Garcia's playing here really illustrates a direct lineage to his bluegrass roots. Note for note, his picking and phrasing is extraordinary. And the band is on fire of course.
This is one of those Dead tunes that actually doesn’t have a studio version. Back in the early 70’s Garcia and Hunter were writing great tunes faster than they could record them (Weir was also at his most prolific then). The Dead often debuted new songs on stage and would work them into shape in concert before taking them into the studio. Europe ‘72 has a bunch of similar tunes that were part of their working set list for decades but never got on an album. Jack Straw, Ramble On Rose, Wharf Rat, He’s Gone and Tennessee Jed are some other examples.
listening to studio recordings of the dead is so foriegn to me, i love the material from the albums and i can tell you what most of the songs are on any given album and probably tell you what year it was recorded, but I've never really noticed theres no studio recordings of BEW, or any any of the songs you mentioned. flew right over my head all these years
@@deadheadwill2609 totally understandable. There are also some tunes that actually were recorded in the studio but still never got released on an actual album. Some originals, and even some covers like Jack-a-Roe… ruclips.net/video/aWSi2dokm9Q/видео.html
Keep with the live performances. It's a musical adventure of epic proportions. You can't know what you'll find when you start listening to their concerts.
Thing about The Grateful Dead, is that they can't be pigeonholed into anyone style- they did roots, Americana, blues, rock, country, jazz fusion, disco, everything. Try Shakedown Street, for a completely different feel from them...
5/8/77 is widely recognized as the best Grateful Dead show ever by those who know. There are many fantastic shows but start to finish this show is top notch
Was a student at Cornell from '96-'00, so started a year after Jerry died, and they were obviously well beyond the size of a venue like Barton Hall, which holds maybe 5,000 people, by that time, but I saw several shows there in my time as a student, and one of those was a Bob Dylan show, opened by Dead bassist's band Phil Lesh & Friends, whose set was pretty much all Dead songs, so at least I can say I've heard their music in the site of their most famous show. Phil said at the time he was having a strange feeling of deja vu being back on the stage in that room. ETA: You're not really supposed to understand Robert Hunter's lyrics. They exist how he wants them to be, regardless of whether they make any sense to the listener. Hunter has since passed on, but to quote David McNally, who was the Dead's publicist, "This is a guy who will literally take out a gun and shoot you if you ask him what they mean.", so make of that what you will... ETA #2: The Dead were a terrible studio band. You really should only be listening to the live stuff.
There is no studio version of this song. It premiered on the europe '72 triple live album(vinyl) along with a number of other classic dead songs. Great album.
The live stuff blows the studio stuff away. They let people record their shows live and there are thousands of soundboard recordings out there over all the years. 🤙
Thee is no studio version that i know of of Brown Eyed Women. But the version on Europe '72 is the standard. To my knowledge there is also no studio version of Ramble On Rose.
My name is phil and I was borne in San Francisco. Needles to say I very Sen the dead in every basket ball arena out door and indoor venue in every state except Kentucky Alaska and Hawaii. I did indeed catch the cornel shows that year. To this day I think those shows were the est I've ever seen .I've personally been inside in excess of 1000 shows. My first was when they played on height st . No one comes close to the dead.
Growing up in the Bay Area after the dead’s era, they were always regarded as gods and I tried to get into them a bunch of times and never got it. Finally had an older family friend ask me about them at a dinner party as I’m into a bunch of other classic rock from this generation, and was surprised when I told him I didn’t quite get the hype. He asked me what I had listened to and I listed their studio albums - he just started to laugh brought me to his den and threw this on. We drank whiskey and listened tot his for the rest of the night, much to both of our families chagrin. Went down the rabbit hole and I’ve been on the bus since :)
@@dbasstij512that's the one song I never want someone new to the Dead to hear the studio before the live. The whole orchestral part at the end was done without their knowledge or consent.
review Dark Star on 'Live Dead." It's the epitome of psychedelic rock and the Dead's ultimate vehicle into Space. At their core, the Dead were about recreating the psychedelic experience through their music. It's in their mission statement. LoL. I miss Jerry every day. I'm old, but still on the bus. I went to close to 150 shows from '69 through '95, met my wife and life long friends at shows in the early '70s, and I"m in a Grateful Dead cover band with other old geezers. "As we walk into the transitive nightfall of diamonds..." It doesn't get better than that.
