PETER BRÖTZMANN - tenorsaxophon TOSHINORI KONDO - trompete WILLIAM PARKER - bass HAMID DRAKE - schlagzeug Haus Der Kulturen Der Welt, Berlin von 5. November 1995
The _Die Like a Dog_ Quartet was one of the groups with which Brötz blazed a trail still visible and frequented today, four men, each with other projects of their own, who morphed into an entity, a tight, well-rehearsed ensemble that left a mark in our memory, enabling us to pinpoint pretty accurately the moment in time and the location where we were listening to them. Ruhe in Frieden, Peter Brötzmann, und *Danke für die Musik!*
for it was Albert Ayler who died like a dog found at the Congress St. pier in Brooklyn,N.Y. after reported missing last seen on the Staten Island Ferry. alas poor Albert we knew thee well but not enough to sustain the music.
Some people call this noise as if that's a bad thing. Somebody called Brotz a random generator. If he could actually do such a thing that would be a great technique. People who go on about tradition, or go on about The Tradition, and then go & shit on stuff like this are just serving their gatekeeper function. But tradition is the thing to rip off ideas from, not worship.
He never plays the same "song" because there are no songs. Peter Brötzmann is what you'd call a "noise/experimental" improvising artist. He pretty much doesn't write songs. He improvises.
ADD Trio, Anthony Braxton, Julius Hemphill (Dogon AD is great), late John Coltrane and Miles Davis, Alice Coltrane, Albert Ayler, Ornette Colemen, Cecil Taylor's groups, Sonny Sharrock, Robert Dick, Don Cherry, Larry Young, I'd also say for something a little less crazy but just as creative/exploratory on Blue Note (and elsewhere) Andrew Hill, Grachan Moncur III, Steve Lacy, Eric Dolpy - honestly though few are as OUT there as Brotzmann (besides Taylor) :)
What an unholy racket . Not what l define as Jazz and l love the music but to me this is the musical (sic) version of the emperors new clothes . People pretend to understand it but the reality is it is'nt real jazz just a form of music people kid themselves they enjoy and appreciate when as me and other Jazz fans regard it as an inpenetrable noise .
You can also listen to more recent saxophonists who i bet you will love if you love sonny,trane etc..Try Chris Potter,Joshua Redman,mark Turner,Steve Coleman,Kamashi Washington and Branford Marsalis.You can also listen to older ones who you haven't mentioned:Wayne Shorter,Bennie Maupin,Oliver Nelson,Stanley Turentine,Jan Garbarek,Ornete Coleman and Pharoah Sanders.You can also try to listen to Sam Rivers and Eric Dolphy,but they are a bit harder than the formentioned.
+konosxatz1 Thanks.I just love Eric Dolphy.His tone is really unique.I listened to Blues and the abstract truth and some ballads and man,it's just a shame he left us so early.
Yeah,the biggest early loss in jazz in my opinion (lee morgan follows).In my opinion he is the most unique of his time.His improvisation is sugar to my ears and flows like a river.I can't even imagine how much he could accomplish had he lived 10-20 years more.That's why i love Bennie Maupin,he is a bit like Eric but also very different.
Sorry, but I came up through the "energy era"....Coltrane, Pharoah,, Archie Shepp, Albert Ayler, Ornette Coleman......their "past the norm" explosions of sound and "past the notes" playing were emotional outreaches at the conclusion of their searching for expression. Their traditional training had developed their skills and the times they were in brought in the searching and the ultimate "outside" sounds. This one sided music by Brotzman is void of a foundation and its focus on only the explosion results in noise
Traditional Training and knowledge of the artform is the key to an extended Vocabulary - even if you go far beyond the Limits . Peter Brötzmann did not study the music enough , as Shepp , San ders , Mangelsdorff , Kuhn did - therefore having much richer results. Poor Peter sounds always the same : a musical random number generator . One minute of his playing in a loop are enough to cover all he did .
@@moletrane277 yeah i'm none of these. In fact far from any of these, really far. As you folks do not know me, dont judge me either based on a joke I made 8 years ago. Instead, think about how this joke started to have comments only now. My bet is that only recently people started to be so snowflakes about anything and everything. But it takes two to be insulted indeed. It took me to write this silly joke 8 years ago...and you for whom anything raises a red flag. Have some joy and fun instead, go out hug a tree or something. Really. I wish the best for you, cheers.
R.I.P. Brotz. You were one of the greats.
RIP Peter Brotzmann 🙏🏿
Hardest live free jazz ive ever seen, next level shit here
I’ve been looking for another free jazz great to bless my spirit. Peter is fantastic this really moves me.
Do you guys do weddings?
