"Assignment: Write an 8-page essay analyzing the rhetorical power of ancient Greek theater. Examine the interplay between dialogue, monologue, chorus, and stagecraft as tools for expression, while accounting for its engagement with political and societal issues (i.e. challenges to established authority). Your essay should be well-structured, supported by evidence from primary and secondary sources, and demonstrate deep critical thinking abilities." i am SCREWED!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
*The Rhetorical Power of Ancient Greek Theater: An Analysis of Dialogue, Monologue, Chorus, and Stagecraft in the Context of Political and Societal Issues* - By --ChatGPT-- The Man Ancient Greek theater, with its rich tradition and enduring influence, played a pivotal role in shaping Western drama and rhetorical discourse. This essay aims to explore the rhetorical power of Greek theater, focusing on the interplay between dialogue, monologue, chorus, and stagecraft as tools for expression. Furthermore, it will delve into the ways in which Greek theater engaged with political and societal issues, challenging established authority. Through a comprehensive analysis of primary and secondary sources, this essay will demonstrate how Greek theater served as a platform for critical thought, social commentary, and the exploration of human nature. The Dialogue: Verbal Battles and Persuasion Dialogue, the fundamental element of Greek theater, served as a means of engaging audiences through the exchange of ideas and opinions. By examining plays such as "Antigone" by Sophocles and "Lysistrata" by Aristophanes, we can discern the intricate ways in which dialogue was employed to convey rhetorical power. Conflict and Debate: The Power of Verbal Battles. "Antigone" and the clash between Creon and Antigone. Rhetorical strategies employed to persuade the audience. The Subversion of Gender Roles: "Lysistrata" and the Power of Satire. Aristophanes' use of witty dialogue to challenge societal norms. The role of satire in questioning the authority of men. The Monologue: Self-Reflection and Catharsis Monologues in Greek theater offered characters an opportunity for introspection, self-expression, and catharsis. By examining the works of Euripides, such as "Medea" and "The Bacchae," we can analyze the power of the monologue in conveying the emotional turmoil of characters while commenting on larger social and political issues.The Power of Medea's Monologue: Exploring Female Agency and Revenge. Medea's monologues as a reflection of her inner struggle. The societal implications of Medea's actions and the challenge to established authority. Dionysus' Monologue in "The Bacchae": Transgression and the Subversion of Power. The role of Dionysus as a symbol of rebellion against societal norms. The power of the monologue in conveying Dionysus' divine authority. The Chorus: Collective Voice and Social Commentary The chorus, a unique feature of Greek theater, served as a collective voice representing societal perspectives. Through their rhythmic odes, the chorus offered commentary on political and social issues, acting as intermediaries between the audience and the characters. The Chorus in "Oedipus Rex": Unveiling Truth and Moral Lessons. The chorus as a moral guide and interpreter of events. The function of the chorus in challenging Oedipus' authority. Choral Odes in "The Eumenides": Questioning the Validity of the Law. Aeschylus' use of the chorus to explore the conflict between justice and vengeance. The chorus as a representation of societal unrest and the desire for change. Stagecraft: Visual and Symbolic Communication Greek theater's stagecraft employed visual and symbolic elements to enhance the rhetorical power of performances. The use of masks, costumes, and scenic design amplified the impact of dialogue, monologue, and the chorus, conveying political and societal messages to the audience. The Power of Masks: Concealing and Revealing Identities. The symbolic function of masks in representing characters' roles. The political implications of unmasking truth and challenging authority. Spectacle and Symbolism in "The Persians": Engaging the Audience's Emotions. Aeschylus' incorporation of visual and symbolic elements to evoke empathy and fear. The audience's role in interpreting and engaging with the spectacle. Greek theater, through its masterful use of dialogue, monologue, chorus, and stagecraft, exhibited immense rhetorical power. By analyzing plays such as "Antigone," "Lysistrata," "Medea," and "The Bacchae," we witnessed how these tools were employed to engage with political and societal issues, challenging established authority. Moreover, the chorus served as a voice of societal commentary, while stagecraft enhanced the visual and symbolic communication within performances. Ancient Greek theater continues to inspire and inform contemporary drama, reminding us of its enduring relevance and the profound impact it had on rhetorical discourse.
