Namm 2018: Marshall DSL100H-R Sound Demo (no talking)
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- Опубликовано: 12 сен 2024
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We reviewed the new 2018 Marshall DSL100H from the DSL-R series. It is a two channel tube amp head with 100 Watt and four different sound modes: Clean, Crunch; OD1 and OD2.
Full article in english: bit.ly/Marshall...
German version: www.bonedo.de/...
Soundfiles/Video: Thomas Dill
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Remise 3 Medienservice Agentur GmbH
Ludgerusstraße 46
47179 Duisburg
Represented by CEO: Hansi Tietgen
Amtsgericht Duisburg, HR B NUMMER 19797
Tel: 0203/498705
Fax: 0203/87 96 864
Email: office(at)remise3.de
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Remise 3 Medienservice Agentur GmbH
Ludgerusstraße 46
47179 Duisburg
Vertreten durch den Geschäftsführer: Hansi Tietgen
Amtsgericht Duisburg, HR B NUMMER 19797
Telefon: 0203/498705
Telefax: 0203/87 96 864
Email: office(at)remise3.de
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Sounds great. It's a Marshall.
5:40 This is what you're looking for, fellow metalhead.
Yup! Can't thank you enough...saved me some time there!!! Best!
Bless your heart
Thank you so much 🤘
I thank ya!
I don't know who plays that crap past 2001 anymore lol
I still remember the surprises when I first heard the DSL100H. Great guitar amplifer at the excellent price. Thanks Marshall.
This is a one deceiving amp.
It's a Marshall.
But it's a high gain Marshall too.
This thing pushed with a clean boost... OMG
I played this recently in GC and I’m not an impulsive buyer. I went back a couple hours later and bought it. It’s sick for the value and sounds great in bedroom or in a band. I’ve owned several amps worth 2-3 times as much and this one is a keeper.
@@fruhentus4437 you can buy an attenuator to lower the voltage and still get the cranked tones but the clean tones are awesome from this amp. All you really need a boost or TS to get the cranked tone also.
@@fruhentus4437 it has a built in high and low output standby switch.
I like how they left the classic Marshall tone in this amp and not try to change or alter it like in their other amps.
I love my dsl.
beauty, and the BEAST.
all in one.
Probably the best Marshall I have owned....good job Marshall
I have this amp, for folk interested I was advised by Marshall to set bias to 70mv per side ( stock tubes ) this is the correct as left factory setting. Mine had been set at 86mv ( older DSL100 was suggested 90mv ) I was finding the tone fairly harsh. Now at factory setting 70mv the amp now sounds superb again. Hope that helps anyone looking for bias values on the new DSL100 HR
It really depends on the specific amp and power tubes. Just cause thats the recommendation doesnt mean that will work with everyones setup. Mine came from the factory set at 67mv a side( they intentionally set the bias cold to keep the tubes from having any trouble for as long as possible). I found for me the perfect setting was 74mv a side with the stock JJ's but even with the bias at 67mv the JJ's were just too warm and didnt work well at higher gain settings. Now im using Electro harmonix tubes and 78mv a side and its perfect(EH tubes have a little less wattage on average than JJ's which really helped tame the bass and gain in my DSL100HR). Marshall telling you to set the bias at 70 mv was a recommendation not a rule. And if you look on the forums most people with this amp have found it sounds better biased a little higher. 70mv is likely manageable but not ideal. Then again for your set up and the specific tubes that your amp has that may be perfect. Dont ever set bias based on a recommendation or even plate voltage for that matter. Just use your ears and common sense. But if your happy with it at 70mv thats wonderful cause your PT's should last a little longer.
I have 2 , running in stereo and they sound fantastic through matching 1960B cabs.
What's not to like about this?
I really love that clean sound
Great demo! Great licks Mr Bonedo! Great amp! if you cant get a good sound out of this beast you just dont know how to work an EQ! Thanks for this!!
