard･Suite)をRUclipsの中の幾つかのシリーズからその作品の作品番号(HWV)とKeyboard･Suite番号(No)を知ってそれを整理しているうちに、私には知り得ない幾つかの点が見つかったので、ご存じの方にご教示いただければ幸いです。それは、作品番号がHWV434､435､440と442の4つの作品のKeyboard Suite 番号(No)と、こんどは逆に､Keyboard･Suite番号が13と15の作品番号(ＨＷＶ)、以上の5つの点を教えていただければ幸いです。
Yes. Es lo que hubiera hecho el. Inmensamente superior al patético, insoportable y destructor de nervios y oídos clave, clavicordio, clavecín o como se llame.
@@fernandofernandezgar pero, Handel, Bach , Scarlatti, Rameau, Couperin y todos Los compositores del Barroco han escrito para Los patéticos destructores de oydo , segun tu opinion, clavecino y clavicordio, no para pianos. Tocar lá música barroca en el piano, puede parecer hermoso, pero no es el sonido fiel y original de estas composiciones. Es como tocar Chopin al órgano. A quien no gusta escuchar la música barroca hecha para teclados, tocada em sus instrumentos originales, que escuchem somente los compositores romanticos, Chopin, Liszt, Brahms ...
@@fernandofernandezgar porém, fortepiano foi o instrumento de teclado para o qual Haydn e Mozart mais escreveram. Em suas juventudes, usaram e escreveram para o cravo, ou clave, e depois, o fortepiano. Jamais para o piano moderno, que aparentemente, eh teu instrumento preferido. Não havia o piano moderno. Tocar Haydn e Mozart em piano moderno, também eh infidelidade musical. Como aqui, Handel ao piano.
Lar M you probably have more inside information than a normal human being? Hè would have been writing probably music suitable for the piano and would not have written harpsichord suites that is for sure
Harpsichord Vinyl Gallery -- You can buy the entire collection of Handel’s harpsichord music (8 cds) here in Brilliant Classics. With Michael Borgstede at harpsichord.
Une interprétation exceptionnellement. Merci au pianiste. J'ai découvert Händel et je suis tombé amoureux de sa musique.
Do you refer to Lulli rather than Lully ?
une interprétation exceptionnellement belle. J'ai découvert Händel, je suis tombé amoureux de sa musique.
Amazing, absolutely amazing. I had never given Haendel his proper regard. This recording changed my ignorance thoroughly.
Try his operas. A genius.
Handel’s keyboard works are good, but they are not really his greatest works.
Thanks to Maestro Sangiovanni for this wonderful recording of such amazing music!
このようなヘンデルの組曲(Keyboard Suite)を入れた幾つかのシリーズの中て、このSaniovanniの演奏しているのが、中に有名なシャコンヌとアリア、サラバンドの三つのそれぞれの変奏曲を伴なった曲が一緒に入っていて、ヘンデルの曲を聴きだして間もない私のような者には非常に貴重です。何度も聴いています。
Blitzing this music with adverts is outrageous
-> Brave browser
Handel..so relaxing tunes Brilliant Handel, Brilliant classics thx for posting this
Scipione Sangiovanni what an superb sense of joy listening to you playing these wonderful works. I greatly admire your sublime talent. Thank you!
I have listened often and it constantly pleases.
Es mi compositor favorito...su música es lo mas cercano a una sensación espiritual intensa y reconfortante; espero que cuando viaje de este mundo su música me acompañe en el viaje.
tranquilo, te colocaran la coleccion de Haendel en el cajón
Brilliant Classics, you made my day !!! Thank you so much for sharing this musical gem...
Pablo Kalincausky loved it as well!
@@AnnaKhomichkoPianist The comment moved me a lot, if it comes from the famous pianist Anna Khomichko !!! I'm your big fan...
so nice, Beautiful, melodic music just as i like it. thanks for uploading.
Absolutely gorgeous song 🧑🏻🎄❤️
Sangiovanni performs brilliantly.
The suites by Handel is a superb piece of music.beautiful performance.
Sublime collection!
🌻 Thank you! 🌻
Our pleasure!
