As a sound engineer and technical director for over 20 years, I echo everything he is saying about these different mic lines from Shure. I’ve used all the major brands - Shure, Sennheiser, Audio-Technica, etc. I have always leaned towards Shure products for their durability and reliability. I have had experience with all these lines plus the ULX. For me the SLX systems have been the most solid performer for the money. In a lot of medium to larger venues I always pair these systems with an antenna distribution system with the amplified flag style antennae to boost the signal. Almost a non-negotiable when operating a good number of mics in large spaces with lots of people.
Dropouts can happen anywhere with ANY wireless system... So here's a suggestion from someone who owns several Shure wireless systems including BLX, SLX, GLX and have used them for many years without any major problems. I even combine different series together during an event that requires multiple mics (Panels, Live Performances, Q&A's, etc.) WHENEVER you arrive at a venue, press and hold the group button on the receiver and let it scroll to automatically calibrate the receiver to the best channel to use then match the transmitter device (Handheld Mic, Headset, Lav, etc.) to that channel as well. Each venue has channel ranges that are problematic but Shure has built in this convenient feature to quickly locate channels with the best signal strength between transmitter and receiver available in each specific scenario. It may even be necessary to re scan periodically during an event as additional wireless systems users come online at the venue (Security, Maintenance, Production, Housekeeping, Catering, Transportation, Etc. This applies to ANY WIRELESS SYSTEM, so use whatever you like but scan for the best frequencies at any venue on arrival, it can save you a lot of headaches. Hope this is helpful to some of my event production & DJ colleagues :) Here is a scanning tutorial specifically for Shure users: ruclips.net/video/HIK0oVD-PjM/видео.html
Steven Lucky Benson great advice and I want to emphasize what you said about scanning during the event. It’s a good practice to do the scan under the exact conditions when the mic will be in use, so do the scan when the room is full of ppl, not when it’s empty.
@@DJ-Coma Yup, you're on point! Conditions do change throughout an event, so I keep a back up system available (whenever possible) and can have a freshly scanned mic available at the first sign of trouble (dropout, interference, etc.) Plus having FULLY CHARGED BATTERIES is essential. Running a mic on a charge from the last gig is a big NO NO!!! The weaker the batteries, the weaker the signal and more likely for your system to have interference.
I completely understand what you’re saying and I do all the recommended steps but what I want when I’m working is a system that causes the LEAST amount of problems on an event. I can make it work with whatever system but I shouldn’t have to when there are systems that are just better at it from the start.
I have been using the BLX system for about 9 years now. I wouldn't call them garbage but lately depending on the area I'm in they have been dropping out but they have been 95% reliable over the years. That range is crazy though! My MC was damn near 200+ feet in a field away from me one time. That BLX lapel though is not reliable. I can attest to that! May have to go to Sennheiser for the lapels. I have been looking to upgrade my systems though so thanks for the run down because I had no idea what all the differences were. That SLX may be the move
I have used Shure, Sennheiser and Audio Technica mics for over 25 years. The largest number of wireless mics I've had to set up and use is 24 mics in 2021 for a meeting/streaming conference. We didn't have any dropouts or any interference using the mixtures of Shure SLX, PGX, GLX, ULX, Sennheiser G3, XSW, EW and SKM models. The venue was at Holiday Inn next to a marina and the port. We may have been just lucky to not have any dropouts in audio. The mics were all on a tabletop stand, 3 to a table plus 2 roamers. The furthest mics were about 80 feet away. The only problems we encountered were the AA Duracell packs we bought from Walmart. They woul last no more than 2 hours on the BLX transmitters. The AA batteries in the Sennheisers lasted the entire day.
I'm a violinist that plays with backing tracks, so I'm always amplified. I rent out my shure pgx with sm58 wireless mic (through my large PA system) to my clients for an extra $50. I've used it over 100 times, and it has never failed or dropped out. What HAS failed is the dinky power brick cord - it is so thin and flimsy that it just broke while gently wrapping it up. I replaced it with a beefier brick, no problem...
I was thinking to get the Shure GLXD24/B58 Digital Vocal Wireless System with Beta 58A Han. But after reading a lot reviews describing the issues with the wi fi and many other issues, I better get the Pgxd24 beta58 a d wow, wow and more wow. It’s a great microphone, cero drops and long coverage without any issues. Definitely the best mic for me if we talk about shure.... 😁
Thanks for this info, massively helpful for cutting to the chase. I wish Shure was more straight foward in their marketing about intended use cases for their products. The BLX is such an attractive option at that price point, but it makes sense that its too good to be true. Thanks man appreciate you!
I use a 58 beta for my wired mic, a Sennheiser (forget model it's a $300 unit) for wireless. It's a decent mic but always thinking I'll make that my really good backup unit and get a better "A" unit. Thanks for video.
Hey bro quick question. My gear advisor suggest i go with the ND96 EV over the Shure 58. I primarily am wanting it to plug into my amp with my acoustic guitar and sing along. I’m not a gig guy yet I am pretty raw and new to this. It’s more of a hobby and learning process for me right now. My voice trying to Learn to sing. So with that in mind which mic would be best for my situation? I have a fishman loudbox mini acoustic amp. Thanks!!
What do you think of the Sennheiser XSW-1 dual wireless 835’s? Need dual wireless mics for karaoke. Would you recommend this system or go for the highest tier stuff?
ROFL!! Agreed the Sennheiser mics do look kinda ugly 😆😆😆😆 Great video as always I’m in the market of cutting the cable in my Mic setup and this has been amazingly helpful. Thanks
Great video as always! My vote is for the SLX for the money; with a SM58. One can find it for the low $500. Also, as you mentioned when handing the mic over to someone for a speech, they will most likely cut out if they are not speaking directly into the 87. The SM58 has been around for like 50 years for a reason. Keep up the good work.
The irony is, You don’t know what irony actually means. What you’re describing is more coincidence. It would be ironic if I talked about how bad a mic was and then come to find out I’ve been using that mic the whole time and didn’t know it.
