But why is it terrible, its because of these small little things he's describing that you are doing, many small adjustments amount to a bigger change as you master it
I am familiar with most of what you said but what does color mean in this scenario? The only thing I'd describe as color is light distortion with mild studio reverb
A good tip to fill low mid that i use is: 1.duplicate a synth or a pad 2. Add half time and play with the ‘release’ and ‘speed’ setting to give it a fitting rhythm 3. Eq everything but from 250hz -550hz or so 4. Adjust volume to make it sit 5. Do some stereo imaging to give it more depth
The problem with the first one is that it doesn't actually have a musical idea. You didn't fix it by adding sustained notes, you added an actual bassline and came up with a core melodic idea.
It all comes down to what you want your music to sound like. And if you DESIRE to know, study the fundamentals of music itself and going up to the advance ones, obtain, observe, analyze, interviews, creative process, techniques, concepts, ideas, theories, theories, psychology, business. And then go back and break the rules and see what works best for you because you got the broad knowledge, that's how it should really be done honestly 😂😂 Theres no shortcuts, you would just be doing the same thing anyways but with more confusion ahead of your learning process. I've experienced this myself from a lot of things that needs learning. Find the deep cuts and what gives thing the meaning behind it.
Dude, I really like that you've been using a wide variety of plugins like Kontakt libraries, Guitar Rig, etc....especially applying GR to samples and non-guitar instruments. I've been doing that for awhile and always have loved the results. Nice to see a pro doing it too!
@@darkskinwhite no indeed, he's a pro because he's produced for the likes of Joey Bada$$ and Homeboy Sandman, did video game soundtracks like My Friend Pedro's and other stuff
@@NavieD thank you Navie. You're so right. Stupid shit aside, love your videos brother. You've taught me a lot. I always forget to use your ideas but still lmaoo
When you said some of my best friends are low energy I laughed out loud. Plus the beat fix for Stick Guy was dope. I feel like his version could still be used as the intro to segue into yours
mine are never missing something. they're always too cluttered. I don't ever use loops, I do everything on midi, and I have this problem where I'll work so hard on a melody or chord progression, and then I don't want to get rid of it because it sounds good, but it's a little much. I'll go back a month or so later and regret keeping something in. sometimes, literally just decreasing the volume of a track will solve my issue, and sometimes removing it entirely is the best option. I think another main issue of mine is I hyperfocus on everything but the drums, so when it's all said and done, the drums are buried underneath all the music and they don't pop, and I'm _ehem_ -really bad at mixing drums- so I give up all the time
whenever i have this issue i just find a reference track that somewhat resembles what i want my track to sound like. it's genuinely a cheat code to making good music because you're just copying what worked for someone else.
hay loved ur vid man, but i have one comment in 10:43 about the stock plug-ins isn't just more about how u pick ur sounds from these stock plugins than just every stock plugin isn't suitable for beat making ? surely if u puck the right sound with the right fx-s it will always sound right . I kinda get what u on with these plugins r more suitable for dance music but still u can always make any sound work with ur beat if u just pick the right one doesn't matter the plug in
I agree but it's harder and more time consuming if you don't have knowledge. Some people can sound design whatever they want but for most people it's easier to use better plugins.
@sideshow4463 yh i get that i myself use 3rd party plugin alot but my point is u don't really need them like he is say i just need to know how to make the sound u pick to work
My biggest problem is that my 808s become boring/ repetitive. If I add variation, then it sounds like it's too much but if I remove some, then it becomes boring.
I try to give 16 bar spaces (3 minimum that size) with my beat making... My issue usually is adding too much alongside my sample flips I use whether it's two different parts sampled (for example one for the chorus and the other for the verse)
great description of the limitations of stock plugins. you need one or two "signature" sounds (usually one for a beat with vocals), then most other stuff can be fairly standard. you did a good job of juxtaposing "genre limitations" vs "stock plugins suck 100%". a lot of folks tend towards black and white thinking, and you did a fantastic job of navigating that while getting the point across. thanks!
As an electronic music producer, this video is really helpful, I have run into all these issues before and hearing you articulate the issues and offer workable solutions is so refreshing. Its like you know you have a good idea, but at the same time it's not working. Unironically good content, thanks for sharing your knowledge.
