16:10 I tell you, the individual pieces of this puzzle didn’t make too much sense when the puzzle was being built, but the end result was nothing short of transformative! The final vocal sounded incredible! I never would have thought it would make sense, but it truly ended up being absolutely beautiful. Like a painter using multiple colors and techniques to create something magical. So lovely to watch a master at work! Thanks for the video (albeit an old one…)! Cheers!
Warren - I get a smile every time your saying we are messing it up ! Its taking the human element and bringing it out! Yes, its good to put effort into having a good front end and treated room etc. but once you know your gear and room isn't holding you back.... well its time to MESS IT UP ! Make it interesting!
For those of you watching this - This is amazing advice. The next step is: Customize your own presets!!! You can save the settings you have in one session and transfer those settings to another session ! This is how professional engineers get their own "Sound" and why people will go to YOU for a mix.
One thumbs up is not enough. This is the kind of thing you learn working with or apprenticing with other engineers and I would never have thought of as a hobbyist mixer.
My protip to share on this... I have a condenser mic hanging from the ceiling, Panned it all the way to the left and secretly recording aswell. The regular vocal mic. is in front of the singer. Now I have 2 tracks to work with. + the natural reverb and 'roomy' feel really opens up the recording. Especially when vocallists go loud!
You've opened my eyes to a whole new world of mixing and mastering. As someone who's only just now beginning their journey producing music and experimenting with it, your channel is definitely one I will refer back to a lot!
One of my favourite reverb tricks that I discovered recently for a really big, deep sounding reverb is to mix your aux signal louder than your dry signal so what your hearing is primarily verb. I found using predelay in this case will ruin the sound though. Short hall or chambers work best
Feed one dense reverb into a more open one, you can go wild with effecting the first reverb, like using a Leslie effect on the first reverb, you can make it really dreamy with low rotation speeds and it’s not so obvious because it is then making the second reverb „swim“ for want of a better phrase, ramping the rotation up or down makes even more „rise or fall to the sound, gets you into some complicated automation but the added movement and variation is the cherry on the top
Consistently blown away by your candid revelations. Much appreciated insight into the world of mixing. Never in a million years would I have stumbled upon what you present so obviously. Thank you. Keep up the good work.
Aleister Crowley wrote (and I paraphrase) that you do a thing once, you get a little better at it. You do a thing twice, it begins to become familiar to you. You do that thing ten times and you might begin to feel yourself developing a level of proficiency in it. You do a thing ten times ten times ten time, and it's not longer you doing it, but it is doing itself through you. You, Mr. Huart, seem to have become a channel through which the art of mixing manifests itself in the world among us mere mortals. You are an absolute champ and the day I discovered your tuition articles and videos marked the beginning of my beginning to really understand the ins and outs of mixing. Thank you!
I rarely record and mix vocals anymore because my career is all about electronic instrumental music now. I used to record and mix vocals and artists for more than 10 years. But maaaan i love learning a few more techniques and ideas to mix stuff. The different reverbs panned are such a great idea. Thank you! Love your channel! Much love from Berlin!
3 tips my hiney. There's like a hundred tips in that first tip alone! This has genuinely exploded my brain insofar as what's apparently possible with reverb. Love it!
Just watched the video and got the idea of running the input for the reverb through a harmonizer. I have to try theat tonight. Thanks for the inspiration.
I love how you say you were looking for wrongness. I just did a harmony vocal and decided to make it distorted flange. I’m going to keep doing stuff cause I think it’s cool not because someone says this is how it’s done. Great stuff as always warren😎🤙
Couldnt have come a better time. I've been wracking my brains over the vocal mix for an RnB artist I've been recording. He wants something differnt! Other than bloody "Drake" .. great stuff!!
Hi Friends! What many people love about traditional analog recording was the 'wrongness' the randomness! When I mix I love to experiment with ways to 'mess' things up! Saturation, pitch change, sometimes subtle, sometimes full-blown octaves up and down! What ideas to you use to mess things up, randomise, create wrongness that's all so right! Please let us know! Have a marvellous time recording and mixing my friends!
I remember I had the best drum sound once tracking.. The next day we realized we labelled the board wrong/mixed up inputs at is was 414s or not 421s. Sounded amazing (obviously) and different
Hey Warren. Quick question , some reverb plugins have Eqs on them. is it ok to use them since one of the techniques involve Eqing before the reverb ? are those eqs after the reverb hit or before ?
