Carnatic music, known as Karnāṭaka saṃgīta or Karnāṭaka saṅgīta in the South Indian languages, is a system of music commonly associated with South India, including the modern Indian states of Karnataka, Andhra Pradesh, Telangana, Kerala and Tamil Nadu, and Sri Lanka. Carnatic music is mainly sung through compositions, especially the kriti (or kirtana) - a form developed between the 14th and 20th centuries by composers such as Purandara Dasa Purandara Dasa's Carnatic music compositions in Kannada language
That is correct. sree purandaradasa is known as sangeetha pitha maha and is the father of carnatic music and came up with be beginning exercises such as sarali varsais, jantai varsais, dhattu varsais, thara sthayi exercises, madhya sthayi exercises, mandhara shtayi exercises, keez sthayi exercises, alankarams, and geethams etc...
@@pallavisreetambraparni6995 ಟಕ ಸಂಗೀತವಲ್ಲ. ನಮ್ಮ ತಮಿಳು ಪನ್ನೈಸೈ ರಾಗಗಳ ವ್ಯಾಪಕ ಶ್ರೇಣಿಯನ್ನು ಹೊಂದಿದೆ. ನಾವು ತಮಿಳಿಸೈ ಬಗ್ಗೆ ಚರ್ಚಿಸುವ ಹಲವಾರು ತಾಳೆ ಎಲೆಗಳನ್ನು ಹೊಂದಿದ್ದೇವೆ; ಕರ್ನಾಟಕ ಸಂಗೀತವು ತಮಿಳುನಾಡಿನಲ್ಲಿ, ವಿಶೇಷವಾಗಿ ತಂಜೂರಿನಲ್ಲಿ ಹುಂಬಿಗಿಂತ ಗಮನಾರ್ಹ ಪ್ರಾಮುಖ್ಯತೆಯನ್ನು ಹೊಂದಿದೆ. ತಂಜೂರಿನಲ್ಲಿ, ಕರ್ನಾಟಕಕ್ಕೆ ಹೋಲಿಸಿದರೆ ಕರ್ನಾಟಕ ಸಂಗೀತ ವಿದ್ವಾನ್‌ಗಳ ಗಮನಾರ್ಹ ಸಾಂದ್ರತೆಯಿದೆ. ಕರ್ನಾಟಕ ಮೂವರ ಸಂಪ್ರದಾಯವು ತಮಿಳುನಾಡಿನಲ್ಲಿ ಹುಟ್ಟಿಕೊಂಡಿತು, ಪ್ರವರ್ಧಮಾನಕ್ಕೆ ಬಂದಿತು ಮತ್ತು ಉತ್ಕೃಷ್ಟವಾಯಿತು. ತ್ಯಾಗರಾಜರು ತೆಲುಗು ಬ್ರಾಹ್ಮಣ ಕುಟುಂಬದಿಂದ ಬಂದಿದ್ದರೂ, ತಮಿಳು ಮಣ್ಣಿನಿಂದ ತಮ್ಮ ಮೂಲಭೂತ ಸಂಗೀತ ಜ್ಞಾನವನ್ನು ಪಡೆದರು. ಇದು ಸಂಗೀತಕ್ಕೆ ಸೀಮಿತವಾಗಿಲ್ಲ; 5,000 ವರ್ಷಗಳಷ್ಟು ಹಳೆಯದಾದ ಈಜಿಪ್ಟಿನ ಸಮರ ಕಲೆ ತಾಹ್ತಿಬ್‌ಗೆ ಹೋಲುವ ತಮಿಳು ಸಮರ ಕಲೆ ಸಿಲಂಬಮ್ ಗಮನಾರ್ಹ ಹೋಲಿಕೆಗಳನ್ನು ಹಂಚಿಕೊಳ್ಳುತ್ತದೆ. 5,000 ವರ್ಷಗಳ ಹಿಂದಿನ ವರ್ಮ ಕಲೈ ಮತ್ತು ಸಿದ್ಧ ಔಷಧಿಗಳು ತಾಳೆ ಎಲೆಯ ಹಸ್ತಪ್ರತಿಗಳು ಮತ್ತು ಪುಸ್ತಕಗಳಲ್ಲಿ ಸಂರಕ್ಷಿಸಲ್ಪಟ್ಟಿವೆ. ಯಾವುದೇ ದಕ್ಷಿಣ ಭಾರತದ ಸಂಸ್ಕೃತಿಯು ಸಂಗೀತ, ಸಮರ ಕಲೆಗಳು ಅಥವಾ ಔಷಧದ ಬಗ್ಗೆ ಮಾಹಿತಿಯ ಸಂಪತ್ತನ್ನು ಹೊಂದಿಲ್ಲ. ಪ್ರಪಂಚದಾದ್ಯಂತ ನಿರಂತರವಾಗಿ ಮಾತನಾಡುವ ಅತ್ಯಂತ ಹಳೆಯ ಭಾಷೆಗಳಲ್ಲಿ ತಮಿಳು ಒಂದಾಗಿದೆ. ಈ ಶ್ರೀಮಂತ ಸಾಂಸ್ಕೃತಿಕ ಸಂಪ್ರದಾಯಗಳ ಆಳವಾದ ತಿಳುವಳಿಕೆಗಾಗಿ RUclips ನಲ್ಲಿ ತಹ್ತೀಬ್ ಮತ್ತು ಸಿಲಂಬಮ್ ಅನ್ನು ಅನ್ವೇಷಿಸಲು ನಾನು ನಿಮ್ಮನ್ನು ಪ್ರೋತ್ಸಾಹಿಸುತ್ತೇನೆ. =========================== Pannaisai serves as the cornerstone of Carnatic music, not Karnataka music. Our Tamil Pannaisai boasts an extensive array of ragas. We possess numerous palm leaves discussing Tamilisai; Carnatic music enjoys significant prominence in Tamil