Just gonna grab that checklist real quick.. ahem. lol Great stuff, Navie! Consistently. Would you have any advice on call backs and just overall composing? I struggle with "telling a story", if you will. I should probably admit that most of my stuff isn't created with lyrics in mind. (Not to say it can't be.. lol) So, using bridges, key changes, and the like are difficult to formulate or conceptualize for me. I'm talking hip hop, but, (and probably more relevantly) other genres apply, obviously. Much respect to you, and thanks for the entire package that you deliver on YT and beyond. cheers!
Deadass, just with the thumbnail alone you can tell that the channel rack is going thru hell. 💀 not going to watch the video cause I’m lazy but for starters, the thumbnail is spot on. I stopped using the channel rack like that due to how much more flexible you can be if you split different sounds, samples, etc into different channels n stuff. They are pretty good for looping samples and tho if u mess with the time knob and cut it em through those windows. But that’s just my process or what was due to my laptop shitting the bed :P definitely helped me organize with mixing a lot better that shit used to be all over the place
whenever i see “music professionals” give tips, most of the time they haven’t really done anything with their music career and just post yt vids which makes me skeptical to listen to their advice. you letting me know that you’re a qualified artist who’s worked with many people and produced quality stuff makes me feel a lot better 👍👍
there is good reason to be skeptical, people who are super busy with a music career, running a studio etc will not have time to dedicate to making professional quality YT videos weekly unless they have a team with them. There just isn't enough time unless you want to work 16 hours a day 7 days a week. That said, there are plenty of people who have professional level expertise who do not do music full time for various reasons, mostly that its way easier to get a high paying steady job in other fields and still make money on the side with music. Some peoples "side hustle" makes more $$$ than other peoples "full time professional career" in music ;)
the depth part is interesting but i feel like it's kind of brushed past how to do it. Is it just volume and distortion for foreground and quieter sounds/reverb for background? ty!
You changed the genre of that first beat completely😂. I still love the results tho. And, your advice would still apply even if you kept it in the same genre
1:17 No, the word transient with music usually means the attack transient and doesn't mean 'transitory'/not permanent. What are you talking about? I've worked in the industry since the early 90s.
I'm having trouble with mastering. I can't seem to gather the patience or knowledge to make my productions sound the same after converting...ugh. I need help with that!
Before I watch it I’m going to assume and edit after 1)noise 2)panning 3)sound selection 4)compression 5)humanization Post watch: 1) sound selection 2) space 3) movement 4) sound selection 5) full spectrum Great advice. Dream big ❤
Actually the biggest problem is making music with minimal music knowledge, and I don't necessarily mean theory, I mean underdeveloped ear/inner ear. If you have no conception of how you want your music to sound, it's more likely to be lackluster
Not an expert on music, just a fan. The second beat I think should feel bigger somehow. I feel like it could knock harder if different elements were added one at a time, so as you're listening the beat gets filled in to its final form if that makes sense.
Sometimes the beat just isn't good unless there's vocals on it too. That first beat could've sounded great with a Peggy verse on it. Remember guys, the beat is never the end goal; it's a foundation for a full song.
That long "ahhh" would probably sound really good as a bass reverb, 808's are great but if you overuse them it can become forgettable. Also big oof on that 3rd track. Sounds like a depression commercial. Needs some rhythm work to make those sharp notes to feel right.
Often when something is missing in my beat or it is cluttered it just means the main melody/groove stinks. The moment I come up with a good idea most things just fall into place and I can make the beat as simple or complicated as I want. Complexity or simplicity will depend on the context and what I want to accomplish with the beat and the choice is mine as long as the main idea works.
Just keep experimenting and creating. The best way to learn is not by listening to every tip on youtube. The best way to learn is by doing. Focus on what frequencies are being occupied. I hear so many people just adding pad after pad and just copying the same midi region. Experiment with pitching your layers around, experiment with panning, levels, ect... The hardest part is allowing yourself to continue creating, even when you know you suck. It's all worth it when you make that first song that you're proud of.
I also think that at first, keep things simple. Learning to create movement in your tracks when you're limited to bass, drums, and keys (and maybe some other instrument for the melody if you don't want your melody to blend with the keys sound) will be incredibly helpful later on, when you start adding more layering. If you're focused on making hits, first you've got to learn how to make a bad song... and then you listen to that bad song and you learn what you like and don't like from it. Compare yourself to yourself. The worst thing you can do is try and use references tracks at first. Plus you'll hear your own improvement and it will really show you how much you've learned.