Shrooms, Atlanta Ga, GD live and I learned the true meaning of tie dye shirts. The person leaves but the shirts stays and grooves dammest thing I ever seen.
Studio Dead are the musical equilvalent of a pre-season game in the NFL. Live Dead are the Super Bowl. (Sometimes the Super Bowl played on a field after ten inches of rain but the Super Bowl none the less.)
One of the great things about the Grateful Dead is they will sing about subjects that other bands would never dream about doing. Like Brown Eyed Women. For me, Brown Eyed Women is about the son of Jimmy Jack Jones watching his family trying to survive forces in the world beyond their control. The songs starts during good times of the "roaring 20's" when his father was a bootlegger in California. Then "1930 when the Wall Caved in", meaning the economic crash on Wall Street in 1929. It took months for the effects of the Depression to hit California, and the Jones Family. The people in the song really have no concept of what "Wall Street" even is, but it has destroyed their lives and the lives of everyone they know. Then a big snow fall kills their mother Delilah Jones, "when the roof caved in." This is the last straw for Jimmy Jack Jones, he gives up on life. So the son, with no other options left, takes up the family tradition of making illegal whiskey...and life has gone full circle. A fictional story told with historical accuracy, and a great guitar solo to boot. That's what puts the Dead above your average rock band.
I must comment in tears. . Happy tears being brought to my eyes. Remembering the one and only GD my I brought my mother to 1987 Philly. .. And this song was the only song that show that git her moving like the Bluegrass jig and the determined fearless smile with a twist and turn she danced. Thank You 😊
We really need to get you on some cosmic Jerry like Help>Slip>Frank (One from the Vault). ⚡️💀⚡️ Bro. You must. Just hit play. Bill Graham's intro is perfection Edit: I'm partial to Buffalo 5.8.77 🤓, the next night. Donna was fire and Bobby opened portals while Jerry drove the bus
With the Dead? LIVE!!! ALWAYS!!! Then, go back and listen to the studio stuff. The Dead are LIVE. They practically invented LIVE!!! Loved your reaction btw!!!
The Spring '77 run for The Dead is legendary. This entire show at Barton Hall on 5/8/77 is actually catalogued in the Library of Congress for historical and cultural significance. The three shows on 5/7 (Boston)...5/8 (Ithaca)...and 5/9 (Buffalo) are oft referred to as the Holy Trio or the like. On live Dead vs. studio....live,always,is the best choice. Something to keep in mind a lot of the time when you hear live Dead...it's a bootleg recording made by a fan. The Dead allowed and even encouraged their fans to record their shows. Also their sound people,especially Betty Cantor Jackson,would tape the shows live right off the mixing board. This recording here is a "Betty board" and probably the most traded and spread around tape of any show they ever did. The Dead were about experimentation and being in the moment more than any other band,sometimes when they were right on the edge of it being a total train wreck that night would be when they would pull out some of their most spectacular moments.
There's no studio version of this, but I think the closest to studio version is probably the one on the Europe 72 album, which is another great version.
I think you’re missing the point of the live versions. The magic of them is they’re a heavily improvasional “jam band” meaning that no two live versions of the songs are exactly the same. The jams are where the magic is and is what made them so legendary. Listening to the studio albums is like cold day old pizza - it’s still good, but why would you not just get a fresh hot slice… it’s 1000x better
And upon the very next nite, they went out and played it even better: ruclips.net/video/5BV1u-iTzZE/видео.html Oh, and: there's no studio version of this ---closest thing is a heavily mixed live track from *Europe '72* recorded in Copenhagen...a tad slower and less jaunty, but still a great tune
So glad you love the lyrics. "The bottle was dusty but the liquor was clean" is probably my favorite lyric from them. I also listen to the dead basically every day of my life.