@@ClevelandTerry The funny thing is Terry, that I correct people on their poor use of the word irony every chance I get. You sir are incorrect. This is in fact ironic. It's not a coincidence. I suggest you go read the dictionary my guy. Nice try though.
Thank you for your very informative review. I’m the audio tech at our church. All I really know, is what I learn from videos like yours. We recently purchased the GLX-D. It’s been a problem every since. The sound quality is very poor @ a distance of 20ft. Or less between transmitter and receiver. Now I’m going to see if our pastor will return them for the pgx system. Wish me well with that one.
Something i didnt see in the video or the comments - you do sound check right? Great. NOW - when the hall fills up - Re-Sync the frequencies again and i am sure your wireless system will switch. Its amazing how the radio spectrum of a room changes when 150 cell phones join in :-)
GREAT VIDEO! a lot has changed would you mind doing a updated video of Shure microphones Was thinking about the 87a but ended up seeing the ksm8, ksm9, ksm11 (newest) Now can't make my mind up.... over all for vocal use I sing very high pitched
CT, just wanted to double back and tell you thank you. Based on this exceptional review/opinion, I purchased the SLX with the Beta58 and I am very impressed by the range and sound.
I used PGXD since it just came out, was getting constant dropouts and pops and clicks. replaced them with BLX systems 4 years ago and everything is good so far
I started with a mixture of Shure ulxs, blx and glxds for a band of 15 and it worked ok. Glxd and blx sucked when outdoors or when we used in ear monitors too. We upgraded to ulxd and axient digital. Best investment ever!!! We can network and use wireless controls without the glxd dropping out.
I have a GLXD4 mic system and yes!!, I notice when even the persons body holding the mic is on the way between the mic and receiver, you get sound drop outs. it should be better but is impossible on a gig to have people not blocking the signal. very dissapointing
I’ve had the BLX system for over a year. Used it on dozens of gigs. Nothing wrong with it. No drop outs, boo frequency issues. I roll of low end on all my sm58s wired and the wireless. Sounds fine. I’m not shure (lol) what you are talking about.
So, what is the best microphone full stop…? You don’t seem to rate shure among the top in the industry? As a singer I always found The Shure Beta 58 the best by far… Sinatra used it in the recording studio, Bono swears by it for both recording and live… I tried Sennheiser but it wouldn’t touch the clarity of the beta 58
Damn..been djing for over 30 years, Never knew this info as Im looking into wireless mics and there true functions! Well explained Cleveland Terry. THANK YOU!! Gonna watch your vid on frequencies.. what do you think about GTD Wireless mics, I opened up for Styles P and he grab the wrong wireless mic (GTD) & his manager didnt notice it till the end of performance, He said it sound like the Shure PG series, I was like OOPs! lol, " It was a GTD"...
The glx is on of the worst wireless systems. I bought one new when I was starting a beginner band with a body pack and it was trash. I have had blxr and the regular blx with body packs for guitars never had a issues if your making sure the gain is appropriate on both the bodypack and receiver "and make a the frequency scan for the clearest signal" they have been good to me. Also I own pgx4 and pgx digital the are both great systems
i have a very old from like 2005 Gemini UHF mic ive been using for for 1-2 gigs almost every wkend average for almost 17 yrs now, im not a Gemini fan but this thing has great sound and has never let me down, has very good range through about any walls etc, im buying some new mics soon but ill still use my old one most of the time im sure till it gives out.
A while ago i had a few PGXD's, two GLXD's and one Entry-level PG system. PGXD seemed to have the best all around range, clarity, and performance. GLXD was good for venues with less people (a digital issue with the signal and the amount of cellphones in the room), and the PG system was pure trash (a precursor to the BLX system). I got rid of all the pg's one GLXD (kept one for ceremonies and plus you'll always find a reason to keep mics) and all the PGXD's even though i got 8 ULX-p systems (tried on digital ULXD and was disappointed with the sound). This is a classic case of you get what you paid for, except, the PGXD wasn't a bad system taking price into consideration. The reality is, all soundmen wil say that having a wired connection is the best and your paying a premium for removing the cord. Great vid Terry.
My church bought a few BLX ( $449 each ) we decided to put them close to the stage , because we were getting drop outs but it was what we could afford because we needed 8 of them. They sound good to me as long as they’re close to the stage.
If you're having those kind of issues with BLX then you're doing something wrong. I've used multiple of these systems in a theater environment with a grand total of 0 dropouts with decent sound quality. I was using these systems alongside UHF-R and QLXD and while those sounded better (marginally, and many people couldn't even hear the difference), they all performed well in terms of dropouts. We were using UA874s and UA844+ distros coordinated in Wireless Workbench, but it goes to show that with proper coordination and antenna configuration, even affordable wireless systems can hold their own. All that being said, Sennheiser's EW100 G4 series is priced very similarly and its all around a much better system than BLX, so go with that if that's you're price range.
I have the slx4 and I got the big antenas from sweet waters ,and I haven't had no problem at all. I think is a great mic. I want to update to the qlx. and have the slx as a back up.
Great video, I have a BLX and PGX. I have not had any issues with the BLX but the PGX is my go too. I know that dropouts and mic interference can depend on where your located.
Based on your stories and recommendation, I recently bought the wireless Shure SLXD24/SM58 microphone, and I'm impressed. Thank you for this informative video. Your comment about dropouts with the BLX stood out. I DJ around 60-70 weddings and events a year. When I started 4 years ago, I bought a $99 wireless microphone that would drop out if someone turned on their phone, causing a lot of stress. I ended up going back to a wired Shure SM58 microphone with a 100-foot XLR. You really get what you pay for with microphones. Thanks again for your recommendations.
I've had drop outs with my blx24/pg58 (I believe it is) and I hate it, in ceremonies in weddings, after having scanned frequencies and being literally 5meters away. I got these dropouts in the same venue and same spot, then going inside the dinner room the mic can handle like 30meters with 0 dropouts. Also dropouts in another venue. I'm most of the times using a cheap combo that gives me nearly 0 dropouts: AKG pro mini duo (or dual), 2 mics for 120€
the main differenz between the sm58 and the Beta87 is that the 87 is a condenser mic where as the 58 is a dynamic mic, hence the different looking capsule. Also the 87 has a super cardiod pattern and the 58 cardiod.
