If you enjoy films with jump cuts, and an a-synchronus presentation. Watch it so you can have conversations about it with others who went to film school, or the like, but there are many better films from all eras. Breathless was shocking and a game changer when it came out, but without the importance of its place in film canon for what it did, it would just be a ow budget poorly edited film today.
2001 is a masterpiece, which established the form of Science Fiction film making for decades to come. I do think Clockwork Orange and The Shining are brilliant works in themselves, but this one truly screams Stanley Kubrick.
not every Kubrick film, although he's my favourite director he has made a couple of horrible films but Andrei Tarkovsky? He has made only 7 films and all 7 are considered as classics.. even his least rated film is 83% in RT..and I think 4 of his film are rated 100%..
I only took a film class in high school and we watched: Singing in the Rain Casablanca Citizen Kane My Man Godfrey Psycho Chinatown Rear Window 2001 A Space Odyssey Stagecoach Strangers on a Train The Graduate That was such a great class that made me love and appreciate the classics! 😍
Quite a good list though I would have chosen Vertigo over Rear Window but yes I guess you have to discuss Film as Voyeurism which it probably does better than any other film. Also The Young Girls of Rochefort over Singin in the Rain and Sullivan's Travels over My Man Godfrey even though its a great film as well
@@reecedaniels4450 Today's youth don't care about the classics. I've noticed that when I entered Film School. Most of the first years have only seen the modern popular films. Incluign myself, I have only met Nine other firs years of 150 first years who watch a very diverse range of films, both old and new, and range from different countries. I don't have much hope for future cinema if these are the kind of film makers going forward. They find the classics boring.
Citizen Kane is rubbish. Mad Max Fury Road is a better movie. Just shows how useless film studies are if they think Citizen Kane would work today. Can't eat frigging popcorn to Citizen Kane.
@@mnm2590 I agree. When I first etered film school, I was suprised with how little films many students actually watched. Many of them have not seen one of the films on the list. The films they watch were popolar hollywood films released at the time. They don't bother with watching classic films. They right about them in essays and use the films as inspiration for their students films, but have never seen them. For example, one person presented how he uses The Godfather as a refrence for the way he will copose the music for a stucent film. Later I ased him what was his opinon on The GOdfather, he told me he had never seen the film and never plans to.
I went to film school and the films there weren't even close to any of these movies! I made sure to research 3 movies...seeing as I was researching horror/scifi movies....I watched Halloween, A Clock Work Orange, and the invisible man.....and none of these movies ever popped up in other topics my friends researched....bunch of bullshit...
Absolutely.. One of the landmarks-not merely of the movies, but of 20th-century art. The film extends the theme of Rear Window-the relationship of creator and creation-into the realm of love and sexuality, focusing on an isolated, inspired romantic who pursues the spirit of a woman he film's dynamics of chase, capture, and escape parallel the artist's struggle with his work; the enraptured gaze of the Stewart character before the phantom he has created parallels the spectator's position in front of the movie screen. The famous motif of the fall is presented in horizontal rather than vertical space, so that it becomes not a satanic fall from grace, but a modernist fall into the image, into the artwork-a total absorption of the creator by his creation, which in the end is shown as synonymous with death. But a thematic analysis can only scratch the surface of this extraordinarily dense and commanding film, perhaps the most intensely personal movie to emerge from the Hollywood cinema.
Yes, and what about MANY others too😂That's why film schools are so pretentious!! They don't know s#%* lol Except from Hitchcock and Welles, all they teach about is garbage, boring garbage wtf🤦♂️😂🤣🤣
DioraMadness I took a film elective class at my high school last semester. We did actually watch Battleship Potemkin, I'm still not sure what it's about though because I fell asleep on the first 10 minutes. Not saying it's bad, but I was just really tired that day.
I thought that Metropolis, A Trip to The Moon, and Battleship Potemkin were the go-to movies for all film schools. Much more so than Mullholand Drive, it's inclusion baffles me.
"Now students, we are going to learn film by studying masterpieces." How dumb. I would make students shoot practice commercials at first; then they would learn how to light a scene and write economical dialog and other things. Then short films, etc.
That's not how it works. We study movies and learn how to make them. My teacher never just put a movie and say nothing, hell tell us all the tricks that the movie used
I also remember viewing La Dolce Vita, Blade Runner, Modern Times, 8 1/2, Journey to the Moon, It Happened One Night, Some Like it Hot, A Clockwork Orange, 2001: A Space Odyssey, and many more. Good times.
I know this was a joke, but our films teachers advised it because of the reaction phenomenon that spiralled after it XD We only technically had to watch the reaction videos, but still hahaha.
Way too mainstream, more like top 10 movies every self-respecting film fan should watch. Consider this an extension of the list: 10. In a Mood for Love 9. A Man Escaped 8. Cabinet of Dr Caligari 7. The 400 Blows 6. Persona 5. 8 1/2 4. Eraserhead 3. Stalker 2. Un Chien Andalou 1. Man with a Movie Camera
Good list, I prefer Au Hazard Balthazar over A Man Escaped but you could really put any Bresson film on here. I would also add Satantango or something by Bela Tarr and would still take Godard over Truffaut. Also Ordet or The Passion of Joan of Arc and would take Sunrise over Caligari. And Stalker would be my choice by Tarkovsky as well. Excellent list though.. All great films but Im just not a Truffaut fan.
Leo Bergmiller Birth of A Nation I feel is also good for teaching how to not get turned off by outdated cultural norms. The Jazz Singer may have used blackface but it was about racial equality.
Tate Hildyard Well I wouldn't say Birth of a Nation had "cultural norms" because it was about african americans being complete villians and pests of America and the KKK being the saviors of the land which is most obviously not how it worked... I mean its the normal interpretation of those events by some people around that time but it isnt really what you'd call the social norm of the time.
Tate Hildyard Yeah I get what you mean and you have a good point but I think its mainly because of how that was like literally the first narrative film ever...
Well from a film history perspective D.W. Griffith got his start by plagiarizing Georges Méliès films for Edison. He did eventually develop his own style of story telling but his iconography still holds a great debt to the man he stole from.
Went to film school for 2 years, NEVER seen any of these in my classes, we touched on alfred hitchcock but we only watched Stranger on the train. They showed us movies like blade runner, a trip to the moon, and taxi driver
The introspective ending of The Graduate happened because Mike Nicols asked a friend of his to direct the scene of them on the bus, but he forgot to say "Cut". The actors, being professionals, didn't say "are we done yet" in the middle of the scene, so result is more of a masterpiece of editing than it is of directing.
Love Mulholland Drive, one of my all time favorite movies. It does a good job of keeping the viewer guessing and providing such a surreal environment that it truly stands out amongst other films.