Can I ask you a question could you please do a tutorial on how young chop which produce the songs you can do a tutorial on them please I really appreciate it young chop. I believe is probably one of the best FL studio producers by using the stack sounds he’s ridiculous. Why do I know that, I was playing music for a long time for 30 years and that boy has some gifts big time . And I still believe he is probably one of the best producers around. even though he’s in jail, you can’t take the gift from the person. I believe he still gifted and talented, regardless of the situation.
This is gonna sound generic, but couldn't you also use Halftime or Deja Vu to achieve tip 5? Simple mix in to taste with original sound then boom low-mid freq checked?
There is another problem with the last beat. It has the same main sample as a famous Busta Rhymes song. People who know that song automatically compare those productions and as one is a famous producer with decades of experience making beats for Tupac, Snoop, Method Man and Redman amongst others, it is obviously difficult or even almost impossible to be on the same level.
Bruh I need you when I’m making beats I think you proving 👂 ears and pro level education, I think you right about stick plugins it’s so hard trying to find good sounds they all sound weak and techno-not #5 stealing the the whole baby if you give it to me I give it to you I know what you want
I like the way u teach i just wish the examples are lot more clear and 1 change instead of ima just put this in. Which could come in with multiple changes . If that makes sense
DOWNLOAD MY FREE CHECKLIST
www.betterbeatmaker.com/checklist
Great video.
Love it
How can send beats to inquire about like u did on this video? @NavieD
Thank u benzema
u r welcome
Holy shit I see it 😂
oh my god hahahah
Thought I was the only one😂
🤣🤣🤣🤣
Usually the problem is the beat is terrible.
But why is it terrible, its because of these small little things he's describing that you are doing, many small adjustments amount to a bigger change as you master it
@@zzzap5425nah it's because he's using ass garage band loops
😂
Lol yeah, can't polish a turd
@@basedmod2139😭😭😭
If that beat sounds mid, check your mids.
I second this.
@@wneup ouuuuuuuuuu thats a barr
That’s now in my stu on a sticky note on my MacBook 🔥🙌🏿BARS FAM🫡
@@pusikurac321boggsy on the beat
This channel is hidden treasure for beat makers ❤
I don’t know how hidden it is. He has nearly 300k subs.
If you use stock plugins and want a more processed sound add distortion, color, reverb, and decay can make a world of difference here
I am familiar with most of what you said but what does color mean in this scenario?
The only thing I'd describe as color is light distortion with mild studio reverb
This format is underrated ! Really awesome to see you fix beats with such simple changes
A good tip to fill low mid that i use is: 1.duplicate a synth or a pad
2. Add half time and play with the ‘release’ and ‘speed’ setting to give it a fitting rhythm
3. Eq everything but from 250hz -550hz or so
4. Adjust volume to make it sit
5. Do some stereo imaging to give it more depth
The problem with the first one is that it doesn't actually have a musical idea. You didn't fix it by adding sustained notes, you added an actual bassline and came up with a core melodic idea.
It all comes down to what you want your music to sound like. And if you DESIRE to know, study the fundamentals of music itself and going up to the advance ones, obtain, observe, analyze, interviews, creative process, techniques, concepts, ideas, theories, theories, psychology, business. And then go back and break the rules and see what works best for you because you got the broad knowledge, that's how it should really be done honestly 😂😂 Theres no shortcuts, you would just be doing the same thing anyways but with more confusion ahead of your learning process. I've experienced this myself from a lot of things that needs learning. Find the deep cuts and what gives thing the meaning behind it.
Also is worth note that good vocals with good vocal production can make some of these beats work
6:38 Stickguy shouldn’t feel bad abt this beat, I like the 2013 Earl Sweatshirt and Tyler, The Creator vibes from it
Same here
I was thinking the exact same thing bro
Immagine how fire it would be to have stickguy's beat as an intro to the remake
Faxxx
Dude I was thinking the same thing. I thought it was sick.. very Earl Sweat
Tf was the 1st beat
💀
as soon as he introduced his own organ into it tho
Lol, I was thinking the same thing
💀
Mr Pickles one da beat 🥒
Dude, I really like that you've been using a wide variety of plugins like Kontakt libraries, Guitar Rig, etc....especially applying GR to samples and non-guitar instruments. I've been doing that for awhile and always have loved the results. Nice to see a pro doing it too!