Great video as always! It's all about creativity! One trick that was "life-changing" for me was learning to use short, barely audible, ambient reverbs to make a vocal sit in the track but still appear dry/up front.
Hey Warren! Hope all is well. Loving the vids of course. I’ve forgotten which is the one where you demonstrate how to create a dynamic delay. Any clues? Thanks again for all your inspiration and instruction. Steve
So tasty and kind of gives, a reckless freedom to experiment, when the people you learn off, that you think are in the zone and respect are doing this shit. Adds so much life and colour to the vocal. Stoked🤙🏽🤙🏽🤘🏽
Awesome video, and a great philosophy on mixing. I never heard the necessity of "WRONGNESS" so perfectly articulated. Much respect Warren!!! It's not at all easy to do what you do and grow a youtube channel like this. You're like the Hendrix in this space! Bravo! :)
I’m amazed. I actually started mixing my own vox on iPhone GarageBand and had to learn how to lean into unique effect combinations to “mask and utilize” my lack of quality recording equipment(it’s a feature not a bug I swear). Now I have a real mic and I feel like I’m hitting the ground running. Thanks man
I m new to this and i have also just joined the academy! Love your work, my mind everytime gets blasted away. You know i had all this "rules" in my head that i thought they were valid and i would stick up with them every time but man, i m so happy to found out that i was so wrong! Thank you so much!
I really like this. Thanks much. What I do with my reverb already: Always reverb is on it's own send FX channel and that's a pre-fader send...Much more control to blend it into the dry Abbey Road EQ between 600-10K but it changes depending on the exact sound I'm after I like adding delay going into reverb I'll duck the FX channel keying off the dry, I'm after tails and wanting to push reverb into the background a bit After viewing your video, I'll add some other things like saturation and distortion, and pitch shifting, this is for "blurring" the reverb to help keep it from just being a repeat of the dry, I'll add to the EQ the mid dip as needed That separate reverb for left and right might be accomplished by my nice little Melda multiband reverb. As is, my Melda multiband delay gives me slapback and ping-pong with one instance of it. These are part of my Melda new shiny bits of plug-in toys that have a very, very deep level of editing ability.
Hi Warren ... amateur musician and home studio composer, I really appreciate your wise advice, they open up new avenues for exploration and musical creation. Thank you also for the excellent pronunciation, it helps the French speaker that I am ;-).
Love that video! The only idea I came up with, is putting an amp simulation behind the reverb, especially when I use exaggerated reverbs based on impulse responses. Cabs and reverbs are quite similar, so I used the same plugin twice with different settings and IRs. I never came up with going distorted into the reverb. It's fantastic! Thanks!
I've visited many of your vids and sometimes more than once, because I go away thinking I have the tidea, but then forget about the settings. Luckily, today I'm doing some vocals in the mix and this has really helped. Just in case I forget, I made a few notes this time - Lol. Thanks as always - Liked this time.
Thanks for that. You helped get more creative and try out new stuff. I tried out the AbbeyRoad trick, didn't work that good tbh. But I created a nice little megaphone effect and now have cool preset track. Using Neutron 3 Elements to eq a radio effect. Then applied some distortion in the midrange and applied that to the voice track as pre fade.
Great video! I've learned a lot, thank you Warren. There are two things I do when I want to make my vocal sound a bit more aggressive at some parts of a song. I use the ghost voice effect of a vocoder and work with delay, modulation and distortion on it. The other one is pretty similar , but it's even more aggressiv. I use Pink Noise, EQ it, modulate it an put all kinds of effects on it like I do with the vocoder. The last in the chain is a gate, which is triggers by the vocal and only opens up, when the voice comes in. If you want to push it even more, you use a clean delay on the vocal and duck it while singing and open it up at the end of a line and do it vice versa with a delay fed by the pink noise signal it sounds pretty wrong in a good way :-)
Produce Like A Pro I just joined up to the academy on the cyberspecial. Thanks for the opportunity! I’m checking out the videos. I would love more videos on a song going from rough acoustic demo to a full arrangement. I love the mixing stuff as well, of course, but the magic of moving a song to a point where it has a full arrangement isn’t shown much because it’s tricky and hard to apply. I think your teaching skills can pull that off though! I have a bunch of song ideas that are at various beginning stages but am stuck moving them as a beginner.