@@maciek8159 Blue Velvet is the most straightforward of the three mentioned here. A great example of tension building without being cryptic. Mulholland Drive strikes the most quintessential balance of cryptic ambiguity yet cohesion - it's poetic that way. Some of his other projects can get a bit lost in the sauce, or movies like Blue Velvet or Elephant Man that are so straightforward that they "miss out on" the poetry of open interpretation that Mulholland Drive (albeit great films in their own right).
@@chrisjfox8715 Since I've left that comment I've changed my opinion. I think Eraserhead is his best film followed by Blue Velvet. Yes, Blue Velvet is pretty straight forward but still keeps surreal aspects. I agree some of his other films go too far with being incomprehensible like Inland Empire and Lost Highway. My three favorites are Eraserhead, Blue Velvet and Mulholland Drive
I'm in film school. It's somewhat true. You missed quite a few: 1- every Andrei Tarkovsky movie 2- (almost) every Stanley Kubrick movie 3- man with a movie camera / battleship potemkin 4- birth of a nation
+Clarrisani We watched Rashomon as well, Seven Samurai is a bit too long to watch at the end of a lecture, so I think Rashomon is the one they usually go for.
I watched Mulholland Drive, Bicycle Thieves, Breathless and Citizen Kane in film school. Didn't watch Psycho, although both Rear Window and Vertigo were Hitchcock films we actually did watch. Also, Rashomon tends to be showed more than Seven Samurai I think, since it's about two hours shorter, and almost as influential.
I went to film school for 3 years and didn't even here of Kubrick. I've seen all his films now. The reason, in my opinion, his films aren't shown is because most of his films deal with harsh real life subject matter which at times critiques capitalist society heavily. For instance; you find yourself routing for a rapist murderer in A Clockwork Orange, explore the harsh life and dehuminisation of soldiers trained for war in Full Metal Jacket, see how personal pride and recognition take president over the lives of soldiers in Paths of Glory, explore how the system's and individuals made to protect society can do the very opposite in Dr Strangelove, etc. He's the greatest Film maker in my opinion, his films are so true to life and there's so much conflict coming out of every scene! His topics and engunity as an artist are beyond the scope of most film schools, attempting to teach basic popular film culture. Most film cources tend to ignore great filmmaking if it's controversial in any way, like Michael Powell"s Prepping Tom.
I had one (of many) film classes in college, and we watched - His Girl Friday - Casablanca - The Graduate - Rear Window - The 400 Blows - Young Frankenstein - Yojimbo - Moulin Rouge - Rashomon It was a great class
"Singin' in the Rain" is regularly shown in film/media classes as a classic example of the Hollywood musical. Shawn R., Mo-Mutt Music (and former film studies grad assistant and former film student)
watch the final fight scene in Kill Bill Vol. 1. Its is flawless even with its over a dozen different camera angles. The sound, the pacing, the editing. It's perfect cinematography.
I love Mulholland Drive and saw it in the theatres when it first came out. I'm surprised it's on here but happy that it is. I can't watch it often though because it breaks my heart too much. The movie doesn't do a good job of explaining what's going on and there's probably no single explanation but for me it's a sad story of unrequited love.
The only movies, I've seen from this list in film school are Bicycle Thieves, Breathless, and Citizen Kane. Other films were Strangers on Trains, The Birth of a Nation, A Trip to the Moon, The Third Man, The General, and so many more I'd lost track.
steven alvarez just finished early ones starting with a trip to the moon and I'm dissapointed my school thinks that Birth of a Nation is a bit to Inappropriate to watch in class
Interesting that not a single Kubrick film made it onto this list. That's not to say I'm disappointed; I think it's just a testament to the fact that his style and methods are so outside of the norm. I think his films are just sort of beyond what is considered great film making. They're kind of just their own medium, their own universe...
I've been to film school and Kubrick is surprisingly unpopular among academia. They prefer more socialist-leaning directors like the French new wave or Soviet directors like Eisenstein or Tarkovski. We've only studied Full Metal Jacket, just so the lecturer could show us how evil the US army is.
Coming from a film school graduate, Citizen Kane is the film you will see in as many film classes that have an excuse to screen it. So you will definitely see it in your intro class, your screenwriting class, American Cinema, and so on and so forth. So when a film student calls something "Citizen Kane of __", they aren't necessarily saying its a great film. They might be saying it's the film of its genre that your Professor is most likely to screen. For example: Stagecoach is the Citizen Kane of Westerns. Psycho is the Citizen Kane of both Horror movies and Hitchcock movies. The Bicycle Thief is the Citizen Kane of Italian Neorealism. The Seventh Seal is the Citizen Kane of Swedish Cinema. The 400 Blows is the Citizen Kane of French New Wave. The Rules of the Game is the Citizen Kane of classic French Cinema. The Seven Samurai is the Citizen Kane of Japanese Cinema, but some professors might choose Rashoman to represent Kurosawa because of its length; the reason many of these films are screened more than other similar choices is because Professors like to have time to discuss the film.
You could argue Dune is a necessary and good contrast to his more successful films, considering David was forced to sacrifice much of his creative vision (and more) to make the film. This movie nearly ruined his career and yet his other films/works, where he does what he wants (regardless of if it makes sense to the audience), were extremely successful and some of the most influential and groundbreaking works of all time. Twin Peaks, for example, changed television forever- the show was unprecedented in the early 90's, like most of his work. You struggle to find a director/writer/producer/show/film that hasn't been affected by something David made. Essentially, Dune is a lesson in creativity, principle, and what not to do.
I wonder why Clerks is never shown. It is basically the blueprint on not only budget film making, but it is a wonderful example of how to pace a script and how to write witty and realistic dialogue.
I have seen other lists where the movie Terminator is in the list, or at least honorable mention since its one of the most effect films ever made. With some of the best exposition scenes in cinema. With the Shinning being also in the list, but only recently have people discovered things Kurbric did to make it so scary, like purposely make the Overlook Hotels rooms and hallways impossible, giving the audience an unsettling feeling, but consciously not knowing why. Also the Alien, since its one of the best horror movies ever written, directed and acted. Even though it's essentially a slasher movie, you can tell how much better a movie it is, that it transcends any problems found in horror.
I'm asking this question to the ones that have studied in a film school: Did you study 12 angry men? I mean, I am certainly not an expert but when I first watched it, I was really impressed. The way anybody can relate with one of the 12 jurors is just pure gold and not to mention the camera movement. Should not it be mandatory to watch 12 angry men at least once in your life?
I took a lot of film classes in community college, and so the films from this list that I've seen in class are: The Graduate (only clips), Mulholland Drive, The Godfather, Psycho, Bicycle Thieves, seven samurai, a single clip of Breathless (though I saw most of 400 blows), and Citizen Kane. not a bad list
In 1967 they made all the students of my high school watch, "On The Waterfront". As we walked out of the auditorium my friend Bobby Picconi looks at me and says..."Doesn't Brando remind you of me?" I started laughing so hard I thought they were going to have to take me to the hospital. We were 16...just a memory.