not hatin, but he's not a pro just cause he's got a big youtube channel lol
@@darkskinwhite no indeed, he's a pro because he's produced for the likes of Joey Bada$$ and Homeboy Sandman, did video game soundtracks like My Friend Pedro's and other stuff
🦗
great video, you can't stress these tips enough
KingB seems such a chill dude
Fr
Love the sound selection advice Navie
Navie. I have a doubt. What do you do when the
when the when do you the
huh
@@NavieD thank you Navie. You're so right. Stupid shit aside, love your videos brother. You've taught me a lot. I always forget to use your ideas but still lmaoo
thank you needle D
ollolo I see what you did there
@@NavieD im so creative 😻
needle dum and needle dee
5 - baby if you give it to me I'll give it to you
Ah, you recognized the song
Ayyyyy 😂
U know what u want 😂
I know what you want
That's all I kept hearing.
I've got a notebook with your name on it to write out ideas from your videos.
Draw me like one of your french girls
@@NavieD Be sure I will.
Almost spoiled that like count 😂
Almost spoiled that like count 😂
Almost spoiled that like count 😂
Downloaded the PSD right away! Creators like this who help us out so hard are such a gem, thank you!!
That checklist is going on the inside door in my studio. This will help keep the mixing process focused on the complicated tracks. Much THX
When you said some of my best friends are low energy I laughed out loud. Plus the beat fix for Stick Guy was dope. I feel like his version could still be used as the intro to segue into yours
That mr pickles beat was exceptionally ass, but you made it fire
😂😂😂😂😂
I knew it king beat got the answer out that I wanted I stay using fl stock plug in and my beat never sound how I want them to and that explain it all
mine are never missing something. they're always too cluttered. I don't ever use loops, I do everything on midi, and I have this problem where I'll work so hard on a melody or chord progression, and then I don't want to get rid of it because it sounds good, but it's a little much. I'll go back a month or so later and regret keeping something in.
sometimes, literally just decreasing the volume of a track will solve my issue, and sometimes removing it entirely is the best option.
I think another main issue of mine is I hyperfocus on everything but the drums, so when it's all said and done, the drums are buried underneath all the music and they don't pop, and I'm _ehem_ -really bad at mixing drums- so I give up all the time
whenever i have this issue i just find a reference track that somewhat resembles what i want my track to sound like. it's genuinely a cheat code to making good music because you're just copying what worked for someone else.
Do you use other beats as a reference or fully released songs with vocals?
That synth high frequencies piecing the ears that’s monomays real problem lol
fr
hay loved ur vid man, but i have one comment in 10:43 about the stock plug-ins isn't just more about how u pick ur sounds from these stock plugins than just every stock plugin isn't suitable for beat making ? surely if u puck the right sound with the right fx-s it will always sound right .
I kinda get what u on with these plugins r more suitable for dance music but still u can always make any sound work with ur beat if u just pick the right one doesn't matter the plug in
I agree but it's harder and more time consuming if you don't have knowledge. Some people can sound design whatever they want but for most people it's easier to use better plugins.
@sideshow4463 yh i get that i myself use 3rd party plugin alot but my point is u don't really need them like he is say i just need to know how to make the sound u pick to work
My biggest problem is that my 808s become boring/ repetitive. If I add variation, then it sounds like it's too much but if I remove some, then it becomes boring.
I try to give 16 bar spaces (3 minimum that size) with my beat making... My issue usually is adding too much alongside my sample flips I use whether it's two different parts sampled (for example one for the chorus and the other for the verse)
great description of the limitations of stock plugins. you need one or two "signature" sounds (usually one for a beat with vocals), then most other stuff can be fairly standard.
you did a good job of juxtaposing "genre limitations" vs "stock plugins suck 100%". a lot of folks tend towards black and white thinking, and you did a fantastic job of navigating that while getting the point across.
thanks!
Much appreciated Navie! Much respect my friend!
You hit the right spot by doing this video. Thank you bro 🙏
This video was so helpful, you explained everything very well! Thanks!
As an electronic music producer, this video is really helpful, I have run into all these issues before and hearing you articulate the issues and offer workable solutions is so refreshing. Its like you know you have a good idea, but at the same time it's not working. Unironically good content, thanks for sharing your knowledge.
Just gonna grab that checklist real quick.. ahem. lol
Great stuff, Navie! Consistently. Would you have any advice on call backs and just overall composing?