Nadu, particularly in Tanjore, rather than Humbi. In Tanjore, there is a notable concentration of Carnatic music vidwans compared to Karnatak. The tradition of Carnatic trios originated, flourished, and excelled in Tamil Nadu. Tyagaraja, although from a Telugu Brahmin family, derived his foundational musical knowledge from the Tamil soil. This is not limited to music; Tamil martial art Silambam, akin to the 5,000-year-old Egyptian martial art Tahtib, shares striking similarities. Varma Kalai and Siddha medicine, both dating back 5,000 years, continue to be preserved in palm leaf manuscripts and books. No other South Indian culture possesses such a wealth of information regarding music, martial arts, or medicine. Tamil is one of the oldest continuously spoken languages worldwide. I encourage you to explore Tahtib and Silambam on RUclips for a deeper understanding of these rich cultural traditions.
Great. Evolving..also music history..Tamil Pan or Isai or music ( Iyal, Isai and nadagam) is the recorded earliest music in India. Silapathigaram ( also 2000years back in Tholkappium, Natrinai, kurunthogai and others) authored by Ilango Adigal around 500CE (1500 years ago) gives a perfect description about Classical Music. Is it not amazing that somebody in the Tamizh land defined all these as early as the 5th century? In just one verse, he gives the names of the seven swaras as per Tamizh PaN. குரலே, துத்தம், கைக்கிளை, உழையே இளியே, விளரி, தாரம் என்றிவை எழுவகை இசைக்கும் (Swaptha Swaram) எய்தும் பெயரே சவ்வும் (Sa) ரிவ்வும் (Ri) கவ்வும் (Ka) மவ்வும் (Ma) பவ்வும் (Pa) தவ்வும் (Tha) நிவ்வும் (Ni) என்றிவை ஏழும் அவற்றின் எழுத்தே ஆகும் Sa-Kural; Ri-Thuththam;Ga-KaikkiLai;Ma-Uzhai;Pa-ILi;Dha-ViLari;Ni- Tharam. In another verse, he says PaNs(Ragams) are obtained by arranging the 12 Kovais(swaras) in a specified structure in the ascending and descending scale. Sa-Kural; Ri-Thuththam;Ga-KaikkiLai;Ma-Uzhai;Pa-ILi;Dha-ViLari;Ni- Tharam. Purantharadasa (1500 CE, 500yrs back) a devotee of Vishnu, contributed enormously to further perfect the Tamil Pan as carnatic music and all others iincluding Mumoorthys are followers of Tamil Pan transformed ( name changed) to Carnatic music and further added their kirthana.