THIS IS HOW MUSIC DEMOS SHOULD BE!!! basic, no extra nonsense just what the instrument can do with quality recording of it!
yeah but they are BULLSHIT....cause No One on earth gets this tone unless you're standing behind a Studio....I have this amp, it's amazing, but c'mon it's total fantasyland bullshit for people gigging.
There needs to be more good metal demos for this amp cuz it actually does it amazing
These amps are probably going UP in value within 5 years.......they are honestly Superior to the older UK JCM's which blow motherboards....these Vietnam ones are ACTUALLY reliable.
Subscribe: ruclips.net/channel/UCiB4ezwMV_qOq_AxqPojnsg
Full article in english: bit.ly/MarshallDSL100HRTest
German version: www.bonedo.de/artikel/einzelansicht/marshall-dsl-100h-r-head-test.html
The demo would have been a lot better if we could actually see the settings or a least a description of what the guy is doing.
Wow, this is a great test video - no words, .....it just let's the Marshall speak. Some great guitars and great playing ....but that Les Paul just stands out from the rest.
Sold. Have one lined up for purchase for this weekend. Can't wait to get it home.
Hallo Thomas Dill, Dankeschön für das Tolle Video!
my dream amp right here! definitely picking this up soon
Yes, I'm real interested in these (100 or the 20. Wish they made a 40hr) I've heard the two channels aren't vary balanced which means a lot of back and forth to the shared EQ.
That's what the 100HR fixed. I have one and that's not a problem anymore at all. That was a problem people had with the older model the DSL100H.
They also have the two master volumes so you can set up the recall on the 6 way footswitch to recall the channel and it’ll remember what volume setting you had for that and each channel.
great to my ears
I just picked this head up yesterday and I am loving it! I want a better cabinet to play it on though. What cabinet are you playing it with?
Great thru orange ppc212 closed back
just make a late 70"s JMP 2204 master volume with a switchable effects loop,, it could be the new x amp.
@Guitar Bonedo
People are allowed to have an opinion, but don't let a couple of buffoons rule the comment section with "Marshalls suck, because they're new and also not made in UK".
They throw shit because they can't afford one...
Compared to older ones they are cheap.....used...this head..usually..$500...$700....pretty good deal....i don't care where its made
I know, Right!? Dinosaurs, fighting for lost ground. I appreciate the old, but the new is pretty awesome as well!
I just picked one of these up off Craigslist. $500.00US and went home, plugged it in and fell in love!
I know a guy asking that much for it and although I have an origin 50 head, I want a more modern Marshall and run them together in a stereo setup. Think I might have to pull the trigger after getting the stimulus check
Damn, this thing is a beast. Why all the hate internet? Too much BS.
The distortion seems to get kinda squishy with higher gain settings.
Still think it sounds great
stealyourfacekev maxon od808 noise gate will help
i dunno if it would make a difference but it seem like he's on low output. so he's using about 50w instead of the full 100w
The stock JJ power tubes make the amp a little too "full" for my tastes also which i believe it what contributes to that(i mainly use high output humbuckers and Fishman fluence moderns which doesnt help lol). I changed the power tubes to electro harmonix el34s which have a little less wattage per tube compared to the JJs and it seriously helped. Now the amp sits more "level" gain wise. Meaning i can turn it up high and with the right settings it still sounds good and clear and i can turn it down low and with the right settings its still full and not "anemic" sounding. As a side note the stock and after markets JJs i had biased about 74mv a side for the sweet spot and the Electro harmonix bias a little higher at 78-80mv a side for the sweet spot.
Nice demostration !! Can you tell us which cabin and microphone you used ?
That green crunch channel is my sound for years now. My only amp and I don't feel like I need anything else. Takes pedals very good. Even though no distortion compares to the one it gives you when you plug straight. And damn this thing goes louddddd
I dug everything i heard here but what really got me was the Les Paul (Bridge PU - Volume 3) after some crunchy stuff.
Not a bad tone in the bunch! Sounds great, even in OD2!
I’m getting One
If Jeff Beck likes this amplifier, then that is good enough for me.
Jeff Beck uses one? Or likes it? Wow. That’s awesome to know. Where did you happen to see that?
