I went to high school with David, a small Catholic High School in Berkeley, Ca., Saint Mary’s…. I remember David as an exceptional young man. It was an honor to be in his company back then, early seventies. I could sense that David would be successful in life, in music or otherwise, and I see here via the media that David has indeed done well.. I hope before too long we have an opportunity to meet once more…… Greetings from the past, Martin Keil
Let's not ignore the late great Fred Hopkins on bass. one of the nicest and coolest musicians I've had the plaesure to meet (David was very cool too). Met Fred at a show Murray did in Cambridge, MA. Year later they are back and Fred rememers me and my buddy by name. Just a great guy, very hip and funny too. Ppl were talkin during his solo, he stops playing and says "you all better be quiet. I'm from Chicago, you don't want me to come back there" lol
In case yaccoful is still wondering, the name of the song is "Morning Song." I agree with comments that Fred Hopkins was a great musician and a cool guy. Check out his recordings with the trio Air, with Henry Threadgill and Steve McCall, and with the Henry Threadgill Sextett and Arthur Blythe. John Hicks was a wonderful pianist with a beautiful touch & a flexibility well suited to Murray's in & out approach with this band.
The World Saxaphone Quartet played in Chicago back in the late 80s and it was my introduction to David Murray. He is truley a gifted player. He and George Adams, another favorite tenor playor, have similarities and this song reminds me a bit of the Don Pullen/George Adams Quartet with Dannie Richmond (RIP George et al). David Murray Has an excellent band here. He is one of the best tenor players on the jazz scene today.
We will see him live at Pigeon Island in Saint Lucia 2007 Jazz festival. As a surpise Isaac Hayes will also be there. George Benson will also perform!!!
hahaha dave murray, from Maiden, great band I love it... But this is jazz, I like his sound, I heard about him when he played with steve coleman and the five elements a great concert in hot brass in 95 (I guess)
Imagine being in NY in 1986, walking through the village and you see the marquee and you say, what the hell, let's check it out, and having a great music experience.
Funny you say that, because that pretty much happened to me in '83, ignorant kid from Arkansas just learning about jazz, went to stay with a college friend on Long Island for Thanksgiving, and me and my much more knowledgeable friend happened on an Elvin Jones show at the Blue Note -- amazing musical experience! Great memory. David Murray was and is a great favorite of mine -- saw his octet in St. Louis a few years later. Haven't seen a lot of shows, but those were two of the best, alongside World Sax Quartet -- actually Michael Vlatkovich was awesome too!
@6378773 The word "rape" does not apply to David's music. I know he would not appreciate this word being used to describe his music or it's affect in any way.
c'est vrai qu'il peut faire penser à Rollins , mais en général des musiciens comme ça , on appelle ça un peu méchament des "escrocs". Il a plutôt fait une belle carrière, grâce à des journalistes aussi sourds qu'ignorants... Hélas , ce ne sont pas toujours des musiciens qui font et défont les succès. Reste que ce sax. est plutôt médiocre, et certains appellent ça un "géant". C'est drôle et triste à la fois. Sans rancune.
@@rinahall Braxton je ne connais quasiment pas, Shepp est nettement plus doué de Maray et totalement honnête musicalement, quant à Charles Lloyd, vu avec qui il a joué, ça n'est pas un escroc.
@@Thouveninpascal Ecoute Braxton jouer un titre de Bird ou un standard quelqconque, ca vaut le detour. On pleure de rire. Shepp doué ? Lorsque Trane l'a rencontré en 1959 il lui a demandé de jouer avec lui Giant Steps dans son salon, et Shepp ne pouvait pas. Trane a evalué son niveau à un debutant et lui a montré comment bien positionner ses doigts sur le saxophone (temoignage de Shepp lui-meme). A-t-il progressé depuis ? Non. Lloyd est un abruiti qui joue desacordé et comme un imbecile. Tu lis ses interviews tu es efondré par tant de suffisance. Je m'en fous avec qui il a joué, les musiciens de jazz jouent pour l'argent. Lloyd etait riche, il paie et les autres jouent. Pettrucianni en parle aussi. Tu peux te payer les musiciens de Steve Coleman pour 700$ / jour de studio / musicien.
@@rinahall Oui, j'ai écouté ça ruclips.net/video/t_9aGvhpobs/видео.html&ab_channel=MonkeyIslandBlues et c'est de la merde, un désastre, ça donne pas envie d'essayer autre chose.
I went to high school with David, a small Catholic High School in Berkeley, Ca., Saint Mary’s…. I remember David as an exceptional young man. It was an honor to be in his company back then, early seventies. I could sense that David would be successful in life, in music or otherwise, and I see here via the media that David has indeed done well.. I hope before too long we have an opportunity to meet once more…… Greetings from the past, Martin Keil
Let's not ignore the late great Fred Hopkins on bass. one of the nicest and coolest musicians I've had the plaesure to meet (David was very cool too). Met Fred at a show Murray did in Cambridge, MA. Year later they are back and Fred rememers me and my buddy by name. Just a great guy, very hip and funny too. Ppl were talkin during his solo, he stops playing and says "you all better be quiet. I'm from Chicago, you don't want me to come back there" lol
In case yaccoful is still wondering, the name of the song is "Morning Song." I agree with comments that Fred Hopkins was a great musician and a cool guy. Check out his recordings with the trio Air, with Henry Threadgill and Steve McCall, and with the Henry Threadgill Sextett and Arthur Blythe. John Hicks was a wonderful pianist with a beautiful touch & a flexibility well suited to Murray's in & out approach with this band.