Bharatanatyam and carnatic music have their roots in tamil SATHIR AATTAM AND TAMIL PAN. “It is a well - known fact that Tamizh language is one of the oldest languages in the world. Not only is it old but also it is very rich in literature. But what makes Tamizh unique and special is that it has survived the ravages of time and is still spoken by millions of people across the globe. Dance and music (or for that matter any form of fine arts) has always been part of Tamizh culture. ‘Tholkaappiyam‘, the authentic work on Tamizh Grammar that was written in 500BC by Tholkaapiyar-considered to be a student of the great sage ‘Agaththiyar’ mentions a lot about classical dance. Starting from Tolkappiyam, many texts like Pancha Marabu, Kooththa Nool, Bharata Senapathiyam have defined the grammar of classical dance. ‘Pancha Marabu‘by Arivanaar-which was also written almost the same time as Tholkaapiyam - describes in detail about music and dance. It talks about various hand gestures,abhinaya,kooththu,,naatyam.It also describes the letters to be used for jathis-tha,thi,tho,ki,k. Then there is ‘Kooththa nool‘ authored by Saaththanaar. This is the oldest available text on the grammar of classical dance.‘Kooththa Nool’ has two sections, ‘Suvai’ and ‘Thogai’ with 153 and 162 verses respectively and says that the sound, the letters and the music emanated from the Dance of the Lord. It also says that ‘Om’ is the beginning and the end for everything. The author seems like a good psychiatrist, philosopher and most importantly an intellectual. The link between human life and the Nava Rasaas have been described in detail by the author. Here is a verse form Koothanool. Tastes emerge from the feelings within and these are expressed as dance. Feeling is the soul, Taste is the Mind, and expression is the body’. அகம்உயிர் ஆகச் சுவைஉளம் ஆக இழைஉடல் ஆக இயல்வது கூத்து. It is a cryptic verse with very deep meanings but what was written nearly 2500 years ago holds good even now. And this is applicable to any art form. However, ‘Silappathigaaram‘-one of the five major epics in Tamizh-is considered to be a complete book on classical dance. ‘Silappathikaaram’ gives a perfect description about Classical Dance and Music..In the words of the Czech Professor Dr.Kamil Zvelebil, ‘‘The epical poem of Silapathikaaram which by its baroque splendour and by the charm and magic of its lyrical parts belongs to the epic masterpieces of the world and should be admired and beloved by all in the same was as Poems of Homer, the Dramas of Shakespeare, the Pictures of Rembrandt, the Cathedrals of France and Sculptures of Greece”. Silapathiikaram Author, Ilango AdigaL has presented this simple but complex story, what attracts a connoisseur is the way he has structured the grammar of Music and Dance. Though there are lot verses, I am giving below one sample verse that speaks volumes about the quality of the work. It says ‘One must start learning classical dance at the age of five without any compromise on Musical, Dance and Aesthetic Elements, practise rigorously for seven years and perform at the age of twelve.’ ஆடலும் பாடலும் அழகும் என்று இக் கூறிய மூன்றில் ஒன்று குறைவு படாமல் ஏழு ஆண்டு இயற்றி ஓர் ஈர் ஆண்டில் சூழ் கழல் மன்னற்குக் காட்டல் வேண்டி. However, it is the description about Classical Dance in ‘Silappadhigaaram’ that calls for special mention and appreciation. Ilango adigaL must have been a perfectionist. The author elaborates on the qualifications of a Dance Teacher, Percussionists,Vocalist,Flautist, and the person(s) playing the ancient instrument ‘Yaazh’. He deals with each and every aspect of dance starting from the vocalist, the lyricist, the percussionist, the instrumentalists. What amazes one is the way he has defined the structure of the stage. Not only has he given the dimensions of a stage but also that he has mentioned about the lighting, and the way the stage has to be decorated. If the verse எழுகோல் அகலத்து எண்கோல் நீளத்து ஒருகோல் உயரத்து உறுப்பினது ஆகி உத்தரப் பலகையொடு அரங்கின் பலகை வைத்த இடை நிலம் நாற்கோல் ஆக ஏற்ற வாயில் இரண்டும் பொலியத் தோற்றிய அரங்கினில் தொழுதனர் gives the desired dimensions of a stage, தூண் நிழல் புறப்பட மாண் விளக்கு எடுத்து ஆங்கு ஒருமுக எழினியும் பொருமுக எழினியும் கரந்து வரல் எழினியும் புரிந்துடன் வகுத்து talks about the lighting. He then goes on to describe the ‘Pancha Sandhi’ Kavuththuvum-an item that is performed in the beginning to ward off evil forces-and then the 11 different dances called as ‘Pathinoru aadal’.. And that is the reason ILango AdigaL paid importance to music as well while talking about dance. In just one verse, he gives the names of the seven swaras as per Tamizh PaN. குரலே, துத்தம், கைக்கிளை, உழையே இளியே, விளரி, தாரம் என்றிவை எழுவகை இசைக்கும் எய்தும் பெயரே சவ்வும் ரிவ்வும் கவ்வும் மவ்வும் பவ்வும் தவ்வும் நிவ்வும் என்றிவை ஏழும் அவற்றின் எழுத்தே ஆகும் Sa-Kural; Ri-Thuththam;Ga-KaikkiLai;Ma-Uzhai;Pa-ILi;Dha-ViLari;Ni-Tharam. In another verse, he says PaNs(Ragams) are obtained by arranging the 12 Kovais(swaras) in a specified structure in the ascending and descending scale. But more than all these, what leaves one wonder struck is his definition of Gruha Bedam-tonic shift. He calls this as ‘Kural Thiribu’. He says ‘if the Thuththam(ri) of Mohanam is the base, it would give Madhyamavathi, if the KaikkiLai(ga)is the base it would give Hindolam, the ILi(pa) would give Sudhha Saveri and the ViLari(dha) Sudhha Dhanyasi’. Is it not amazing that somebody in the Tamizh land defined all these as early as the 5th century?Bottom of Form ‘MaNimekalai’- considered to be an offshoot of ‘Silappathikaaram’ since MaNimekalai was the the daughter of Madhavi and Kovalan- also talks a lot about the dance. Written by ‘Seeththalai Saaththanaar’, the text mentions about Tala Aruthi,the eleven different forms of dance-as