You owe me a cup of coffee.
funny
@@anthonym8205 sure!
@@stephengardner763 thanks
😂
That great rhythm section keeps it from going off the rails. This is pretty wonderful.
Thanks for spreading improv. music. Four players icons. Chaotic primeval cavernous sounds just for the free souls.
The _Die Like a Dog_ Quartet was one of the groups with which Brötz blazed a trail still visible and frequented today, four men, each with other projects of their own, who morphed into an entity, a tight, well-rehearsed ensemble that left a mark in our memory, enabling us to pinpoint pretty accurately the moment in time and the location where we were listening to them. Ruhe in Frieden, Peter Brötzmann, und *Danke für die Musik!*
My favorite free jazz performance on RUclips!
imho Jazz Jamboree 1974 Brotzmann Q is better (with von Schlippenbach , Lovens and Kowald)
RIP Brotz!!
And Kondo as well.
Die Like A Dog is one of the great groups.
That Trumpet playing is off the hook.
Seriously, dude is absolutely bonkers!
Great performance, excellent quality, Die Like a Dog! Really enjoyed, thanks!
Hehe yeah ': -D
@@Jiv_Ing57819Die Like a Dog was the name of this lineup
Love this quartet
Wonderful performers. I always come back to this one, and it sucks me in every time. The only good point to stop watching is when it's over.
Rip brotz 🙏
fantastic concert!
rip Peter Brotzmann
A sound that fits perfectly to the fast-paced way of life these days
William Parker is a beast
Total greatness.
this is straight fire. all the haters dont get it
Oh yes, it's just too deep for us plebeians.
@@nairdazitro7460 Seeing the stuff you like, yeah
This is beauty
20:43 for classic Brotzmann
Yeah is all classic : -D 👊
Decent eruption at 41:40-50 ; -D
Great
Amazing! Free Jazz forever
great stuff
yes
God almighty brilliant!
in a word - fantastic. TheSmack77 approves..
UNHOLY AND DANGEROUS ADVANCED SONIC OPPRESSION
great job with the mix!!!
🔥🔥🔥
Mr. Kondo, RIP
Yesssssss
bravo !!!
Mordeczka dał jeden z ostatnich swoich koncertów właśnie w pl
Z Trzaską rozumieli się niezgorzej.
Make sure the synth and vocals are in the same key
WillHissettBeats i wanna see a recording of Adam watching this all the way through
Coleman forged the hammer and Brotzmann wielded it taking to the skies....
POWERFULL JAZZ
Shot out of a canon.
n so they wait until they reach climax n then they wait for resurgence n go again, is like a challenge, interesting concept n design for music : -)
God gets pretty heavy and fuzzy : -D
Did this ever get released? Such a great sound
10:04 terraria boss music
like it - cool stuff!!
If you are not able to play Chorusses, you play Free Jazz!!
for it was Albert Ayler who died like a dog found at the Congress St. pier in Brooklyn,N.Y. after reported missing last seen on the Staten Island Ferry. alas poor Albert we knew thee well but not enough to sustain the music.
Some people call this noise as if that's a bad thing. Somebody called Brotz a random generator. If he could actually do such a thing that would be a great technique. People who go on about tradition, or go on about The Tradition, and then go & shit on stuff like this are just serving their gatekeeper function. But tradition is the thing to rip off ideas from, not worship.
Stella By Starlight?
Is this song ever played the same way twice? And if so, how could you tell? 🫤
He never plays the same "song" because there are no songs. Peter Brötzmann is what you'd call a "noise/experimental" improvising artist. He pretty much doesn't write songs. He improvises.
If i like this who else should i check out?
ADD Trio, Anthony Braxton, Julius Hemphill (Dogon AD is great), late John Coltrane and Miles Davis, Alice Coltrane, Albert Ayler, Ornette Colemen, Cecil Taylor's groups, Sonny Sharrock, Robert Dick, Don Cherry, Larry Young, I'd also say for something a little less crazy but just as creative/exploratory on Blue Note (and elsewhere) Andrew Hill, Grachan Moncur III, Steve Lacy, Eric Dolpy - honestly though few are as OUT there as Brotzmann (besides Taylor) :)
Your local mental institution
Check John Butcher
Msayuki Takayanagi, Steve Lacy, Kaoru Abe, Albert Ayler, Derek Bailey,Ornette Coleman, Cecil Taylor...
Listen to some Don Pullen too. Not as 'free' as this, but you ought to dig him.
is this 'all the things you are' ? i dont see scores..
booooooooooo
Is that wrote down? 🫤
I guess it was only a matter of time.
I thought the japanese will just take some rest by sitting on the chair.