My favourite composer-one of the very greatest, and according to Beethoven THE greatest!! How refreshing to hear these exquisite pieces on the piano!
I love that you mention Beethoven’s reverence for Handel. He called Handel “the master of us all”!
@@PabluchoViision I believe you are mistaking Hadyn's remark with Beethoven. Hadyn said that after listening to messiah 🙃
I had read that comment once, attributed to LVB. It seems that was mistaken. It seems, though, that Beethoven expressed his reverence for Handel, if anything, in even stronger terms:
“Handel is the greatest composer that ever lived... I would uncover my head and kneel down on his tomb."
Source: Edward Schulz (English musician who visited Beethoven in 1816 and 1823), "A Day with Beethoven", The Harmonicum (1824). [from gfhandel.org]
@@PabluchoViision
I think the quotation needs treating with some caution, and certainly not in isolation.
At the time of Schultz’ second visit, Beethoven was working on the 9th symphony and thinking hard about the choral section, he was therefore studying carefully choral works by JS Bach, Mozart, Haydn, and of course Handel - Messiah in particular, so he was of course going to be praising Handel.
The related point though is that Schulz was English; Beethoven was well aware of Handel’s status in England, and knew well that to big-up Handel would go down well with someone from that country in particular.
Beethoven may also have had at the back of his mind getting some financial support, patronage, and/or subscribers - were the comments about Handel slightly cynical and did he have ulterior motives ?
Might his comment not have been wasted on a German, French or Italian for example, and was therefore something served up especially for an English visitor ?
That said, Beethoven did clearly rate Handel highly, and studied his works carefully; my question though is whether he really meant ‘greatest’, rather than great, additionally, if he did mean greatest, did he refer to the choruses alone, or to something else in particular, or to Handel generally.*
* Beethoven as a keyboard player knew Bach’s 48 well; it is therefore inconceivable that he should rate Handel’s keyboard works above those of JS Bach.
I understood that when Beethoven was dying he pointed to some volumes of Handel's music and said " There is the truth "
I thought I would hate this, but I actually love it. kudos to Sangionvanni for bringing such a great touch to the keyboard for this music.
I remember them played by the Maestro Gyorgi Sebok in a documentary from the 90s. I always thought they had a vocal and melodic quality to them, and express the simple joy to be alive
Indeed!
Good pianist with a great name.
Handel was a great composer in mosly all of his works.
Merci handel
Thanks, beautiful lovely piano music tune is melodious! Handle Suites!Sounds of silence, so incredibly n intensely wonderful great piece! Peace and love while listening to this Fantasy video! Amazing!🎹🎶
Thank you for sharing this video 🙏
Thank you!🦋
What a delight! Handel's inventiveness in these pieces, his evident pleasure in his own talent, gives us a pure, uncomplicated musical enjoyment. Sangiovanni's interpretation in just this spirit easily overcomes my "piano-averse" (for early periods) listening biases. The triumphant sculpture seems a better accompaniment to Handel's grand works, Milton's poetry, etc. - let's call it a proclaimed triumph of BC's wonderful presentations of less-often heard wonders. Thanks!
BRAVO from Acapulco!
I've listened to several versions of this and this one is so bright and full of joy. Thank you!
Great, thanks so much for share...
아름다운 피아노 연주곡 잘 들었읍니다~감사합니다~🎵 🎹
Thank you for watching our videos! Did you know you can find Piano Classics on different Social Medias?
