Один из самых выдающихся и знаменитых исполнителей классической испанской гитары. Его игра вызывает искреннее восхищение, а сам маэстро радует своей игрой. Он один из немногих моих душой любимых исполнителей произведений композиторов мира на классической испанской гитаре. Многие ему лета и дай Бог Дэвиду Расселу здоровья и всех земных благ. Браво маэстро
Amazing! Always count on David Russell to do an amazing job. I literally just spent the last two hours using this as a template with the original score in front of me and transcribing to Sibelius. I wish this was published; I own the three volumes of Albeniz David Russell transcriptions and this is not included. Really strange since he includes 4 other pieces from Espana and outside of the Tango this is the most well known movement...
I have a question. Don't insult me, please. But is maladuena a tune or a kind of tune, like, say a waltz? I've heard so many different tunes called malageuna that are quite different from one another. If it's just a kind of tune, what are its defining characteristics? Thanks -
Malagueña is a Spanish dance similar to the fandango, originating in Málaga. Malagueña is the feminine version of Málaga. There are a number of popular Malagueñas each with their own flavor. My favorite is Rumores de la Caleta. Malagueñas is one of the traditional styles of Andalusian music (flamenco), derived from earlier types of fandango from the area of Málaga, classified among the Cantes de Levante. Originally a folk-song type, it became a flamenco style in the 19th century. It is not normally used for dance, as it is generally interpreted with no regular rhythmic pattern, as a "cante libre". It has a very rich melody with virtuouso flourishes and use of microtones. Its guitar accompaniment is normally played in open position first inversion giving E for the tonic, which can be transposed by using a capo.
The best in the world obviously! He plays like it were 4 guitars every of them in a indipendent voice. The sound is always not overtaken. David is my fsvourite guitarist. Anyway, at the 49 sec there's a note c in the scale and not d. Same note will be repeated at the second time after the central section. Maybe he likes this way but i prefer the note d like the original.
I absolutely hate how Albéniz always starts off with a catchy refrain and then inserts a long slow boring rambling passage where the audience starts tapping their watches, then after an eternity goes back to the interesting bit.
Russell is terrible for Spanish music. he lacks the technique required. his free stroke bass is terrible, Spanish music requires a deep restroke bass like flamenco players employ. past greats like Segovia, Bream, Williams and Diaz would use restroke bass, but this guy has no idea - takesection from 45 seconds to 50 seconds - should have been played with restroke thumb playing - he does not understand the music at all, he just plays every note correct, yet he plays so many notes so incorrectly for correct character for the music - which is typical Russell, he has not got better at all through out his career. he is a hack at best. Spanish guitar music calls for tone colour, even Spanish "classical" players like Segovia and Bream made tone colour. Russel on the other hand is a dud, he keeps his right hand in the same spot for the whole piece of music.... and for every music! it is unacceptable. He has a false status in the pretentious non musical classical field. Russell is not interested in the guitars tone colour range as he is a dud guitar player. double top guitars seem to suit these dud colourless players best as they are dud colourless guitars.
Everyone interprets music differently, Mills. It was Russell's musical intuition to use free stroke where he used free stroke and it sounded pretty defined to me. I think this is a very colorful rendition and I would be willing to bet you couldn't play it nearly as well.
it's scary how balanced and controled he can play, truly one of the best
"genetics" :))
or... hard work?
@@lightbombs Yes. and then probably more hard work with self discipline and determination. The guitar doesn't play itself...
Mr Russell is one of the best guitarists in the world....!
Один из самых выдающихся и знаменитых исполнителей классической испанской гитары. Его игра вызывает искреннее восхищение, а сам маэстро радует своей игрой. Он один из немногих моих душой любимых исполнителей произведений композиторов мира на классической испанской гитаре. Многие ему лета и дай Бог Дэвиду Расселу здоровья и всех земных благ. Браво маэстро
MR DAVID RUSSELL IS A LEGEND......THAT'S ALL....!
Russell trills at their best!
Just Extraordinary ,Natural and Poetic. A Great Artist.
Russel, one thing: Greatest ever!. This player is out of this world, tempo, melody, fingering, feeling..
The best performance for this piece !!!
Magnificent. !!!
Fantastico maestro David Russel.
Thanks for uploading another video of this great master.
Brill
His hands move like a machine that has soul.
I would love to hear this recorded as clearly as Capricho Arabe some of the romatic tunes he does.
Fantastique David Russel un talent fou j adore ce maître de la guitare classique
Magnificent !!!
