Thanks for tuning into our final issue of trombone week on Scholastic Brass Month! It’s time for a correction: “stenciling” is the process of companies putting their branding on these generic instruments that are usually clones of existing designs. Sorry for the poor wording!
Nice! Pretty interesting trombone! I like the Armenian dances piece! Currently playing that in a wind ensemble in college! 😅😎👍🏻 good stuff. Been playing on a medium bore since middle school. Hope to get a larger one at some point. 🫡
@@optiTHOMAS Armenian Dances is a lot of fun-good luck! I do think a large bore trombone is worth stepping up to at some point. I love a good medium bore but they can eventually be limiting for classical playing.
I think it’s a pretty popular design for budget makers. It’s the basis for the Bach 42BO and so many of its derivatives. Can’t go wrong with it! What sets certain makers like Bach apart is their treatment and manufacturing processes for the metal they use.
Can you perhaps make a video sometime on doubling and how you do it. I happen to play trumpet, trombone and french horn, but If I play longer on one I find it difficult to adjust again to the other instruments.
I do have a whole series lined up on how I picked up each of my doubles, although be warned doubling is a very different experience for everyone. For the sake of safety the focus is going to be less on “how” and more on what my experiences and challenges were like.
Don’t use pliers. If it won’t come off after trying to grip the screw with a washcloth or soaking it in semi-hot water, take it to a repair tech. They have better tools and training for such things.
I had to give that one a quick Google-looks really cool! Unfortunately I’ve never had the chance to try any Shires-made trombone and I honestly doubt I will anytime in the near future. Most professional trombonists in the area use older equipment like the Bach Corporation 42 or Conn 88H.
As far as affordability, a Jupiter intermediate series or maybe XO (although the latter is pretty costly). Otherwise, a Getzen Custom, Bach 50B3, Conn 62HI, or Yamaha YBL-830 will do you well.
@@erniearruda8861 I did consider putting the Conn 112H on the list, especially since I reviewed it recently, but I refrained because it is widely stated that the ergonomics of the 112H are pretty poor in general, let alone for something as physically strenuous as marching.
Thanks for tuning into our final issue of trombone week on Scholastic Brass Month! It’s time for a correction: “stenciling” is the process of companies putting their branding on these generic instruments that are usually clones of existing designs. Sorry for the poor wording!
The first man I've seen who could successfully rock full sideburns - and a great trombonist, too!
I forgot just how ridiculously thick I grew them back then… but hey, I appreciate it!
Awesome sounding trombone!,
Interesting video as always Samuel!👍👍
Thanks for tuning in!
You're so welcome!🤗
Nice video, Sam
Thanks!
Nice! Pretty interesting trombone! I like the Armenian dances piece! Currently playing that in a wind ensemble in college! 😅😎👍🏻 good stuff. Been playing on a medium bore since middle school. Hope to get a larger one at some point. 🫡
@@optiTHOMAS Armenian Dances is a lot of fun-good luck! I do think a large bore trombone is worth stepping up to at some point. I love a good medium bore but they can eventually be limiting for classical playing.
I have another T-bone that looks just like this but made by Schmidt
I think it’s a pretty popular design for budget makers. It’s the basis for the Bach 42BO and so many of its derivatives. Can’t go wrong with it! What sets certain makers like Bach apart is their treatment and manufacturing processes for the metal they use.
Can you perhaps make a video sometime on doubling and how you do it. I happen to play trumpet, trombone and french horn, but If I play longer on one I find it difficult to adjust again to the other instruments.
I do have a whole series lined up on how I picked up each of my doubles, although be warned doubling is a very different experience for everyone. For the sake of safety the focus is going to be less on “how” and more on what my experiences and challenges were like.
Excerpts from Armenian Dances (Part I)?
Yep, I put that in the on-screen captions.
Quick question do you know how to get the screw on trombone that connects the bell and slide unstuck if it gets stuck.
Don’t use pliers. If it won’t come off after trying to grip the screw with a washcloth or soaking it in semi-hot water, take it to a repair tech. They have better tools and training for such things.
You should try the GTB-11!!!
I had to give that one a quick Google-looks really cool! Unfortunately I’ve never had the chance to try any Shires-made trombone and I honestly doubt I will anytime in the near future. Most professional trombonists in the area use older equipment like the Bach Corporation 42 or Conn 88H.
Can you review the jupiter jtb1150fo?
Not unless someone near me happens to have one, which I doubt…
You should review the pbone
Then I’d be Samuel Plays Plastic
@@SamuelPlaysBrass I guess your right, but I still think it deserves a mention
yo I'm looking for a double trigger bass trombone to buy for marching band. you got any suggestions? (other than this one)
As far as affordability, a Jupiter intermediate series or maybe XO (although the latter is pretty costly). Otherwise, a Getzen Custom, Bach 50B3, Conn 62HI, or Yamaha YBL-830 will do you well.
@@SamuelPlaysBrass ok thank you i'll get one as soon as possible
Conn 112 H will do you good also for marching and it’s pretty reasonable in price these days
@@erniearruda8861 I did consider putting the Conn 112H on the list, especially since I reviewed it recently, but I refrained because it is widely stated that the ergonomics of the 112H are pretty poor in general, let alone for something as physically strenuous as marching.
The Boogaloo meme
Turbo nerd? Me too
Turbo nerds unite!