How is Orion a spamming character if u say because the lance then that means every person using lance with any character with lance is a spammer and I'm pretty sure I combo ppl to hell
i do not speak. words do not exit my buccal cavity and they never have. you alone hear my voice, as it does not oscillate through the air as any man's would. you merely hear what you were raised to hear. made to hear.
As soon as he appeared I checked frame data and hit boxes, and just today he got 2 nerfs. Mostly to the size and damage of his signatures, specially the ones with the orb
Thats Egg 'I. Dialogue as a Tool for Expression: a. Dialogue's role in character development: Primary sources (e.g., plays by Aeschylus, Sophocles, and Euripides) demonstrate the intricate dialogue between characters, showcasing their beliefs, motivations, and conflicts. Secondary sources (e.g., studies by Gregory Vlastos) provide scholarly analysis on how dialogue presented diverse perspectives and fostered critical thinking among the audience. b. Subversion of authority through dialogue: Primary sources reveal instances where characters challenged established authority figures, such as in Sophocles' "Antigone" where the protagonist opposes King Creon's decree. Secondary sources (e.g., Martha Nussbaum's "The Fragility of Goodness") offer insights into how these dialogues acted as vehicles for questioning and subverting authority, encouraging the audience to reconsider power structures. II. Monologue and its Expressive Potential: a. Monologue as a vehicle for introspection and self-expression: Primary sources exemplify the use of monologues, such as Euripides' "Medea," wherein the titular character reflects upon her emotions and justifies her actions. Secondary sources (e.g., Peter Burian's "Disembodied Voices") provide analysis on how monologues allowed characters to articulate their inner thoughts and motivations, enabling a deeper understanding of their actions. b. Political critique through monologue: Primary sources highlight moments where characters employ monologues to criticize political leaders and societal norms, such as Aristophanes' comedic plays targeting politicians of the time. Secondary sources (e.g., Martin Revermann's "Comic Business") shed light on how monologues allowed playwrights to satirize authority figures and societal shortcomings, provoking laughter and introspection among the audience. III. Chorus as a Reflection of Society: a. The chorus as a collective voice: Primary sources demonstrate the chorus's role in expressing the collective opinions, values, and emotions of the society, as seen in Aeschylus' "Oresteia." Secondary sources (e.g., Froma I. Zeitlin's "Playing the Other") offer scholarly analysis on how the chorus represented societal norms, reinforcing or challenging established authority. b. Chorus as a mediator between characters and audience: Primary sources reveal instances where the chorus served as a bridge between the audience and the characters, shaping the audience's interpretation and engagement with the play. Secondary sources (e.g., Simon Goldhill's "The Audience of Greek Tragedy") provide insights into how the chorus influenced the audience's perception of political and societal issues, fostering empathy and reflection. IV. Stagecraft as Enhancing Rhetorical Impact: a. Use of theatrical elements: Primary sources elucidate how stagecraft elements, such as masks, costumes, and props, enhanced the emotional impact of the performances, amplifying the messages conveyed. Secondary sources (e.g., David Wiles' "Greek Theatre Performance") analyze how stagecraft elements were utilized to heighten the audience's engagement and evoke specific responses. b. Symbolism and allegory in stagecraft: Primary sources exemplify the use of symbolism and allegory in stagecraft, allowing playwrights to address political and societal issues indirectly. Secondary sources (e.g., Rush Rehm's "Marriage to Death") provide insights into how symbolic stagecraft elements conveyed messages that challenged authority, provoking thought and discussion.', Soup, thats Quality.
Man I love this character. He's a character that fits my name perfectly. My issue is him getting the tezca treatment after everyone complains about him
Ever since I started this game I’ve had a self policy of not hopping on broken bs when they release. I cannot wait for the nerfs of this God forsaken legend
by the way, you can NLIGHT on boots, and 50/50 Dodge read with DSIG (Like the scythe 50/50 read but this is an actual 50/50 as it covers spot dodges) You can also do this out of pretty much every attack and read the opponents dodge with a DSIG.
@@edidiongmoses2889 I mean this in the most respectful way. If your opponents are getting hit by Reno orb dsig on the regular, your word has no sway on how the meta should be😭
There feels like some very missed potential in the animations for the orb down and neutral sigs. His foot could kicked into one portal and come out another as the big boot
His orb kit terrifies me, theres so much coverage. My low gold friend wooped my ass with this guy yesterday (im mid plat) and its honestly insane. Definitely the best kit in the game for it, huge hitboxes and covers directly above and below, areas that orb light attacks miss
the sleep deprivation is real I have exams as well and the heat is killing me not sure if its as hot wherever you are but i cant sleep at all over here.
