best piano rendition i've ever heard of Mozart... People seem to be so careful and tend to play this music much softer..almost like they are scared of it.. . this is different
Mozart compos’d this beautiful Sonata for two klaviers in D in 1780 (K. 375a, Old K. 448) probably originally for himself and his sister Nannerl to play in Salzburg before his final break with the Archbishop in May of 1781; he himself perform’d it (along with K. 365, also from 1780) with harpsichordist / pianist Josepha Barbara Auernhammer, an ‘overweight, ugly & gap-tooth’d’ but musically gifted klavier-pupil of Richter & Kozeluch (& with Mozart after his break with Salzburg in 1781) on 23rd November 1781 (also at public soirées in 1782 & 1783) and shews all the gusto & energy of a young composer ready to leap-out and make his own way in the world; Mozart’s father had after 22 March 1773 turn’d to selling klaviers out of his new ‘Dancing Master’s House’ (to-day the now-restor’d Nr. 8 Marketplatz in Salzburg) so double-klavier sonatas like these could easily have been perform’d in Leopold’s salon...even as advertising for his instruments for sale...
Este es un Mozart diferente, un Mozart talvez un poco hiperventilado, brillante como todas sus obras pero diferente. Es raro que esta pieza sea considerada una de las dos obras ideales para los niños (efecto Mozart)
Just keep practicing at a very slow tempo and gradually increase the tempo and as your finger muscles master the movements you'll find yourself able to play it.
Bonjour, sur quel diapason sont accordés ces pianoforte : La 440 Hz, naturel 432, Mozart 422 ? Merci Hello, What pitch are these fortepianos tuned to: A 440 Hz, natural 432, Mozart 422? Thank you
Absolutely horrible in my personal opinion. Thank god for a modern grand piano. The ensemble playing is gone. It is one big mixture of notes hard to hear who plays what most of the time. And wen played loud the tone fals dead. A lot of the beautiful phrasing is inpossible to play on these instruments. Amazing that Mozart had this instrument in his ear when he composed this marvelous masterpiece. He must have foreseen that the instruments would be better in the future.
The notion that certain composers had modern instruments in mind when composing their pieces is a wild extrapolation, a conjecture, nothing more. Especially at a time when Cristofori’s invention was still a relatively new thing. Harpsichords were very much in evidence until the early 1810s, that’s why Beethoven had to give the epithet “Hammerklavier” for his Op. 106. Mozart was more than happy with Stein’s instruments as obvious from his letter to his father describing it in great detail. People say the same thing about Bach but we know that he didn’t like Frederick the Great’s fortepiano and went on record saying “it wasn’t his thing”. I would argue that a fortepiano is actually more distinct in its production of sound than a modern grand because the resonance chamber is smaller, and it’s less jangly, not as muddled with overtones. It’s like we mixed a harpsichord, a guitar and a pianoforte together: when used wisely, it’s beautiful.
GRRRRRRRRRRRRRRRRRRRRR!!! 😬😬😬 These fortepianos sound a lot better and sweeter than the modern oversharpened crap 😬😬😬, plus, they sound very similar to Mozart's own fortepiano!!! I hate dumb pianists that insist on playing (killing) Bach's (and other's) works on modern pianos, they can play masterfully and have a badass technique and interpretation, but they are playing it on the wrong instrument, and it sounds awful, displaced... Modern pianos are great for some pieces, (although they are oversharpened/overtuned and the "official pattern" should have been revised to 430Hz), but try to imagine "Clair de Lune" played on a fortepiano or harpsichord, it would sound awful and displaced, did you get my point?? There are pieces that sound a lot better on original instruments, this one is an example... 😉
@@seoulstn Yes!!! The ancient instruments have a lot more expression, timbre and accent, they are colorful in a so special way, specially on the bass sounds, they vibrate so beautifully, a modern grand piano has distorted and ugly bass notes, it hurts our ears, instead, the fortepiano has delightful bass notes that contrast and highlight a lot better and sweeter, it produces enjoyable to hear bass notes!!! 😊
I like the versions on period instruments much more on these kind of works, I think that although soloists or ensembles want to play these pieces on modern instruments, they should play at 430 hz or 432 hz to make it sound more natural, and they should study about the instruments of this period and the way of playing at that time. Mozart probably would have loved modern pianos, as they had widht for more keys, and would have played them without any problem, perhaps Bach, Beethoven, Schubert or Weber would have just loved to hear their works on modern instruments (But keeping the original style of playing it, instead of making it sound too mechanical).
![Effetto Mozart - Sonata K448 completa [432Hz]](http://i.ytimg.com/vi/8oMk9wId_ck/mqdefault.jpg)
![Effetto Mozart - Sonata K448 completa [432Hz]](/img/tr.png)
best piano rendition i've ever heard of Mozart... People seem to be so careful and tend to play this music much softer..almost like they are scared of it..
