Ho rivisto dopo un po’ di tempo questo spezzone tratto da Diane e Acteon e sono rimasto ancor più affascinato da Vladimir Shklyarov, questo meraviglioso ballerino che per tecnica, classe, energia e fascino ritengo abbia pochissimi rivali in epoca contemporanea. Strepitoso!!! ⭐️Una vera Etoile internazionale 🌏
Una coppia di danzatori in possesso di straordinarie qualità tecniche, capaci di far apparire come normali e facili passi di danza di assoluta complessità … Shklyarov, poi, ballerino di scuola Vaganoviana, all’epoca giovanissimo e non ancora Principal del Teatro Mariinsky, dimostra tutta la bravura di cui è in possesso, bravura che sarà capace di portarlo con merito, di li a poco, tra le Etoiles più affermate del balletto classico internazionale! Un momento di puro piacere e video che rivedrò volentieri più e più volte 🎉
Grande impressione di facilità esecutiva d'acchito fattasi tensione elanista e motile sorprendente della ballerina unita a dei passi ad incrociamento sulle punte di difficoltà massima ed eseguito con disarmante naturalezza.Ottimo il mantenimento delle positure figurali sia nell'ensemble sia nel singolo. Impadronimento imperativo del proscenio attuato con balzi a compasso aperto e duplicazione di sforbiciate trasverse da parte del ballerino. SPETTACOLARE ED OLTREMODO BRAVA LA COPPIA DI PROTAGONISTI. BIGHIN GIULIO RENZO
Amazing!! She is so incredible with her solid technique, great timing and strength. Her legs are powerful as well as gorgeous. It is fun to watch a very young and energetic Vlad. ❤❤❤❤❤
Так вот и беда, что это тоже нынешние солисты из Мариинского, но прежде разве так танцевали ? - Это же замедленно, тяжело. А вспомните Татьяну Терехову! Вот была богиня, какой класс! Легко записи найти.
@sinnung Yes, it's an excerpt from a benefit performance for Ulyana Lopatkina held @ Mariinsky Theatre on February 2, 2008. Thank you for commenting - I love Shklyarov, too!
it is a tragedy she is not principal, and I also think she is a stronger dancer than Somova, although Somova is great, and she is waaaaaaaaaaay better than Skorik... and on this pas de deux both of them do amazing...
If you take the playback speed up, suddenly the tempo is musically correct! (I have the score). Even the dancing suddenly seems alive rather than one pose into another.
Самая лучшая Диана нашего времени была и осталась изумительная Татьяна Терехова!!! Вот это техника была, образ настоящей блистательной, грозной Богини! ❤❤ К счастью, сохранились ее записи и с Бережным, и с Ковмиром. А здесь темп музыки именно замедлен, как и сказано, прямо " похоронный" какой то.
Not only perfect legs but also beautiful port de bras and fluidity of movenets from Osmolkina. I wish tempo for male variation and coda were faster tho.
As bad as Sku is, at least she works. The most outrageous person among MT principals is pudgy Pavlenko. What a dog in the manger. Work or go away...free some space (and principal salary) for someone who really works. Like Osmolkina, Novikova or Kolegova.
A little disappointing for me as I normally love Shklyarov - but I didn't get the impression of Actaeon being in wonderment at or in awe of the goddess Diana. I wanted this pas de deux to tell a story more. Also, I wish he had not resorted to acrobatics; he has no need to as he has great elevation. More, but slighly simpler jumps would have worked better for me - those straddle type split jumps in particular are just ugly imo. Fabulous dancing from Osmolkina - beautiful legs.
Modern day dancers need to stop with this abysmally slow tempi. If you take the playback speed up a notch, suddenly the tempo is musically correct! (I have a turn-of-the 20th century répétiteur of the score - but even without a score, just use your ears...if played at 1.25 speed the music is light years better and musically correct). Even the dancing suddenly seems alive rather than one pose into another pose, etc. when played at 1.25 speed. Enough already dancers! Slow tempi is death-dealing to ballet - it causes a chain reaction to occur- nothing has any life, and I am sure such tempi is why so many of today's orchestras loathe to play for ballet.
Ужас. Ну какой из Володи Актеон?) Где охотник с ярко выраженным мужским началом, а где Володя... Технически безупречно, но ооочень медленно! Осмолкину даже обсуждать не хочется.
![Seungmin "그렇게, 천천히, 우리(As we are)" | [Stray Kids : SKZ-PLAYER]](http://i.ytimg.com/vi/kAzmhLHePqU/mqdefault.jpg)
Ho rivisto dopo un po’ di tempo questo spezzone tratto da Diane e Acteon e sono rimasto ancor più affascinato da Vladimir Shklyarov, questo meraviglioso ballerino che per tecnica, classe, energia e fascino ritengo abbia pochissimi rivali in epoca contemporanea. Strepitoso!!! ⭐️Una vera Etoile internazionale 🌏
Una coppia di danzatori in possesso di straordinarie qualità tecniche, capaci di far apparire come normali e facili passi di danza di assoluta complessità … Shklyarov, poi, ballerino di scuola Vaganoviana, all’epoca giovanissimo e non ancora Principal del Teatro Mariinsky, dimostra tutta la bravura di cui è in possesso, bravura che sarà capace di portarlo con merito, di li a poco, tra le Etoiles più affermate del balletto classico internazionale! Un momento di puro piacere e video che rivedrò volentieri più e più volte 🎉
Grande impressione di facilità esecutiva d'acchito fattasi tensione elanista e motile sorprendente della ballerina unita a dei passi ad incrociamento sulle punte di difficoltà massima ed eseguito con disarmante naturalezza.Ottimo il mantenimento delle positure figurali sia nell'ensemble sia nel singolo. Impadronimento imperativo del proscenio attuato con balzi a compasso aperto e duplicazione di sforbiciate trasverse da parte del ballerino. SPETTACOLARE ED OLTREMODO BRAVA LA COPPIA DI PROTAGONISTI. BIGHIN GIULIO RENZO
Amazing!! She is so incredible with her solid technique, great timing and strength. Her legs are powerful as well as gorgeous. It is fun to watch a very young and energetic Vlad. ❤❤❤❤❤
EXCELLENT PERFORMANCE. I JUST LOVE 💕 💖 THIS PAS DE DEUX. THE TECHNIQUE: IMPECABLE!. BRAVO!!!