@@jordandangelo180 it’s his main amp
@@kaic9712 I thought he used old Plexi’s but if he uses DSL 100’s with that tone he gets, even though is 95% in the hands, it’s good to know since I own one. I also heard he used RAT’s too. Then again, he can probably use just about anything and sound amazing. I know he used MKI Tone Benders back in the day.
I would love to know what he used on “ Manic Depression “ Feat. Seal. That tone is insane and the harmonic tricks he pulled are some of the best guitar tones I’ve ever heard. That and the Wired album.
@@jordandangelo180 just look up here on RUclips the two tones of Jeff beck and he talks about it
@@jordandangelo180 I’m thinking about buying the dsl100h, is it good for like Led Zeppelin style tones or Greta Van Fleet
Looking at the tubes i would probably try some different tubes but overall I like the sound.
but will it chug?
Ola is that you?
Nice comparison
I seriously love this amp. Ive had it since launch and in the year and a half or so ive had it ive learned exactly how it reacts to eq changes, preamp volume and preamp gain changes. With that knowledge id be willing to bet i can get pretty much any tone imaginable. Whether bright high gain, Bright Crunch, or Bright Clean to Warm High gain, Warm Crunch and warm cleans and everything in between. And thats with high output humbuckers AND Single coils. This amp is incredibly versatile. I would recommend changing the power tubes to something a little lighter( the stock JJs arent bad but they make the amp almost a little too full and warm). Im using Electro harmonix EL34s and the preamp tubes stock are absolutely fine. I have changed some of the preamp tubes but i had one hell of a time trying to find a combination of preamp tubes that sounded better than just the stock preamp tubes and ive heard others say that as well. I think it comes down to using 12ax7s with a little less gain than normal and el34s ( or similar ) that put out a little less than the stock JJs cause the amp is already high gain. In my opinion doing that made my amp much more versatile and "manageable" i guess you could say. Its great stock for sure, but im convinced this amp could be pretty much anything you could want it to be. If you mainly use single coils the stock tubes would likely be exactly what youd want. I just found with my high output humbuckers i didnt need as much gain as it had on tap. Even now with the changes ive made ill never want for gain theres plenty gain and plenty headroom for cleans aswell. Great amp.
since when does a marshall at this price give you jj power tubes mine didn't come with them
@@gsxr134009 Lol are you serious??? Then you got a used amp or dont know the difference between power tubes and preamp tubes. Its should have come with 4 JJ el34's for power tubes and 1 JJ 12ax7 for your V1 preamp tube and 3 Shuguang 12ax7b's for v2,v3, and v4.
EDIT: SMH, dont tell me you didnt realize the Marshall branded power tubes are rebranded JJ's? The red ink tips most people off lol, plus theres a sticker at the bottom with the plate voltage and the JJ logo
@@gsxr134009 Please reply cause im dying to know your talking about. The 3 shuguang pre amp tubes sometimes are different looking but ive only heard of that 2 times and they are likely still shuguang just with different ink. Everything else should be JJ's. Honestly i know those comments came off like i was being an asshole probably cause i was. But i honestly didnt mean anything by it.
a stock viet nam made dsl 100 don't come with jj teslas my friend neither did the JVM 410H NOR DID THE JVM 205H IVE OWNED THATS WTF IM TALKING ABOUT STOCK TUBES ARE STAMPED MARSHALL I HAVE SOME FROM PREVIOUS MARSHALLS THAT IVE OWN I CAN SEND A PICTURE YOU AINT GETTING JJ TESLAS IN AN 899$ AMP GET WITH IT MAN AND WATCH YOUR FUCKING MOUTH ASSHOLE
and a 100 watt marshall has 4 power tubes not 3 like you say ! come educated or just don't comment ingy
Good tone demo,thanks!
The emulated output sux, but the amp through a real cab sounds pretty good,especially since this head only cost $749!! 👍
Kasper Rouser it costs 975€ on thomann
€797.48 on Thomann
739 € on Thomann
At 6:10, Les Paul (Bridge PU), what CHANNEL are you using and what are the settings on that channel? Thanks in advance!
is it too different from the regular DSL100H ?