I struggle with "telling a story", if you will. I should probably admit that most of my stuff isn't created with lyrics in mind. (Not to say it can't be.. lol) So, using bridges, key changes, and the like are difficult to formulate or conceptualize for me. I'm talking hip hop, but, (and probably more relevantly) other genres apply, obviously.
Much respect to you, and thanks for the entire package that you deliver on YT and beyond. cheers!
Deadass, just with the thumbnail alone you can tell that the channel rack is going thru hell. 💀 not going to watch the video cause I’m lazy but for starters, the thumbnail is spot on. I stopped using the channel rack like that due to how much more flexible you can be if you split different sounds, samples, etc into different channels n stuff. They are pretty good for looping samples and tho if u mess with the time knob and cut it em through those windows. But that’s just my process or what was due to my laptop shitting the bed :P definitely helped me organize with mixing a lot better that shit used to be all over the place
Genius pointers navie D ! Thanks a million 🎉
This is such an amazing series, I'm learning so much. Thank you !
Navie is always helping producers, wether they are beginners, seasoned, or proffesionals.
Thank you for the lovely words
whenever i see “music professionals” give tips, most of the time they haven’t really done anything with their music career and just post yt vids which makes me skeptical to listen to their advice. you letting me know that you’re a qualified artist who’s worked with many people and produced quality stuff makes me feel a lot better 👍👍
there is good reason to be skeptical, people who are super busy with a music career, running a studio etc will not have time to dedicate to making professional quality YT videos weekly unless they have a team with them. There just isn't enough time unless you want to work 16 hours a day 7 days a week. That said, there are plenty of people who have professional level expertise who do not do music full time for various reasons, mostly that its way easier to get a high paying steady job in other fields and still make money on the side with music. Some peoples "side hustle" makes more $$$ than other peoples "full time professional career" in music ;)
Thank you professor. As always breaking down the technical components of music production into tiny bite-sized portions that are easy to digest.
This is rad! Great tips, I lowkey like the low energy beat more though lol
the depth part is interesting but i feel like it's kind of brushed past how to do it. Is it just volume and distortion for foreground and quieter sounds/reverb for background? ty!
Yes but I would further advise to play with volume levels before adding effects to get it as deep as possible first.
It's basically that but it all depends on the context, you'll get an idea of it when you listen to the music yourself
So much lightbulbs moments throughout the video.Thankss!!
You changed the genre of that first beat completely😂. I still love the results tho. And, your advice would still apply even if you kept it in the same genre
good shit as always my dude
Thanks a lot for this great technics🙏
1:17 No, the word transient with music usually means the attack transient and doesn't mean 'transitory'/not permanent. What are you talking about? I've worked in the industry since the early 90s.
Uhm actually ☝️
I'm having trouble with mastering. I can't seem to gather the patience or knowledge to make my productions sound the same after converting...ugh. I need help with that!
Great gem to wake up too! Thnx bro!
🤣 Seeing myself on a Navie D video is so dope! 9:50 Thanks for the constructive criticism 🙏
Huh, I actually never knew about that foreground, frontground, and background trick. Great Video!
Hi Navie! For beat #1, what sound did you use for the vocal melody you added? I really like it.
4:58 I’ve heard that beat somewhere.. not sure if it was somewhere else or when this video played in my watch later while I was sleep 🤣
Before I watch it I’m going to assume and edit after
1)noise
2)panning
3)sound selection
4)compression
5)humanization
Post watch:
1) sound selection
2) space
3) movement
4) sound selection
5) full spectrum
Great advice. Dream big ❤
Cool comment
“Girth” you was suppose to say no Diddy
Thought only I thought so
I dunno why anybody saying No Diddy now... damn sure wasn't for 35 years 💀
From Congo Brazzaville, thank you so much...🙏
Actually the biggest problem is making music with minimal music knowledge, and I don't necessarily mean theory, I mean underdeveloped ear/inner ear. If you have no conception of how you want your music to sound, it's more likely to be lackluster
Great tips and advice! Also thanks for the handy checklist, you earned my sub!👍
Not an expert on music, just a fan. The second beat I think should feel bigger somehow. I feel like it could knock harder if different elements were added one at a time, so as you're listening the beat gets filled in to its final form if that makes sense.
Interesting observation. Thank you for that!
0:51 TYPE BEAT EL ALFA DEMBOW. Saudos desde venezuela NAVIE.
Someone please help, I'm new to production and I'd like to know where I can download plugins. Please & Thank you
Very useful tips, thank you!