😂That's why film schools are so pretentious!! They don't know s#%* Except from Hitchcock and Welles, all they teach about is garbage, boring garbage wtf🤦♂️😂🤣🤣
L'Atalante, Belle de Jour, and The Rules Of The Game. Plus, Citizen Kane wasn't exactly dismissed it was very much acclaimed and got several Oscar nominations, it was just that Orson Wells was disliked in Hollywood.
We watched The 400 Blows and Yojimbo when I studied screenwriting in the early 2000's, but I can't remember what else. Though the students I hung out with were more interested in Charlie Kaufman's films. There's too many essential films to mention.
Wow I cannot believe you forgot to even mention these: Wizard of Oz Gone With The Wind It's A Wonderful Life 2001: A Space Odyssey The Shining Shawshank Redemption Goodfellas Pulp Fiction A Clockwork Orange (or any Stanley Kubrick film for that matter) The Fly, Scarface, or The Thing (to show how great remakes can be) That's just to name a few!
@@megamoviez hahaha! Come back when you’ve watched movies like: Harakiri, Ikuri, Oldboy, Chinatown, the handmaiden, three colors: red, memories of murder, persona, cinema paradiso, in the mood for love, ran, high and low, one flew over the cuckoos nest, joint security area, sympathy for mr. vengeance, amelie, wild strawberry’s etc You obviously know nothing of cinema
"Citizen Kane" was the only one of the ten we watched in film school. And you really need to get a new narrator. She has the awful habit of emphasizing the wrong word.
Incredibly surprised that a Kubrick or Lumet didn't make the list... We had to watch both's entire catalog in film school...so many outstanding movies there that I learned a ton from.
As an art student who took film studies classes, we are missing: La Jetee Meshes of the Afternoon Battleship Potemkin A Movie (Bruce Conner) Mothlight Scorpio Rising Passion of Jean D'Arc Un Chien Andalu
Where is M? Where is Nosferatu? Where is Night of the Hunter? Where is The Third Man? And these days you're a lot more likely to see The Matrix than Bicycle Thieves in a film class.
NoJusticeNoPeace Nosferatu for sure. N by NW, High Noon and way more than these 10 listed. Yes Citizen Kane should top the list. Taxi Driver and Raging Bull should be assigned in the same week with a paper contrasting the two. Some Coen brothers. A Kubrick film as well as Woody Allen and Roman Polanski. Some Scandinavian efforts as well.
Some Scandinavian efforts? - Ingmar Bergman (The Seventh Seal), Aki Kaurismäki, Lars von Trier, Thomas Vinterberg to name just few are essential and inspirational for any artist.
here's a few movies id pick if i was a film teacher 2001 a space odyssey memento amores perros childeren of men pulp fiction Lawrence of arabia spirited away eternal sunshine of the spotless mind the master apocalypse now
chasetalksmusic _ great list! some of my picks would be.. Sunrise, M, Citizen Kane, Pather Panchali, Mirror, Mishima: A Life in Four Chapters, Close-Up, Werckmeister Harmonies, Chungking Express etc..
Yes, no list can be perfect of course, but to not include a single Stanley Kubrick film on a top ten film school list just doesn't seem rational. I was hoping either 2001 or Dr. Strangle Love would make it. I'm glad 2001 made yours.
I went to AFI. The only one's of these that we studied were Psycho, Seven Samurai, and Citizen Kane. My focus though was more on early cinema so we studied silent and early talkies extensively. Nosferatu, Metropolis , M, etc... Mainly German Expressionism...
They should be studying James Cameron masterpieces. Hell, the New York Film School has declared that Terminator 2 is one of the greatest examples of cinematography put on film....
I did a film studies AS and the films we studied in depth were Blade Runner, Psycho, 12 Monkeys, The Crying Game, Double Indemnity and American History X. We did study individual scenes from a host of other films though.
As a film student, I can say that we did watch many of these but not all of them. Although, I still haven’t finished my studies so maybe that we’ll watch more of these movies in the next years
A decent list. There should be a Kubrick film on it, Tarantino as well. We were shown all these, including Metroplis - Chaplin's Modern Times instead of City lights was the first movie shown in that order and Kurusawa's Rashomon. Some additions - Bergman's Seven Seals was a pathbreaking film. Tarkovsky's Stalker. Battleship Potemkin is one film, I remember clearly being shown in class and a long essay and analysis to be submitted on the technique of montage introduced in the film. memories
The Movie class at Queens College, around 1969, 1) The Gold Rush 2) The General 3) Potemkin 4) The Seventh Seal 5) Shoot the Piano Player 6) 8 1/2 7) Treasure of the Sierra Madre 8) Grapes of Wrath 9) The Third Man, and 10) Repulsion
As a film student in college, who took film history class, these are the films that my professor showed us: "The Kid" (1921) "M" (1931) "Citizen Kane" (1941) "Goin' Down The Road" (1975) "Do The Right Thing" (1989)
I saw Psycho, The Graduate, Godfather and City Lights and Citzen Kane and Metropolis, Casablanca I would of added The great dictator, birth of a nation and It's a mad mad mad mad world and Ben-Hur (1926 & 1956 versions
Film school aside, The Graduate has one great goof that I noticed. When Hoffman's character is traveling to Berkeley it shows him heading westbound on the Bay Bridge, away from Berkeley and into San Francisco.
This list mentions some of these, but the one's I saw in film classes (in addition to the ones in the list) are: 1. Metropolis 2. Birth of a Nation (1915) 3. Run Lola Run 4. Taxi Driver 5. Casablanca 6. Chinatown 7. 2001 A Space Odyssey 8. Groundhog Day 9. Halloween (1978) 10. The Third Man 11. Fargo 12. Tootsie 13. On The Waterfront 14. Reservoir Dogs 15. Toy Story
If you watch these 3 movies it's exactly like going to film school.
Godfather goo.gl/ylgRmM
Raging bull goo.gl/56dyZu
Breathless goo.gl/qI07Jm
Unfortunately, Breathless is terrible. Watch any Kubrick film instead.
WatchMojo.com I think I'm the only 41 yr old who has never seen any of the Godfather's
Tyhler Novac im 12 and ive seen them, please watch them. you will do yourself a huge favor.
If you enjoy films with jump cuts, and an a-synchronus presentation. Watch it so you can have conversations about it with others who went to film school, or the like, but there are many better films from all eras. Breathless was shocking and a game changer when it came out, but without the importance of its place in film canon for what it did, it would just be a ow budget poorly edited film today.