Red Raptor is an awesome character. Good weapons, good stat spread, basic but VERY useful sigs. My *ONE* issue about him is just how basic he is. He's a literal power ranger which fair enough but maybe some more armor cracks (as there is on one of his eyes) or maybe make the skins more... different?
@@kyclerealman its such a basic design bro. The armor crack is all there is. All these months later and the design is still lazy. Like look at mako, how much color and depths she has. The different amount of textures and layers. Now look at red power ranger
If you think hard enough, red raptor is the red power ranger and emerald raptor is the green power ranger and in different colors he's all the power rangers😅
Boots nsig is so fun. I haven’t had too much fun since boots came out but I do love this legend. Might be the boots legend for me. The sigs r so fun to hit.
I have barely played like 2 matches with orb in my 1200 hour experience and I just suck with battleboots. I probably will not play this legend again, for me it is not op at all
"Assignment: Write an 8-page essay analyzing the rhetorical power of ancient Greek theater. Examine the interplay between dialogue, monologue, chorus, and stagecraft as tools for expression, while accounting for its engagement with political and societal issues (i.e. challenges to established authority). Your essay should be well-structured, supported by evidence from primary and secondary sources, and demonstrate deep critical thinking abilities." i am SCREWED!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
and this why you just go play red raptor instead lol
Damn I hope you pass
Ps. How do u position your fingers to play fluidly on keyboard
dang
Boi ain’t no way boi
*The Rhetorical Power of Ancient Greek Theater: An Analysis of Dialogue, Monologue, Chorus, and Stagecraft in the Context of Political and Societal Issues* - By --ChatGPT-- The Man
Ancient Greek theater, with its rich tradition and enduring influence, played a pivotal role in shaping Western drama and rhetorical discourse. This essay aims to explore the rhetorical power of Greek theater, focusing on the interplay between dialogue, monologue, chorus, and stagecraft as tools for expression. Furthermore, it will delve into the ways in which Greek theater engaged with political and societal issues, challenging established authority. Through a comprehensive analysis of primary and secondary sources, this essay will demonstrate how Greek theater served as a platform for critical thought, social commentary, and the exploration of human nature.
The Dialogue: Verbal Battles and Persuasion
Dialogue, the fundamental element of Greek theater, served as a means of engaging audiences through the exchange of ideas and opinions. By examining plays such as "Antigone" by Sophocles and "Lysistrata" by Aristophanes, we can discern the intricate ways in which dialogue was employed to convey rhetorical power. Conflict and Debate: The Power of Verbal Battles. "Antigone" and the clash between Creon and Antigone. Rhetorical strategies employed to persuade the audience. The Subversion of Gender Roles: "Lysistrata" and the Power of Satire. Aristophanes' use of witty dialogue to challenge societal norms. The role of satire in questioning the authority of men.
The Monologue: Self-Reflection and Catharsis
Monologues in Greek theater offered characters an opportunity for introspection, self-expression, and catharsis. By examining the works of Euripides, such as "Medea" and "The Bacchae," we can analyze the power of the monologue in conveying the emotional turmoil of characters while commenting on larger social and political issues.The Power of Medea's Monologue: Exploring Female Agency and Revenge. Medea's monologues as a reflection of her inner struggle. The societal implications of Medea's actions and the challenge to established authority. Dionysus' Monologue in "The Bacchae": Transgression and the Subversion of Power. The role of Dionysus as a symbol of rebellion against societal norms. The power of the monologue in conveying Dionysus' divine authority.
The Chorus: Collective Voice and Social Commentary
The chorus, a unique feature of Greek theater, served as a collective voice representing societal perspectives. Through their rhythmic odes, the chorus offered commentary on political and social issues, acting as intermediaries between the audience and the characters. The Chorus in "Oedipus Rex": Unveiling Truth and Moral Lessons. The chorus as a moral guide and interpreter of events. The function of the chorus in challenging Oedipus' authority. Choral Odes in "The Eumenides": Questioning the Validity of the Law. Aeschylus' use of the chorus to explore the conflict between justice and vengeance. The chorus as a representation of societal unrest and the desire for change.