What kinda can are you using? It's very awesome in tone.
Very very good vid Thx
Was this amp reduced to 50 watts on this demo???
no i think youtube just compressed the audio
Yes, in 50 watts
1:05 👍 i must get a dsl head
Is it greenback speaker?
Awesome amp.... I’m amazed ! :-)
I love my DSL 40c but thinking this would sound even better from all I've seen on RUclips. I have a EVH 2x12. What do you guys think? A waste or not? I don't gig.
I have the 100HR and ive had it since launch and i love it. But if you already have a 40C i dont link youd really get enough of a benefit to make it worth the cost. The 40c is a great combo. Spend your money on a new speakers. Also i see you already have a 2x12 (is that a cab or a combo?) if its a cab that your running with the 40c then thats ideal. But if your only using the 40c with one speaker i highly recommend getting another 1x12 and running it along with the 40c's speaker. And make sure to separate them a few feet apart. I will never buy another 2x12. Only 1x12's. That way i can separate them and get more spread which sounds soo much better. Plus if you just wanna run 1 cab I can. You can stack them, run them side by side or my personal favorite and i truly believe the best option is to run them a few feet apart like i said before. Anyways youll get a lot more extra tone for your set up by just getting some new speakers or a cab. Also theres plenty 40c mods to really make it dialed in for your preferences. The 100HR is my favorite amp ive owned in the last 16 years and i dont ever see myself parting with it but if i had a 40c i probably wouldnt trade it in for the 100HR or 40CR, id just use my money elsewhere. They HR's eq is updated and i really prefer it BUT with careful consideration taken when dialing in your 40c you can get the same tones or at least close enough that nobody could tell the difference. Its basically just a little easier with the HR's to get the tone your after since the basic eq is a little more balanced and a bit warmer(more jcm 800 like). The H's are a bit brighter in my opinion and that really works in a mix, the HR's eq is a bit warmer which is great on its own but i have to dial it in differently for recording or jaming since it tends to be warmer unless you cut some bass or resonance or boost the treble or presence. Ok im writing a book, bottom line is they are very very similar and both great amps.
Thank you.
@@JWCFB Not a problem hope whatever you do it turns out well!
I have a DSL 40c but I want a Marshall head that rocks. I have noticed with amps that the higher the watts, the better they sound. Can you or anyone recommend this amp for a bedroom player? My DSL 40c sounds great at low volume.
I bought a dsl 40c yesterday! And I have tha same question!
ruclips.net/video/QSdjw0Nt_vI/видео.html
Check this out
Super Sound. kaufen! Genial
This or a JTM45 for clean tones?
That's too much for a bedroom sound? Hahaha
What speakers are you using?
To me it sounds like standard Celestion C12 75 in a Marshall cab.
WICH SPEAKERS ARE YOU USING?
What speakers in the cab used?
would love to have one, although living in an apartment wouldn't cut it with the neighbors lol!!
has a headphone jack for in the apartment (keep a cab connected to avoid damage, but leave in standby mode), then crank it at practise and the gig. or score the 20w model, which has the same headphone jack
Its a real dual master volume amp that sounds great at any level. The preamp was designed to have enough gain to drive a good gain tone even at low volumes. And it has tons of headroom also which means you can also get excellent cleans. Volume has never been a problem. I practice all the time at night while my girl is asleep in the next room without headphones. In fact i NEVER practise through headphones for several reasons. You should always practise through a real cab or at least studio monitors so you can get a realistic feel. But it does have emulated out if you are dead set on using headphones.
The top right part of the metallic material has started to rust, does anyone know how I'd remove it? It's right above the input jack
Anyone know how well these hold up on the road?
Cab is 1960bx?
Guys can you tell me how is the MARSHALL ARTIST 3203 Head?
What cab
Whats the diff between these(the 100hr) and the previous dsl 100h’s? Anyone know?