El es fabuloso !!
Bravo bravo bravo brilliance grandiose virtuoso dance super wow
For me, the most perfect Diane, Talisman and Aurora in Mariinsky and the world, with or without the title.
Так вот и беда, что это тоже нынешние солисты из Мариинского, но прежде разве так танцевали ? - Это же замедленно, тяжело. А вспомните Татьяну Терехову! Вот была богиня, какой класс! Легко записи найти.
I love Osmolkina. I love the way she moves, I don't care what role or choreography. Fateyev should never be forgiven for not making her a principal.
she is rally fantastic ,always loved her in every role
Her technique is positively impeccable, stunning.
@sinnung
Yes, it's an excerpt from a benefit performance for Ulyana Lopatkina held @ Mariinsky Theatre on February 2, 2008.
Thank you for commenting - I love Shklyarov, too!
Marvelous!
If I could only move as effortlessly and smoothly as she does!
Amazing
she is fabulous!
And the boy is fantastic!
@Pearlaceous
Agree. Thinking exactly the same.. but still he is young and gorgeous.. This is His Time..
fantastic line!
Where are the fouettés? Not good to leave them out and simplify the coda. He’s superb!
she is a great talent with exquisite legs and feet! really a perfect physique for ballet!
+
she should be principal since long time
She has the most beautiful legs! Absolutely beautiful
Favorite Mariinsky ballerina
Such gorgeously shaped and expressive legs. Why Osmolkina was passed over in favour of Somova or Skorik is incomprehensible to me.
somova is good too but skorik is shameful
I totally agree Osmolkina Amazing !!!
it is a tragedy she is not principal, and I also think she is a stronger dancer than Somova, although Somova is great, and she is waaaaaaaaaaay better than Skorik... and on this pas de deux both of them do amazing...
The tempo of this is funereal. Osmolkina is such a wonderful ballerina... better than some of the Mariinsky's principals.
If you take the playback speed up, suddenly the tempo is musically correct! (I have the score). Even the dancing suddenly seems alive rather than one pose into another.
Good to know I'm not the only one who has noticed this! I often speed up the tempo to hear and see how it should be
Funereal?
Самая лучшая Диана нашего времени была и осталась изумительная Татьяна Терехова!!! Вот это техника была, образ настоящей блистательной, грозной Богини! ❤❤ К счастью, сохранились ее записи и с Бережным, и с Ковмиром. А здесь темп музыки именно замедлен, как и сказано, прямо " похоронный" какой то.
Not only perfect legs but also beautiful port de bras and fluidity of movenets from Osmolkina. I wish tempo for male variation and coda were faster tho.
why she is not principal and that pterotaptylus sk yes?
As bad as Sku is, at least she works. The most outrageous person among MT principals is pudgy Pavlenko. What a dog in the manger. Work or go away...free some space (and principal salary) for someone who really works. Like Osmolkina, Novikova or Kolegova.
reanimato1 l often wonder why she never dances ,but is she still principal ? why doesn't she dance ?
pediatrapaola excel weight
reanimato1 a beautiful tragedy at the contrary with bulimic dancer lol
gorgeous
6:07
THE var was good ,in the coda did a not beautiful to see jump .she is fabolous.
When was this?
in 2008.
Where are her fouttes?
A little disappointing for me as I normally love Shklyarov - but I didn't get the impression of Actaeon being in wonderment at or in awe of the goddess Diana. I wanted this pas de deux to tell a story more. Also, I wish he had not resorted to acrobatics; he has no need to as he has great elevation. More, but slighly simpler jumps would have worked better for me - those straddle type split jumps in particular are just ugly imo. Fabulous dancing from Osmolkina - beautiful legs.
Those splits belong at the ice rink, not the ballet stage.
The coda music sounds much like one on a carousel
Modern day dancers need to stop with this abysmally slow tempi. If you take the playback speed up a notch, suddenly the tempo is musically correct! (I have a turn-of-the 20th century répétiteur of the score - but even without a score, just use your ears...if played at 1.25 speed the music is light years better and musically correct). Even the dancing suddenly seems alive rather than one pose into another pose, etc. when played at 1.25 speed. Enough already dancers! Slow tempi is death-dealing to ballet - it causes a chain reaction to occur- nothing has any life, and I am sure such tempi is why so many of today's orchestras loathe to play for ballet.
You are so right -- as usual!
Diana es hierática. No se ríe. Excelente técnica pésima actitud. Acteon excelente
Ужас. Ну какой из Володи Актеон?) Где охотник с ярко выраженным мужским началом, а где Володя... Технически безупречно, но ооочень медленно! Осмолкину даже обсуждать не хочется.
Pésimo