Stagecraft: Visual and Symbolic Communication
Greek theater's stagecraft employed visual and symbolic elements to enhance the rhetorical power of performances. The use of masks, costumes, and scenic design amplified the impact of dialogue, monologue, and the chorus, conveying political and societal messages to the audience. The Power of Masks: Concealing and Revealing Identities. The symbolic function of masks in representing characters' roles. The political implications of unmasking truth and challenging authority. Spectacle and Symbolism in "The Persians": Engaging the Audience's Emotions. Aeschylus' incorporation of visual and symbolic elements to evoke empathy and fear. The audience's role in interpreting and engaging with the spectacle.
Greek theater, through its masterful use of dialogue, monologue, chorus, and stagecraft, exhibited immense rhetorical power. By analyzing plays such as "Antigone," "Lysistrata," "Medea," and "The Bacchae," we witnessed how these tools were employed to engage with political and societal issues, challenging established authority. Moreover, the chorus served as a voice of societal commentary, while stagecraft enhanced the visual and symbolic communication within performances. Ancient Greek theater continues to inspire and inform contemporary drama, reminding us of its enduring relevance and the profound impact it had on rhetorical discourse.
ok but like can we all agree that the arts fot the game are getting better and better each time
YES WE AGREE CAN WE ALSO ALL AGREE THAT HEMORRHOIDS ARE NOTHING TO BE ASHAMED OF MILLIONS OF PEOPLE GET THEM EVERY YEAR
@@eggsoup fr
@@eggsoup LOL
@@eggsoup get well soon
how can we agree when tezca arrived, this legend looks worse than some made in beta
Other player: fighting for there life
Egg: look at funny side-sig
Red raptor is going to become the new Orion spam I can feel it
already is…
I absolutely abuse raptors bike idc all of his sigs are op
How is Orion a spamming character if u say because the lance then that means every person using lance with any character with lance is a spammer and I'm pretty sure I combo ppl to hell
@@jtorJs people mainly spam with orion
Fawk me i just cameback and my first match is literally a spamming red raptor sig-
Binge eggsoup but take a drink every time he says: insane, broken, nutty, problem, or bad
overdose
i do not speak. words do not exit my buccal cavity and they never have. you alone hear my voice, as it does not oscillate through the air as any man's would. you merely hear what you were raised to hear. made to hear.
I'm just imagining bane reciting that to batman 😂😂😂
@@eggsoup Bro just turned into his alter ego Mr. Soup and gave his villain monologue 💀
@@eggsoupcaptions say otherwise
His orb seems like its the best kit with all his mix-ups and dodgecatchers
BMG really made a tokusatsu OC and he’s sick af, that’s crazy.
As soon as he appeared I checked frame data and hit boxes, and just today he got 2 nerfs. Mostly to the size and damage of his signatures, specially the ones with the orb
WHJAT ARRE YOU TALKING ABOUT TOMAS!!!!!!!!!!!!!!!!!!!!!!!!!
The animation they made for the intro to this character is just absolutely insane
Spams have alredy begun, time to pullout 10 strength xull for these guys
Me “I’m surprised egg hasn’t said anything about Red Raptor.”
*Sees video just posted*
I love when you go completely bananas like uaghauauahahagahahau
2:17 Winton "Hi there" 🦍
This is Eggsoup on 6 bottles of %-hour energy and 3 espressos
Thats Egg 'I. Dialogue as a Tool for Expression:
a. Dialogue's role in character development:
Primary sources (e.g., plays by Aeschylus, Sophocles, and Euripides) demonstrate the intricate dialogue between characters, showcasing their beliefs, motivations, and conflicts.
Secondary sources (e.g., studies by Gregory Vlastos) provide scholarly analysis on how dialogue presented diverse perspectives and fostered critical thinking among the audience.
b. Subversion of authority through dialogue:
Primary sources reveal instances where characters challenged established authority figures, such as in Sophocles' "Antigone" where the protagonist opposes King Creon's decree.
Secondary sources (e.g., Martha Nussbaum's "The Fragility of Goodness") offer insights into how these dialogues acted as vehicles for questioning and subverting authority, encouraging the audience to reconsider power structures.
II. Monologue and its Expressive Potential:
a. Monologue as a vehicle for introspection and self-expression:
Primary sources exemplify the use of monologues, such as Euripides' "Medea," wherein the titular character reflects upon her emotions and justifies her actions.
