J.S. Bach, Siciliana en si bémol, BWV 1001, réflexions, 1e partie | Heather DeRome

Partition disponible à www.sonatasandpartitas.com. Cette vidéo démontre comment Bach peut utiliser les plus simples des dispositifs de composition, comme un arpège qui monte suivi par une gamme qui descend, pour créer un petit motif sublime. Nous pouvons déceler l’influence de Bach en tant que jeune choriste dans la texture de cette pièce; la jolie imbrication des lignes musicales évoque effectivement la musique chorale.

[@juanmiguelsuarez]

Really interesting, thanks for sharing!

[@sonatasandpartitas]

Thank you, Merci!

[@thelostartofcounterpoint8648]

Thank you for the analysis, very interesting! Is it possible to exchange some thoughts about the Sonatas and Partitas? As a musicologist I dedicated a whole channel to the implied polyphony in these works. It is very rare to find musicians interested in this niche. Looking forward to your answer. Keep up the good work!

[@sonatasandpartitas]

Thank you! there is an English version of this video. I'd love to see your channel. how about you contact me through the sonatas and Partitas website. www.sonatasandpartitas.com and please send a link to your channel.

[@thelostartofcounterpoint8648]

Thanks again for this wonderful video! I tried to contact you via your website, without response. Also impossible us replying in the comment section of the Siciliana, where you kindly answered me. I hope this will reach you. Please visit my channel for analyses of the implied polyphony in the violin partitas and sonatas by clicking the small icon on the left (the lost art of counterpoint) Best regards, Laurent