Someone who finally pronounces Scorsese correctly. Salut!
I think every film studies professor should show Tommy Wiseau's The Room. It's the perfect example of what not to do.
Gnarwhal "I did not hit her! I did nahhht!... oh hi Mark."
ItMakesSpence So anyway, how is your sex life?
You are tearing me apart Lisa!
.Gnarwhal I couldn't say this better
That's actually great. A student could probably easily write a 10 page paper on everything done wrong.
Noted.
1. Every Stanley Kubrick movie.
Quantum Leap Yeah. Really, who's better than Kubrick?
2001 is a masterpiece, which established the form of Science Fiction film making for decades to come. I do think Clockwork Orange and The Shining are brilliant works in themselves, but this one truly screams Stanley Kubrick.
+Daniel Mashanic Tarkovsky probably
Even fear and desire?
not every Kubrick film, although he's my favourite director he has made a couple of horrible films but Andrei Tarkovsky?
He has made only 7 films and all 7 are considered as classics..
even his least rated film is 83% in RT..and I think 4 of his film are rated 100%..
I only took a film class in high school and we watched:
Singing in the Rain
Casablanca
Citizen Kane
My Man Godfrey
Psycho
Chinatown
Rear Window
2001 A Space Odyssey
Stagecoach
Strangers on a Train
The Graduate
That was such a great class that made me love and appreciate the classics! 😍
That's a Better List than MoJo's!
@@jamesalexander5623 Ha ha, thanx! 😁
Quite a good list though I would have chosen Vertigo over Rear Window but yes I guess you have to discuss Film as Voyeurism which it probably does better than any other film. Also The Young Girls of Rochefort over Singin in the Rain and Sullivan's Travels over My Man Godfrey even though its a great film as well
I’ve already seen singin in the rain, citizen kane, psycho, and rear window and i’m only in middle school so that’s good
Must have been before everyone became soft. Never see that in highschool again
Timestamps
#10 - 0:43 City Lights
#9 - 1:40 The Graduate
#8 - 2:42 Mullholland Drive
#7 - 4:10 The Godfather
#6 - 5:07 Psycho
#5 - 6:11 Raging Bull
#4 - 7:13 Bicycle Thieves
#3 - 8:15 Seven Samurai
#2 - 9:20 Breathless
Honourable Mentions
The Good, the Bad and the Ugly (10:34)
Metropolis (10:41)
Casablaca (10:49)
#1 - 10:56 Citizen Kane
😎
I go to a film school, and Pulp Fiction is talked about ALL THE TIME
ummm...they had movies before 1994, and Tarantino freely admitted stealing from them.
@Kyle Luke i love 2001, clockwork orange, the usual suspect, pulp fiction, reservoir dogs, goodfellas, raging bull, 12 angry men, rear window, psycho
@@reecedaniels4450 Today's youth don't care about the classics. I've noticed that when I entered Film School. Most of the first years have only seen the modern popular films. Incluign myself, I have only met Nine other firs years of 150 first years who watch a very diverse range of films, both old and new, and range from different countries. I don't have much hope for future cinema if these are the kind of film makers going forward. They find the classics boring.
I know
Reece Daniels GOODFELLAS YEOOOO
Wow, I'm genuinely surprised they put Citizen Kane at #1!
- Said no one ever
haha. It definately fits the most overrated movie list
Wow, I'm genuinely surprised by a WatchMojo list!
- Said no one ever
Godfather deserved it more or se7en for the final scene especially godfather
Citizen Kane is rubbish. Mad Max Fury Road is a better movie. Just shows how useless film studies are if they think Citizen Kane would work today. Can't eat frigging popcorn to Citizen Kane.
@@joebarniak It really doesn't...at all.
Wheres Paul Blart Mall Cop ???
Millanstar it should of been... On how not to make a film
Alex Reyes It was shown when a couple of friends of mine took a film class.
Millanstar Or The Bee Movie? Tsk tsk tsk
Millanstar
The Room
no Sharkboy and lavagirl?
Brodie Rule best movie ever
Brodie Rule I was suprised spy kids wasn't on here
Ur worst nightmare jokes aside, el mariachi deserves to be in film school more than any of these films
no Howard the duck either,god dangit
Fore Real!!! Blasphemy!!!
Sunset Boulevard, 12 Angry Men, The Seventh Seal and Taxi Driver should be on here.
I clicked because I saw Luko Bracsi getting choked out by some piano wire
*Luca Brasi
Luca Brasi sleeps with the fishes
trill kid and may your first grandchild be a masculine one
Me too!!!!!
*luca brasi
Film school ? Really ? These are just classical movies that you should have watched before even going to a film school …
Exactly sir...It would be a shame if one went to film school without having watched these movies.
@@mnm2590 I agree. When I first etered film school, I was suprised with how little films many students actually watched. Many of them have not seen one of the films on the list. The films they watch were popolar hollywood films released at the time. They don't bother with watching classic films.
They right about them in essays and use the films as inspiration for their students films, but have never seen them. For example, one person presented how he uses The Godfather as a refrence for the way he will copose the music for a stucent film. Later I ased him what was his opinon on The GOdfather, he told me he had never seen the film and never plans to.
I went to film school and the films there weren't even close to any of these movies! I made sure to research 3 movies...seeing as I was researching horror/scifi movies....I watched Halloween, A Clock Work Orange, and the invisible man.....and none of these movies ever popped up in other topics my friends researched....bunch of bullshit...
@captain drama mulholland drive is great
@captain drama vertigo is great too 😎
I am being very honest here: What about Vertigo???
Absolutely.. One of the landmarks-not merely of the movies, but of 20th-century art. The film extends the theme of Rear Window-the relationship of creator and creation-into the realm of love and sexuality, focusing on an isolated, inspired romantic who pursues the spirit of a woman he film's dynamics of chase, capture, and escape parallel the artist's struggle with his work; the enraptured gaze of the Stewart character before the phantom he has created parallels the spectator's position in front of the movie screen. The famous motif of the fall is presented in horizontal rather than vertical space, so that it becomes not a satanic fall from grace, but a modernist fall into the image, into the artwork-a total absorption of the creator by his creation, which in the end is shown as synonymous with death. But a thematic analysis can only scratch the surface of this extraordinarily dense and commanding film, perhaps the most intensely personal movie to emerge from the Hollywood cinema.