Cleveland, I’ll have to bring my system and demo how to set it up. I can get upwards of 300+ feet. The unit runs on 2.4Ghz and thus where everyone gets confused. If you want excellent use from the GLXD set the group to four if using only 2 receivers, at which point the unit has many channel bands to go through without interruption. It took a couple of months to get it right, but once set you never have to worry.
I understand what you’re saying, however I’m only using one receiver. Every situation and venue are different, not to mention area where you are operating. I just never consistently get what you’re getting without constant fiddling and that’s not what in the business to do.
I have 6 BLXR with SM 58 to replace my older ulx because of frequency rollout. Have the receivers rackmounted FOH about 60dt from stage. Quality was as good as my old ulx. This is despite having all the antenna on the back of the receivers which is not recommended with 3 or more mics. The biggest difference is the BLX has no battery meter. It just has a light green for good red for change the battery. Max receivers for BLX is 9 per band.
I actually have had a great experience with the Blx series. Cost was really not a concern when I made the purchase. I actually called Shure they told me what really separates the slx and blx is when you start needing to run several systems at the same time like more than 5. I actually did a install at a church. I have 5 blx systems in there run sound every Sunday for the past year no issues. This is in downtown Raleigh NC. I actually use the blx in my ceremony rig as well have not had an issue. For my lapels though I do run the Sennheiser G4’s. One thing to keep in mind is that when you purchase any wireless system remember to use the software and frequency checker to get the best range for the area you cover. This makes a huge difference as you are sharing bandwidth with TV stations.
SLX system is a great workhorse. (it is a Blackhorse that really doesn't get that much love) it gets the job done and much better than the other Shure systems that were mentioned in this video.
Awesome video! Man so glad I watched this. I personally have been renting the GLX and have bad drop outs and I think because it’s at the 2.4 WiFi frequency. I’m gonna ditch it and try out the PGX now. Thanks!!
Please I just wanna start a RUclips podcast,would you advise me to use this mic for it I just want a best sound quality yet my badge is low ,help me out please
GLXD owner here. My system has preformed flawlessly over the last 2 years. Range is definitely not an issue for me. Corporate parties to Airshows. The battery system is priceless. The auto frequency switching is flawless. I have 4 GLXD4R rack mounted with the Shure UA846Z2 LC Frequency Manager and two Passive Directional Antennas for my Airshows tested to more than 200 feet/ Flawless. We use headsets, lapels and handheld with this system. There are a lot and good wireless systems out there, My money was well spent on this system.. Just my 2 cents, Still give you a thumbs up TB. love the channel and subscribed.
Great video! Had just gotten the GLX system - couldn't go 50 feet without a dropout so returned it and invested in the SLX system with upgraded antennas - I use a headset, not a handheld so I can't comment on how range differs from one to the other - but looking forward to getting the SLX system with the rechargeable batteries!
I think what should have also been mentioned in the video between the GLX and SLX systems is the TYPE of frequency used. GLX uses a 2.4 GHz signal, if that sounds familiar it's because it's the same frequency that most lower end Wifi units use. So if you're at a venue and you happen to be right by the WiFi access point that Microphone won't even go 10 feet without issues. Also if you're using Wireless DMX Donners for your lights, they also use 2.4 Ghz which will ALSO cause huge problems. Such a shame as I do like the look and feel of the GLX especially the rechargeable battery. Just not sure why they went with such a commonly used frequency. Now the SLX and BLX uses an analog system that must be in a unused spectrum for your state. Most of the 500 mhz spectrum on these microphones are fine. There are some state restrictions on these frequencies. Shure has a frequency Finder on thier website that shows which state conforms to those microphone frequencies. BLX just simply uses weaker transmission technology which why it's range will not be good in some cases, especially if you're in a venue that has multiple rooms and multiple parties using analog wireless microphones. PLX is the beginner to QLX as they are both digital but QLX does a lot more in the case switching frequencies and overall a higher quality package. QLX still DOES have issues with drop outs if another DJ in your building is using that same frequency always set your frequency prior to your party. And for safe measure if the best man is about to make a speech, about 5 minutes before that run a group scan on your device to make sure it finds a clear channel, you never know if a DJ running the same frequency as you has set up their equipment after your initial group scan. Hopefully this clears up a little bit more on why these Mics have issues, not the microphones themselves, but rather the transmission technology each Shure series uses.
You are on point but I can’t go this deep in videos. People would literally gloss over. This video is for the average person trying to buy a microphone.
@@djkeithjust Yeah I got it to work in some cases but if you're ever around high end wifi units like Cisco, Meraki the GLX doesn't stand a chance!! Which sucks I loved the build quality and the battery. I had to send it back.
Andy B that’s true with the standar glxd, but with the GLXDR just use the Passive Antennae. And always with any wireless mic the higher you mount or situate the antenna the better. I usually recommend putting the receiver on top of one the speakers. Funny thing I’ve had a rage of about 300+ feet in the middle of nowhere with the unit.
Holy crap you must be Google lol I was literally researching microphones for the past month. Ur thoughts on gemini uhf series? I have outdated Shure h7 series that just crapped out on me
Cleveland, thank you for the phenomenal video, I bought a few PGX4 systems with PGX2 SM58s (used) after watching your video. They sound amazing! I have an RE20 and an SM7b and they lack the freedom of mobility. I couldn’t be happier. Just subscribed to your channel. Thanks again! Mac
Brother man Thanks for the info For a church purpose will you still suggest SLX. I know u gonna beat me up if I get BLX lol. Also when u compare male singer mic beta 58 a vs 87. For example I don’t have a big base voice. Mine is mixed. In my understanding Shure 87 cut out base which means it’s suitable for female singer the best. Can’t wait to hear from you. God bless.