Do not do any studio versions of the Grateful Dead. You could do this whole show and have a great time! You should check out 7/4/89, 7/7/89, 10/29/77 as well as the rest of 5/8/77. And if you really want you r mind blown, check out this one from 3/29/90. Legendary jazz saxophonist Branford Marsalis sat in with the band despite never having met them or heard any of the music. This is only the second song he ever payed with them and it is absolute MAGIC! ruclips.net/video/TO4YV185orE/видео.html
"Always Live, Always Dead". Studio albums were for the record label contract. It's always been about the community and the band. Lyrics are mostly poetry written by Hunter.
Keep listening to their live versions Check Europe’72, Skull & Roses, or any Dick’s Picks LP. Hunter, the lyricist, was a poet, and Jerry Garcia a virtuoso. As a group, they were unlike any other. Do a deep dive.✌️❤️🎶
My vote for a great Dead performance is Shakedown Street, Chicago, 6/22/1991 Brent Midland had recently died, Vince Welnick was just getting his feet wet on keyboards, and Bruce Hornsby joined in to lend a hand. It is an extraordinary performance. My late-husband and I were about 30 rows back, and dancing on those rickety old chairs they had on the field, it was a wonder we kept our balance but the place was rockin!!! What a great memory. Bruce and Jerry shared a special repertoire, it was fun to watch them.
In actuality there is no studio version of "Brown Eyed Women", just live Keyboard, or piano, is provided by the late, and very great Keith Godcheaux, who was the pianist for the Grateful Dead for most of the 1970's. His wife Donna Jean was a vocalist for the band during that time, she is still alive and very much kicking. This concert was among their most famous, especialyl among Dead Heads who trade tapes of the shows. One tape of this show even found it's way into the National Archives as culturally important. I can just imagine all the archivists at the vault dancing around to this concert on a slow Friday. Please play the rest of the show, you will not be disappointed.
I fell in love with the dead as a 5 year old. I am 36 now. I was 9 when Jerry died. It's amazing how popular the band has got outside deadheads. And i love to see it
An amazing band. I enjoy their studio albums cause back when I first listened to them that was all we could find. But some of the live stuff is phenomenal. The live Europe 72 is great.
@@shortstuff7959 Garcia does smoke on that version. Interesting thing about the particular song it was the first time the Dead had played it in 20 years.
Always do live versions of the dead but it is a good idea to look the songs up on youtube like this: best live version of ... whatever the song you want
right on! i like this vid because, well 1 i like the song, but you have an open mind! the details lie in the dead. imo, being a deadhead, do live stuff, it's where it's at. peace.
this version tears the roof off the joint
Garcia's playing here really illustrates a direct lineage to his bluegrass roots. Note for note, his picking and phrasing is extraordinary. And the band is on fire of course.
Dude..never gets old .. love this song.... saw them with Jerry a bunch of times.. Greatest thing ever 🌺💀🎸
No guitarist has ever touched my soul like Jerry does.
Best 9 1/2 finger guitarist ever
Me too and I still think about him every day.
I was in San Francisco when he died. Haight Street was cold and empty.
@@spottedcow4024I laughed and woke up my cat lmaooooooo
Facts. Amen to that! ❤
Song "Loser" from "Spring 1990" album.
This whole concert is a master work in live performances.
A masterwork in recording by Betty as well. 👍
That whole week was sick.And 1977 was killer overall, omg.
it’s considered there best(by me) but englan 72 is my favorite brown eye woman
No one show was ever the same. This is jam rock to the core.
Always great to see someone enjoying the Grateful Dead, cheers m8.
The Fir on the Mountain->Scarlet Begonias from this show is one of my top tracks ever. Such a great recording, thanks Betty!
This was recorded 45 years ago.
And it’s fantastic!!!