already mentioned in detail in ‘Silappathikaaram’-the two forms of ‘Kooththu’ and the existence of a grammar book on ‘Bharatam’. In another major text, ‘Seevaka ChintamaNi’, the chief protagonist, Seevakan himself is a dancer. Sources: Mr. Rajendra Kumar who acknowledged the information provided by Prof.Raghuraman in the book titled ‘Tamizhar Natana Varalaaru’. Here are a few websites that you may access for further reading www.thinnai.info/downloads.php - for downloading Tamil Documents tamil.net/projectmadurai/- Project
@bhagyagopal2484 Annoucing To Kannada speaking Pigs(varahaa- Nayakas and Kannadhis symbols- vijayanagara symbol pig - varahaa)ಟಕ ಸಂಗೀತವಲ್ಲ. ನಮ್ಮ ತಮಿಳು ಪನ್ನೈಸೈ ರಾಗಗಳ ವ್ಯಾಪಕ ಶ್ರೇಣಿಯನ್ನು ಹೊಂದಿದೆ. ನಾವು ತಮಿಳಿಸೈ ಬಗ್ಗೆ ಚರ್ಚಿಸುವ ಹಲವಾರು ತಾಳೆ ಎಲೆಗಳನ್ನು ಹೊಂದಿದ್ದೇವೆ; ಕರ್ನಾಟಕ ಸಂಗೀತವು ತಮಿಳುನಾಡಿನಲ್ಲಿ, ವಿಶೇಷವಾಗಿ ತಂಜೂರಿನಲ್ಲಿ ಹುಂಬಿಗಿಂತ ಗಮನಾರ್ಹ ಪ್ರಾಮುಖ್ಯತೆಯನ್ನು ಹೊಂದಿದೆ. ತಂಜೂರಿನಲ್ಲಿ, ಕರ್ನಾಟಕಕ್ಕೆ ಹೋಲಿಸಿದರೆ ಕರ್ನಾಟಕ ಸಂಗೀತ ವಿದ್ವಾನ್‌ಗಳ ಗಮನಾರ್ಹ ಸಾಂದ್ರತೆಯಿದೆ. ಕರ್ನಾಟಕ ಮೂವರ ಸಂಪ್ರದಾಯವು ತಮಿಳುನಾಡಿನಲ್ಲಿ ಹುಟ್ಟಿಕೊಂಡಿತು, ಪ್ರವರ್ಧಮಾನಕ್ಕೆ ಬಂದಿತು ಮತ್ತು ಉತ್ಕೃಷ್ಟವಾಯಿತು. ತ್ಯಾಗರಾಜರು ತೆಲುಗು ಬ್ರಾಹ್ಮಣ ಕುಟುಂಬದಿಂದ ಬಂದಿದ್ದರೂ, ತಮಿಳು ಮಣ್ಣಿನಿಂದ ತಮ್ಮ ಮೂಲಭೂತ ಸಂಗೀತ ಜ್ಞಾನವನ್ನು ಪಡೆದರು. ಇದು ಸಂಗೀತಕ್ಕೆ ಸೀಮಿತವಾಗಿಲ್ಲ; 5,000 ವರ್ಷಗಳಷ್ಟು ಹಳೆಯದಾದ ಈಜಿಪ್ಟಿನ ಸಮರ ಕಲೆ ತಾಹ್ತಿಬ್‌ಗೆ ಹೋಲುವ ತಮಿಳು ಸಮರ ಕಲೆ ಸಿಲಂಬಮ್ ಗಮನಾರ್ಹ ಹೋಲಿಕೆಗಳನ್ನು ಹಂಚಿಕೊಳ್ಳುತ್ತದೆ. 5,000 ವರ್ಷಗಳ ಹಿಂದಿನ ವರ್ಮ ಕಲೈ ಮತ್ತು ಸಿದ್ಧ ಔಷಧಿಗಳು ತಾಳೆ ಎಲೆಯ ಹಸ್ತಪ್ರತಿಗಳು ಮತ್ತು ಪುಸ್ತಕಗಳಲ್ಲಿ ಸಂರಕ್ಷಿಸಲ್ಪಟ್ಟಿವೆ. ಯಾವುದೇ ದಕ್ಷಿಣ ಭಾರತದ ಸಂಸ್ಕೃತಿಯು ಸಂಗೀತ, ಸಮರ ಕಲೆಗಳು ಅಥವಾ ಔಷಧದ ಬಗ್ಗೆ ಮಾಹಿತಿಯ ಸಂಪತ್ತನ್ನು ಹೊಂದಿಲ್ಲ. ಪ್ರಪಂಚದಾದ್ಯಂತ ನಿರಂತರವಾಗಿ ಮಾತನಾಡುವ ಅತ್ಯಂತ ಹಳೆಯ ಭಾಷೆಗಳಲ್ಲಿ ತಮಿಳು ಒಂದಾಗಿದೆ. ಈ ಶ್ರೀಮಂತ ಸಾಂಸ್ಕೃತಿಕ ಸಂಪ್ರದಾಯಗಳ ಆಳವಾದ ತಿಳುವಳಿಕೆಗಾಗಿ RUclips ನಲ್ಲಿ ತಹ್ತೀಬ್ ಮತ್ತು ಸಿಲಂಬಮ್ ಅನ್ನು ಅನ್ವೇಷಿಸಲು ನಾನು ನಿಮ್ಮನ್ನು ಪ್ರೋತ್ಸಾಹಿಸುತ್ತೇನೆ. =========================== Pannaisai serves as the cornerstone of Carnatic music, not Karnataka music. Our Tamil Pannaisai boasts an extensive array of ragas. We possess numerous palm leaves discussing Tamilisai; Carnatic music enjoys significant prominence in Tamil Nadu, particularly in Tanjore, rather than Humbi. In Tanjore, there is a notable concentration of Carnatic music vidwans compared to Karnatak. The tradition of Carnatic trios originated, flourished, and excelled in Tamil Nadu. Tyagaraja, although from a Telugu Brahmin family, derived his foundational musical knowledge from the Tamil soil. This is not limited to music; Tamil martial art Silambam, akin to the 5,000-year-old Egyptian martial art Tahtib, shares striking similarities. Varma Kalai and Siddha medicine, both dating back 5,000 years, continue to be preserved in palm leaf manuscripts and books. No other South Indian culture possesses such a wealth of information regarding music, martial arts, or medicine. Tamil is one of the oldest continuously spoken languages worldwide. I encourage you to explore Tahtib and Silambam on RUclips for a deeper understanding of these rich cultural traditions.
