Aerosmith Love in an Elevator Guitar Solo with TAB

Pump is an important album to me because it was the first Hard Rock album I ever heard. I remember a friend of mine bought the cassette tape right when it was released and we both listened to it over and over again. At the same time I also remember seeing the video for Jamie’s got a Gun and Love in an Elevator on Much Music (The Canadian MTV). The “Love in an Elevator” music video really stuck out to me because of Joe Perry and Steven Tyler. These two guys were a perfect Rock n Roll pair. Joe Perry was the dark, mysterious and handsome guitar player and Steven Tyler was the dominate, overtly over the top Rock Star. The prototype for this Rock n Roll formula had been done before with The Rolling Stones, the New York Dolls and Led Zeppelin but in my opinion Aerosmith perfected it. I also remember being a little scared by Steven Tylers overtly sexual stage moves which mirrored Paula Addul’s music video for Straight up.
Pump has also aged very well. When I looked at the critical consensus of all the Aerosmith records pump tends to be in the top 5. Pump is also important because it is the 2nd record in a trio of albums that was produced by Bruce Fairborn. Bruce is a Canadian producer out of Vancouver who has been responsible for super charging the careers of Bon Jovi and AC/DC. Aerosmith can also be seen as the band that has had one of the greatest commercial comebacks in Rock history, and Bruce was an integral component in that legendary resurrection. I recently listened to all three Bruce Fairbarin Aerosmith albums back to back: Permanent Vacation (1987), Pump (1989) and Get a Grip (1993). I was surprised that I enjoyed Permanent Vacation the most of the three. My least favourite by quite a large margin was Get a Grip. I remember loving Get a Grip when it came out so that was a little jarring. Pump sits very comfortably in the middle and I still like it as much as when it came out.
The guitar solos for Love in an Elevator are absolutely amazing. My respect for these solos has only increased after having covered them. I love how Joe Perry moves between strange angular playing and incredibly melodic blues playing all with such a loose style that it feels like it could fall apart at any moment. I also love how Brad interjects some of his soloing as well.
00:03 Solo 1 Brad
00:13 Solo 2 Joe
00:28 Solo 3 Brad
00:34 Solo 4 Joe
00:39 Interlude
00:54 Solo 5 Joe
/ jimiwolfguitarsolos
/ jimiwolfsolos
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[@cancelbubble6535]

Pump was Aerosmith's last great album (they also had a really cool stage on that tour, it was made to look like the roof top of a city building). It was all downhill after that. Go on, someone try and tell me I'm wrong.

[@jimiwolfsolos3119]

The Rock n Roll spirit the band had has been disappearing since Pump, absolutely.

[@_aidan_b]

Such a good song but even as someone who loves long solos I think joe went a little overboard on this one haha. Sounds great though man

[@jimiwolfsolos3119]

I know it's so long. I wish he gave Brad a few more rounds

[@mejiaortegamarioenrique3904]

how you get your guitar tones? i need a lot of tutorials of your tones, they are sick bro

[@jimiwolfsolos3119]

Thanks, I used Amplitube for all the guitar tones. I think it was one of the two Slash Marshall models. I remember turning the room mics up a little more than usual. For Joe's tone I also used a heavy slap back delay sound set to around 100 ms using Soundtoys echoboy.

[@Emulator_Crossing]

nice, what monitor/speaker you use?​@@jimiwolfsolos3119