Iridescent Fugue | Original Composition in E-Minor

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  • Опубликовано: 22 дек 2024

Комментарии • 28

  • @_Athanos
    @_Athanos Месяц назад +6

    1:38 i love that sort of things, how much inertia is going on 😍

  • @obonyxiam
    @obonyxiam Месяц назад +8

    i always love your use of rhythm! on an unrelated note, i've almost finished writing the first fugue that i'm proud of, i just need to make a couple final edits and then i'll email it to you!

    • @averynhiell
      @averynhiell  Месяц назад +1

      @@obonyxiam Thanks a lot! ^^
      And I’m looking forward to your fugue. If you use Musescore, feel free to send me a Musescore file, otherwise, PDF and MP3 should do the trick. (:

    • @nurrasyid14_
      @nurrasyid14_ Месяц назад

      Same here, i already posted my first Fugue.

    • @yuetandavidtang2778
      @yuetandavidtang2778 Месяц назад

      I finished two fugues, now working on a third. Should like to be in contact with you some day.

    • @averynhiell
      @averynhiell  Месяц назад

      @@nurrasyid14_ I like it! ^^

    • @averynhiell
      @averynhiell  Месяц назад

      @@yuetandavidtang2778 Feel free to contact me any time, you can find my e-mail address in the channel description. (:

  • @Geopholus
    @Geopholus 15 дней назад +1

    A very interesting, extraordinary, and even quite beautiful work in its own way !

    • @averynhiell
      @averynhiell  15 дней назад

      @@Geopholus Hey, thank you so much! :D

  • @Swaroque
    @Swaroque Месяц назад +2

    I like 1:52 as well when everything suddenly becomes crazy almost like a fantasia.

    • @averynhiell
      @averynhiell  Месяц назад +2

      @@Swaroque Thank you! (=
      I struggled a lot with the ending. It was a lot shorter originally, but my music teacher urged me to expand it because it was too abrupt. The ending I settled on is not my usual style, but I wanted to experiment a bit with what I sometimes observe in Bach when the coda contrasts with the rest of the piece in tempo and style.

    • @Swaroque
      @Swaroque Месяц назад

      @@averynhiell Thank you ! You're obviously very advanced in your craft so you can experiment successfully with the music. I'm in no position to criticise . I've started to build some music with software and it's very ametureish.

    • @averynhiell
      @averynhiell  Месяц назад +1

      @@Swaroque Everyone has to start somewhere. Keep it up! ^^

  • @hisky.
    @hisky. 22 дня назад +1

    this is amazing

    • @averynhiell
      @averynhiell  22 дня назад

      @@hisky. Thank you so much! :D

  • @Swaroque
    @Swaroque Месяц назад +1

    Once again a master work ! Probably in French Rhythm. Also the Piano display is very helpful.

    • @averynhiell
      @averynhiell  Месяц назад +1

      @@Swaroque Thanks a lot! :D
      What is French rhythm?
      Good to know the piano display helps! ^^

    • @Swaroque
      @Swaroque Месяц назад

      @averynhiell Hello Thank you for the reply ! French Rhythm is a type of swinging rhythm found in Bach's French Suites. It's almost like Jazz!
      The Piano display is very helpful for me to get idea of the music, what I understood is this is a 3-voice fugue.

    • @averynhiell
      @averynhiell  Месяц назад +1

      @ Ah, I see!
      Yes, this is a three-part fugue. (:

  • @HuffleScrumblo
    @HuffleScrumblo Месяц назад +1

    I could see it in pirates of the caribbean in parts, it's very compelling music :)

    • @averynhiell
      @averynhiell  Месяц назад

      @@HuffleScrumblo Thank you so much, I respect the music in this franchise a lot! (=

  • @solidsnake8008
    @solidsnake8008 Месяц назад +1

    Once again a marvelous fugue from you, really great stuff, I very much love it! I am curious though, what books on counterpoint, fugue, or baroque music do you recommend? I just picked up Fux's The Study of Counterpoint, and Alfred Mann's The Study of Fugue, and am wondering what others would be beneficial for contrapuntal composition.

    • @averynhiell
      @averynhiell  Месяц назад

      @solidsnake8008 Wow, thank you so much! :D
      My teacher used a couple of books. Apart from Fux’s "The Study of Counterpoint", some online material (e.g. viva.pressbooks.pub/openmusictheory/), and texts my teacher compiled himself, here are the other books we used:
      Robert Gauldin: A Practical Approach to Eighteenth-Century Counterpoint
      André Gedalge: Traité de la Fugue (translated into English by Laurence Buell)
      Ebenezer Prout: Fugue
      Knud Jeppesen: Counterpoint - The Polyphonic Vocal Style of the Sixteenth Century
      Edward Aldwell and Carl Schachter: Harmony and Voiceleading (this one isn’t about counterpoint but a great overview over harmony)
      Of course, we didn’t read all of the books front to back; my teacher used examples from the texts and let me read salient chapters in the various books. Therefore, I can’t explicitly recommend any of them, I’m afraid. But I think most of them are not easy to obtain, so perhaps start with the ones that you can get hold of. Let me know if you have more questions. ^^

  • @eytonshalomsandiego
    @eytonshalomsandiego Месяц назад +1

    funny, i was imagining an irredescent humming bird, not thinking about you title..

    • @averynhiell
      @averynhiell  Месяц назад +3

      @@eytonshalomsandiego I was actually considering calling it “Hummingbird Fugue”, but the music doesn’t move fast enough most of the time. ^^

  • @Whatismusic1234
    @Whatismusic1234 12 дней назад

    This is music