Yulianna, you has played the French Overture b minor, but I don't feel you performance as dark, on the contrary lively, even joyful. The tonality is perhaps a little bit rough and defiant, but never dark. The parallel key is D major. For me, dancing pieces except the Sarabande can't be really dark. But there a pieces in b minor, also in the baroque which are dark.
Yulianna, I can't say you how many details I hear and how much I'm falling in astonishment. Perhaps you understand me and this: Bach: 13:48 the way from b minor to e minor is like frozen tears who are beginning to melt. You mustn't be agree with them, but nevertheless, I mean to hear this in your perfomance. Thank you so much!! Weinberg: 41:02 9:36 till 10:20 . O no! No tone! Either overlooked or irreparable! I am so sorry. It would be so super you could repair it, although I find this is not your task. Otherwise we must accept it.
O thank you so much in the name of all your fans! In your facebook I have heard only loose sections!
one of the best fugues ever written
Yulianna, you has played the French Overture b minor, but I don't feel you performance as dark, on the contrary lively, even joyful. The tonality is perhaps a little bit rough and defiant, but never dark. The parallel key is D major. For me, dancing pieces except the Sarabande can't be really dark. But there a pieces in b minor, also in the baroque which are dark.
Yulianna, I can't say you how many details I hear and how much I'm falling in astonishment. Perhaps you understand me and this: Bach: 13:48
the way from b minor to e minor is like frozen tears who are beginning to melt. You mustn't be agree with them, but nevertheless, I mean to hear this in your perfomance. Thank you so much!! Weinberg: 41:02
9:36 till 10:20 . O no! No tone! Either overlooked or irreparable! I am so sorry. It would be so super you could repair it, although I find this is not your task. Otherwise we must accept it.
13:50演奏
If you're succesfull with the video, we can write our text new. Until now it isn't so much.