He's gone live 👍✌
Yay!!! This is poppin’!!😀💃💕
This is one of those Dead tunes that actually doesn’t have a studio version. Back in the early 70’s Garcia and Hunter were writing great tunes faster than they could record them (Weir was also at his most prolific then). The Dead often debuted new songs on stage and would work them into shape in concert before taking them into the studio. Europe ‘72 has a bunch of similar tunes that were part of their working set list for decades but never got on an album. Jack Straw, Ramble On Rose, Wharf Rat, He’s Gone and Tennessee Jed are some other examples.
listening to studio recordings of the dead is so foriegn to me, i love the material from the albums and i can tell you what most of the songs are on any given album and probably tell you what year it was recorded, but I've never really noticed theres no studio recordings of BEW, or any any of the songs you mentioned. flew right over my head all these years
Gdf for life
@@deadheadwill2609 totally understandable. There are also some tunes that actually were recorded in the studio but still never got released on an actual album. Some originals, and even some covers like Jack-a-Roe…
ruclips.net/video/aWSi2dokm9Q/видео.html
They play "Touch of Grey" for 5 years live before is was on an album!👍👌✌😁
Keep with the live performances. It's a musical adventure of epic proportions. You can't know what you'll find when you start listening to their concerts.
Thing about The Grateful Dead, is that they can't be pigeonholed into anyone style- they did roots, Americana, blues, rock, country, jazz fusion, disco, everything.
Try Shakedown Street, for a completely different feel from them...
I'm not a huge fan of the Dead, there are a few songs I like and Shakedown Street is one of them. ☮️
5/8/77 is widely recognized as the best Grateful Dead show ever by those who know. There are many fantastic shows but start to finish this show is top notch
I am so happy you are into the Grateful Dead. Have you done a stare-n-compare between studio and live versions ... contrast and compare ?
This is a masterpiece of the highest order. It’s about bootleggers during prohibition and the great depression.
Was a student at Cornell from '96-'00, so started a year after Jerry died, and they were obviously well beyond the size of a venue like Barton Hall, which holds maybe 5,000 people, by that time, but I saw several shows there in my time as a student, and one of those was a Bob Dylan show, opened by Dead bassist's band Phil Lesh & Friends, whose set was pretty much all Dead songs, so at least I can say I've heard their music in the site of their most famous show. Phil said at the time he was having a strange feeling of deja vu being back on the stage in that room.
ETA: You're not really supposed to understand Robert Hunter's lyrics. They exist how he wants them to be, regardless of whether they make any sense to the listener. Hunter has since passed on, but to quote David McNally, who was the Dead's publicist, "This is a guy who will literally take out a gun and shoot you if you ask him what they mean.", so make of that what you will...
ETA #2: The Dead were a terrible studio band. You really should only be listening to the live stuff.
There is no studio version of this song. It premiered on the europe '72 triple live album(vinyl) along with a number of other classic dead songs. Great album.
Just fantastic..
Daddy made whisky and made it well, cost two dollars and burned like hell...
Raised 8 boys only I turned bad!!!
The live stuff blows the studio stuff away. They let people record their shows live and there are thousands of soundboard recordings out there over all the years. 🤙
Throw in Without a Net “Eyes of the world” that will time travel you into another dimension 😂
With the grateful dead ALWAYS DO LIVE
the Morning Dew from this show transcends space and time. check it out
I second this
You have to hear China Cat Sunflower/I Know You Rider from the live album called Europe 72 Believe me you'll love it
My fave version
If you have time def give 6/26/74 a listen, this China Rider blew my mind: ruclips.net/video/Yhk4Ea0JnEs/видео.html
Studio Dead is to live Dead as regular season hockey is to playoff hockey.
As a hockey player and fan i think this says it so well.
Thee is no studio version that i know of of Brown Eyed Women. But the version on Europe '72 is the standard. To my knowledge there is also no studio version of Ramble On Rose.
My name is phil and I was borne in San Francisco. Needles to say I very Sen the dead in every basket ball arena out door and indoor venue in every state except Kentucky Alaska and Hawaii. I did indeed catch the cornel shows that year. To this day I think those shows were the est I've ever seen .I've personally been inside in excess of 1000 shows. My first was when they played on height st . No one comes close to the dead.