Unfortunately, the SLX is on back order indefinitely. I’m tempted to get the GLX system because I need that extra microphone, I’m kinda hoping it’ll work out for me.
Hi terry im using the BMB UHF 800 with too mic’s are they a good brand. By the way I do weddings parties birthday parties and sometimes your backyard party they have always been dependable sometimes sometimes one mic will work on the other one won’t is there something else I should adjust the or squelch knobs on the back I’ve never tempered with them when you are right in front of my speakers they squeal any thoughts on this yours truly Dj Walt baby love
I have a 2,000 QLX system which embarrassed me recently at a ceremony near a lake.. Thank god I had my BLX in my dj Case which saved the day.. I almost sold my GLX until it saved me at a Ceremony near an Ocean.. I also saved my 13 year old Samson mic which used to save me when my BLX would fail.. All Technology is usefull. With Drone Cameras, 5g phone networks and 2.4gh wifi bands all over the place, we cannot be prepared for anything
The GLX series uses the 2.4 band which is where Wifi often lives and if you're near access points or in an environment where there's a lot of 2.4GHz traffic like neighborhoods/hotels etc. The SM58 and the beta 87 are two completely different mics with different characteristics. Both are directional, but the beta is hyper cardioid, which means it picks up a little bit directly behind it but more focused right in front. The SM58 rejects sound behind it but has a wider pickup in front.
Hi Terry, enjoyed your video on the differences of the of the Shure systems. I'm looking for our church worship group. We are in a small bldg now but we want to buy equipment that will work for the bldg we are in now & for the new bldg we will be constructing. So right now I've always liked the SM58 but after watching your video I'm turning towards the SLX w/the Beta 87A mic. The mics we are using now are the Phenyx Pro, to me, you can't really hear the words of the singer and they pick up everything around them. In a Christian band, the words are the most important part. Which would you suggest that would work for our small church bldg that we are in now and the new much bigger bldg we will build? Right now the mic boxes are up on the stage don't know if in the new bldg they will be with the sound man towards the back or we may keep them with the band up front. Hope to hear from you, thanks. Carlos.
I like the way you break down things but it's too much small talk it to the point I always have to fast forward in a little bit just to hear the main part that I'm looking for
Saw many of your videos. Good stuff mein. I upgraded to a dual SLX system. But I have a question. Want to buy another for smaller events, buying another SLX, but saw you have the beta 87 over the beta 58. May I ask why? I like the 58 better especially for weddings when guests are speaking. But I notice singers/people with a more higher/squeaky voice are better on the 87a. So your opinion on the difference between beta 87 and beta 58 and SM 58 please?
I like this video and yes BLX are trash PGX I have one I use it to prop the shop door open I learned over the years that if you invest in good gear you wont be wasting your money IE I have two types of wireless systems Sure UR4D+ and Axient Digital Wireless yes I know cost a lot more but worth it nothing makes you look bad like a crapy mic . OH and dont forget to remove the batteries and before you turn on you mic's do a group scan
The BLX system isnt that bad to be honest used it for about 3 years now solid reliable. Only issue i can only hook up 1 shure sm58 microphone to it. Which is why im looking into another wireless set up
The PGX systems are absolutely the best value for money I've seen for a wireless system. Cheap enough you can convince stingy budgetmasters to jump on it and incredible range.
As a sound engineer and technical director for over 20 years, I echo everything he is saying about these different mic lines from Shure.
I’ve used all the major brands - Shure, Sennheiser, Audio-Technica, etc. I have always leaned towards Shure products for their durability and reliability.
I have had experience with all these lines plus the ULX. For me the SLX systems have been the most solid performer for the money.
In a lot of medium to larger venues I always pair these systems with an antenna distribution system with the amplified flag style antennae to boost the signal.
Almost a non-negotiable when operating a good number of mics in large spaces with lots of people.
Hi Is ULX any good??
Dropouts can happen anywhere with ANY wireless system...
So here's a suggestion from someone who owns several Shure wireless systems including BLX, SLX, GLX and have used them for many years without any major problems. I even combine different series together during an event that requires multiple mics (Panels, Live Performances, Q&A's, etc.)
WHENEVER you arrive at a venue, press and hold the group button on the receiver and let it scroll to automatically calibrate the receiver to the best channel to use then match the transmitter device (Handheld Mic, Headset, Lav, etc.) to that channel as well.
Each venue has channel ranges that are problematic but Shure has built in this convenient feature to quickly locate channels with the best signal strength between transmitter and receiver available in each specific scenario. It may even be necessary to re scan periodically during an event as additional wireless systems users come online at the venue (Security, Maintenance, Production, Housekeeping, Catering, Transportation, Etc.
This applies to ANY WIRELESS SYSTEM, so use whatever you like but scan for the best frequencies at any venue on arrival, it can save you a lot of headaches.
Hope this is helpful to some of my event production & DJ colleagues :)
Here is a scanning tutorial specifically for Shure users:
ruclips.net/video/HIK0oVD-PjM/видео.html
Steven Lucky Benson great advice and I want to emphasize what you said about scanning during the event. It’s a good practice to do the scan under the exact conditions when the mic will be in use, so do the scan when the room is full of ppl, not when it’s empty.
@@DJ-Coma Yup, you're on point! Conditions do change throughout an event, so I keep a back up system available (whenever possible) and can have a freshly scanned mic available at the first sign of trouble (dropout, interference, etc.)
Plus having FULLY CHARGED BATTERIES is essential. Running a mic on a charge from the last gig is a big NO NO!!!
The weaker the batteries, the weaker the signal and more likely for your system to have interference.
Steven Lucky Benson i never thought about there being a correlation between battery charge and signal strength. Interesting!
I completely understand what you’re saying and I do all the recommended steps but what I want when I’m working is a system that causes the LEAST amount of problems on an event. I can make it work with whatever system but I shouldn’t have to when there are systems that are just better at it from the start.
LuxeIslandEvents he actually didn’t recommend the GLX in this video.