Yes, and what about MANY others too😂That's why film schools are so pretentious!! They don't know s#%* lol Except from Hitchcock and Welles, all they teach about is garbage, boring garbage wtf🤦♂️😂🤣🤣
You didn't even mention any of there movies:
-Fellini
-Tarkovsky
-Bergman
-Woody Allen
-F.W Murnau
-Eisenstein
-Sidney Lumet
-JORN FORD
-Kubrick
-Herzgog
-Yasujiro Ozu
-Billy Wilder
-Frank Capra
-David Lean
-Polanski
- Truffaut
-John Huston
-William Wyler
-Ray
-Elia Kazan
-Renior
-Peckinpah
-Bustor Keaton
-George Cukor
- Altman
-Bertolucci
-Antonioni
-Demile
-Douglas Sirk
-Lubistch
Adarsh Jose It’s a list of just 10 lol
@@vafanapoli5396 exactly, I mean wtf.
Jorn Ford. What a funny mistake u made.
@@juancarlosquintanilla5355 🤣🤣🤣🤣
Where's Taxi Driver?
WERE YOU NOT WATCHING??
@Ali's Archive hahahaha I was going to say that
Ali's Archive you got a gift my friend
Ali's Archive yes you do
Ali's Archive yes you do
I want to go to a film school and become a movie director
no one asked
Amiri Copeland thanks
The Masked Jake GO FOR IT!
You and I both :) Best of luck and may you succeed!
+Amiri Copeland You tell 'em, buddy.
I'm in Film School and in my case most of those are actually true, but I find your lack of "Battleship Potemkin" disturbing.
DioraMadness I took a film elective class at my high school last semester. We did actually watch Battleship Potemkin, I'm still not sure what it's about though because I fell asleep on the first 10 minutes. Not saying it's bad, but I was just really tired that day.
this movie is actually the holy grail of the modern cinema
And the lack of "Battleship"
I thought that Metropolis, A Trip to The Moon, and Battleship Potemkin were the go-to movies for all film schools. Much more so than Mullholand Drive, it's inclusion baffles me.
Birth of A Nation
Well... That's just like... Your opinion man.
Patrick Johnson How could they have forgot to add the Dude??
The Big Lebowski is a classic and it deserves to be on this list.
Jake The Snake Mark It ZERO!
Jakob Rogers yes it’s a class, not terribly important for film class tho. I take film at NYU and nothing of the kinda was considered important
I'm sorry I wasn't listening
"Now students, we are going to learn film by studying masterpieces." How dumb. I would make students shoot practice commercials at first; then they would learn how to light a scene and write economical dialog and other things. Then short films, etc.
That's not how it works. We study movies and learn how to make them. My teacher never just put a movie and say nothing, hell tell us all the tricks that the movie used
I also remember viewing La Dolce Vita, Blade Runner, Modern Times, 8 1/2, Journey to the Moon, It Happened One Night, Some Like it Hot, A Clockwork Orange, 2001: A Space Odyssey, and many more. Good times.
Hi
where's The Room? You're tearing me apart Mojo!
Anyway, Justin, how's your sex life!
Oh hi mark
Cheep cheep cheeeep!
Ha ha ha.
🤣🤣🤣🤣🤣
where the heck is the emoji movie
pool that's still got months to come out
pool cancelled?
Shakir Newton it wasn't cancelled
gavinctุ is that you jacksfilms?
watch it pal, thats on the edge of almost kinda swearing
2 girl 1 cup is classic too
I know this was a joke, but our films teachers advised it because of the reaction phenomenon that spiralled after it XD We only technically had to watch the reaction videos, but still hahaha.
Christine K. Really? 😂😂 Omg that's crazy lol
I get it, because of your profile pic of the flag of Brazil
😂
Way too mainstream, more like top 10 movies every self-respecting film fan should watch. Consider this an extension of the list:
10. In a Mood for Love
9. A Man Escaped
8. Cabinet of Dr Caligari
7. The 400 Blows
6. Persona
5. 8 1/2
4. Eraserhead
3. Stalker
2. Un Chien Andalou
1. Man with a Movie Camera
finally...first person I've seen who said Man With a Movie Camera
100% of your list was shown to me in film school, compared to none of Mojo's well-tread list.
i would add trainspotting aswell but thats my opinion
Good list, I prefer Au Hazard Balthazar over A Man Escaped but you could really put any Bresson film on here. I would also add Satantango or something by Bela Tarr and would still take Godard over Truffaut. Also Ordet or The Passion of Joan of Arc and would take Sunrise over Caligari. And Stalker would be my choice by Tarkovsky as well. Excellent list though.. All great films but Im just not a Truffaut fan.
@@rwnachman great lost tbh, i loved a man escaped, but my tarkovksy would be mirror :)
Top 10 Clips From Movies That WatchMojo Overuse...
Number 2: "Rosebud" from Citizen Kane
Number 1: "Shower Scene" from Psycho
Anyone else...?
Sfsfsfsfsfsfsf from silence of the lambs
Diner scene from Mulholland Drive. But I love it tho.
Shower scene deserves to be over-used.
I wouldve probably added "2001: A Space Odyssey" and "Birth of a Nation" (because of its influence in cinema, not its message obviously)
Leo Bergmiller Birth of A Nation I feel is also good for teaching how to not get turned off by outdated cultural norms. The Jazz Singer may have used blackface but it was about racial equality.
Tate Hildyard Well I wouldn't say Birth of a Nation had "cultural norms" because it was about african americans being complete villians and pests of America and the KKK being the saviors of the land which is most obviously not how it worked... I mean its the normal interpretation of those events by some people around that time but it isnt really what you'd call the social norm of the time.
"Cultual norms" was probably not the best phrasing on my part.
Tate Hildyard Yeah I get what you mean and you have a good point but I think its mainly because of how that was like literally the first narrative film ever...
Well from a film history perspective D.W. Griffith got his start by plagiarizing Georges Méliès films for Edison. He did eventually develop his own style of story telling but his iconography still holds a great debt to the man he stole from.
WHERE IS BEE MOVIE????
A the white dad Ha ha. Very funny. Not a great film school movie.
Top ten anime films
What's the deal with the bees?
Bee movie? Seriously??
tch
i was hoping for 2001 a space odyssey
Yes, directors always pick 2001 and Tokyo Story. Two great films.
what about every stanley kubrick movie?
Went to film school for 2 years, NEVER seen any of these in my classes, we touched on alfred hitchcock but we only watched Stranger on the train. They showed us movies like blade runner, a trip to the moon, and taxi driver
Taxi driver blade runner you must appreciate your school
The introspective ending of The Graduate happened because Mike Nicols asked a friend of his to direct the scene of them on the bus, but he forgot to say "Cut". The actors, being professionals, didn't say "are we done yet" in the middle of the scene, so result is more of a masterpiece of editing than it is of directing.
Best. Thumbnail. Ever.
Solid Snake ikr
mgs fanboy
Nelio 01 Problem?
Solid Snake cringe
Nelio 01 Well MGS is brilliant.
Where is The Shining?
For me, that's the most powerfully constructed piece of cinema filming ever.