Sometimes I use reverb in the insert of a snare or tom-tom bus just to bring them farther away and create a broader and more ambient sound, like in the 80s. It works well if the initial sound is too dry and "in your face". The more wet I have my reverb mix knob, the farther the source goes. Did that on my mix of this song "Stay", worked really good.
Thank you very much Warren! Great ideas! I use ping-pong delays a lot on vocals, with saturation and a small chorus effect.... Gives some nice width and it won't mess up my mono signal...
I always like the idea of making things sound a bit 'wrong' to create interesting and characterful sounds. I just got Goodhertz' new Megaverb which is based on 'bad' old hardware reverbs for just that purpose!
Got the Goodhertz pack last week - havent had the time to try it yet, but as far as I've seen from the videos it seems you can do very interesting stuff with it.
16:10 I tell you, the individual pieces of this puzzle didn’t make too much sense when the puzzle was being built, but the end result was nothing short of transformative! The final vocal sounded incredible! I never would have thought it would make sense, but it truly ended up being absolutely beautiful. Like a painter using multiple colors and techniques to create something magical. So lovely to watch a master at work! Thanks for the video (albeit an old one…)! Cheers!
Warren - I get a smile every time your saying we are messing it up ! Its taking the human element and bringing it out! Yes, its good to put effort into having a good front end and treated room etc. but once you know your gear and room isn't holding you back.... well its time to MESS IT UP ! Make it interesting!
For those of you watching this - This is amazing advice. The next step is: Customize your own presets!!! You can save the settings you have in one session and transfer those settings to another session ! This is how professional engineers get their own "Sound" and why people will go to YOU for a mix.
A super video! Thank you so much!
This is so valuable. I actually went to audio engineering school, your channel has more info and better tips than anything they taught. Thank you!
One thumbs up is not enough. This is the kind of thing you learn working with or apprenticing with other engineers and I would never have thought of as a hobbyist mixer.
we are blessed that such a great mixer decided to open a RUclips channel and share his amazing knowledge.
When you unmuted the delays at the end, that was the icing on the cake! Awesome!
Thanks ever so much my friend!!
Best video, to motivate yourself as a mixer
you're like TEACHER in my life's Unisersity of Music THANK YOU SO MUCH FOR YOUR EXISTANCE with REGARDS&RESPECT
You’re very kind! Thanks ever so much
My protip to share on this...
I have a condenser mic hanging from the ceiling, Panned it all the way to the left and secretly recording aswell.
The regular vocal mic. is in front of the singer. Now I have 2 tracks to work with. + the natural reverb and 'roomy' feel really opens up the recording. Especially when vocallists go loud!
It is a honor to see a real pro working... Thank you.
You've opened my eyes to a whole new world of mixing and mastering. As someone who's only just now beginning their journey producing music and experimenting with it, your channel is definitely one I will refer back to a lot!
That’s very kind of you to say! I’m glad to be able to help
One of my favourite reverb tricks that I discovered recently for a really big, deep sounding reverb is to mix your aux signal louder than your dry signal so what your hearing is primarily verb. I found using predelay in this case will ruin the sound though. Short hall or chambers work best
What a beautiful voice he has. If the rest of the song is as listenable, it’s a winner. Thanks for the insights.
Thanks very much
one of my favorite parts of these videos is the length. 3 vocal reverb tips in 20 minutes means these are some GOOD tips. thank you!
Hey, Warren, thanks! 3 years down the road, this is exactly the advice I need today!
Thanks ever so much Dave!
This was priceless. Wrongness is right when too much rightness has gone wrong.
Your da man warren. Got the hair rockin plenty of reverb and saturation in that style
Feed one dense reverb into a more open one, you can go wild with effecting the first reverb, like using a Leslie effect on the first reverb, you can make it really dreamy with low rotation speeds and it’s not so obvious because it is then making the second reverb „swim“ for want of a better phrase, ramping the rotation up or down makes even more „rise or fall to the sound, gets you into some complicated automation but the added movement and variation is the cherry on the top
Man, idk if people say it to you often but your voice feels so nice to hear, one of the reasons why i'm watching a lot of your videos
AW shucks!! You Rock!
3 outstanding vocal reverb tips! Tiptastic!