I've gone back to this video twice to make sure I had my stuff together before buying my first wireless mic. Thanks Terry!
I have been using the BLX system for about 9 years now. I wouldn't call them garbage but lately depending on the area I'm in they have been dropping out but they have been 95% reliable over the years. That range is crazy though! My MC was damn near 200+ feet in a field away from me one time. That BLX lapel though is not reliable. I can attest to that! May have to go to Sennheiser for the lapels. I have been looking to upgrade my systems though so thanks for the run down because I had no idea what all the differences were. That SLX may be the move
I have used Shure, Sennheiser and Audio Technica mics for over 25 years. The largest number of wireless mics I've had to set up and use is 24 mics in 2021 for a meeting/streaming conference. We didn't have any dropouts or any interference using the mixtures of Shure SLX, PGX, GLX, ULX, Sennheiser G3, XSW, EW and SKM models. The venue was at Holiday Inn next to a marina and the port. We may have been just lucky to not have any dropouts in audio. The mics were all on a tabletop stand, 3 to a table plus 2 roamers. The furthest mics were about 80 feet away. The only problems we encountered were the AA Duracell packs we bought from Walmart. They woul last no more than 2 hours on the BLX transmitters. The AA batteries in the Sennheisers lasted the entire day.
Could you please explain to me a newbie what the difference is between pgx and slx and what the letters actually mean? Thank you so much
I'm a violinist that plays with backing tracks, so I'm always amplified. I rent out my shure pgx with sm58 wireless mic (through my large PA system) to my clients for an extra $50. I've used it over 100 times, and it has never failed or dropped out. What HAS failed is the dinky power brick cord - it is so thin and flimsy that it just broke while gently wrapping it up. I replaced it with a beefier brick, no problem...
Yeah the power adapter is the WORST!
I was thinking to get the Shure GLXD24/B58 Digital Vocal Wireless System with Beta 58A Han. But after reading a lot reviews describing the issues with the wi fi and many other issues, I better get the Pgxd24 beta58 a d wow, wow and more wow. It’s a great microphone, cero drops and long coverage without any issues. Definitely the best mic for me if we talk about shure.... 😁
Cleveland Terry your videos are always done with such great information and from a a true dj prespective , shout out from Miami!
Thank you
The best comparison ever, may I ask which mic do you prefer to use for the SLX - Beta 58 or Beta 87A ?
Thanks for this info, massively helpful for cutting to the chase. I wish Shure was more straight foward in their marketing about intended use cases for their products. The BLX is such an attractive option at that price point, but it makes sense that its too good to be true. Thanks man appreciate you!
This is the best breakdown I've ever seen in RUclips. I've used BLX and SLX and currently own PGX. Everything you've said is spot on! Thanks!
🙏🏾 much appreciated
Thank you so much for all the great information. I now feel confident to go and buy an SLX :D
I use a 58 beta for my wired mic, a Sennheiser (forget model it's a $300 unit) for wireless. It's a decent mic but always thinking I'll make that my really good backup unit and get a better "A" unit. Thanks for video.
Exactly the review I was looking for. Thank you!
Hey bro quick question. My gear advisor suggest i go with the ND96 EV over the Shure 58. I primarily am wanting it to plug into my amp with my acoustic guitar and sing along. I’m not a gig guy yet I am pretty raw and new to this. It’s more of a hobby and learning process for me right now. My voice trying to
Learn to sing. So with that in mind which mic would be best for my situation? I have a fishman loudbox mini acoustic amp. Thanks!!
please review SLX-D😎
What do you think of the Sennheiser XSW-1 dual wireless 835’s? Need dual wireless mics for karaoke. Would you recommend this system or go for the highest tier stuff?
I love my QLX D24 Beta 58! Best Mic in the world to MC weddings! Try it out you will love it! You get what you pay for
Sir you really did a good job in this video thanks
It would be awesome if you did a comparison with one of these to the Phenyx Pro PTU 7000!
I already have a video for the phenyx.
Can’t find any pgx system here in Malaysia. Probably my county had relegated 900mhz frequency spectrum for bid.
Thank you brother 🎼💯
ROFL!! Agreed the Sennheiser mics do look kinda ugly 😆😆😆😆 Great video as always I’m in the market of cutting the cable in my Mic setup and this has been amazingly helpful. Thanks
I'm looking for some handheld for the pgx h6 and j6
How do the ULXP systems compare to these?
How about SVX288/PG58 ? Do u have any idea
i so agree king 👑
Don't judge...lol. I still use my Shure PG4 with a PG58 wireless mic. No real issues.
wished i watched this before getting a BLX system! i was sorely disappointed for the money spent.
Pg not rack mountable, not good when you need multiple units
Hi Terry, Which system is good for Karaoke?
Thank you! As usual, big companies want to screw people who want value for money.
👏🏽👏🏽👏🏽👏🏽👏🏽👏🏽👏🏽👏🏽👏🏽👏🏽
bro you just saved me from buying BLX!
Im looking for long range? any recommendations.
Great video as always! My vote is for the SLX for the money; with a SM58. One can find it for the low $500. Also, as you mentioned when handing the mic over to someone for a speech, they will most likely cut out if they are not speaking directly into the 87. The SM58 has been around for like 50 years for a reason. Keep up the good work.
Tony Silva thank you and I totally understand what you’re saying. The 58 is definitely more forgiving
Great video that blx is garbage! I know got 2 that I hate!
Send them to me...no need to suffer using stuff you hate...I'll work with them! :D
Wow, never had problems. You're even lucky that you can afford 2!
You're right about the blk systems. Super trash
The irony of this video having horrible sound quality.
The irony is, You don’t know what irony actually means. What you’re describing is more coincidence. It would be ironic if I talked about how bad a mic was and then come to find out I’ve been using that mic the whole time and didn’t know it.
@@ClevelandTerry The funny thing is Terry, that I correct people on their poor use of the word irony every chance I get. You sir are incorrect. This is in fact ironic. It's not a coincidence. I suggest you go read the dictionary my guy. Nice try though.