Bryan Ross lol
@@everythingisawesome2903 lol to you
Love Mulholland Drive, one of my all time favorite movies. It does a good job of keeping the viewer guessing and providing such a surreal environment that it truly stands out amongst other films.
Mulholland Drive is Probably Lynch's best film although I prefer Lost Highway personally
Lol blue velvet is Lynch’s best film.
@@maciek8159 Blue Velvet is the most straightforward of the three mentioned here. A great example of tension building without being cryptic.
Mulholland Drive strikes the most quintessential balance of cryptic ambiguity yet cohesion - it's poetic that way. Some of his other projects can get a bit lost in the sauce, or movies like Blue Velvet or Elephant Man that are so straightforward that they "miss out on" the poetry of open interpretation that Mulholland Drive (albeit great films in their own right).
@@chrisjfox8715 Since I've left that comment I've changed my opinion. I think Eraserhead is his best film followed by Blue Velvet. Yes, Blue Velvet is pretty straight forward but still keeps surreal aspects. I agree some of his other films go too far with being incomprehensible like Inland Empire and Lost Highway. My three favorites are Eraserhead, Blue Velvet and Mulholland Drive
I'm in film school. It's somewhat true. You missed quite a few:
1- every Andrei Tarkovsky movie
2- (almost) every Stanley Kubrick movie
3- man with a movie camera / battleship potemkin
4- birth of a nation
Drive will be one to be looked at in 5-10 years, atleast it should be.
I'm there with you buddy.
alflex621 brilliant film
I totally disagree. It doesn't even come close to Man on Fire or A History of Violence, which have the same themes, but are 100x better.
History of violence is ass lmao. So corny.
I watched it in a cinematography class two semesters ago
*Teacher plays The Room*
Teacher: DONT DO THIS
thankfully.
THE ONLY one of these films I saw in film school was Citizen Kane
I watched that in my high school film class!
Jack Hussey me too!
I got Citizen Kane, Casablanca, The Bicycle Thief, Psycho (as well as The Birds and Rear Window), and a different Kurosawa film (Rashomon).
+Clarrisani
We watched Rashomon as well, Seven Samurai is a bit too long to watch at the end of a lecture, so I think Rashomon is the one they usually go for.
that's why it's #1
I watched Mulholland Drive, Bicycle Thieves, Breathless and Citizen Kane in film school. Didn't watch Psycho, although both Rear Window and Vertigo were Hitchcock films we actually did watch. Also, Rashomon tends to be showed more than Seven Samurai I think, since it's about two hours shorter, and almost as influential.
Yes
Additions: Schindler‘s List, almost any Kubrick...
Oh, and Twilight.
To learn what to avoid. 🙂
Hahahahaha... what to avoid... what a riot!!!
Nothing by Kubrick is on the list? Weird.
John Riddlebaugh wasn't the first film on this list A Clockwork Orange?
No, number ten was 1931's _City Lights._
Exactly the best director of all time
I went to film school for 3 years and didn't even here of Kubrick. I've seen all his films now. The reason, in my opinion, his films aren't shown is because most of his films deal with harsh real life subject matter which at times critiques capitalist society heavily. For instance; you find yourself routing for a rapist murderer in A Clockwork Orange, explore the harsh life and dehuminisation of soldiers trained for war in Full Metal Jacket, see how personal pride and recognition take president over the lives of soldiers in Paths of Glory, explore how the system's and individuals made to protect society can do the very opposite in Dr Strangelove, etc. He's the greatest Film maker in my opinion, his films are so true to life and there's so much conflict coming out of every scene! His topics and engunity as an artist are beyond the scope of most film schools, attempting to teach basic popular film culture. Most film cources tend to ignore great filmmaking if it's controversial in any way, like Michael Powell"s Prepping Tom.
I thought "Schindler's List" would be on this list.
Lmao
maybe for a list off top 10 movies you watch in school. Definitely more options for this list though
ovverated film tbh
@@MacaulayFergusson lol you better stick with American Pie
@@Indeeee when i said schindlers lost was oveerrated i meant its shit compared to tarkovsky and ingmar bergman
I had one (of many) film classes in college, and we watched
- His Girl Friday
- Casablanca
- The Graduate
- Rear Window
- The 400 Blows
- Young Frankenstein
- Yojimbo
- Moulin Rouge
- Rashomon
It was a great class
Hi
"Singin' in the Rain" is regularly shown in film/media classes as a classic example of the Hollywood musical. Shawn R., Mo-Mutt Music (and former film studies grad assistant and former film student)
Fellini? Antonioni? Bergman? Kieslowski? Really?
Red Dessert / L'Aventura and The Double Life of Veronique certainly could be there.
you forgot tarkovksy as well :(
Satyajit Ray
What did you expect, its watchmojo
Ahhh, I saw “Seven Samurai” this summer and liked it so much more than I thought I would. Really engaging and well done film.
watch the final fight scene in Kill Bill Vol. 1. Its is flawless even with its over a dozen different camera angles. The sound, the pacing, the editing. It's perfect cinematography.
rmr1967 yeah its my fave tarantino film
Ohh hell no kill bill are cheesy and overrated! I'm glad it's not get on the list
Kill Bill sucked ass.
@@Shoegazebasedgenre0. Fuck you
I love Mulholland Drive and saw it in the theatres when it first came out. I'm surprised it's on here but happy that it is. I can't watch it often though because it breaks my heart too much. The movie doesn't do a good job of explaining what's going on and there's probably no single explanation but for me it's a sad story of unrequited love.
why don't you choose "Workers Leaving the Lumière Factory" ?
that's the origin of everything...
Szatosi Kozai Edward Muybridge was experimenting before then with cinema
WHERES SHARKNADO ???
Not surprising considering they didn't even include Weekend at Bernie's II.
cats
Where is 2001 : A Space Oddysey???
The only movies, I've seen from this list in film school are
Bicycle Thieves, Breathless, and Citizen Kane.
Other films were
Strangers on Trains, The Birth of a Nation, A Trip to the Moon, The Third Man, The General, and so many more I'd lost track.
steven alvarez just finished early ones starting with a trip to the moon and I'm dissapointed my school thinks that Birth of a Nation is a bit to Inappropriate to watch in class
steven alvarez I
u went to ucla film school huh?
The General and other silents are tricky as you're never going to get an authentic experience without pulling out the ol' Wurlitzer.
Interesting that not a single Kubrick film made it onto this list. That's not to say I'm disappointed; I think it's just a testament to the fact that his style and methods are so outside of the norm. I think his films are just sort of beyond what is considered great film making. They're kind of just their own medium, their own universe...
Bonham Paxton oh sure and David Lynch is the part of the norm!!!!!