Thanks ever so much!!
The saturated reverb was a great thickening trick. Thanks
Thanks David! Glad to be able to help!
Right??? My vocals instantly sounded a lot better 💪🏽
Yeah! It gives your vocals more depth without it being thin and empty. 🙂
Consistently blown away by your candid revelations. Much appreciated insight into the world of mixing. Never in a million years would I have stumbled upon what you present so obviously. Thank you. Keep up the good work.
Thanks ever so much
Aleister Crowley wrote (and I paraphrase) that you do a thing once, you get a little better at it. You do a thing twice, it begins to become familiar to you. You do that thing ten times and you might begin to feel yourself developing a level of proficiency in it. You do a thing ten times ten times ten time, and it's not longer you doing it, but it is doing itself through you. You, Mr. Huart, seem to have become a channel through which the art of mixing manifests itself in the world among us mere mortals. You are an absolute champ and the day I discovered your tuition articles and videos marked the beginning of my beginning to really understand the ins and outs of mixing. Thank you!
Used the side chaining compression for reverb on a spring verb and a low input level saturation verb... sounds great!! Thanks again Warren.
Hello sir, love your videos, they are super useful and you have a nice positive energy! Keep it coming, much respect. 🙏
Thanks ever so much my friend!
I rarely record and mix vocals anymore because my career is all about electronic instrumental music now. I used to record and mix vocals and artists for more than 10 years. But maaaan i love learning a few more techniques and ideas to mix stuff. The different reverbs panned are such a great idea. Thank you!
Love your channel! Much love from Berlin!
This was more of an inspiration to get creative and go crazy than a plain reverb tips video that I expected. Thanks! 😊
You're ever so welcome Aswin!
Thanks Warren, you are a monster help understanding all these crazy plug ins.
You're very welcome Rick!
3 tips my hiney. There's like a hundred tips in that first tip alone! This has genuinely exploded my brain insofar as what's apparently possible with reverb. Love it!
Just watched the video and got the idea of running the input for the reverb through a harmonizer. I have to try theat tonight. Thanks for the inspiration.
Music is all i have in my life and i have a handfull of ok songs to show for a lifetime of trying.. Every moment of my life is taking an eternity now.
Please do more vocal delay tips next! for all of us.
God bless Warren!
Hi IO absolutely!!
What else I can use rather than D VERB? But the technique is really awesome. Kudos Warren...👏👏
You should use your stock reverb plug in indoor DAW
Maaan, thank you for these videos 🙏🙏🙏
I love how you say you were looking for wrongness. I just did a harmony vocal and decided to make it distorted flange. I’m going to keep doing stuff cause I think it’s cool not because someone says this is how it’s done. Great stuff as always warren😎🤙
Hi Seymour, fantastic! That's what I like to see my friend! Great experimentation!!
Couldnt have come a better time. I've been wracking my brains over the vocal mix for an RnB artist I've been recording. He wants something differnt! Other than bloody "Drake" .. great stuff!!
Hi Friends! What many people love about traditional analog recording was the 'wrongness' the randomness! When I mix I love to experiment with ways to 'mess' things up! Saturation, pitch change, sometimes subtle, sometimes full-blown octaves up and down! What ideas to you use to mess things up, randomise, create wrongness that's all so right! Please let us know! Have a marvellous time recording and mixing my friends!
Great tips! Mess it up!!
I remember I had the best drum sound once tracking.. The next day we realized we labelled the board wrong/mixed up inputs at is was 414s or not 421s. Sounded amazing (obviously) and different
Yes, indeed! Thanks Spitfire!
Hey Warren. Quick question , some reverb plugins have Eqs on them. is it ok to use them since one of the techniques involve Eqing before the reverb ? are those eqs after the reverb hit or before ?
Very inspiring! Thanks for the tips!
Great video as always! It's all about creativity! One trick that was "life-changing" for me was learning to use short, barely audible, ambient reverbs to make a vocal sit in the track but still appear dry/up front.
Such a nice video. So positiv and motivating
Warren always blesses us, thank you dear sir!!
You're very welcome! Thank YOU!
Gojira pic. I like it
Beautiful Warren, thanks so much for sharing!
Thanks ever so much Andrew!!
The dry vocal sounded great. Why mess with it? Love your channel, Warren. Steve
I was just going to make that comment,the original is beautiful and now it sounds terrible with all those useless effects.