. this is different
the forte piano is a much better instrument in my opinion
Spot on! Best rendition ever!
@@jaredbebee630 the pianos that JSB approved would have been fortepiano too (following the earliest prototype)
It sounds so much better on the fortepiano . . . no way around it.
I completely agree!
ancora meglio sul cembalo
also the interpreters here play it like they're late for the train! which is awesome.
love this on fortepiano, the percussive quality adds so much intricacy between the two parts
As I thought, so much better than with grand pianos. There's an original delicacy and gaiety about this piece which is so precious.
it's a muddled mess on a modern piano
pianos*
Genius music,,,this is how the genius intro needs to sound like
The modulations at 21:32 oh God....exquisite....clever....perfectly accomplished.
Just when I thought Mozart couldn't get any better.
check also Levin & Frager performance
Mozart is musical perfection, especially on period instruments!
That slow movement....heavenly!
Mozart isn't one of my favorite composers, but I must say... I actually enjoy this piece very much. Grazie Muzikay.
Superior performance....
Mozart compos’d this beautiful Sonata for two klaviers in D in 1780 (K. 375a, Old K. 448) probably originally for himself and his sister Nannerl to play in Salzburg before his final break with the Archbishop in May of 1781; he himself perform’d it (along with K. 365, also from 1780) with harpsichordist / pianist Josepha Barbara Auernhammer, an ‘overweight, ugly & gap-tooth’d’ but musically gifted klavier-pupil of Richter & Kozeluch (& with Mozart after his break with Salzburg in 1781) on 23rd November 1781 (also at public soirées in 1782 & 1783) and shews all the gusto & energy of a young composer ready to leap-out and make his own way in the world; Mozart’s father had after 22 March 1773 turn’d to selling klaviers out of his new ‘Dancing Master’s House’ (to-day the now-restor’d Nr. 8 Marketplatz in Salzburg) so double-klavier sonatas like these could easily have been perform’d in Leopold’s salon...even as advertising for his instruments for sale...
This sonata is just beautiful, love it!
Allegro con spirito 0:07
Andante 10:59
Molto allegro 20:43
Nice video except for the loud facebook ad out of nowhere during the middle movement.
You can also find Levin and Frager performance on youtube of K 448, period instruments as well
Music Perfection Geniale ⭐ Mozart 🇦🇹 The Legend,🇦🇹❤️🎶🎹Number 1️⃣🇦🇹⭐🏆🎹🎵🔔🎼🎉🎻🍾🇦🇹🎻
GeniuS ⭐🇦🇹 Beatiful The Best of MOZART,🇦🇹❤️🎹🎶🎉🎼🎻🎹🎵
this is the original. fortepiano.......... rings my soul
Its scary how good this performance is
to be heard and enjoyed again !
Este es un Mozart diferente, un Mozart talvez un poco hiperventilado, brillante como todas sus obras pero diferente. Es raro que esta pieza sea considerada una de las dos obras ideales para los niños (efecto Mozart)
Engaging and musical performance.
This was great. :)
Suena excelente 🥰🥰🥰😘😍
Always think that this piece sounds better on two fortepianos...especially when played with as much gusto as this pair do!
モーツァルトは、この音色で作ったんだ
フォルテピアノ版を聴いたことがなかった
まだ現代のピアノがなかった時代の作品
Thanks for posting. The painting is of Wolfgang and his sister, Maria Anna, I presume?
It is actually Wolfgang Amadeus Nanerl Mozart's older sister
@@jesuelalinsunurin777 Maria Anna is Mozart's sister's name! Nannerl is her nickname!
@@MrFirefox411 oh I completely forgot history class thx for the correction I guess
it is actually nannerl its Leopold's wife name I reasearched
@@jesuelalinsunurin777Oh, OK, let's forget about the issue with the names, you're now saying it is his mother, not his sister in the painting?
I'm practicing this tune now, but I can't play the first important phrase of trill, and the all the play is messed up...
Just keep practicing at a very slow tempo and gradually increase the tempo and as your finger muscles master the movements you'll find yourself able to play it.
1:28 ♥️
In a lot of ways, the fortepiano sounds better than the pianoforte.
The fortepiano sounds more bright and clear while the pianoforte sounds more soft and muffled.
I'm pretty sure they're the same instrument, unless you're referring to the modern piano as the pianoforte.
Maxwell Kaye There are more differences. For example, the pianoforte has 88 keys while the fortepiano has the range of a harpsichord.
Okay, so you're talking about the modern piano. I was confused at first.
Totally! For the music written on fortepianos, fortepianos reign supreme!