Secondary sources (e.g., Peter Burian's "Disembodied Voices") provide analysis on how monologues allowed characters to articulate their inner thoughts and motivations, enabling a deeper understanding of their actions.
b. Political critique through monologue:
Primary sources highlight moments where characters employ monologues to criticize political leaders and societal norms, such as Aristophanes' comedic plays targeting politicians of the time.
Secondary sources (e.g., Martin Revermann's "Comic Business") shed light on how monologues allowed playwrights to satirize authority figures and societal shortcomings, provoking laughter and introspection among the audience.
III. Chorus as a Reflection of Society:
a. The chorus as a collective voice:
Primary sources demonstrate the chorus's role in expressing the collective opinions, values, and emotions of the society, as seen in Aeschylus' "Oresteia."
Secondary sources (e.g., Froma I. Zeitlin's "Playing the Other") offer scholarly analysis on how the chorus represented societal norms, reinforcing or challenging established authority.
b. Chorus as a mediator between characters and audience:
Primary sources reveal instances where the chorus served as a bridge between the audience and the characters, shaping the audience's interpretation and engagement with the play.
Secondary sources (e.g., Simon Goldhill's "The Audience of Greek Tragedy") provide insights into how the chorus influenced the audience's perception of political and societal issues, fostering empathy and reflection.
IV. Stagecraft as Enhancing Rhetorical Impact:
a. Use of theatrical elements:
Primary sources elucidate how stagecraft elements, such as masks, costumes, and props, enhanced the emotional impact of the performances, amplifying the messages conveyed.
Secondary sources (e.g., David Wiles' "Greek Theatre Performance") analyze how stagecraft elements were utilized to heighten the audience's engagement and evoke specific responses.
b. Symbolism and allegory in stagecraft:
Primary sources exemplify the use of symbolism and allegory in stagecraft, allowing playwrights to address political and societal issues indirectly.
Secondary sources (e.g., Rush Rehm's "Marriage to Death") provide insights into how symbolic stagecraft elements conveyed messages that challenged authority, provoking thought and discussion.', Soup, thats Quality.
Man I love this character. He's a character that fits my name perfectly. My issue is him getting the tezca treatment after everyone complains about him
Wdym everyone just spams specials no light attacks no one likes spammers
@@jtorJsfr
the winston "hi there!" got me off guard
Perfect Akira crossover legend
They really need to add damage and knockback staling so people won't spam sigs or moves
OR POEPLE NEED TO STOP GWTTING HIT BY THEM !!!!!!!!!!!!!!!!!!!!
@@eggsoup AT LEAST ADD C STICK ATTACKS 😭
eggsoup... you're always "a little" wacky lol
dude red raptor has almost the perfect kit, like he is actually the perfect brawl character right now
he’s a lil too strong imo just got off brawl but damn can you spam his sigs every raptor player I played was annoying asf to play against
Opponents: noooooo, you can’t keep using orb down Sigg
Egg soup: ha ha big boot go brrr
Ever since I started this game I’ve had a self policy of not hopping on broken bs when they release. I cannot wait for the nerfs of this God forsaken legend
you can see this man's sanity decrease with every monster brawlhalla creates
by the way, you can NLIGHT on boots, and 50/50 Dodge read with DSIG (Like the scythe 50/50 read but this is an actual 50/50 as it covers spot dodges)
You can also do this out of pretty much every attack and read the opponents dodge with a DSIG.
The Winston "hi there" 🤣
Glad I'm not the only one that thinks this character has the best orb in the game
*cough* Reno *cough*
@@chibkReno is in contention for having one of the worst sigs in the game💀. Orb dsig
@@chibk Reno has 1 good orb sig, 1 okay orb sig and 1 ass orb sig. Mr Raptor has 3 BROKEN orb sigs.