What about us poor DJs/MCs I got Gemini for $65.99 😂😂😂😂😂 so far so good.
Lmao exactly! I have a piece of shit no name Chinese brand, but it keeps working! I use external mixer to make it sound acceptable!
Thank you for your very informative review. I’m the audio tech at our church. All I really know, is what I learn from videos like yours. We recently purchased the GLX-D. It’s been a problem every since. The sound quality is very poor @ a distance of 20ft. Or less between transmitter and receiver. Now I’m going to see if our pastor will return them for the pgx system. Wish me well with that one.
Something i didnt see in the video or the comments - you do sound check right? Great. NOW - when the hall fills up - Re-Sync the frequencies again and i am sure your wireless system will switch. Its amazing how the radio spectrum of a room changes when 150 cell phones join in :-)
GREAT VIDEO! a lot has changed would you mind doing a updated video of Shure microphones Was thinking about the 87a but ended up seeing the ksm8, ksm9, ksm11 (newest) Now can't make my mind up.... over all for vocal use I sing very high pitched
CT, just wanted to double back and tell you thank you. Based on this exceptional review/opinion, I purchased the SLX with the Beta58 and I am very impressed by the range and sound.
So just to be shure, I was looking at the Shure SLXD24/B87A-K59 handheld but it has a K59 fq, so i could better buy the GLXD Z4? Btw, very nice video!
+Cleveland Terry Bowens Wishing you a great new year ahead and THANK YOU for all the cool content you shared with us! #RESPECT
Thank you and happy holidays to you!
Dude, I trust your reviews.
I have the BLX88 H9. I've used it since 2016 or 2017 can't remember for Shure. Pun intended.
i have the Shure BLX 24PG58 for about two years with no issues at all.
I used PGXD since it just came out, was getting constant dropouts and pops and clicks. replaced them with BLX systems 4 years ago and everything is good so far
I started with a mixture of Shure ulxs, blx and glxds for a band of 15 and it worked ok. Glxd and blx sucked when outdoors or when we used in ear monitors too. We upgraded to ulxd and axient digital. Best investment ever!!! We can network and use wireless controls without the glxd dropping out.
I have a GLXD4 mic system and yes!!, I notice when even the persons body holding the mic is on the way between the mic and receiver, you get sound drop outs. it should be better but is impossible on a gig to have people not blocking the signal. very dissapointing
I’ve had the BLX system for over a year. Used it on dozens of gigs. Nothing wrong with it. No drop outs, boo frequency issues. I roll of low end on all my sm58s wired and the wireless. Sounds fine. I’m not shure (lol) what you are talking about.
Exactly! I was shocked when he said that!
The blx sm58 sounds nothing like a sm58. The audio is compressed and just sounds different
So should I buy blx sm58
Should I buy blx
Thanks
So, what is the best microphone full stop…? You don’t seem to rate shure among the top in the industry? As a singer I always found The Shure Beta 58 the best by far… Sinatra used it in the recording studio, Bono swears by it for both recording and live…
I tried Sennheiser but it wouldn’t touch the clarity of the beta 58
Shure does make some mediocre products but with a higher price tag than actual mediocre products---that's the rip off there
Damn..been djing for over 30 years, Never knew this info as Im looking into wireless mics and there true functions! Well explained Cleveland Terry. THANK YOU!! Gonna watch your vid on frequencies.. what do you think about GTD Wireless mics, I opened up for Styles P and he grab the wrong wireless mic (GTD) & his manager didnt notice it till the end of performance, He said it sound like the Shure PG series, I was like OOPs! lol, " It was a GTD"...
My momma is in China. You gotta really try hard to reach out from LA across the Pacific Ocean to smack her.
👋 😀
I'm a KJ and like the sure the best but as you say, people do not speak/sing into it.
The glx is on of the worst wireless systems. I bought one new when I was starting a beginner band with a body pack and it was trash. I have had blxr and the regular blx with body packs for guitars never had a issues if your making sure the gain is appropriate on both the bodypack and receiver "and make a the frequency scan for the clearest signal" they have been good to me. Also I own pgx4 and pgx digital the are both great systems
GLX is awful... Too often it'll randomly go on it's own path and make people sound like a gargling robot.
i have a very old from like 2005 Gemini UHF mic ive been using for for 1-2 gigs almost every wkend average for almost 17 yrs now, im not a Gemini fan but this thing has great sound and has never let me down, has very good range through about any walls etc, im buying some new mics soon but ill still use my old one most of the time im sure till it gives out.
A while ago i had a few PGXD's, two GLXD's and one Entry-level PG system. PGXD seemed to have the best all around range, clarity, and performance. GLXD was good for venues with less people (a digital issue with the signal and the amount of cellphones in the room), and the PG system was pure trash (a precursor to the BLX system). I got rid of all the pg's one GLXD (kept one for ceremonies and plus you'll always find a reason to keep mics) and all the PGXD's even though i got 8 ULX-p systems (tried on digital ULXD and was disappointed with the sound). This is a classic case of you get what you paid for, except, the PGXD wasn't a bad system taking price into consideration. The reality is, all soundmen wil say that having a wired connection is the best and your paying a premium for removing the cord. Great vid Terry.
My church bought a few BLX ( $449 each ) we decided to put them close to the stage , because we were getting drop outs but it was what we could afford because we needed 8 of them. They sound good to me as long as they’re close to the stage.
If you're having those kind of issues with BLX then you're doing something wrong. I've used multiple of these systems in a theater environment with a grand total of 0 dropouts with decent sound quality. I was using these systems alongside UHF-R and QLXD and while those sounded better (marginally, and many people couldn't even hear the difference), they all performed well in terms of dropouts. We were using UA874s and UA844+ distros coordinated in Wireless Workbench, but it goes to show that with proper coordination and antenna configuration, even affordable wireless systems can hold their own.
All that being said, Sennheiser's EW100 G4 series is priced very similarly and its all around a much better system than BLX, so go with that if that's you're price range.