Never do a studio version. The Dead Heads will point you in the right direction for the live stuff. You should try Loser from this same show. Epic...
I agree but would argue that you have to hear the studio version of Terrapin first to get the epicness of it live...
as a huge Head this is the right answer...the studio recording are missing a member of the band. THE CROWD
Growing up in the Bay Area after the dead’s era, they were always regarded as gods and I tried to get into them a bunch of times and never got it.
Finally had an older family friend ask me about them at a dinner party as I’m into a bunch of other classic rock from this generation, and was surprised when I told him I didn’t quite get the hype.
He asked me what I had listened to and I listed their studio albums - he just started to laugh brought me to his den and threw this on. We drank whiskey and listened tot his for the rest of the night, much to both of our families chagrin. Went down the rabbit hole and I’ve been on the bus since :)
Except for Touch of Grey and Black Muddy River. Studio is better…or at least no live version that really hits the spot
@@dbasstij512that's the one song I never want someone new to the Dead to hear the studio before the live. The whole orchestral part at the end was done without their knowledge or consent.
Fun fact, there is no studio version of this song.
Here’s one for you my man. Live. “Franklins Tower”. Grateful Dead
Check out the Fire on the Mountain from this same concert.
Try the "They Love Each Other" from that same album. As chill a groove as you'll find.
review Dark Star on 'Live Dead." It's the epitome of psychedelic rock and the Dead's ultimate vehicle into Space. At their core, the Dead were about recreating the psychedelic experience through their music. It's in their mission statement. LoL. I miss Jerry every day. I'm old, but still on the bus. I went to close to 150 shows from '69 through '95, met my wife and life long friends at shows in the early '70s, and I"m in a Grateful Dead cover band with other old geezers. "As we walk into the transitive nightfall of diamonds..." It doesn't get better than that.
Always check out the studio with the live with The Dead
No studio ever!
11-10-85/11-11-85 my first showa at 15yo.....follwed until Jerry left us....Althea blew me away
Check out "Stella Blue"
Shrooms, Atlanta Ga, GD live and I learned the true meaning of tie dye shirts. The person leaves but the shirts stays and grooves dammest thing I ever seen.
Estimated prophet into Eyes of the world. Known as “Estimated Eyes”. It will blow u away. Love the Dead and love your reactions!!
This version is the ringtone on my phone, and in my opinion, the greatest version ever.
The grateful dead are best heard live.
Yo dog this is historically one of the best Live shows the Dead ever did. Do Loser next please, or jack straw from this show. Thanks for the reaction!
Great review! For most Bands Studio is the way to go, however for the Dead LIVE all the way baby! ❤ ☮ (~);} ☮ (~);} ☮ (~);}
This is pure Americana. The Europe '72 version is live, too, with clearer vocals. Phil's Bass is more prominent in that one as well. Cheers, --bd
The version on Europe '72 is certainly worth a listen. Without a doubt.
Thank you for the DEAD reaction. Great job.
Studio Dead are the musical equilvalent of a pre-season game in the NFL. Live Dead are the Super Bowl. (Sometimes the Super Bowl played on a field after ten inches of rain but the Super Bowl none the less.)
One of the great things about the Grateful Dead is they will sing about subjects that other bands would never dream about doing. Like Brown Eyed Women. For me, Brown Eyed Women is about the son of Jimmy Jack Jones watching his family trying to survive forces in the world beyond their control. The songs starts during good times of the "roaring 20's" when his father was a bootlegger in California. Then "1930 when the Wall Caved in", meaning the economic crash on Wall Street in 1929. It took months for the effects of the Depression to hit California, and the Jones Family. The people in the song really have no concept of what "Wall Street" even is, but it has destroyed their lives and the lives of everyone they know. Then a big snow fall kills their mother Delilah Jones, "when the roof caved in." This is the last straw for Jimmy Jack Jones, he gives up on life. So the son, with no other options left, takes up the family tradition of making illegal whiskey...and life has gone full circle. A fictional story told with historical accuracy, and a great guitar solo to boot. That's what puts the Dead above your average rock band.