@@talibjames2659 orb dsig on reno is dope af. his orb ssig is slow and short ranged and easily punishable
@@edidiongmoses2889 I mean this in the most respectful way. If your opponents are getting hit by Reno orb dsig on the regular, your word has no sway on how the meta should be😭
you are fucking unhinged and im loving it keep it up
There feels like some very missed potential in the animations for the orb down and neutral sigs. His foot could kicked into one portal and come out another as the big boot
I will forever wonder how he cuts and continues his convo if he’s talking in real time 😭 he knows the strat to commentating fr
8:05 age of war reference. Gold
Also the adhd i presume you have is just *oozing* and i love it because its exactly how i am
Eggsoup when chickenbroth comes in 🗿
You better study up boy!
we just gonna have to learn and engrain throwing weapons when off stage to stop people spamming bigger boot
His orb kit terrifies me, theres so much coverage. My low gold friend wooped my ass with this guy yesterday (im mid plat) and its honestly insane. Definitely the best kit in the game for it, huge hitboxes and covers directly above and below, areas that orb light attacks miss
red raptor litterally owns the game man what the HELL
RedRaptor's boots ssig is just Val's gauntlets ssig but better
there can be three new crossovers with red raptor in the roaster power ranger, voltron and pacific rim
the sleep deprivation is real I have exams as well and the heat is killing me not sure if its as hot wherever you are but i cant sleep at all over here.
Finally, a boots legend I actually like.
I think the goblins came out after he’s done recording 🤣
Brawlhalla characters just don’t miss
Red raptor is so broken you need only 1IQ to master him
Red Raptor is a power ranger.
YOO, ITS THE POWER RANGERS!!!!!
Raptor has the reads
i was waiting for this vid
Also, this is eggsoup's 500th RUclips video! Woop... woop??
bro counted☠️?
@@oke_on_coke no, it auto tells you on his page
Red Raptor is an awesome character. Good weapons, good stat spread, basic but VERY useful sigs. My *ONE* issue about him is just how basic he is. He's a literal power ranger which fair enough but maybe some more armor cracks (as there is on one of his eyes) or maybe make the skins more... different?
toxic
@@emite2254 How's this toxic?
"Literally a power ranger" is like the opposite of basic though
@@kyclerealman its such a basic design bro. The armor crack is all there is. All these months later and the design is still lazy. Like look at mako, how much color and depths she has. The different amount of textures and layers. Now look at red power ranger
I love how his orb sidesig can be comboed into is nsig or downsig off stage
Thought u we’re gonna make a glorious edit with this song 8:06
This is the only red raptor I’ve seen that won’t spam side sig orb
I throughly enjoyed playing him 💚😩it was quite satisfying
Are you gonna start streaming more during the summer?
I like how similar 9:16 and 9:19 sound 😂
Do you still know how to play megalovania on piano blindfolded?
If you think hard enough, red raptor is the red power ranger and emerald raptor is the green power ranger and in different colors he's all the power rangers😅
Boots nsig is so fun. I haven’t had too much fun since boots came out but I do love this legend. Might be the boots legend for me. The sigs r so fun to hit.
Yo egg soup is just speaking fast 😭😭
Red Raptor might be nerfed for his sigs.
lol, he won rock paper scissors
hes just so broken... omg
Content!! 😮
Absolutely busted. I know we all say new characters are busted. But it's busted 😂 I'm just here for it this time. I use em
How do you blur the background I can't see the setting
Those fist and boots have too big hitboxes and are easy to hit.
Imagine a Luffy cross over
2:36 what is the song there.
Red is by far my favorite character
Oh ya
You’re a f*ckn god at this game…
I ate my child
Video title error, should be titled: WOWZERS RED RAPTOR!!!
We needa power rangers crossover
sigs are getting broken since battle boosts's arrival
Is this new person or a cover for tezca
nerfed in 1 week or 2 weeks?
I really just like cheese
How the hell does your game run so smooth?
Red raptor is now the legenr i hate the most
JOR
I found out that all you gotta do is just play katars mainly Ragnir in my opinion he has more priorities over red raptors sigs
red raptor is actually bustedl
Bro I’m also so glad my exams are over (tomorrow), I’ve been banned from the game for the past 6 months
What is the point? They will nerf Red Raptor to the ground in the next patch :( FeelsBadMan
Winston: 2:15
why is demon island... bald?
qween nai + rayman
Nice 👍🏾
Soop
How long you play for teach me some moves lol
nice
can we all agree brawlhalla is getting laggy almost everyday 💀💀💀
you sound like you're trying to sell me a car
I have barely played like 2 matches with orb in my 1200 hour experience and I just suck with battleboots. I probably will not play this legend again, for me it is not op at all
red raptor if op
Bro... a dragon ball skin with this character please 🥵
Eggsoup can you tell me a story?
Have you looked into AI? To do your essay.
eggsaup
it wouldn't be an eggsoup video without spam, spamsoup. also, if I may ask, what's your favorite poop from the bristol poop scale?