A little bit hard to believe that I heard what I just heard. This is how ... no, EXACTLY how ... this music should be performed. Piemontesi is not just playing in front of a wonderful orchestra, he is playing TOGETHER with fellow musicians ... just perfect!!! What phrasing, what technical brilliance, what sense of beauty Piemontesi has. And Maestro Norrington ... a musical sage ... a magician. I am overwhelmed ...!!!!!!
I agree with you 100%, What a beautiful concert. Wow! The way they set the piano on stage is absolutely perfect. The cover is off and everyone in the orchestra can see each other. After all they are making music together.
Sensationeller Solist, großartiges Orchester. Der zweite Satz vor allem hat mich rhythmisch und dynamisch umgehauen. Dass »Largo« absolut gar nichts mit einem langsamen Tempo zu tun hat, wird hier ganz wunderbar deutlich. Es tut so gut zu wissen, dass die heutige Generation an Musikerinnen und Musikern wirklich ganz hervorragend ausgebildet wird. Summa summarum ist das überhaupt nicht die soundsovielte Aufführung des c-moll-Konzerts. Für mich ist das eine Uraufführung.
Very nice performance. After 30 some odd years I’ve noticed a lot of different Beethoven literature sounds alike. Yes, I was the nerd listening to Beethoven symphonies etc. as a child and site reading through the piano sonatas. I will say that classical music trains your brain to desire order and beauty.
Ma il tempo del secondo movimento è troppo veloce ..... è diventato un Allegretto, ma è un Largo!!!! Di conseguenza ci sono sfilacciamenti nell'orchestra e tra solista ed orchestra .... LARGO, capite??? LAAAAAAARGOOOOOOOOO!!!
Google translated this as: ‘This is faster than my ears are used to hearing it, so even though the beat is still relatively slow, I’m making up nonsense about the ensemble fraying because it doesn’t fit my arbitrary definition of Largo. LARGOOOOOOOO!’
A little bit hard to believe that I heard what I just heard. This is how ... no, EXACTLY how ... this music should be performed. Piemontesi is not just playing in front of a wonderful orchestra, he is playing TOGETHER with fellow musicians ... just perfect!!! What phrasing, what technical brilliance, what sense of beauty Piemontesi has. And Maestro Norrington ... a musical sage ... a magician. I am overwhelmed ...!!!!!!
I agree with you 100%, What a beautiful concert. Wow! The way they set the piano on stage is absolutely perfect. The cover is off and everyone in the orchestra can see each other. After all they are making music together.
Truly one of the greatest performances of this piece in modern history.
Es war ein super Abend und ein wunderschönes Konzert.
Sensationeller Solist, großartiges Orchester. Der zweite Satz vor allem hat mich rhythmisch und dynamisch umgehauen. Dass »Largo« absolut gar nichts mit einem langsamen Tempo zu tun hat, wird hier ganz wunderbar deutlich. Es tut so gut zu wissen, dass die heutige Generation an Musikerinnen und Musikern wirklich ganz hervorragend ausgebildet wird. Summa summarum ist das überhaupt nicht die soundsovielte Aufführung des c-moll-Konzerts. Für mich ist das eine Uraufführung.
@@klassiknatur4611 ich bin ganz Ihrer Meinung. Das Largo wirkt total overpaced und der Dirigent ist mehr pacemaker denn Taktgeber!
Thank you for your performing! Bravo!!!
Bravo wunderschön ¨!!!!!!!
EIN WELTBERÜMTER SCHWEIZER PANIST BRAVO!!!!!
Very nice performance. After 30 some odd years I’ve noticed a lot of different Beethoven literature sounds alike. Yes, I was the nerd listening to Beethoven symphonies etc. as a child and site reading through the piano sonatas. I will say that classical music trains your brain to desire order and beauty.
bravo.¨!!!
Спасибо! Замечательно в целом. Темп второй части был быстроват, что не соответствует бетховенскоиу указанию Largo.
00:03 - I. Allegro con brio
17:45 - II. Largo
24:27 - III. Rondo. Allegro
33:31 - Applaus
SWR Classic vhhy
👏👏👏👏👏🙏🙏🙏🙏🙏
Why was sir roger standing where he was? First time i saw a conductor in a position like that...
Esta es una interpretacion extraña incluso hasta la posicion del director
Ma il tempo del secondo movimento è troppo veloce ..... è diventato un Allegretto, ma è un Largo!!!! Di conseguenza ci sono sfilacciamenti nell'orchestra e tra solista ed orchestra .... LARGO, capite??? LAAAAAAARGOOOOOOOOO!!!
Google translated this as: ‘This is faster than my ears are used to hearing it, so even though the beat is still relatively slow, I’m making up nonsense about the ensemble fraying because it doesn’t fit my arbitrary definition of Largo. LARGOOOOOOOO!’