I must comment in tears. . Happy tears being brought to my eyes. Remembering the one and only GD my I brought my mother to 1987 Philly. .. And this song was the only song that show that git her moving like the Bluegrass jig and the determined fearless smile with a twist and turn she danced. Thank You 😊
2/28/69 is their hardest era
can you do a reaction to Liberation by Chicago Transit Authority
Get that smoke and play terrapin station 💀🌹
Try Europe 72 for a little more clarity..
I suggest you check Fire on the Mountain live..
We really need to get you on some cosmic Jerry like Help>Slip>Frank (One from the Vault). ⚡️💀⚡️ Bro. You must. Just hit play. Bill Graham's intro is perfection
Edit: I'm partial to Buffalo 5.8.77 🤓, the next night. Donna was fire and Bobby opened portals while Jerry drove the bus
One of my favorites!
Fun fact! This concert never actually happened;)
Bottle was dusty.....❤⚡💙
But the liquid was clean..👅💀🌹
I've been a Dead Head for 40 years and I still get goosebumps listening to Jerry play!!!❤👍👌✌😁
"I'll shine my light through the cool Colorado rain..." Every time.
Keep listening to live recordings. Check out Dave picks
With the Dead? LIVE!!! ALWAYS!!! Then, go back and listen to the studio stuff. The Dead are LIVE. They practically invented LIVE!!! Loved your reaction btw!!!
im so glad you picked this up. deep lyrics. and the live music is sick
grateful dead is all about the live shows check out more live dead you will not be disappointed
The Spring '77 run for The Dead is legendary. This entire show at Barton Hall on 5/8/77 is actually catalogued in the Library of Congress for historical and cultural significance. The three shows on 5/7 (Boston)...5/8 (Ithaca)...and 5/9 (Buffalo) are oft referred to as the Holy Trio or the like.
On live Dead vs. studio....live,always,is the best choice. Something to keep in mind a lot of the time when you hear live Dead...it's a bootleg recording made by a fan. The Dead allowed and even encouraged their fans to record their shows. Also their sound people,especially Betty Cantor Jackson,would tape the shows live right off the mixing board. This recording here is a "Betty board" and probably the most traded and spread around tape of any show they ever did.
The Dead were about experimentation and being in the moment more than any other band,sometimes when they were right on the edge of it being a total train wreck that night would be when they would pull out some of their most spectacular moments.
5/8/77 is so good that any hacker/grifter could steal my entire bank account. I love this show so much
There's no studio version of this, but I think the closest to studio version is probably the one on the Europe 72 album, which is another great version.
I think you’re missing the point of the live versions. The magic of them is they’re a heavily improvasional “jam band” meaning that no two live versions of the songs are exactly the same. The jams are where the magic is and is what made them so legendary.
Listening to the studio albums is like cold day old pizza - it’s still good, but why would you not just get a fresh hot slice… it’s 1000x better
there is no studio version
Live Dead is the only way to listen.
And upon the very next nite, they went out and played it even better: ruclips.net/video/5BV1u-iTzZE/видео.html
Oh, and: there's no studio version of this ---closest thing is a heavily mixed live track from *Europe '72* recorded in Copenhagen...a tad slower and less jaunty, but still a great tune
So glad you love the lyrics. "The bottle was dusty but the liquor was clean" is probably my favorite lyric from them. I also listen to the dead basically every day of my life.
Do not do any studio versions of the Grateful Dead. You could do this whole show and have a great time! You should check out 7/4/89, 7/7/89, 10/29/77 as well as the rest of 5/8/77. And if you really want you r mind blown, check out this one from 3/29/90. Legendary jazz saxophonist Branford Marsalis sat in with the band despite never having met them or heard any of the music. This is only the second song he ever payed with them and it is absolute MAGIC!
ruclips.net/video/TO4YV185orE/видео.html
Favorite Dead song. Wish the vocals were better but it’s what it is. The instruments are clear
"Always Live, Always Dead". Studio albums were for the record label contract. It's always been about the community and the band. Lyrics are mostly poetry written by Hunter.