Bonjour, sur quel diapason sont accordés ces pianoforte : La 440 Hz, naturel 432, Mozart 422 ? Merci Hello, What pitch are these fortepianos tuned to: A 440 Hz, natural 432, Mozart 422? Thank you
Is this performance also available on CD?
1:37
I could say this painting shows Mozart and his sister and father Leopold Mozart using their instruments after his mother died...
There are few portraits of the real Mozart. He was not a jew and he did not look like one.
@@psalm2764 ...
@@jackminto7062 Hi Jack. Lots of subterfuge and flat-out lies surrounding Mozart.
Does anyone know what year the fortepianos are from in this recording?
Fortepiano of ca. 1785 and
Fortepiano of c.1790
Possibly a Stein and Walter
Anyone know of recordings of this piece (on pianoforte or fortepiano) that's at least slightly slower in tempo?
There is a beautiful recording by Alicia de Larrocha and Andre Previn that is significantly more relaxed.
i've heard this a bit faster than this, but i mean each to their own
is this spinet?the key is not D major
アッカーマンミカサ no, it's a fortepiano (early piano). It plays at a somewhat lower pitch than the modern piano.
Muzikay
Oh, I just thought they hadn't had piano yet at that time.
I always wonder why they often play early music in lower pitch.
The pitch wasn't really standardized in those days, but in Germany it this time it was close to a half step below modern pitch.
Who is this other person, looks like Mozart in 1700s drag lmao
It's his sister
in my opinion, this performance is a bit too fast.
Full of energy but the tempo isn't too much fast?
fortepiano>harpsichord
Dan no
they are equal to me
Absolutely horrible in my personal opinion. Thank god for a modern grand piano. The ensemble playing is gone. It is one big mixture of notes hard to hear who plays what most of the time. And wen played loud the tone fals dead. A lot of the beautiful phrasing is inpossible to play on these instruments. Amazing that Mozart had this instrument in his ear when he composed this marvelous masterpiece. He must have foreseen that the instruments would be better in the future.
The notion that certain composers had modern instruments in mind when composing their pieces is a wild extrapolation, a conjecture, nothing more. Especially at a time when Cristofori’s invention was still a relatively new thing. Harpsichords were very much in evidence until the early 1810s, that’s why Beethoven had to give the epithet “Hammerklavier” for his Op. 106. Mozart was more than happy with Stein’s instruments as obvious from his letter to his father describing it in great detail. People say the same thing about Bach but we know that he didn’t like Frederick the Great’s fortepiano and went on record saying “it wasn’t his thing”. I would argue that a fortepiano is actually more distinct in its production of sound than a modern grand because the resonance chamber is smaller, and it’s less jangly, not as muddled with overtones. It’s like we mixed a harpsichord, a guitar and a pianoforte together: when used wisely, it’s beautiful.
GRRRRRRRRRRRRRRRRRRRRR!!! 😬😬😬 These fortepianos sound a lot better and sweeter than the modern oversharpened crap 😬😬😬, plus, they sound very similar to Mozart's own fortepiano!!! I hate dumb pianists that insist on playing (killing) Bach's (and other's) works on modern pianos, they can play masterfully and have a badass technique and interpretation, but they are playing it on the wrong instrument, and it sounds awful, displaced... Modern pianos are great for some pieces, (although they are oversharpened/overtuned and the "official pattern" should have been revised to 430Hz), but try to imagine "Clair de Lune" played on a fortepiano or harpsichord, it would sound awful and displaced, did you get my point?? There are pieces that sound a lot better on original instruments, this one is an example... 😉
@@seoulstn Yes!!! The ancient instruments have a lot more expression, timbre and accent, they are colorful in a so special way, specially on the bass sounds, they vibrate so beautifully, a modern grand piano has distorted and ugly bass notes, it hurts our ears, instead, the fortepiano has delightful bass notes that contrast and highlight a lot better and sweeter, it produces enjoyable to hear bass notes!!! 😊
@@seoulstn Not helped by the boring, equal tempered tuning.
I like the versions on period instruments much more on these kind of works, I think that although soloists or ensembles want to play these pieces on modern instruments, they should play at 430 hz or 432 hz to make it sound more natural, and they should study about the instruments of this period and the way of playing at that time. Mozart probably would have loved modern pianos, as they had widht for more keys, and would have played them without any problem, perhaps Bach, Beethoven, Schubert or Weber would have just loved to hear their works on modern instruments (But keeping the original style of playing it, instead of making it sound too mechanical).
RED LIGHT SHARPIE MARKER
YELLOW LIGHT SHARPIE MARKER
GREEN LIGHT SHARPIE MARKER
SUNDAY MARCH 1 2015
WEDNESDAY APRIL 1 2015
FRIDAY MAY 1 2015
MONDAY JUNE 1 2015
NORTH
EAST
SOUTH
WEST