The World Saxaphone Quartet played in Chicago back in the late 80s and it was my introduction to David Murray. He is truley a gifted player. He and George Adams, another favorite tenor playor, have similarities and this song reminds me a bit of the Don Pullen/George Adams Quartet with Dannie Richmond (RIP George et al). David Murray Has an excellent band here. He is one of the best tenor players on the jazz scene today.
In case it wasnt clear before the song is "Morning Song" from a record of same name on Black Saint
Man this is funky!!!.Bought the album morning song on vinyl many years ago. Nice to hear it again.
I hung out with David in Sines, at a local bar, where he was having a jam session. Nicest guy ever. And boy, can he play..
Oh God why can't we have music like this anymore? If you haven't heard El Matador, open a new tab and listen to it right after this song. Totally
Happy 59th birthday to saxophonist David Murray!
AWESOME!!!!!!!
i think that i was about to see Dave Murray from Iron Maiden, anyway, this is not bad, very good jazz, and good sax
We will see him live at Pigeon Island in Saint Lucia 2007 Jazz festival.
As a surpise Isaac Hayes will also be there. George Benson will also perform!!!
Great!
daves got it.
@MrSalamander7 Same dude! Remember that ripping sax solo on Powerslave?
hahaha dave murray, from Maiden, great band I love it...
But this is jazz, I like his sound, I heard about him when he played with steve coleman and the five elements a great concert in hot brass in 95 (I guess)
haha when i saw David Murray i thought it was the guy from Iron Maiden
In Accordance. With All That. Is Jazz Standstd...right. can you taste the bop
If you want to hear Murray at his best listen to his work on Octet Plays Trane. This stuff at the Vanguard is just schmaltz.
Imagine being in NY in 1986, walking through the village and you see the marquee and you say, what the hell, let's check it out, and having a great music experience.
Funny you say that, because that pretty much happened to me in '83, ignorant kid from Arkansas just learning about jazz, went to stay with a college friend on Long Island for Thanksgiving, and me and my much more knowledgeable friend happened on an Elvin Jones show at the Blue Note -- amazing musical experience! Great memory. David Murray was and is a great favorite of mine -- saw his octet in St. Louis a few years later. Haven't seen a lot of shows, but those were two of the best, alongside World Sax Quartet -- actually Michael Vlatkovich was awesome too!
omg why ionly get videos of this guy when im searching dave murray where is the dave murray??
good vid
Is that the bridge to Moanin' by hendricks and ross at 0:20?
hi i wanna know the name of this song thanks. thgis is great song i wanna find the music score of this song
can somewone tell me what is the name of this theem :))
hi i wanna know the name of this song thanks
@6378773 The word "rape" does not apply to David's music. I know he would not appreciate this word being used to describe his music or it's affect in any way.
He sounds a little bit like L.Thompson.
@gordondexter67 How is he terrible?
haz reggeton y deja el jazzz crack
c'est vrai qu'il peut faire penser à Rollins , mais en général des musiciens comme ça , on appelle ça un peu méchament des "escrocs". Il a plutôt fait une belle carrière, grâce à des journalistes aussi sourds qu'ignorants... Hélas , ce ne sont pas toujours des musiciens qui font et défont les succès. Reste que ce sax. est plutôt médiocre, et certains appellent ça un "géant". C'est drôle et triste à la fois. Sans rancune.
tout à fait d'accord mon ami ! Et que dire de Braxton, Shepp et autres Lloyd...
@@rinahall Braxton je ne connais quasiment pas, Shepp est nettement plus doué de Maray et totalement honnête musicalement, quant à Charles Lloyd, vu avec qui il a joué, ça n'est pas un escroc.
@@Thouveninpascal Ecoute Braxton jouer un titre de Bird ou un standard quelqconque, ca vaut le detour. On pleure de rire. Shepp doué ? Lorsque Trane l'a rencontré en 1959 il lui a demandé de jouer avec lui Giant Steps dans son salon, et Shepp ne pouvait pas. Trane a evalué son niveau à un debutant et lui a montré comment bien positionner ses doigts sur le saxophone (temoignage de Shepp lui-meme). A-t-il progressé depuis ? Non. Lloyd est un abruiti qui joue desacordé et comme un imbecile. Tu lis ses interviews tu es efondré par tant de suffisance. Je m'en fous avec qui il a joué, les musiciens de jazz jouent pour l'argent. Lloyd etait riche, il paie et les autres jouent. Pettrucianni en parle aussi. Tu peux te payer les musiciens de Steve Coleman pour 700$ / jour de studio / musicien.
@@rinahall Oui, j'ai écouté ça
ruclips.net/video/t_9aGvhpobs/видео.html&ab_channel=MonkeyIslandBlues
et c'est de la merde, un désastre, ça donne pas envie d'essayer autre chose.
@@Thouveninpascal punaise j'ai tenu 53 secondes, catastrophe, comme tout ce que fait Braxton. Faut lui reconnaitre une tenacité dans sa mediocroté !