Ragtime Opening Number Carnegie Hall Tribute to Stephen Flaherty | UC College-Conservatory of Music

UC College-Conservatory of Music (CCM) united Broadway stars and current students in a one-night-only performance to honor Tony Award-winning composer Stephen Flaherty at Carnegie Hall on New York on Jan. 14, 2024.
Marcia Milgrom Dodge directed the original production at CCM, returned as the director/choreographer for the Carnegie Hall event. Also reprising their roles for the Carnegie Hall performance are CCM alums and Broadway veterans: Christy Altomare (BFA Musical Theatre, ’08), Ashley Brown (BFA Musical Theatre, ’04), Jason Graae (BFA Musical Theatre, ’80), Aaron Lazar (MFA Musical Theatre, ’00), Bryonha Marie (Broadway guest artist), Geoff Packard (BFA Musical Theatre, '04), Stephanie Jae Park (BFA Musical Theatre, '14) and Alton Fitzgerald White (Musical Theatre, att. 1983-86).
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If you're a fan of stage & screen, you've seen Jason Graae. Maybe you've seen him in one of his acclaimed Broadway appearances in Falsettos, Stardust, and A Grand Night For Singing. Maybe you've seen him Off-Broadway in Forever Plaid, Olympus on My Mind, or Hello Muddah, Hello Faddah, where he received a Drama Desk nomination. He recently played The Wizard of Oz in the National Tour of Wicked.
Jason has performed his one man show all over the US from Birdland in NYC to Feinstein's in L.A., winning 4 Bistro Awards & 2 N.Y Nightlife Awards. He’s featured on 65+ recordings, including cast albums, compilations, and 3 solo albums. In Los Angeles, Jason won the L.A. Drama Critics Circle Award for Outstanding Achievement in Musical Theatre.
Jason has made numerous TV & film appearances including Friends, Frasier, Disney's Home on the Range & The Dukes of Hazard in Hollywood. For 5 years he was the voice of "Lucky, the Leprechaun" for Lucky Charms cereal, a balanced part of your breakfast.
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[@tregoneyshepherd1961]

Just fantastic! Loved that staging.

[@jcs1025]

That’s was very good. My only comment would be to tone down the unnecessary choreography during the crescendo at the end. The song had a powerful finale, with amazing overlapping harmonies. Let the song and voices stand in their own.