Keep listening to their live versions Check Europe’72, Skull & Roses, or any Dick’s Picks LP. Hunter, the lyricist, was a poet, and Jerry Garcia a virtuoso. As a group, they were unlike any other. Do a deep dive.✌️❤️🎶
My vote for a great Dead performance is Shakedown Street, Chicago, 6/22/1991
Brent Midland had recently died, Vince Welnick was just getting his feet wet on keyboards, and Bruce Hornsby joined in to lend a hand. It is an extraordinary performance. My late-husband and I were about 30 rows back, and dancing on those rickety old chairs they had on the field, it was a wonder we kept our balance but the place was rockin!!! What a great memory. Bruce and Jerry shared a special repertoire, it was fun to watch them.
ALWAYS do live with the dead. ALWAYS
Love the Dead! Grew up with their music.
Always do the live versions! Of the 500 songs in they play, I can count on 1 hand the times I think the studio version is best!
Which studio song you think is best?
TRUST ME On This My Music Lovin' Brother,, This MUST HEAR Classic HITS LIKE A BRICK!!!,,
The Ides Of March "Vehicle"
BEW doesn't have a studio version, but NO!!! ONLY LIVE DEAD ☺️
In actuality there is no studio version of "Brown Eyed Women", just live Keyboard, or piano, is provided by the late, and very great Keith Godcheaux, who was the pianist for the Grateful Dead for most of the 1970's. His wife Donna Jean was a vocalist for the band during that time, she is still alive and very much kicking. This concert was among their most famous, especialyl among Dead Heads who trade tapes of the shows. One tape of this show even found it's way into the National Archives as culturally important. I can just imagine all the archivists at the vault dancing around to this concert on a slow Friday. Please play the rest of the show, you will not be disappointed.
I’m thinking there really isn’t a studio version of this tune. First released on the live album Europe ‘72.
I fell in love with the dead as a 5 year old. I am 36 now. I was 9 when Jerry died. It's amazing how popular the band has got outside deadheads. And i love to see it
Thanks for this brother.. I’m an oldie Dead Head.. saw tons of shows 80’s 90’s… You couldn’t have picked a better show..💀🌻🌺💀🌺🌻🇺🇸
Grateful Dead is about the live show. No studio versions Biz.....but of course I repeat myself....peace brother.
BOX OF RAIN is my favorite, but just pick a song ... it's hard to go wrong.
The wife and mom died and it all fell apart and nothing was ever the same again
I've tried to listen to them,cause they're legendary but never have. His voice is good,the band is good.
Check out Candyman
An amazing band. I enjoy their studio albums cause back when I first listened to them that was all we could find. But some of the live stuff is phenomenal. The live Europe 72 is great.
Spotify has pretty low sound quality, at least compared to the likes of Tidal or Qubuz.
Live version of Estimated Prophet is great. So many good ones. Hard to pick a best. Bobby sings that one.
MUST HEAR Classics,, Grateful Dead "Hell In A Bucket" & "When Push Comes To Shove"
The Dead were always better live. Hell in a Bucket is a fun song. You might also try the 1998 version of Death Don't Know no Mercy,
I think you meant Death Don't Have No Mercy and since Garcia died in 1995 not sure what you meant by 1998
@@harlanginsberg7269 sorry 1989. the song is Death don't have no mercy.
@@shortstuff7959 Garcia does smoke on that version. Interesting thing about the particular song it was the first time the Dead had played it in 20 years.
Betty boards rule.
Grateful Dead below
Always do live versions of the dead but it is a good idea to look the songs up on youtube like this: best live version of ... whatever the song you want
right on! i like this vid because, well 1 i like the song, but you have an open mind! the details lie in the dead. imo, being a deadhead, do live stuff, it's where it's at. peace.