Oooh new camera? Looks good!
Thanks Warren! I’m starting a mix soon and you’ve inspired me to play now! Cheers, Marty
Please do my friend! Create your won sounds my friend! Creativity is KING!
Great tips again Warren, im definetly trying those on my new song. Thanks a lot
Very nice singing👍 That trick with modulating flanger in the reverb was definitely an ‘Aha moment’ Nice one...
You rule Warren. Thank you.
Thnx for the good tricks. The Abbey Road one was one of the first things learned mixing and is still a life saver for all times.
Inspirational, as always. Cheers Warren
Thanks! Glad you enjoyed it
thank you .... outstanding lesson
Thanks ever so much
Great ideas Warren. Will be trying these out on the tracks I'm working on!
Fantastic to hear Derek!!
I love what you do with stock plugins. Genius.
Hey Warren! Hope all is well. Loving the vids of course. I’ve forgotten which is the one where you demonstrate how to create a dynamic delay. Any clues? Thanks again for all your inspiration and instruction.
Steve
So tasty and kind of gives, a reckless freedom to experiment, when the people you learn off, that you think are in the zone and respect are doing this shit.
Adds so much life and colour to the vocal. Stoked🤙🏽🤙🏽🤘🏽
Perfect, you rock!!! Thank you!!
Serious Game Changer!
Thanks ever so much
Thanx Warren! A very useful and effective work to get good results and my own creativity! Great my friend!
Great tips, that abbey road trick was what I needed
You, sir, are genius!
Awesome video, and a great philosophy on mixing. I never heard the necessity of "WRONGNESS" so perfectly articulated. Much respect Warren!!! It's not at all easy to do what you do and grow a youtube channel like this. You're like the Hendrix in this space! Bravo! :)
just what I was looking for, cheers Warren !
You make my hobby interesting, starting to enjoy mixing again, thanks a lot Warren!
I’m amazed. I actually started mixing my own vox on iPhone GarageBand and had to learn how to lean into unique effect combinations to “mask and utilize” my lack of quality recording equipment(it’s a feature not a bug I swear). Now I have a real mic and I feel like I’m hitting the ground running. Thanks man
I m new to this and i have also just joined the academy! Love your work, my mind everytime gets blasted away. You know i had all this "rules" in my head that i thought they were valid and i would stick up with them every time but man, i m so happy to found out that i was so wrong! Thank you so much!
Awesome Video as always Warren!
Thanks ever so much
I love how just the right video cones up new or old when doing just that. tracked vocals the other day and now mixing them in to our new blues song
I really like this. Thanks much.
What I do with my reverb already:
Always reverb is on it's own send FX channel and that's a pre-fader send...Much more control to blend it into the dry
Abbey Road EQ between 600-10K but it changes depending on the exact sound I'm after
I like adding delay going into reverb
I'll duck the FX channel keying off the dry, I'm after tails and wanting to push reverb into the background a bit
After viewing your video, I'll add some other things like saturation and distortion, and pitch shifting, this is for "blurring" the reverb to help keep it from just being a repeat of the dry, I'll add to the EQ the mid dip as needed
That separate reverb for left and right might be accomplished by my nice little Melda multiband reverb. As is, my Melda multiband delay gives me slapback and ping-pong with one instance of it. These are part of my Melda new shiny bits of plug-in toys that have a very, very deep level of editing ability.
The right left is a classic. :D I love the flanged octave up reverb. Sounded cool enough for me to go do myself! As always, thank you for sharing!
Great tips Warren -- Definitely gonna try these. Thanks much.
Thanks ever so much Billy!
Another fantastic video! :D
Thanks ever so much Nathan!
i dig these kind of videos! thank you sir!!
Thanks ever so much Mike!!
Hi Warren ... amateur musician and home studio composer, I really appreciate your wise advice, they open up new avenues for exploration and musical creation. Thank you also for the excellent pronunciation, it helps the French speaker that I am ;-).
Always an awesome lesson from you Warren. Amazing. Cheers
You're very welcome Bruno! I'm so glad to be able to help! Have a marvellous time recording, many thanks Warren
Checking out The Workday Release right now. His vocals got me hooked!