I have the slx4 and I got the big antenas from sweet waters ,and I haven't had no problem at all. I think is a great mic. I want to update to the qlx. and have the slx as a back up.
Good call!
Great video, I have a BLX and PGX. I have not had any issues with the BLX but the PGX is my go too. I know that dropouts and mic interference can depend on where your located.
Based on your stories and recommendation, I recently bought the wireless Shure SLXD24/SM58 microphone, and I'm impressed. Thank you for this informative video. Your comment about dropouts with the BLX stood out. I DJ around 60-70 weddings and events a year. When I started 4 years ago, I bought a $99 wireless microphone that would drop out if someone turned on their phone, causing a lot of stress. I ended up going back to a wired Shure SM58 microphone with a 100-foot XLR. You really get what you pay for with microphones. Thanks again for your recommendations.
Glad to help
Which microphone would be better for church or outside praise and worship.
Can you talk about Dual mic systems and what's the best direction to go for? Thanks
I hope
I've had drop outs with my blx24/pg58 (I believe it is) and I hate it, in ceremonies in weddings, after having scanned frequencies and being literally 5meters away. I got these dropouts in the same venue and same spot, then going inside the dinner room the mic can handle like 30meters with 0 dropouts. Also dropouts in another venue.
I'm most of the times using a cheap combo that gives me nearly 0 dropouts: AKG pro mini duo (or dual), 2 mics for 120€
the main differenz between the sm58 and the Beta87 is that the 87 is a condenser mic where as the 58 is a dynamic mic, hence the different looking capsule. Also the 87 has a super cardiod pattern and the 58 cardiod.
Cleveland, I’ll have to bring my system and demo how to set it up. I can get upwards of 300+ feet. The unit runs on 2.4Ghz and thus where everyone gets confused.
If you want excellent use from the GLXD set the group to four if using only 2 receivers, at which point the unit has many channel bands to go through without interruption.
It took a couple of months to get it right, but once set you never have to worry.
I understand what you’re saying, however I’m only using one receiver. Every situation and venue are different, not to mention area where you are operating. I just never consistently get what you’re getting without constant fiddling and that’s not what in the business to do.
Cleveland Terry Bowens I completely understand!
I have 6 BLXR with SM 58 to replace my older ulx because of frequency rollout. Have the receivers rackmounted FOH about 60dt from stage. Quality was as good as my old ulx. This is despite having all the antenna on the back of the receivers which is not recommended with 3 or more mics. The biggest difference is the BLX has no battery meter. It just has a light green for good red for change the battery. Max receivers for BLX is 9 per band.
I actually have had a great experience with the Blx series. Cost was really not a concern when I made the purchase. I actually called Shure they told me what really separates the slx and blx is when you start needing to run several systems at the same time like more than 5. I actually did a install at a church. I have 5 blx systems in there run sound every Sunday for the past year no issues. This is in downtown Raleigh NC. I actually use the blx in my ceremony rig as well have not had an issue. For my lapels though I do run the Sennheiser G4’s. One thing to keep in mind is that when you purchase any wireless system remember to use the software and frequency checker to get the best range for the area you cover. This makes a huge difference as you are sharing bandwidth with TV stations.
Same here in Raleigh
SLX system is a great workhorse. (it is a Blackhorse that really doesn't get that much love) it gets the job done and much better than the other Shure systems that were mentioned in this video.
Awesome video! Man so glad I watched this. I personally have been renting the GLX and have bad drop outs and I think because it’s at the 2.4 WiFi frequency. I’m gonna ditch it and try out the PGX now. Thanks!!
Please I just wanna start a RUclips podcast,would you advise me to use this mic for it I just want a best sound quality yet my badge is low ,help me out please
I mean the the jbl wireless mic
Thank you for the video what about slxd 24
You should do an updated version of this. I have the blx dual system. It's been rock solid for years
It’s funny you say that. I literally just interviewed shure.
Thank you for a great explanation and advice.
GLXD owner here. My system has preformed flawlessly over the last 2 years. Range is definitely not an issue for me. Corporate parties to Airshows. The battery system is priceless. The auto frequency switching is flawless. I have 4 GLXD4R rack mounted with the Shure UA846Z2 LC Frequency Manager and two Passive Directional Antennas for my Airshows tested to more than 200 feet/ Flawless. We use headsets, lapels and handheld with this system. There are a lot and good wireless systems out there, My money was well spent on this system..
Just my 2 cents, Still give you a thumbs up TB. love the channel and subscribed.
You have the glxd advance which is better than the regular glxd. I agree, I also have directional antennas on my ulxd, they're amazing.
Great video! Had just gotten the GLX system - couldn't go 50 feet without a dropout so returned it and invested in the SLX system with upgraded antennas - I use a headset, not a handheld so I can't comment on how range differs from one to the other - but looking forward to getting the SLX system with the rechargeable batteries!
I think what should have also been mentioned in the video between the GLX and SLX systems is the TYPE of frequency used. GLX uses a 2.4 GHz signal, if that sounds familiar it's because it's the same frequency that most lower end Wifi units use. So if you're at a venue and you happen to be right by the WiFi access point that Microphone won't even go 10 feet without issues. Also if you're using Wireless DMX Donners for your lights, they also use 2.4 Ghz which will ALSO cause huge problems. Such a shame as I do like the look and feel of the GLX especially the rechargeable battery. Just not sure why they went with such a commonly used frequency.
Now the SLX and BLX uses an analog system that must be in a unused spectrum for your state. Most of the 500 mhz spectrum on these microphones are fine. There are some state restrictions on these frequencies. Shure has a frequency Finder on thier website that shows which state conforms to those microphone frequencies. BLX just simply uses weaker transmission technology which why it's range will not be good in some cases, especially if you're in a venue that has multiple rooms and multiple parties using analog wireless microphones.