I don’t have problems with my beats just want. An ear you should do a beat review series
Sometimes the beat just isn't good unless there's vocals on it too. That first beat could've sounded great with a Peggy verse on it. Remember guys, the beat is never the end goal; it's a foundation for a full song.
2:50 thats some lovely girth navie!!
bro wat
@@YxsdrEditzno
That long "ahhh" would probably sound really good as a bass reverb, 808's are great but if you overuse them it can become forgettable. Also big oof on that 3rd track. Sounds like a depression commercial. Needs some rhythm work to make those sharp notes to feel right.
Often when something is missing in my beat or it is cluttered it just means the main melody/groove stinks. The moment I come up with a good idea most things just fall into place and I can make the beat as simple or complicated as I want. Complexity or simplicity will depend on the context and what I want to accomplish with the beat and the choice is mine as long as the main idea works.
ts got you a new sub
👌
"How did you fix the first beat?"
"I replaced it with something completely different."
The final track felt like that Busta Rhymes joint
I believe it is a remix the producer tried making
Nice video, Navel D
Another great video I didn't even know I needed 👏🏾
Was the last beat by the original producer of “I know what you want” (Rick Rock)?
Thanks NAV
Just keep experimenting and creating. The best way to learn is not by listening to every tip on youtube. The best way to learn is by doing.
Focus on what frequencies are being occupied. I hear so many people just adding pad after pad and just copying the same midi region.
Experiment with pitching your layers around, experiment with panning, levels, ect...
The hardest part is allowing yourself to continue creating, even when you know you suck. It's all worth it when you make that first song that you're proud of.
I also think that at first, keep things simple. Learning to create movement in your tracks when you're limited to bass, drums, and keys (and maybe some other instrument for the melody if you don't want your melody to blend with the keys sound) will be incredibly helpful later on, when you start adding more layering.
If you're focused on making hits, first you've got to learn how to make a bad song... and then you listen to that bad song and you learn what you like and don't like from it.
Compare yourself to yourself. The worst thing you can do is try and use references tracks at first. Plus you'll hear your own improvement and it will really show you how much you've learned.
So cool you made this video. A lot of these issues are what I deal with.
More producers need to learn basic composition fundamentals.
Can I ask you a question could you please do a tutorial on how young chop which produce the songs you can do a tutorial on them please I really appreciate it young chop. I believe is probably one of the best FL studio producers by using the stack sounds he’s ridiculous. Why do I know that, I was playing music for a long time for 30 years and that boy has some gifts big time . And I still believe he is probably one of the best producers around. even though he’s in jail, you can’t take the gift from the person. I believe he still gifted and talented, regardless of the situation.
Amazing video thank you 🙏🏽
Can only FL users submit beats to you? What if I'm using a less used DAW like Reason?
Do you still take beat submissions?
Nice video
The best video for the chanell
That tip about the 4 different frequency zones helps a ton, thank you very much
Better video than I expected. Nice job. I know not everyone loves my beats, but I make music I like. I do want to improve though
This is gonna sound generic, but couldn't you also use Halftime or Deja Vu to achieve tip 5? Simple mix in to taste with original sound then boom low-mid freq checked?
So benzima you also use fl studio
What's the name of the sample on the stickguy beat
the other thing about the 4th beat is no reverb. super dry.
There is another problem with the last beat. It has the same main sample as a famous Busta Rhymes song. People who know that song automatically compare those productions and as one is a famous producer with decades of experience making beats for Tupac, Snoop, Method Man and Redman amongst others, it is obviously difficult or even almost impossible to be on the same level.
3 was hard, not necessarily traditional but more abstract i hear a crazy flow on it personally just needs a little better mix
I dont make my beats using plugin since my DAW is limited. I just sampling old or new music, take it and remix it.
Track N°5 got some nice vibes.
Send it to Busta Rhymes, he might like it.
Yo benzima can u please make more simple tutorials about melodies or samples and how we could make them as fast as possibles thanks my goat benzima❤
What do u have for dawless beat makers
Bruh I need you when I’m making beats I think you proving 👂 ears and pro level education, I think you right about stick plugins it’s so hard trying to find good sounds they all sound weak and techno-not #5 stealing the the whole baby if you give it to me I give it to you I know what you want
I like the way u teach i just wish the examples are lot more clear and 1 change instead of ima just put this in. Which could come in with multiple changes . If that makes sense
Navie D the gem dropper!