Seamus Blake Trío en Dazz Jazz Club "Black Bird" con Marco Mezquida.
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- Опубликовано: 28 авг 2024
- SEAMUS BLAKE TRIO
Seamus Blake, saxofón.
Martin Maretti Andersen, batería.
Jesper Bodilsen, contrabajo.
Seamus Blake es considerado uno de los mejores
saxofonistas de su generación. Con 13 álbumes a propio
nombre, este músico canadiense afincado en Nueva York
tiene una impresionante trayectoria, tanto como instrumentalista como compositor. Entre sus colaboraciones
más destacadas, figuran las que ha tenido con estrellas como
Herbie Hancock y Wayne Shorter.
Le acompañan en este lujoso formato a trío, el muy
dinámico tándem rítmico danés; el bajista
Jesper Bodilsen y el batería Martin Maretti Andersen, conocidos en España por su colaboración a trío con el pianista Marco Mezquida, entre otras muchas.
Jesper Bodilsen, importante voz del jazz danés, se formó en
el cuarteto del bateria Ed Thigpen y ha colaborado con muchos
grandes del jazz como, Joe Lovano, Brad Mehldau, Stefano
Bollani, Bill Frisell, Phil Woods, Lee Konitz y Marc Turner.
Martin Maretti, batería muy ecléctico y miembro de la New
Jungle Orchestra ha tocado con muchos grandes del jazz, entre
ellos Yusef Lateef, Horace Parlan, James Blood Ulmer, John
Tchicai, Dave Kikoski, Kirk Knuffke, Stephen Riley, Ray
Anderson, Dado Moroni y Enrico Rava, entre otros. 
Видеоклипы
Absolutely beautiful. Seamus’ tone is so pure, you can hear his passion through every note. Incredible group, each inspiring one another to create this special moment in time.
Very admirable and musical playing......the "influences" are obvious and in spite of them Seamus has a very forthright and compelling urgency. Nice.
Yes!
Great band!
best sax with mark turner and joe lovano
Seamus is way ahead of them....
@@penchev73 While I agree that Seamus is my pick out of the 3, I don't think it's fair or even really accurate to say he's "way ahead of them." Once you get to that level it becomes more about preference than anything else. I'm sure all of them do very specific things better than the other because of the sound they decided to go for. At the end of the day, I love them all. But man... Seamus just has this bravado about him that I can't get over.
Bravo.....👏
Awesome!
6.20...it could happen to you....quote..
That line at 6:38 is freaking godly
6:16 It could happen to you
... bye bye blackbird that is ;) hehe
👏👏👏
Damn hot
In my opinion, the man 'honks' and 'bops' like it's 1940, again. He's a great musician in the lower and middle registers, who occassioinally hits the upper register. I thought I was listening to Illinois Jacquet, at first, with a sprinkling of John Coltrane's chromatics.His tone is also a matter of taste. In my opinion, his tenor playing is quite cliched.
What are "John Coltrane's chromatics"? The phrase makes no sense to me(from a music theory analysis viewpoint), nor does the assertion that Blake is, according to you, "a great musician in the lower and middle registers who ocassionally hits the upper register" and who's playing is also "cliched" .
So, about "Coltrane's chromatics": are you referring to his use of triad pairs, approach notes, melodic interpolation (musical quotes), etc....or are you referring to some specific aspect of Coltrane's improvisational language(and from what time frame in his career)? About the range of register(low, mid, high) of Blake's playing: he hits the higher register frequently in tune, with great feeling, and plays the whole range of the horn in this video. As far as his tone is concerned: this appears to be a phone recording, so the rich sonority of his sound is not fully captured. I wish you had said that YOU didn't like his tone, as opposed to issuing the proclamation that " his tone is an acquired taste ". The whole comment, by the way, has a rather pompous, dickish vibe.
If someone reading your comment doesn't know much about the nuts and bolts of improvising, your sloppy "analysis" might sound vaguely authorative. To me, it just sounds like trolling. But, hey, if you play tenor sax, you could also post a video of yourself playing "Bye Bye Blackbird" on RUclips that is clicheless, played with flawless control of all registers of the horn, and displays an artful demonstration of "Coltrane's chromatics"!
Check out any of Seamus Blake's recordings(including his sideman recordings) to actually, accurately hear and understand his playing AND his musical influences, including the fact that he is a multi-instrumentalist, composer, and singer...For a more(relatively) recent one, I recommend REEDS RAMBLE. There's a nice variety of compositions on it and the playing is excellent.