@@jesuspectre9883 same! I love love love the selections of music they use as well. I feel like it’s really fitting and of course I absolutely love the hot to frozen transition
@DECLAN DOUGAN you’re right. The criteria states that certain corps must get preferential scoring, and the results do match up. I have a daughter that will be marching this summer (assuming there’s a season) with a corps that isn’t one of the Golden Child corps. I hate that she won’t ever get a chance to compete for a title simply because of who she matches with, regardless of how well they do
@@balkopublicschoolsmusiccha5404 I think its more that more established corps are able to put on more complex and well performed shows while keeping corps tuition low(ish). Hence why Phantom, Cadets and Madison have started to fall out of favor in place of corps like Mandarins, Blue Stars or even BAC who hadnt been making finals consistently until about 10 years ago.
@DECLAN DOUGAN my guess is that you haven’t actually watched in the last 15 years or so then. It absolutely does NOT matter how well (or not) a corps executes. If they’re not Blue Devils (or recently Crown), they’re not going to win. You come into the season knowing you’re not going to be Top 5. You could have a PERFECT show and and not place.
Seeing this live in Centerville was a treat. Edit: I went to Soaring Sounds with my band to watch and I always love watching the freshmen see a show as incredible as this. Their faces are like "Can we do that? :o" Priceless. I'm graduating now and my band season was cut short due to Covid but all well. I loved the memories.
"Hell's Bells" by AC/DC "The Divine Comedy: Mvt. 1 (The Inferno)" by Robert W. Smith "Danse Macabre" by Camille Saint-Saens "Symphony No. 3 (Don Quixote): Mvt. 2 (Dulcinea)" by Robert W. Smith "Winter Wind" by Frederic Chopin "Winter" from "The Four Seasons" by Antonio Vivaldi "Knockin' on Heaven's Door" by Bob Dylan
What’s the point in insulting this show? They sounded well and performed it to the best of their ability, and I think most people would agree that having a tarp fly over your entire corps to cover a prop and uniform change adds a bit of depth. The show name thing, I have no idea, but that sounds like something they’d do tbh
@@willrobinson1482 We must hold design teams accountable. The kids are talented, but the design staff deserves to be whipped with wet noodles. What's clearly lacking in this show is design depth-- how about some literary reference, some artistic reference outside the production? Perhaps some biographical reference to Alighiere, perhaps a modern reference to climate change, or the engravings of Gustav Dore? Something, please god, anything to give this thing some resonance, some relevance. Some explanation for "why" you're doing this show. The truth is, the judges found out about the real reason why the design team did the show-- it was a reaction to a judge's comment that "you'll make the top twelve when hell freezes over", and that's simply not a legitimate artistic statement. Same with Lindsey Vento's "Bridges to Nowhere" with the Academy. You can't say "We're bridging to the new artistic director, me." That's simply not a legitimate justification for the theme selection. Both corps were punished for their amateurish design shortcomings. They'll learn.
![Lethal Company Music Video 🎵 "Follow The Orders" [VERSION A]](http://i.ytimg.com/vi/QeooZB4Z7RA/mqdefault.jpg)
I LOVE THIS SHOW SO MUCH, IT'S SO UNDERRATED
Finally someone gets it
What do you love about it? I love that the drill builds with the music. I love the execution of the seamless costume and prop color change.
@@jesuspectre9883 same! I love love love the selections of music they use as well. I feel like it’s really fitting and of course I absolutely love the hot to frozen transition
Hail Satan!!
I love this show too!
I still think about when 7:10 happened when I first saw this show. NOTHING could have prepared me for that incredible and iconic transition.
Wow never saw this but I'm glad this came up in my feed. That was a really well written and designed show. It's TOUGH to break into the top 12 now.
And it should be. Unfortunately, getting into the top-12 anymore has more to do with what your name is rather than how good your show is.
@DECLAN DOUGAN they also didn’t drop out of the top-12 because they suddenly suck. It’s all to do with politics and name recognition
@DECLAN DOUGAN you’re right. The criteria states that certain corps must get preferential scoring, and the results do match up.
I have a daughter that will be marching this summer (assuming there’s a season) with a corps that isn’t one of the Golden Child corps. I hate that she won’t ever get a chance to compete for a title simply because of who she matches with, regardless of how well they do
@@balkopublicschoolsmusiccha5404 I think its more that more established corps are able to put on more complex and well performed shows while keeping corps tuition low(ish). Hence why Phantom, Cadets and Madison have started to fall out of favor in place of corps like Mandarins, Blue Stars or even BAC who hadnt been making finals consistently until about 10 years ago.
@DECLAN DOUGAN my guess is that you haven’t actually watched in the last 15 years or so then. It absolutely does NOT matter how well (or not) a corps executes. If they’re not Blue Devils (or recently Crown), they’re not going to win. You come into the season knowing you’re not going to be Top 5. You could have a PERFECT show and and not place.
Seeing this live in Centerville was a treat.
Edit: I went to Soaring Sounds with my band to watch and I always love watching the freshmen see a show as incredible as this. Their faces are like "Can we do that? :o"
Priceless. I'm graduating now and my band season was cut short due to Covid but all well. I loved the memories.
okokokok my highschool's show from last year called "Aftermath" used Inferno in it im stoked bois
8:20 when winter wind came on!!
I just realized my school's indoor drumline show uses some of the same audio clips as this
do you have a video?
I love the color change. Nice!
A hisgchool marching band group used a lot of their show. Brought back memories of the summer
Pretty sure that was my school in 2019; took their props and their opener
Wow! Yeah! Awesome!
Thanks Rick! See you next year (I hope)...
RIP
Very Nice!
Not gonna lie here
I thought the props were giant were giant trash bags in the opener
Their brass is so loud😍😍
does any one have the set list?
"Hell's Bells" by AC/DC
"The Divine Comedy: Mvt. 1 (The Inferno)" by Robert W. Smith
"Danse Macabre" by Camille Saint-Saens
"Symphony No. 3 (Don Quixote): Mvt. 2 (Dulcinea)" by Robert W. Smith
"Winter Wind" by Frederic Chopin
"Winter" from "The Four Seasons" by Antonio Vivaldi
"Knockin' on Heaven's Door" by Bob Dylan
WOW GREAT SHOW. Growing tired of the announcer though
This show's title was an inside joke among the staff, and it was lost on the audience. The show itself had no depth.
Jesu Spectre no u
@@castinyork647 Brilliant.
Jesu Spectre thanks
What’s the point in insulting this show? They sounded well and performed it to the best of their ability, and I think most people would agree that having a tarp fly over your entire corps to cover a prop and uniform change adds a bit of depth. The show name thing, I have no idea, but that sounds like something they’d do tbh
@@willrobinson1482 We must hold design teams accountable. The kids are talented, but the design staff deserves to be whipped with wet noodles. What's clearly lacking in this show is design depth-- how about some literary reference, some artistic reference outside the production? Perhaps some biographical reference to Alighiere, perhaps a modern reference to climate change, or the engravings of Gustav Dore? Something, please god, anything to give this thing some resonance, some relevance. Some explanation for "why" you're doing this show. The truth is, the judges found out about the real reason why the design team did the show-- it was a reaction to a judge's comment that "you'll make the top twelve when hell freezes over", and that's simply not a legitimate artistic statement. Same with Lindsey Vento's "Bridges to Nowhere" with the Academy. You can't say "We're bridging to the new artistic director, me." That's simply not a legitimate justification for the theme selection. Both corps were punished for their amateurish design shortcomings. They'll learn.