@bhagyagopal2484 Present Day Achievements: Tamilians are significantly more intelligent than any other race, including Telugus, Kannadigas, Punjabis, or Malayalis. (1)Google, the world's leading IT company known for its high intelligence, is headed by a non-Brahmin Tamilian named Sundar Pichai. (2)Velupillai Prabhakaran, a great Tamil warrior, led a significant battle with an army equipped with four indigenous-built aircraft. Despite Indian DRDO's attempts to develop an aircraft engine for over 40 years, they have not achieved success. (3)Notably, several Tamil leaders, including the presidents of Singapore and Guyana and the Prime Minister of Malaysia, are Tamilians. Tamil is the national language in Sri Lanka, Singapore, Malaysia, Fiji, Mauritius, and French Réunion. (4)The BrahMos missile system was successfully developed by Sivathanupillai, another Tamilian. (5)Numerous Tamilians hold leadership positions in ISRO and DRDO, as evidenced by the high representation of Tamilians on the ISRO directorate list. (6)Many Tamilians continue to work in the defense sector in Bangalore. (7)In the intellectually demanding game of chess, Tamilians produce a higher number of grandmasters compared to Telangana, Andhra Pradesh, Karnataka, or Maharashtra. (8)Regarding historical achievements, Tamilians have consistently demonstrated exceptional intelligence, creativity, and productivity, rivaling only Jews, Russians, Japanese, and Germans. (9)Historically, the Chola naval forces, the ancient dam engineer Karikalan Chola, and the martial arts system Silambam stand out. Additionally, the ancient dance form Bharatanatyam and the literature in Tamil, which predates Sanskrit, highlight the cultural richness of Tamils. (10)The ancient cities of Poompuhar and Keeladi, dating back over 3000 years, along with archaeological findings such as Adichanallur artifacts and cave writings in Siddha Vasal and Thirunelveli, attest to the antiquity and sophistication of Tamil culture. Tamil Brahmi inscriptions, discovered in various countries including Cambodia, Egypt, Vietnam, Thailand, Laos, and Indonesia, further underscore the extensive influence of Tamil civilization. (11)The construction of numerous Hindu temples in Indonesia and Java by the Pallava and Chola kings, adorned with Tamil Brahmi inscriptions, showcases the architectural prowess and cultural exchange facilitated by these dynasties. (12)These contributions, documented through the works of scholars like Praveean Mohan(See Praven mohans channel), emphasize the significant role of Tamil kingdoms in shaping the cultural landscape post-Alexander's conquest
Tamilians are significantly more intelligent than any other race, including Telugus, Kannadigas, Punjabis, or Malayalis. (1)Google, the world's leading IT company known for its high intelligence, is headed by a non-Brahmin Tamilian named Sundar Pichai. (2)Velupillai Prabhakaran, a great Tamil warrior, led a significant battle with an army equipped with four indigenous-built aircraft. Despite Indian DRDO's attempts to develop an aircraft engine for over 40 years, they have not achieved success. (3)Notably, several Tamil leaders, including the presidents of Singapore and Guyana and the Prime Minister of Malaysia, are Tamilians. Tamil is the national language in Sri Lanka, Singapore, Malaysia, Fiji, Mauritius, and French Réunion. (4)The BrahMos missile system was successfully developed by Sivathanupillai, another Tamilian. (5)Numerous Tamilians hold leadership positions in ISRO and DRDO, as evidenced by the high representation of Tamilians on the ISRO directorate list. (6)Many Tamilians continue to work in the defense sector in Bangalore. (7)In the intellectually demanding game of chess, Tamilians produce a higher number of grandmasters compared to Telangana, Andhra Pradesh, Karnataka, or Maharashtra. (8)Regarding historical achievements, Tamilians have consistently demonstrated exceptional intelligence, creativity, and productivity, rivaling only Jews, Russians, Japanese, and Germans. (9)Historically, the Chola naval forces, the ancient dam engineer Karikalan Chola, and the martial arts system Silambam stand out. Additionally, the ancient dance form Bharatanatyam and the literature in Tamil, which predates Sanskrit, highlight the cultural richness of Tamils. (10)The ancient