Love that video! The only idea I came up with, is putting an amp simulation behind the reverb, especially when I use exaggerated reverbs based on impulse responses. Cabs and reverbs are quite similar, so I used the same plugin twice with different settings and IRs. I never came up with going distorted into the reverb. It's fantastic! Thanks!
Thanks ever so much Jürgen! I'm so glad to be able to help may friend! Have a marvellous time recording and mixing, many thanks Warren
Really cool tips Warren thank you!
I've visited many of your vids and sometimes more than once, because I go away thinking I have the tidea, but then forget about the settings. Luckily, today I'm doing some vocals in the mix and this has really helped. Just in case I forget, I made a few notes this time - Lol. Thanks as always - Liked this time.
That's great to hear my friend!! I'm so glad to be able to help!!
Thanks for that. You helped get more creative and try out new stuff.
I tried out the AbbeyRoad trick, didn't work that good tbh.
But I created a nice little megaphone effect and now have cool preset track.
Using Neutron 3 Elements to eq a radio effect.
Then applied some distortion in the midrange and applied that to the voice track as pre fade.
Great video! I've learned a lot, thank you Warren. There are two things I do when I want to make my vocal sound a bit more aggressive at some parts of a song. I use the ghost voice effect of a vocoder and work with delay, modulation and distortion on it. The other one is pretty similar , but it's even more aggressiv. I use Pink Noise, EQ it, modulate it an put all kinds of effects on it like I do with the vocoder. The last in the chain is a gate, which is triggers by the vocal and only opens up, when the voice comes in. If you want to push it even more, you use a clean delay on the vocal and duck it while singing and open it up at the end of a line and do it vice versa with a delay fed by the pink noise signal it sounds pretty wrong in a good way :-)
Loved this one! Simple and easy to use ideas. Thank you.
Thanks ever so much!!
Awesome! Brilliant !!! 👍👍👍👍👍
Thanks ever so much
Awesome tips!! Love messing around like this.
Thanks Mark! You Rock!! Mess around, get creative!
Produce Like A Pro I just joined up to the academy on the cyberspecial. Thanks for the opportunity! I’m checking out the videos. I would love more videos on a song going from rough acoustic demo to a full arrangement. I love the mixing stuff as well, of course, but the magic of moving a song to a point where it has a full arrangement isn’t shown much because it’s tricky and hard to apply. I think your teaching skills can pull that off though! I have a bunch of song ideas that are at various beginning stages but am stuck moving them as a beginner.
Sometimes I use reverb in the insert of a snare or tom-tom bus just to bring them farther away and create a broader and more ambient sound, like in the 80s. It works well if the initial sound is too dry and "in your face". The more wet I have my reverb mix knob, the farther the source goes. Did that on my mix of this song "Stay", worked really good.
Hi Alexey, that sounds very cool my friend! It sounds like you are paying a lot of attention to your mixing! Nice work!
I think what often comes up in my mixes is a bitcrushed reverb. Apply EQ on top for some extra spice.
Great video as always
Fantastic video Warren! Thank you for these gems!!
The best Vocal video i've seen so far !! Thaks so much !!
Warren. You make it so easy to watch and so interesting to learn from. Really don't think theres anybody better. Thankyou
I’m always looking for unique things to try. I love the pitch change idea. Thanks
Fantastic!!
Great tips! Mess it up!!
Good sir, you do have a so ever beautiful voice. I like the way frequencies are so well balanced in it.
Excellent video Warren! Gonna try out the dual mono trick! :)
Thanks Danny! Yes, it's a great trick!
Thanks man, you're a genius
Thank you very much Warren! Great ideas!
I use ping-pong delays a lot on vocals, with saturation and a small chorus effect.... Gives some nice width and it won't mess up my mono signal...
Hey dude, just wanted to say thanks for all the tricks... Ive learned loads. Keep it up x
The key word in every single video you make: FUN 😎👍
Love these videos, always inspires me to try new ideas.
I always like the idea of making things sound a bit 'wrong' to create interesting and characterful sounds. I just got Goodhertz' new Megaverb which is based on 'bad' old hardware reverbs for just that purpose!
Got the Goodhertz pack last week - havent had the time to try it yet, but as far as I've seen from the videos it seems you can do very interesting stuff with it.
That sounds very interesting Dane! Thanks for horsing!
Thanks Dave for that info!
great stuff warren man....enjoyed that.
Thanks ever so much Steve!