Here in this video, 'Kadambari Priyayai-Kadamba Kananayayi -Namaste -Namaste', the Muthuswami Dikshitar kriti is suited for an elaboration as a Padam in a Bharatha-natya recital. It brings nature and Srngara Rasa together beautifully. Its Kala -pramana is eminently suited for Abhinaya! In fact Dikshitar’s this one and the 'Arunacha natham' differ from his other renowned compositions that are steeped in Bhakthi and Vairagya Bhavas.! Sheer beauty of this two krities lies in the fact the Nayaka-Nayika-bedha is installed within a larger Bhava of Madura-Bhakti, wherein the Jeevatma and Paramatma are in union!!! Here 'Shrngara' should be viewed only as an aspect of Madhura Bhakthi; and should never be construed as if something that is taboo or improper!!! Excellent ragaalapana adorned classical sangathies revealed the Vocalit's reverence on tradition! Her rendition was Superb. Mathangi did full justice to the delineation, effortlessly traversing in all the three ‘sthayis’. best wishes.
Good mellifluous mohana raga song.welldone Mathangi madam.kindly informe the violin and mridangam artiste name itself.its very useful to rasigas_VENKATESWARAN,SBI LIFE,TUTICORIN,TAMILNADU.
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Pleasant soothing voice of singer with compressed voice tone mixed with masculine and feminine tone
Here in this video, 'Kadambari Priyayai-Kadamba Kananayayi -Namaste -Namaste', the Muthuswami Dikshitar kriti is suited for an elaboration as a Padam in a Bharatha-natya recital. It brings nature and Srngara Rasa together beautifully. Its Kala -pramana is eminently suited for Abhinaya! In fact Dikshitar’s this one and the 'Arunacha natham' differ from his other renowned compositions that are steeped in Bhakthi and Vairagya Bhavas.! Sheer beauty of this two krities lies in the fact the Nayaka-Nayika-bedha is installed within a larger Bhava of Madura-Bhakti, wherein the Jeevatma and Paramatma are in union!!! Here 'Shrngara' should be viewed only as an aspect of Madhura Bhakthi; and should never be construed as if something that is taboo or improper!!! Excellent ragaalapana adorned classical sangathies revealed the Vocalit's reverence on tradition! Her rendition was Superb. Mathangi did full justice to the delineation, effortlessly traversing in all the three ‘sthayis’. best wishes.
Namo namaha
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Good mellifluous mohana raga song.welldone Mathangi madam.kindly informe the violin and mridangam artiste name itself.its very useful to rasigas_VENKATESWARAN,SBI LIFE,TUTICORIN,TAMILNADU.