Do you fear getting close to people and taking their photo in the street? It seems you’re reluctant to get closer and fill the frame with the people, so maybe they think you’re photographing the background and not them?
@@yogaxia I know what street photography is, I’ve shot that way for years. I think we are misunderstanding each other. What I’m trying to say is that in the photos, in the video, it seems like you’re too scare to get close enough to frame a picture well and take the photo, in fear they’ll confront you after. When you shoot in the street are you trying to avoid confrontation, to the point where it compromises your photographs?
@@nickfanzo I fully understand what you mean, thanks a lot for your opinion. The fact is I’m not trying to avoid confrontation. Maybe you have this feeling because I was using a super wide angle action camera. I’m not shooting portraits, people are just a part of the photograph. What’s more, I think we should never discomfort or disturb anyone when we are shooting in the streets, as photographers we just are observers and capturing what’s happening in the streets, at least that’s how I understand street photography
@@yogaxia I don’t know if getting closer and framing the people in your photos in a more interesting way is considered being disrespectful or intrusive. Look at Garry Winogrand, for example. He was usually within 6-10 feet of his subject in the photograph ( people). He wasn’t confrontational though. Same with Martin Parr, joel meyerowitz, or Tony Ray Jones. Inside the barbershop you were closer , but I am not sure if they know you or not. But I want to be honest, I haven’t seen your work outside of this video, so I may be wrong and you may be closer in those works, I am just going by what I see here, and from those pictures I’d recommend getting closer. For example at around 2:40 you took a photo of the signs and some trees when you were on a corner with a lot of people around that you could’ve photographed, not sure why you passed them up.
@@nickfanzo thanks for your advice. You’re right, I could have more interesting photos if I got closer. The reason why I missed them because my intention was to shoot the building. Next time I’ll try it when shooting
Absolutely loved the video and the shots
Great shots! Thanks for sharing! 👏
Preciso ojo fotográfico. Muchas felicidades.
i just got this camera i am hypedd
this video is awesome tbh
Yoga!omg,that's spleendid shots~;))
2:29 這裡的街景好美
What type of battery does this camera use? 4xLR44 with adapter?
8:52 🤯
Wow i love. Bộ lọc trong video là gì vậy bạn?
这个是在秋天吗？
10:40 Tim Hortons! Canada mentioned!!!!
What city is this?
How do you like the grain of Gold 200? I just shot a roll of Fujifilm 200 and the scans look like I used a throwaway camera.
do they look green? fuji is heavily green
😂
Kodak gold is vivid and Fuji I get more of a pale or May be the actual color. I would prefer Kodak Gold anyday
This looks like Shanghai but now is lockdown
@3:55 in my country, we hold doors for old ladies
Thank you for pointing it out. I think it’s not about the country, it’s just my problem. I’ll definitely keep in mind next time.
Do you fear getting close to people and taking their photo in the street? It seems you’re reluctant to get closer and fill the frame with the people, so maybe they think you’re photographing the background and not them?
That’s the art of street photography
@@yogaxia I know what street photography is, I’ve shot that way for years.
I think we are misunderstanding each other.
What I’m trying to say is that in the photos, in the video, it seems like you’re too scare to get close enough to frame a picture well and take the photo, in fear they’ll confront you after. When you shoot in the street are you trying to avoid confrontation, to the point where it compromises your photographs?
@@nickfanzo I fully understand what you mean, thanks a lot for your opinion.
The fact is I’m not trying to avoid confrontation. Maybe you have this feeling because I was using a super wide angle action camera. I’m not shooting portraits, people are just a part of the photograph. What’s more, I think we should never discomfort or disturb anyone when we are shooting in the streets, as photographers we just are observers and capturing what’s happening in the streets, at least that’s how I understand street photography
@@yogaxia
I don’t know if getting closer and framing the people in your photos in a more interesting way is considered being disrespectful or intrusive. Look at Garry Winogrand, for example. He was usually within 6-10 feet of his subject in the photograph ( people). He wasn’t confrontational though. Same with Martin Parr, joel meyerowitz, or Tony Ray Jones.
Inside the barbershop you were closer , but I am not sure if they know you or not.
But I want to be honest, I haven’t seen your work outside of this video, so I may be wrong and you may be closer in those works, I am just going by what I see here, and from those pictures I’d recommend getting closer. For example at around 2:40 you took a photo of the signs and some trees when you were on a corner with a lot of people around that you could’ve photographed, not sure why you passed them up.
@@nickfanzo thanks for your advice. You’re right, I could have more interesting photos if I got closer. The reason why I missed them because my intention was to shoot the building. Next time I’ll try it when shooting