Bonham Paxton he made over long trash like the Shinning and 2001
I've been to film school and Kubrick is surprisingly unpopular among academia. They prefer more socialist-leaning directors like the French new wave or Soviet directors like Eisenstein or Tarkovski. We've only studied Full Metal Jacket, just so the lecturer could show us how evil the US army is.
Yep. They could have added 2001: A Space Odyssey, A Clockwork Orange, or Dr. Strangelove.
Bonham Paxton Kubrick films remain unparalleled, no one makes movies like he did and I don’t think anyone ever will. He was truly the master.
there are too many
Fritz Lang's "M" is also a masterpiece
Coming from a film school graduate, Citizen Kane is the film you will see in as many film classes that have an excuse to screen it. So you will definitely see it in your intro class, your screenwriting class, American Cinema, and so on and so forth. So when a film student calls something "Citizen Kane of __", they aren't necessarily saying its a great film. They might be saying it's the film of its genre that your Professor is most likely to screen. For example:
Stagecoach is the Citizen Kane of Westerns.
Psycho is the Citizen Kane of both Horror movies and Hitchcock movies.
The Bicycle Thief is the Citizen Kane of Italian Neorealism.
The Seventh Seal is the Citizen Kane of Swedish Cinema.
The 400 Blows is the Citizen Kane of French New Wave.
The Rules of the Game is the Citizen Kane of classic French Cinema.
The Seven Samurai is the Citizen Kane of Japanese Cinema, but some professors might choose Rashoman to represent Kurosawa because of its length; the reason many of these films are screened more than other similar choices is because Professors like to have time to discuss the film.
The two movies I've seen most in film school are Singin in the Rain and Sunset Boulevard. I've seen each of them three times since starting college
Maybe apart from Dune...*Any* David Lynch movie is essential in Film School. The man is an artistic Genius.
fuckin Twin Peaks 2017!!!
Hell yeah. With the exception of Eraserhead. That can't really be studied... can it?
Hahah I get what you mean but maybe in a way it can? It's surrealism? It's depiction of the fears of fatherhood?
PublicEnemy-1 And blue velvet
You could argue Dune is a necessary and good contrast to his more successful films, considering David was forced to sacrifice much of his creative vision (and more) to make the film. This movie nearly ruined his career and yet his other films/works, where he does what he wants (regardless of if it makes sense to the audience), were extremely successful and some of the most influential and groundbreaking works of all time. Twin Peaks, for example, changed television forever- the show was unprecedented in the early 90's, like most of his work. You struggle to find a director/writer/producer/show/film that hasn't been affected by something David made. Essentially, Dune is a lesson in creativity, principle, and what not to do.
I've watched Lynch - "Mulholland Dr." and "Lost Highway". No interest in seeing anything of his again.
A film school isn't a real film school without BATTLESHIP POTEMKIN!!!
I wonder why Clerks is never shown. It is basically the blueprint on not only budget film making, but it is a wonderful example of how to pace a script and how to write witty and realistic dialogue.
I have seen other lists where the movie Terminator is in the list, or at least honorable mention since its one of the most effect films ever made. With some of the best exposition scenes in cinema. With the Shinning being also in the list, but only recently have people discovered things Kurbric did to make it so scary, like purposely make the Overlook Hotels rooms and hallways impossible, giving the audience an unsettling feeling, but consciously not knowing why. Also the Alien, since its one of the best horror movies ever written, directed and acted. Even though it's essentially a slasher movie, you can tell how much better a movie it is, that it transcends any problems found in horror.
Goodfellas should of been on the honorable mentions list!
gnewt75 what about frozen
Keyshawn Milton never saw it.
better go get you shinebox
you tink I'm a funny?
funny how?
What kind of Film School doesn't show M by Fritz Lang, Double Indemnity, Alfred Hitcock's Vertigo, Strangers on a Train, or North by Northwest?!
SilverAshes109 A good film school would never show Hitchcock, everyone can see his movies
+Soundwave961 Everyone can see pretty much any movie if they really want to so should a film school never show any movie?
If they show a director I imagine they pick the best example of his films and here they picked "Rear Window" and Psycho".
Box Hill TAFE
I was sure North by Northwest would be on the list. Very disappointing.
I watched City Lights, The Graduate, Psycho, and Citizen Kane when I took a film appreciation class back in college.
I'm asking this question to the ones that have studied in a film school: Did you study 12 angry men? I mean, I am certainly not an expert but when I first watched it, I was really impressed. The way anybody can relate with one of the 12 jurors is just pure gold and not to mention the camera movement. Should not it be mandatory to watch 12 angry men at least once in your life?
Eraserhead?
2001:Space Odyssey?
Modern Times?
The Wizard Of OZ?
Gone With The Wind?
Taxi Driver?
Citizen Kane is such an amazing movie - it's just perfect as a whole. One of the best movies ever made.
Citizen Kane was literally the first movie I saw in film school.
Surprised Metropolis and Casablanca only got honorable mention.
Raging bull is the one of the most beautiful movies I have ever seen
I took a lot of film classes in community college, and so the films from this list that I've seen in class are:
The Graduate (only clips), Mulholland Drive, The Godfather, Psycho, Bicycle Thieves, seven samurai, a single clip of Breathless (though I saw most of 400 blows), and Citizen Kane.
not a bad list
In 1967 they made all the students of my high school watch, "On The Waterfront". As we walked out of the auditorium my friend Bobby Picconi looks at me and says..."Doesn't Brando remind you of me?" I started laughing so hard I thought they were going to have to take me to the hospital. We were 16...just a memory.
They forgot "Dude wheres my car?", Leonard Part 6, the Toxic Avenger and Flashdance.
Texasscout96 toxic avenger should be seen by everyone
"Doctor Strangelove" is regularly shown in film classes, too.
😂That's why film schools are so pretentious!! They don't know s#%* Except from Hitchcock and Welles, all they teach about is garbage, boring garbage wtf🤦♂️😂🤣🤣
L'Atalante, Belle de Jour, and The Rules Of The Game. Plus, Citizen Kane wasn't exactly dismissed it was very much acclaimed and got several Oscar nominations, it was just that Orson Wells was disliked in Hollywood.
We watched The 400 Blows and Yojimbo when I studied screenwriting in the early 2000's, but I can't remember what else. Though the students I hung out with were more interested in Charlie Kaufman's films. There's too many essential films to mention.
Wow I cannot believe you forgot to even mention these:
Wizard of Oz
Gone With The Wind
It's A Wonderful Life
2001: A Space Odyssey
The Shining
Shawshank Redemption
Goodfellas
Pulp Fiction
A Clockwork Orange (or any Stanley Kubrick film for that matter)
The Fly, Scarface, or The Thing (to show how great remakes can be)
That's just to name a few!