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Tracklist:
Suite in B-Flat Major, HWV 434:
00:00:00 I. Praeludium
00:02:18 II. Sonata
00:04:29 III. Aria con variazione
00:08:45 IV. Minuetto 5
00:12:35 Ciaccona in G Major, HWV 435
Suite in D Minor, HWV 436:
00:23:52 I. Allemande
00:27:25 II. Allegro
00:28:58 III. Air
00:31:59 IV. Gigue
00:33:52 V. Minuetto
Suite in D Minor, HWV 437:
00:38:56 I. Allemande
00:41:21 II. Courante
00:42:46 III. Sarabande con variazione
00:46:24 IV. Gigue
Suite in E Minor, HWV 438:
00:47:18 I. Allemande
00:50:12 II. Sarabande
00:54:11 III. Gigue
Suite in G Minor, HWV 439:
00:55:59 I. Allemande
01:02:22 II. Courante
01:05:51 III. Gigue
Suite in B-Flat Major, HWV 440:
01:10:33 I. Allemande
01:12:55 II. Courante
01:14:25 III. Sarabande
01:17:22 IV. Gigue
Suite in G Major, HWV 441:
01:18:52 I. Allemande
01:20:57 II. Allegro
01:24:48 III. Courante
01:27:58 IV. Aria
01:29:38 V. Minuetto
01:33:17 VI. Gavotto
01:36:07 VII. Gigue
Ciaccona in G Major, HWV 442:
01:38:52 I. Praeludium
01:40:06 II. Ciaccona con variazioni
4:29 wait wait wait... that's Brahms!!! coooool!
honestly, these should be called Variations on a theme by Brahms!
This is wonderful, thank you !
00:12:35 Ciaccona in G Major, HWV 435 This is my favorite one! Love it!
Bears a strong resemblance to the second part of an irish traditional song "The Coolin" starting from 1:41 in this video (ruclips.net/video/ZYoJcKHcmdw/видео.html&ab_channel=DulahanIreland)
2:28 starts a run that reminds me of "so - la - ti" from the "Do Re Mi" song in "Sound of Music".
Its galant schema called "Monte". 🎼🤗
Hermosa música!!!!
Dom Maravilhoso de Deus, Magnífico....
Graciass 🙆👍🌹🌹 🎶 usted es exquisito😁👌
00:42:46 masterpiece...
42:46 Here it is.
Always studying Chopin when there had been such incredible music.
Händel's Suites are spectacular and ahead of their time. They remind me of Beethoven's piano works
Beethoven 'when laughing'! Yes!!
Did Gould play Haendel? If not, why not? Legend has it that Haendel was a great admirer of Bach. They knew of each other and were neighbors even though 90 miles apart. Since Gould was such a devotee of Bach it would seem logical that Haendel would also be included in that devotion. Both masters of the baroque period.
I believe it is partly the way Bach wove his harmonies/ voices. The movement of voices in contrary motion, for example, is seductive when combined with great harmonic progressions and even sometimes when the harmonies are quite difficult to grasp as in WTC. If you listen to just the opening minute of this video you will hear there is a lot of parallel voice movement. Bach was drawn to a style that avoided this. The opening of this Suite reminds me more of some jazz structures. Vertical harmonies with a lot of running around and little weave of lines.
Yes, Gould recorded 4 suites by Handel playing the Harpsichord
That "legend" is cut out of whole cloth. I doubt Händel ever heard of Bach let alone admired him. If anything, it was the other way round.
@@wilhelm-z4t quite!
Grateful for the piano arrangements. The harpsichord is a step above bag pipes and nails on a chalkboard. I would like to hear these suites on guitar!
Hahaha. Funny one about bagpipes and nails on chalkboard. Reminds me of the old quip: Why do bagpipers walk as they play? Answer: To get away from the noise.
I can just about put up with about ten minutes of being exposed to the bagpipes but five minutes of hearing a solo harpsichord is more than I can endure.
Harpsichords should be seen and not heard.
