I know this isn't the purpose of your video but within 1 minute and 28 seconds, I've had my questions from the past 2 weeks answered lol. I've been dialing in my triads and wanted to progress to 7th chords. I've found a few "cheats" on making 7th chords with triads but I feel like it's not helping me really get used to the sound of full 7th chords. And learning them as barre chords doesn't help because I'm terrible at barre chords. Watching how you play 7th chords by reducing a barre chord to only 4 notes has really helped me see how it works. Its like reducing a barre chord to a triad, the order is just different. And even though I understood that, it was difficult to accept that what I was doing was correct. Seeing someone who truly knows what they're doing really helped. Thank you so much! I now feel free to explore different voicings. I truly enjoy your channel! Thank you for sharing your knowledge with the world.
Most of the time, I play a Gibson ES-335 or Fender Telecaster. I have an old Fender Vibro-Champ at home. On gigs, I'm happy to play whatever kind of amp they have. I can always find my sound.
Jimmy’s 7 note fully altered Eb scale was a diminished scale with the 4th taken out. D (Eb) F F# A B C D (Eb). He took out the Ab instead of the A. Then the Dom 7(#9) chord could built off the #5 or the 7th degree. His Eb altered scale had both a B7(#9) and D7(#9) in it.
Isn't b3 a minor not major? Anything with flat3 is minor I look at major and minor as 7 /2 = 3 4. This is minor 4 3. Major Diminished is 6 long Augmented is 8 long 6778. Diminished minor. Major aug These degrees can overlap in chords when moving from one scale degree to another so have a pen a paper at hand helps
I was referring to section harmonizing the D7(#9) chord. Jimmy’s Eb alt scale has both the F# and F natural in it. Adam used an Eb diminished scale with the note A natural left out making it a 7 note diminished scale. Jimmy took out Ab note of the diminished scale making it slightly different from Adams version.
I know this isn't the purpose of your video but within 1 minute and 28 seconds, I've had my questions from the past 2 weeks answered lol. I've been dialing in my triads and wanted to progress to 7th chords. I've found a few "cheats" on making 7th chords with triads but I feel like it's not helping me really get used to the sound of full 7th chords. And learning them as barre chords doesn't help because I'm terrible at barre chords. Watching how you play 7th chords by reducing a barre chord to only 4 notes has really helped me see how it works. Its like reducing a barre chord to a triad, the order is just different. And even though I understood that, it was difficult to accept that what I was doing was correct. Seeing someone who truly knows what they're doing really helped. Thank you so much! I now feel free to explore different voicings. I truly enjoy your channel! Thank you for sharing your knowledge with the world.
Great seminar, thanks for your generosity in posting!!
Thanks for tuning in!
Your a great teacher
What guitar and amp do you play?
Most of the time, I play a Gibson ES-335 or Fender Telecaster. I have an old Fender Vibro-Champ at home. On gigs, I'm happy to play whatever kind of amp they have. I can always find my sound.
Jimmy Wyble had a scale with a b3 #4. C scale with these alterations = G harmonic major. He found that sound!
Jimmy’s 7 note fully altered Eb scale was a diminished scale with the 4th taken out. D (Eb) F F# A B C D (Eb). He took out the Ab instead of the A. Then the Dom 7(#9) chord could built off the #5 or the 7th degree. His Eb altered scale had both a B7(#9) and D7(#9) in it.
Isn't b3 a minor not major?
Anything with flat3 is minor
I look at major and minor as
7 /2 =
3 4. This is minor
4 3. Major
Diminished is 6 long
Augmented is 8 long
6778. Diminished minor. Major aug
These degrees can overlap in chords when moving from one scale degree to another so have a pen a paper at hand helps
I was referring to section harmonizing the D7(#9) chord. Jimmy’s Eb alt scale has both the F# and F natural in it. Adam used an Eb diminished scale with the note A natural left out making it a 7 note diminished scale. Jimmy took out Ab note of the diminished scale making it slightly different from Adams version.
How can we get a chart of these chords