What an unholy racket . Not what l define as Jazz and l love the music but to me this is the musical (sic) version of the emperors new clothes . People pretend to understand it but the reality is it is'nt real jazz just a form of music people kid themselves they enjoy and appreciate when as me and other Jazz fans regard it as an inpenetrable noise .
They don't enjoy it. They pretend to like it so that they can play intellectuals too far from mere mortals.
Anyone got the song list?
why? you wouldn't know them
I'd rather listen to my cat shitting something liquid.
Κάθαρση
Acoustic Japanoise.
Esto no es música , solo son ruidos .
💿💿💿💿
Охуенно!!!!!!!
Don't they know any nice songs?
🤔
A boquilha parece ser "berg larsen de massa"
IS
Guess I'll go back to Sonny Rollins,Bird,Dexter,Cannonball and Trane...This really doesn't seem to be my taste.
You can also listen to more recent saxophonists who i bet you will love if you love sonny,trane etc..Try Chris Potter,Joshua Redman,mark Turner,Steve Coleman,Kamashi Washington and Branford Marsalis.You can also listen to older ones who you haven't mentioned:Wayne Shorter,Bennie Maupin,Oliver Nelson,Stanley Turentine,Jan Garbarek,Ornete Coleman and Pharoah Sanders.You can also try to listen to Sam Rivers and Eric Dolphy,but they are a bit harder than the formentioned.
+konosxatz1 Thanks.I just love Eric Dolphy.His tone is really unique.I listened to Blues and the abstract truth and some ballads and man,it's just a shame he left us so early.
Yeah,the biggest early loss in jazz in my opinion (lee morgan follows).In my opinion he is the most unique of his time.His improvisation is sugar to my ears and flows like a river.I can't even imagine how much he could accomplish had he lived 10-20 years more.That's why i love Bennie Maupin,he is a bit like Eric but also very different.
konosxatz1 dont forget Albert Ayler. He was 34 when he passed
Who cares?
So, none of these cats know how to play. I kid. 😁
Das soll der Lambada sein
🙈
ziemlich langweilig und einfallslos - auf die Dauer kann man auch mit viel Energie den Mangel an Einfällen nicht kompensieren
Not good. Sorry.
I could do Yoko's trumpet part, pretty sure...
Ummmm...no. :)
LOL fail
naiv
Came to check after Jimmy Fallon. Can somebody really listen to this for 45 mins? Just stayed long enough to write this comment.
Yes,even hours,it is an acquired taste for sure,this type of music is great for working believe it or not 😆
Fallon is a worthless hack
@@angelgarcie you’re absolutely right. When I was in middle school, I often listened to Brötzmann while I did my homework
Sorry, but I came up through the "energy era"....Coltrane, Pharoah,, Archie Shepp, Albert Ayler, Ornette Coleman......their "past the norm" explosions of sound and "past the notes" playing were emotional outreaches at the conclusion of their searching for expression. Their traditional training had developed their skills and the times they were in brought in the searching and the ultimate "outside" sounds. This one sided music by Brotzman is void of a foundation and its focus on only the explosion results in noise
people just log into youtube and say anything these days
@@NOFB You can do it too! Say with me: Anything!
I'd assume there is a decent cross section of Peter Brotzmann fans that also like Merzbow.
Traditional Training and knowledge of the artform is the key to an extended Vocabulary - even if you go far beyond the Limits . Peter Brötzmann did not study the music enough , as Shepp , San
ders , Mangelsdorff , Kuhn did - therefore having much richer results. Poor Peter sounds always the same : a musical random number generator . One minute of his playing in a loop are enough to cover all he did .
@@NOFB as you do
sounds terrible like a nightmare
Dreadful, meaningless noise
I never knew Yoko Ono plays the trumpet. Interesting though, she still sonds the very same.
Pretty dicey racism right there
@@neonmeate8180 Ah so in this decade joking about two persons being from the same nation is racism. A lot changed in the past 8 years, it seems.
@@olimorc oh so youre saying youre xenophobic and not racist
@@moletrane277 yeah i'm none of these. In fact far from any of these, really far. As you folks do not know me, dont judge me either based on a joke I made 8 years ago. Instead, think about how this joke started to have comments only now. My bet is that only recently people started to be so snowflakes about anything and everything. But it takes two to be insulted indeed. It took me to write this silly joke 8 years ago...and you for whom anything raises a red flag. Have some joy and fun instead, go out hug a tree or something. Really. I wish the best for you, cheers.
Also he's dead. Have some respect.
Absolute Scheisse.
nothing exceptional,i see a lot of routineering about ...
this is so fuckin sick, these guys really ripped