Pieter Van Belder's recordings of Duphly's complete works for BC may or may not change your mind ruclips.net/video/tEswceS40iM/видео.html&ab_channel=BrilliantClassics
GEORG FRIEDRICH HAENDEL
{ HALLE, Saint - Empire 1685~1759 WESTMINSTER }
« HANDEL : 9 SUITES « {Date de composition : ca 1710~1717}
Magnifique interprétation au piano, de ses œuvres de GEORG FRIEDRICH HAENDEL, de SCIPIONE SANGIOVANNI, un virtuose italien de 29 ans, découvert en France grâce au festival de LA ROQUE D’ANTHERON ou on l’a entendue pour la première fois en 2006. Son palmarès comporte notamment un premier prix au « CITTÀ DI MARSALA « et au « PREMIO MONOPOLI «, et plus d’une dizaine de podiums, où il se classe à la deuxième ou troisième place bravo pour sa carrière musicale qu’il fait. Les 9 SUITES en question constituent le « VOLUME 2 « de la production de HAENDEL pour clavier, qu’on considère généralement comme un amalgame de pièces inégales rassemblées sans vrai projet musical. Un excellent texte d’accompagnement décrit comment cet assemblage disparate mêlant goût français, italien, allemand et anglais a finalement acquis la forme de l’édition de 1733, jouée ici. Si on ajoute que le style un peu échevelé de HAENDEL passe moins bien au piano que les structures très formelles de JOHANN SEBASTIAN BACH {1685~1750}, on comprend que peu de pianistes aient donné l’intégralité du volume. Dans des sélections en revanche, brillent SVIATOSLAV TEOFILOVITCH RICHTER {1915~1997}, ANDREI GAVRILOV, RAGNA SCHIRMER, et EVGENI KOROLIOV, SCIPIONE SANGIOVANNI semble avoir préféré ici un Steinway à son habituel Kawai, ce qui accentue encore sa volonté affichée de ne pas « sonner clavecin « établie d’entrée dans le prélude de HWV 434 étonnamment romantique et saturé de résonances. Mais ce familier des Concours, qui joue certes très propre, peine à renouveler l’intérêt de l’auditeur au long de ces deux heures de musique, en cause peut-être surtout dans les pièces lentes des ornements manquants d’imagination et des climats trop peu variés. Si les pièces rapides avancent bien, il me semble que dans les plus lentes le fil se rompt parfois aux point ou la phrase devrait trouver son rebond. Je garde pour ma part ma préférence pour le clavecin. GEORG FRIEDRICH HAENDEL virtuose hors pair a l’orgue et au clavecin, HAENDEL dut à quelques œuvres très connues notamment l’oratorio le MESSIAH composé en 1741, ses concertos pour orgue et concertos GROSSO, ses suites pour le clavecin, ses musiques de plein air WATER MUSIC publiée en 1733 et MUSIC FOR THE ROYAL FIREWORKS composée en 1749 de conserver une notoriété active pendant tout le XIXe siècle, période d’oubli pour la plupart de ses contemporains. Cependant, pendant plus de trente-cinq ans, il se consacra pour l’essentiel à l’opéra en italien plus de 40 partitions d’opéras séria, avant d’inventer et promouvoir l’oratorio en anglais dont il est un des Maîtres incontestés. Merci pour ses chefs-d’œuvre de GEORG FRIEDRICH HAENDEL compositeur de génie, et ce moment de musique au piano exceptionnel avec SCIPIONE SANGIOVANNI que j’ai beaucoup apprécié bravo.
The romantic introduction? Vow.
4:29 Interesting to find out that Handel already composed this as a set of variations. Brahms took it further with his set of 25 variations.
8:45 Famous Minuet in G minor
wow!!! that ornaments??!!!!?!?!
Wie stark ist nicht dein Zauberton, Herr Handel!!!
Hey Brilliant Classics! Nice Video, I really want to know from which resource can i get this suits variaziones especially HWV437 I would really appreciate it if someone could help
Disculpa por responder en español pero mi inglés no es tan bueno.
Hay dos ediciones muy buenas Urtext con estas 9 suites de 1733: el segundo volumen de la integral de la música para teclado que sacó la editorial Baerenreiter; la otra opción es el libro con las suites publicado por la editorial Henle.
Saludos.
IMSLP is a fantastic resource. Many old editions in public domain, free downloads. Not everything is public domain, but for most pieces there is at least one public domain version.
🙏
1.10.19.Handel is my carriphane broheem.
Супер,Гендель!👍🤗🇮🇱!
No es lo mismo escuchar estas obras al clavecín; sigo prefiriendo el clavecín en este caso.
What piano is this? Does not sound like Steinway at all, more light, like an older instrument with lower string tension. Transparent and many overtones. Would be interesting to hear!
✨✨✨❤️✨✨✨
The music is wonderful, as always, but I was drawn in by the beautiful sculpture on the album cover. Does anyone know which piece it is and who made it?
The sculpture can be found at the Altare della Patria in Rome, Italy. Unfortunately I can't seem to find who made this sculpture, sorry.