Channels can be better balanced as they now run dual master volumes. Each recall will remember which volume you used. You might want to add a boost on the same channel on a different recall using the second master volume setting for example.
@@juttaman25 Oh okay, I see. Thank you! Do you happen to know what the difference is between the DSL's and the JCM2000 dsl's?
i think that this amp really needs a stomp box to have a real lead and a third channel
HERE'S AN IDEA MOVE THE CAB MIC OFF CENTER AXIS SO YOU LOOSE THE FIZZI'S IT'S A GREAT AMP MAKE IT SOUND LIKE ONE
it still sounds good but I see what you mean
Sounds amazing but I wonder, it looks like it only has 1 channel, right? What if I want to play clean and loud? Do I turn up the volume on very low to no gain? Supposed the gain is at 1, do I start breaking up when I strum forcefully? Or would it stay clean? And if it’s stays clean I wonder how loud I can get? I want to stay clean so I can run my own pedals but I have to be loud cuz my drummer is extremely loud and so as my bassist who has a tube amp. My poor 60wt solid state is not keeping up.
It has two channels each with two settings lol. And it comes with a footswitch for switching between classic channel and the ultra channel as well as a button to turn on/off the fx loop which I find very very useful.
And it's great clean, you can get stupid loud without any brake up. You won't have trouble dialing in any tones, especially if you know how to use your guitars volume knob.
The channels are classic with clean an crunch settings and ultra with od 1 and od 2 settings. The clean setting has the gain structure of a plexi and the crunch is modeled like a jcm800. Then the od 1 is like a hot rodded jcm800 and od 2 is like a hot rodded jcm800 with a different mid feel which gives you a better pallet for high gain (all of that is taken from the manual I just didn't quote it verbatum). It's a seriously versatile amp that does cleans and high gain an everything In between well. So if you play "rock" to "heavy rock/metal" it's perfect. But if your playing metal 75% of the time or more id recommend a peavey 5150 or 6505 etc. With a boost/overdrive pedal the marshall can do all that also it's just not aimed at the stupid high gain market but it still have tons of gaon on tap if you need it. More than most people would ever need. He'll I get 90% of my tones from the clean channel (plexi like) and the crunch channel (jcm800 like) with a ts9 tube screamer. It's perfect for everything Alice in chains etc. But I also play a 7 string and it dies deftones etc well also. In other words it won't limit you, only your technique/ability will.
Great amp, but the reverb is weak, but then that's what stomp boxes are for.
Can't wait to see the chassis shots of this unit. I want to like these Vietnamese amps but until I see one inside...hesitant.
whisperthis i would like to see the inside gut shots as well.
whisperthis oder
Do i need a cab or can i run through monitor speakers? I never owned amp heads
LAYUCHEBI you definitely need a cab. You would blow up any monitor speakers with this 100 wt tube amp.
Jose thanks man , just saw your reply.
Got this head with mx412 cab.
Does it have a clean channel?
Jose yes it dose
Turn the treble way down
Possibly the worst amp Marshall have made in years. It sounds great, but it's usability as a live amp is very poor. The midi switching is too limited and the Softube emulated output is terrible, totally unusable.
I just unboxed the DSL100H ,the only difference between it and the H-R IS The Master vol. other than that I personally do not see any differences ,,,oh unless you take into consideration the $100.00 more the H-R cost .,So far I'm lovin the 100H .
The 100H is nice but there are way more benefits to the 100HR other than a redine EQ. I called Sweetwater and got my 100HR for $749 brand new and I'm not the only one. The 100HR has external bias points now which was a nice surprise that isn't being advertised. The 100H was ok but the 100HR is the clear winner. It's the same amp "debugged" and marshall basically listened to consumers and updated the eq and added emulated outs mp3 ect. and how could I forget no more pentode triple b.s.. But you shouldn't regret your purchase as long as you got it for a good price. The 100h is nice it's just not as refined.