It's a top 10 list
did you seriosuly put the fly on that list
Did he seriously put the thing on his list?
Manic Rhymes Yep. Greatest horror movie ever made.
@@megamoviez hahaha! Come back when you’ve watched movies like: Harakiri, Ikuri, Oldboy, Chinatown, the handmaiden, three colors: red, memories of murder, persona, cinema paradiso, in the mood for love, ran, high and low, one flew over the cuckoos nest, joint security area, sympathy for mr. vengeance, amelie, wild strawberry’s etc You obviously know nothing of cinema
um... Battleship Potemkin anyone?
Happy 120th birthday, Sergei Eisenstein!
Patrick Felton Good call!
Yeah the first film i watched in film school!!
I had to watch October: Ten Days That Shook The World instead.
I got it on my list. essential editing.
"Citizen Kane" was the only one of the ten we watched in film school.
And you really need to get a new narrator. She has the awful habit of emphasizing the wrong word.
Incredibly surprised that a Kubrick or Lumet didn't make the list... We had to watch both's entire catalog in film school...so many outstanding movies there that I learned a ton from.
As an art student who took film studies classes, we are missing:
La Jetee
Meshes of the Afternoon
Battleship Potemkin
A Movie (Bruce Conner)
Mothlight
Scorpio Rising
Passion of Jean D'Arc
Un Chien Andalu
Where is M? Where is Nosferatu? Where is Night of the Hunter? Where is The Third Man? And these days you're a lot more likely to see The Matrix than Bicycle Thieves in a film class.
NoJusticeNoPeace...I am not sure what they show in film schools but every Tarkovsky film should be shown in film schools..
NoJusticeNoPeace Nosferatu for sure. N by NW, High Noon and way more than these 10 listed. Yes Citizen Kane should top the list. Taxi Driver and Raging Bull should be assigned in the same week with a paper contrasting the two. Some Coen brothers. A Kubrick film as well as Woody Allen and Roman Polanski. Some Scandinavian efforts as well.
Night of the Hunter is an awesome movie, I couldn't agree more. Saw it in my film class in hs 😄
Some Scandinavian efforts? - Ingmar Bergman (The Seventh Seal), Aki Kaurismäki, Lars von Trier, Thomas Vinterberg to name just few are essential and inspirational for any artist.
I saw Bicycle Thieves in film class.
here's a few movies id pick if i was a film teacher
2001 a space odyssey
memento
amores perros
childeren of men
pulp fiction
Lawrence of arabia
spirited away
eternal sunshine of the spotless mind
the master
apocalypse now
chasetalksmusic _
great list!
some of my picks would be..
Sunrise, M, Citizen Kane, Pather Panchali, Mirror, Mishima: A Life in Four Chapters, Close-Up, Werckmeister Harmonies, Chungking Express etc..
+VB MUTT thanks for acknowledging piece of art.. Pather panchali
Add chinatown and its a solid list.
Yes, no list can be perfect of course, but to not include a single Stanley Kubrick film on a top ten film school list just doesn't seem rational. I was hoping either 2001 or Dr. Strangle Love would make it. I'm glad 2001 made yours.
but you are not :)
No Pulp Fiction?
That movie is pure bullshit, it literally is.
I don't remember asking you a goddamn thing!
What?
Papa mia Clearly you either haven't seen it or didn't pay attention. How could you forget that line?
+Papa mia oh god he doesn't even know
I went to AFI. The only one's of these that we studied were Psycho, Seven Samurai, and Citizen Kane. My focus though was more on early cinema so we studied silent and early talkies extensively. Nosferatu, Metropolis , M, etc... Mainly German Expressionism...
They should be studying James Cameron masterpieces. Hell, the New York Film School has declared that Terminator 2 is one of the greatest examples of cinematography put on film....
Mulholland Drive kicks ass
Maybe a couple documentaries as well? Nanook of the North or The Thin Blue Line perhaps?
I did a film studies AS and the films we studied in depth were Blade Runner, Psycho, 12 Monkeys, The Crying Game, Double Indemnity and American History X. We did study individual scenes from a host of other films though.
As a film student, I can say that we did watch many of these but not all of them. Although, I still haven’t finished my studies so maybe that we’ll watch more of these movies in the next years
Calm down, people. It's not a popularity contest. Film classes have their logic and reasons.
*in American Film School
America, world, same thing *average American*
Thats basically the whole world man
*because it's an American company making videos for American people
cheeesonator no, Watch Mojo is an Canadian channel
cheeesonator I’m British & thought the videos were for me?
Why do they make their content available worldwide then?
Any film from Stanley Kubrick?
Gabriel Calderon yep
A decent list. There should be a Kubrick film on it, Tarantino as well. We were shown all these, including Metroplis - Chaplin's Modern Times instead of City lights was the first movie shown in that order and Kurusawa's Rashomon.
Some additions - Bergman's Seven Seals was a pathbreaking film. Tarkovsky's Stalker.
Battleship Potemkin is one film, I remember clearly being shown in class and a long essay and analysis to be submitted on the technique of montage introduced in the film. memories
The Movie class at Queens College, around 1969, 1) The Gold Rush 2) The General 3) Potemkin 4) The Seventh Seal 5) Shoot the Piano Player 6) 8 1/2 7) Treasure of the Sierra Madre 8) Grapes of Wrath 9) The Third Man, and 10) Repulsion
As a film student in college, who took film history class, these are the films that my professor showed us:
"The Kid" (1921)
"M" (1931)
"Citizen Kane" (1941)
"Goin' Down The Road" (1975)
"Do The Right Thing" (1989)
I saw Psycho, The Graduate, Godfather and City Lights and Citzen Kane and Metropolis, Casablanca
I would of added The great dictator, birth of a nation and It's a mad mad mad mad world and Ben-Hur (1926 & 1956 versions
What no Ingmar Bergman????
No Chinatown?
Finally i found this comment. Agreed!!
Exactly!
Hear hear
Chinatown and Vertigo Probably the two best Hollywood produced films of their respective decades
@Moh Asani Fair enough, I think Chinatown is flawless in every aspect but agree the 70's imo was the greatest decade of Cinema. What are your entries?
Film school aside, The Graduate has one great goof that I noticed. When Hoffman's character is traveling to Berkeley it shows him heading westbound on the Bay Bridge, away from Berkeley and into San Francisco.
This list mentions some of these, but the one's I saw in film classes (in addition to the ones in the list) are:
1. Metropolis
2. Birth of a Nation (1915)
3. Run Lola Run
4. Taxi Driver
5. Casablanca
6. Chinatown
7. 2001 A Space Odyssey
8. Groundhog Day
9. Halloween (1978)
10. The Third Man
11. Fargo
12. Tootsie
13. On The Waterfront
14. Reservoir Dogs
15. Toy Story