This is easily one of the best and most historically and liturgically accurate performances of the Vespers that I have heard/seen : as soon as I heard the sacristy bell ring, I knew that this would be impressive. And what a pleasure it is to hear the Lirone accompanying the "Pulchra es"!
Leider kann man nur 1x den Daumen hoch liken!… 😢 Eine wunderbare Darbietung, bei welcher endlich auch wieder einmal die Räumlichkeit der Musik absolut plausibel nachvollzogen wird! ❤ - mE absolut nicht zu vernachlässigen, dass nach „historisch informierter Aufführungspraxis“ die Musik in liturgischen Gesängen in der Regel seltenst von frontal aus dem Altarraum vorgetragen wurde (das war ja schließlich auch der den Pfaffen vorbehaltene Bereich! 😂), sondern die der heiligen Handlung Beiwohnenden mit der musikalischen Offenbarung aus dem Off „überfallen“ werden sollten. 😂 Ganz ganz toll gedacht UND gemacht! Bravissimi!
A great deal of thought went into the performance, where best to place the singers for the right effect. Congratulations to everyone a excellent performance so glad it was recorded for everyone to enjoy
Assolutamente da vedere e da ascoltare! Peccato non essere stato presente dal vivo... Bravissimi tutti gli interpreti e un plauso particolare al maestro Polin. Magnifico!
@@gianlucasalan it is because the historic Ebert organ we used for the performance is on this pitch. As the organ is from 1561, it could indicate the historic diapason used in Innsbruck in the 15th/16th century.
The best music I have heard on RUclips: Sonata sopra Sancta Maria. I don't know if anyone knows anything about the ornate trombone from the clip - it looks really beautiful.
This tenor trombone is built by Aron Vajna, Basel and is an altered copy of the anonymous instrument from c.1560 in the Accademia Filarmonica di Verona.
Himmels Willen, wie schwer haben die sich das denn gemacht? Ich habe schon mal einen Auftritt in der Hofkirche gehabt, wo wir im Chor von der Empore einen Solisten an Hochaltar begleitet haben und vom Volksaltar aus dirigiert worden sind. Es war sehr schwierig den Takt zu halten, jedoch ist es anscheinend ziemlich gut angekommen. Dieses Ensemble hat überall, kreuz und quer Sänger und Instrumentalisten. Für ein rhythmisch anspruchsvolles Werk wie die Marienvesper ist das eine ziemliche Herausforderung.
Can barely hear the cornetts in the opening number - that part of the quick melodic line (maybe a little too quick to even hear it precisely) is drowned out by the rest of the ensemble. Other than that things seem competent.
This is easily one of the best and most historically and liturgically accurate performances of the Vespers that I have heard/seen : as soon as I heard the sacristy bell ring, I knew that this would be impressive. And what a pleasure it is to hear the Lirone accompanying the "Pulchra es"!
Thank you very much! We invested a lot of heart and soul into this performance. I am still very proud looking back to September 2022...
Leider kann man nur 1x den Daumen hoch liken!… 😢
Eine wunderbare Darbietung, bei welcher endlich auch wieder einmal die Räumlichkeit der Musik absolut plausibel nachvollzogen wird! ❤ - mE absolut nicht zu vernachlässigen, dass nach „historisch informierter Aufführungspraxis“ die Musik in liturgischen Gesängen in der Regel seltenst von frontal aus dem Altarraum vorgetragen wurde (das war ja schließlich auch der den Pfaffen vorbehaltene Bereich! 😂), sondern die der heiligen Handlung Beiwohnenden mit der musikalischen Offenbarung aus dem Off „überfallen“ werden sollten. 😂
Ganz ganz toll gedacht UND gemacht! Bravissimi!
das anwesende auditorium ist zu beneiden, einfach wunderbar, die aufführungspraxis ist sehr gelungen
So leben Monteverdi, Gabrieli und Frescobaldi immer weiter. Vielen Dank
Magnificent setting and performance. Thank you!
A great deal of thought went into the performance, where best to place the singers for the right effect. Congratulations to everyone a excellent performance so glad it was recorded for everyone to enjoy
Assolutamente da vedere e da ascoltare! Peccato non essere stato presente dal vivo... Bravissimi tutti gli interpreti e un plauso particolare al maestro Polin. Magnifico!
another version of this amazing piece! what a blessing---- in such beautiful architecture too.
Dank voor deze prachtige uitvoering. Hartelijke groet vanuit Nederland 🙋♂️
Alles einzigartig,total erfreulich,ganz von oben,völlig neu für mich,hört sich schön an.😊❤️
When I listen to this song,
the passage of time is visible to me, and there is time when I can see eternity
Félicitations 🙏😇 Merci !Bravo!!!!
Wunderbar. Danke!
Diapason 450 Hz, Cornetti built especially for this performance....
Why is the diapason so high? Is it historically accurate for this music? Or maybe for a more practical reason? Love this performance anyways
@@gianlucasalan it is because the historic Ebert organ we used for the performance is on this pitch. As the organ is from 1561, it could indicate the historic diapason used in Innsbruck in the 15th/16th century.
@@franzgratl Oh wow ok, thanks for the reply and congratulations again for the performance
You bring Paradise on Earth. Thanks for sharing this so beautifull musical moment.
Magnifique !
Duo Seraphim is amazing! Thank you.
Che meraviglia.... siete spettacolari. Bravi, complimenti
Magnifique exécution des Vêpres
Thank you so much, a wonderful performance
Magnificent! I can't imagine how are happy all of those people!
Such beautiful music, performed so beautifully! Thank you.
Amazing! In one word.
Simply beautiful
Bellissimo !
Fantástico
Divin!
AWESOME
It doesn't get much (any?) better than this
Magnificent!
❤❤❤
M A G N I F I C A E S E C U Z I O N E . . .!
The best music I have heard on RUclips: Sonata sopra Sancta Maria. I don't know if anyone knows anything about the ornate trombone from the clip - it looks really beautiful.
This tenor trombone is built by Aron Vajna, Basel and is an altered copy of the anonymous instrument from c.1560 in the Accademia Filarmonica di Verona.
@@henryvanengen thanks for getting back to me.
Really appreciate the effort made to record this piece❤️
Bravoooo
I usually prefer old recordings of classical music, but this performance is amazing. Everything fits. Thanks so much for sharing.
❤❤❤❤❤❤
Himmels Willen, wie schwer haben die sich das denn gemacht?
Ich habe schon mal einen Auftritt in der Hofkirche gehabt, wo wir im Chor von der Empore einen Solisten an Hochaltar begleitet haben und vom Volksaltar aus dirigiert worden sind. Es war sehr schwierig den Takt zu halten, jedoch ist es anscheinend ziemlich gut angekommen.
Dieses Ensemble hat überall, kreuz und quer Sänger und Instrumentalisten. Für ein rhythmisch anspruchsvolles Werk wie die Marienvesper ist das eine ziemliche Herausforderung.
gut
17:18 36:55
Can barely hear the cornetts in the opening number - that part of the quick melodic line (maybe a little too quick to even hear it precisely) is drowned out by the rest of the ensemble. Other than that things seem competent.
You‘re right, sadly it‘s one of the biggest disadvantages of the position changes in our live performance 🫤
@@marianpolin Thanks for feedback. Was wondering if it was me or the recording. Performers were very good.
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