@@BrilliantClassics thanks a bunch all the same for your answer! ☺
@@BrilliantClassics Michelangelo, Perhaps?
I thought it might be Augustus, first emperor of Rome, but the hair is a bit long. The staff matches though.
Not sure if you are still wondering - It's La Forza by Augusto Rivalta
The Gigue & Minuetto (31:59 , 33:52) sound similar to the compositions of J.S.Bach.
or the opposite? But actually they shared most of the same French, Italian and German models/masters...
Handel
Handel, encontro-me.
. . . the guy on the left looks like Sylvester Stalone
and the guy in the middle looks like me in my army days.
Sean Bean with a bowl cut on the right
Yes, in the right sad eye...well said!!! :) Cheers from France
最近私はヘンデルの作品を聴くことか多く、特に組曲(Keyboard･Suite)をRUclipsの中の幾つかのシリーズからその作品の作品番号(HWV)とKeyboard･Suite番号(No)を知ってそれを整理しているうちに、私には知り得ない幾つかの点が見つかったので、ご存じの方にご教示いただければ幸いです。それは、作品番号がHWV434､435､440と442の4つの作品のKeyboard Suite 番号(No)と、こんどは逆に､Keyboard･Suite番号が13と15の作品番号(ＨＷＶ)、以上の5つの点を教えていただければ幸いです。
The tracks in this video have a tracklist with timestamps in the description, i hope this can offer some help!
@@BrilliantClassics様へ。
私の文章が長すぎるようなので、早速短く縮めました。よろしくお願いいたします。
44:33！
42:46 Corelli variations? Bach partita in d minor? This sounds sooo familiar....
This is Handel?
No, its Rachmaninov
Handel Suítes player on the piano???
Yes. Es lo que hubiera hecho el. Inmensamente superior al patético, insoportable y destructor de nervios y oídos clave, clavicordio, clavecín o como se llame.
@@fernandofernandezgar pero, Handel, Bach , Scarlatti, Rameau, Couperin y todos Los compositores del Barroco han escrito para Los patéticos destructores de oydo , segun tu opinion, clavecino y clavicordio, no para pianos. Tocar lá música barroca en el piano, puede parecer hermoso, pero no es el sonido fiel y original de estas composiciones. Es como tocar Chopin al órgano. A quien no gusta escuchar la música barroca hecha para teclados, tocada em sus instrumentos originales, que escuchem somente los compositores romanticos, Chopin, Liszt, Brahms ...
@@davidjosegomes7768 sin embargo hay algo quizás peor... Mozart y Haydn y Clementi en el fortepiano.
@@fernandofernandezgar porém, fortepiano foi o instrumento de teclado para o qual Haydn e Mozart mais escreveram. Em suas juventudes, usaram e escreveram para o cravo, ou clave, e depois, o fortepiano. Jamais para o piano moderno, que aparentemente, eh teu instrumento preferido. Não havia o piano moderno. Tocar Haydn e Mozart em piano moderno, também eh infidelidade musical. Como aqui, Handel ao piano.
Of course, why not?
Слушал первую запись по счету. Явный ритмический непорядок на стыках, переходах, фраз.
Heh first
0
Handel un Genio, es mas que Beethoven
Händel for piano? Uhhhh
Should the piano invented 150 years earlier Handel will be most delighted.
Harpsichord for Rachmaninoff Piano Sonata No 2 !
Harpsichord for Tausig Ghostship Ballad.You couldn't hear a dam thing !
Lar M you probably have more inside information than a normal human being? Hè would have been writing probably music suitable for the piano and would not have written harpsichord suites that is for sure
Harpsichord Vinyl Gallery -- You can buy the entire collection of Handel’s harpsichord music (8 cds) here in Brilliant Classics. With Michael Borgstede at harpsichord.
They are written for HARPSICHORD.
You can buy the entire collection of Handel’s harpsichord music (8 cds) here in Brilliant Classics. With Michael Borgstede at harpsichord.
So, the music isnt good enough to be played on any other instrument? Is it not universal enough?
E allora? Che importanza ha?
non è ugualmente sublime?
@@carlogiovanardi475 Περί ορέξεως κολοκυθόπιτα.