PLX is the beginner to QLX as they are both digital but QLX does a lot more in the case switching frequencies and overall a higher quality package. QLX still DOES have issues with drop outs if another DJ in your building is using that same frequency always set your frequency prior to your party. And for safe measure if the best man is about to make a speech, about 5 minutes before that run a group scan on your device to make sure it finds a clear channel, you never know if a DJ running the same frequency as you has set up their equipment after your initial group scan.
Hopefully this clears up a little bit more on why these Mics have issues, not the microphones themselves, but rather the transmission technology each Shure series uses.
You are on point but I can’t go this deep in videos. People would literally gloss over. This video is for the average person trying to buy a microphone.
Hi Andy always keep the GLX system is to be placed a minimum of 10 feet from the closest WiFi units (e.g. wireless modems) and set to channel 4.
@@djkeithjust Yeah I got it to work in some cases but if you're ever around high end wifi units like Cisco, Meraki the GLX doesn't stand a chance!! Which sucks I loved the build quality and the battery. I had to send it back.
Andy B that’s true with the standar glxd, but with the GLXDR just use the Passive Antennae. And always with any wireless mic the higher you mount or situate the antenna the better. I usually recommend putting the receiver on top of one the speakers.
Funny thing I’ve had a rage of about 300+ feet in the middle of nowhere with the unit.
What about the qlx does it run on 2.4 GHz ?
Holy crap you must be Google lol I was literally researching microphones for the past month. Ur thoughts on gemini uhf series? I have outdated Shure h7 series that just crapped out on me
Ha. Glad I could possibly help.
Cleveland, thank you for the phenomenal video, I bought a few PGX4 systems with PGX2 SM58s (used) after watching your video. They sound amazing! I have an RE20 and an SM7b and they lack the freedom of mobility. I couldn’t be happier. Just subscribed to your channel. Thanks again! Mac
Brother man Thanks for the info
For a church purpose will you still suggest SLX. I know u gonna beat me up if I get BLX lol. Also when u compare male singer mic beta 58 a vs 87. For example I don’t have a big base voice. Mine is mixed. In my understanding Shure 87 cut out base which means it’s suitable for female singer the best. Can’t wait to hear from you. God bless.
Unfortunately, the SLX is on back order indefinitely. I’m tempted to get the GLX system because I need that extra microphone, I’m kinda hoping it’ll work out for me.
Hi terry im using the BMB UHF 800 with too mic’s are they a good brand. By the way I do weddings parties birthday parties and sometimes your backyard party they have always been dependable sometimes sometimes one mic will work on the other one won’t is there something else I should adjust the or squelch knobs on the back I’ve never tempered with them when you are right in front of my speakers they squeal any thoughts on this yours truly Dj Walt baby love
I have a 2,000 QLX system which embarrassed me recently at a ceremony near a lake.. Thank god I had my BLX in my dj Case which saved the day.. I almost sold my GLX until it saved me at a Ceremony near an Ocean.. I also saved my 13 year old Samson mic which used to save me when my BLX would fail.. All Technology is usefull. With Drone Cameras, 5g phone networks and 2.4gh wifi bands all over the place, we cannot be prepared for anything
The GLX series uses the 2.4 band which is where Wifi often lives and if you're near access points or in an environment where there's a lot of 2.4GHz traffic like neighborhoods/hotels etc.
The SM58 and the beta 87 are two completely different mics with different characteristics. Both are directional, but the beta is hyper cardioid, which means it picks up a little bit directly behind it but more focused right in front. The SM58 rejects sound behind it but has a wider pickup in front.
Hi Terry, enjoyed your video on the differences of the of the Shure systems. I'm looking for our church worship group. We are in a small bldg now but we want to buy equipment that will work for the bldg we are in now & for the new bldg we will be constructing. So right now I've always liked the SM58 but after watching your video I'm turning towards the SLX w/the Beta 87A mic. The mics we are using now are the Phenyx Pro, to me, you can't really hear the words of the singer and they pick up everything around them. In a Christian band, the words are the most important part. Which would you suggest that would work for our small church bldg that we are in now and the new much bigger bldg we will build? Right now the mic boxes are up on the stage don't know if in the new bldg they will be with the sound man towards the back or we may keep them with the band up front. Hope to hear from you, thanks. Carlos.
I like the way you break down things but it's too much small talk it to the point I always have to fast forward in a little bit just to hear the main part that I'm looking for
Saw many of your videos. Good stuff mein. I upgraded to a dual SLX system. But I have a question. Want to buy another for smaller events, buying another SLX, but saw you have the beta 87 over the beta 58. May I ask why? I like the 58 better especially for weddings when guests are speaking. But I notice singers/people with a more higher/squeaky voice are better on the 87a.
So your opinion on the difference between beta 87 and beta 58 and SM 58 please?
You must have got fake BLX. My one is very reliable.
Nope. Every blx I’ve ever owned has been legitimate. Read through the comments. Im not the only one.
BLX is base and it's still almost $500 (June 2023) !! For people just using for home karaoke it makes you want to look elsewhere for cheaper brands.
I like this video and yes BLX are trash PGX I have one I use it to prop the shop door open I learned over the years that if you invest in good gear you wont be wasting your money IE I have two types of wireless systems Sure UR4D+ and Axient Digital Wireless yes I know cost a lot more but worth it nothing makes you look bad like a crapy mic . OH and dont forget to remove the batteries and before you turn on you mic's do a group scan
The BLX system isnt that bad to be honest used it for about 3 years now solid reliable. Only issue i can only hook up 1 shure sm58 microphone to it. Which is why im looking into another wireless set up
No lies here blx sucks, seen many churches use it and ive had bad experiences when they start singing louder in it
I wish i saw this videos years ago when i purchased my blx dual wireless system. It’s ok but!! I should’ve spent the money for a better system
Thanks for this content. Im currently in the market for a new wireless system.
The PGX systems are absolutely the best value for money I've seen for a wireless system. Cheap enough you can convince stingy budgetmasters to jump on it and incredible range.
Lol 😂 as I watch this video did I hear correctly Alexa ask you what she wants you to calculate 100 feet,..,? #Clevelandterry.
Awesome video...thank you!