Easier bias access on the HR, 4 foot-switchable channels and fx loop on/off, plus good emulated out (if you use a balanced cable, which if I had to guess, some of those complaining about it used unbalanced). It has all the upgrades we wanted from the DSLH and got em. I love both of mine.
Worst version of the DSL 100 imo.
I have a 2014 that sounds great. Bought 1 of these for a backup and returned it in a week.
Sounds different and the sound cuts out for a split second when changing from the new and improved clean channel to the new and crappy od channel.
If you want something closer to classic Marshall sound look for a used DSL H and avoid the hR.
why so conservative?! PUT THE GAIN ON 7!!!
i wish there was a 11....
This is a tube amp not a cheap SS dimeing the gain on a high gain tube amp is a good way to get a really shitty tone. Its all about balancing the preamp volume with the preamp gain. You want as little gain as possible as it will lead to a clearer tone. Smh, i hate that im having to explain this.
Marshall only make their handmade "Plexi style" amps in short runs in the UK. Everything else is made overseas now! Celestion speakers are made in China now too!! So sad...
Yep...only the real 60s and early 70s Marshalls sound any good at all. Best version I've ever owned,and I've owned many, was the MKII super lead heads made from 1971 to 1974. Non of the re-issues sound anything like the originals. Apparently health n safety won't allow it...lol
I agree. Marshalls from the 60s and 70s are the real deal. Back in the day my friend had a 50 watt 70s plexi head and it was heavenly! Late 70s i picked up a 100 watt JMP Master Volume used but mint condition for $335! Through a 1960AX cab and using a Gibson Flying V , mind boggingly awesome. To this day i regret selling my rig and wish i still had it, nothing i own now comes even close.... Dammit!
I've had 2 different '73 Super Leads. One stock and the other modded, both AWESOME ! Bad tinnitus is the only reason I sold them.
Why can't they build em in England like they used to? So sad...
They still make them in England, you just have to pay more :)
Joe Bloggs I thought u knew that Marshall makes there amps in England lol?🤣🤣🤣 ummm do not know the price of a jcm 800 or a Marshall plexi? About 2,500 or 2,700 bucks? These amps are made in the 🇬🇧 same with the jvm line:) dsl made over seas
Jesse Tate: he is just saying they used to make the TSL and DSL lines in England.
Companies used to make a lot of things in decent countries at the same price point as that said "thing" is being sold for now except now it's being made in a third world country or something similar for cheaper. I've never owned a Marshall, but i would love too so i do see where you are coming from as the older ones (even the Valvestates) were made in England. It's like guitars. The high end mid-tier ones are made in South Korea now and not Japan anymore. It does suck. Those can cost $1000 or more too.
They do it with the dsl series because it's they're affordable series and the prices would be higher if they were made in England. If you want English made marshalls in this style just buy a jvm and pay a whole lot more
Marshalls should be made in the UK...lol
They do it with the dsl series because it's they're affordable series and the prices would be higher if they were made in England. If you want English made marshalls in this style just buy a jvm and pay a whole lot more
for sure a lot of the components in the UK heads are made in Asia anyways ... like Apple products "assembled in the USA", but everything inside is chinese made
Marshall just don't make em like they used to!! Want proof? Compare this new korean one to a UK made MKII Super lead 50 or 100w head from the early 70s, or at a push a JCM800 100w head. They are what a proper Marshall sounds like. ....😎🎸👍
Joe Bloggs this is not Korean....obviously it's not gonna sound like a Plexi or a 800. That's why it costs 800 dollars. It's for people who want a Marshall-esque sound, at an affordable price.
I've owned a JCM800 and JCM900 and with my DSL's get sounds that I cannot tell the difference with and a whole lot more... Now longevity will be the main factor I believe....
Joe Bloggs Sure if you are stuck in the 70’s or want that sound. A lot of new guys don’t care for old rock. They want new shit with new sounds. We’d still be stuck driving Model T’s if it weren’t for technology advancing. Everybody can’t be Jimi Hendrix, Jimmy Page, Bb King, Jeff Beck, Zack Wylde , Slash, or Eddie Hazel.