AMAZING :) I really like this and feel so sorry for Mr. Mills that can not enjoy the beauty of this great guitarplaying...
V. Very elegant playing
maravilloso . sin ser flamenco el artista ,lo empapa de sabor jondo.
god of the guitar
Amazing! Always count on David Russell to do an amazing job. I literally just spent the last two hours using this as a template with the original score in front of me and transcribing to Sibelius. I wish this was published; I own the three volumes of Albeniz David Russell transcriptions and this is not included. Really strange since he includes 4 other pieces from Espana and outside of the Tango this is the most well known movement...
Is your transcription available?
Really well done.
so talented..
great stuff, thanks!!
I have a question. Don't insult me, please. But is maladuena a tune or a kind of tune, like, say a waltz? I've heard so many different tunes called malageuna that are quite different from one another. If it's just a kind of tune, what are its defining characteristics? Thanks -
Malagueña is a Spanish dance similar to the fandango, originating in Málaga. Malagueña is the feminine version of Málaga. There are a number of popular Malagueñas each with their own flavor. My favorite is Rumores de la Caleta. Malagueñas is one of the traditional styles of Andalusian music (flamenco), derived from earlier types of fandango from the area of Málaga, classified among the Cantes de Levante. Originally a folk-song type, it became a flamenco style in the 19th century. It is not normally used for dance, as it is generally interpreted with no regular rhythmic pattern, as a "cante libre". It has a very rich melody with virtuouso flourishes and use of microtones. Its guitar accompaniment is normally played in open position first inversion giving E for the tonic, which can be transposed by using a capo.
Great!
Guitar by?
Could you tell me which fingers he use to play the four fast notes in the beginning with his right hand?
ole los andaluces que son los mejores oleeeeeeeeee!!!!!!!!!!!!!!!!!!!
Anyone know if there is a transcription of this piece available?
The bass notes sound huge in that room.
cross string thrills are:
a i m p
Esta transcripcion es de jose tomas..
Maesto, is this your arrangement? If so, is there a good place to order it?
No, it was arranged by Jose tomas
If your referring to the cross string thrill, its - i a m
WOW! Where did you get this?!?
The best in the world obviously! He plays like it were 4 guitars every of them in a indipendent voice. The sound is always not overtaken. David is my fsvourite guitarist. Anyway, at the 49 sec there's a note c in the scale and not d. Same note will be repeated at the second time after the central section. Maybe he likes this way but i prefer the note d like the original.
alguien tiene la partitura...madre mía!!!
💕💕🎶🎶💕💕💕
1: 0:35
2: 0:40
3: 1:00
Up
Je m'incline face au Maître.
or iam I should say before
and the sort versión is aim or aim
I absolutely hate how Albéniz always starts off with a catchy refrain and then inserts a long slow boring rambling passage where the audience starts tapping their watches, then after an eternity goes back to the interesting bit.
oleeeeeee
Russell is terrible for Spanish music. he lacks the technique required. his free stroke bass is terrible, Spanish music requires a deep restroke bass like flamenco players employ. past greats like Segovia, Bream, Williams and Diaz would use restroke bass, but this guy has no idea - takesection from 45 seconds to 50 seconds - should have been played with restroke thumb playing - he does not understand the music at all, he just plays every note correct, yet he plays so many notes so incorrectly for correct character for the music - which is typical Russell, he has not got better at all through out his career. he is a hack at best. Spanish guitar music calls for tone colour, even Spanish "classical" players like Segovia and Bream made tone colour. Russel on the other hand is a dud, he keeps his right hand in the same spot for the whole piece of music.... and for every music! it is unacceptable. He has a false status in the pretentious non musical classical field.
Russell is not interested in the guitars tone colour range as he is a dud guitar player. double top guitars seem to suit these dud colourless players best as they are dud colourless guitars.
What do you know, you call it ‘‘rest stroke’’! It’s like you learned guitar on the streets!
"he is a hack at best". Wow! Just Wow! May you be well, poster John Mills!
Ha ha ha, I am looking forward to Mr Mills reading notation of this piece, or any piece better...
Everyone interprets music differently, Mills. It was Russell's musical intuition to use free stroke where he used free stroke and it sounded pretty defined to me. I think this is a very colorful rendition and I would be willing to bet you couldn't play it nearly as well.
who's talking! able to do you serious? or you fancy yourself a Guitar God
What is this guitar?
Matthias Damman