cities of Poompuhar and Keeladi, dating back over 3000 years, along with archaeological findings such as Adichanallur artifacts and cave writings in Siddha Vasal and Thirunelveli, attest to the antiquity and sophistication of Tamil culture. Tamil Brahmi inscriptions, discovered in various countries including Cambodia, Egypt, Vietnam, Thailand, Laos, and Indonesia, further underscore the extensive influence of Tamil civilization. (11)The construction of numerous Hindu temples in Indonesia and Java by the Pallava and Chola kings, adorned with Tamil Brahmi inscriptions, showcases the architectural prowess and cultural exchange facilitated by these dynasties. (12)These contributions, documented through the works of scholars like Praveean Mohan(See Praven mohans channel), emphasize the significant role of Tamil kingdoms in shaping the cultural landscape post-Alexander's conquest
Tamilians are significantly more intelligent than any other race, including Telugus, Kannadigas, Punjabis, or Malayalis. (1)Google, the world's leading IT company known for its high intelligence, is headed by a non-Brahmin Tamilian named Sundar Pichai. (2)Velupillai Prabhakaran, a great Tamil warrior, led a significant battle with an army equipped with four indigenous-built aircraft. Despite Indian DRDO's attempts to develop an aircraft engine for over 40 years, they have not achieved success. (3)Notably, several Tamil leaders, including the presidents of Singapore and Guyana and the Prime Minister of Malaysia, are Tamilians. Tamil is the national language in Sri Lanka, Singapore, Malaysia, Fiji, Mauritius, and French Réunion. (4)The BrahMos missile system was successfully developed by Sivathanupillai, another Tamilian. (5)Numerous Tamilians hold leadership positions in ISRO and DRDO, as evidenced by the high representation of Tamilians on the ISRO directorate list. (6)Many Tamilians continue to work in the defense sector in Bangalore. (7)In the intellectually demanding game of chess, Tamilians produce a higher number of grandmasters compared to Telangana, Andhra Pradesh, Karnataka, or Maharashtra. (8)Regarding historical achievements, Tamilians have consistently demonstrated exceptional intelligence, creativity, and productivity, rivaling only Jews, Russians, Japanese, and Germans. (9)Historically, the Chola naval forces, the ancient dam engineer Karikalan Chola, and the martial arts system Silambam stand out. Additionally, the ancient dance form Bharatanatyam and the literature in Tamil, which predates Sanskrit, highlight the cultural richness of Tamils. (10)The ancient cities of Poompuhar and Keeladi, dating back over 3000 years, along with archaeological findings such as Adichanallur artifacts and cave writings in Siddha Vasal and Thirunelveli, attest to the antiquity and sophistication of Tamil culture. Tamil Brahmi inscriptions, discovered in various countries including Cambodia, Egypt, Vietnam, Thailand, Laos, and Indonesia, further underscore the extensive influence of Tamil civilization. (11)The construction of numerous Hindu temples in Indonesia and Java by the Pallava and Chola kings, adorned with Tamil Brahmi inscriptions, showcases the architectural prowess and cultural exchange facilitated by these dynasties. (12)These contributions, documented through the works of scholars like Praveean Mohan(See Praven mohans channel), emphasize the significant role of Tamil kingdoms in shaping the cultural landscape post-Alexander's conquest
Fact will speak very loudly>>In contemporary times, musicians like Maestro Ilaiyaraaja and AR Rahman, both hailing from Tamil Nadu, have made significant global impacts with their music. Ilaiyaraaja is renowned for his symphonies, including those orchestrated in London, while AR Rahman has garnered international acclaim, including winning two Academy Awards for his musical compositions. Their achievements serve as a testament to the enduring legacy and innovation of Tamil Isai on the global stage
There are many ragas in the name of Kannada and Karnataka. We don't find any raga with the name of other languages. Example: Kannada, Kannada Bangala, Kannadagowla, Gowla Kannada, Kannada maruva, Sama Kannada, Navarasa Kannada, Sindhu Kannada, Karnataka Behag, Karnataka Devagandhari, Karnataka hindola, Karnataka Kaapi, Karnataka Khamach, Karnataka Saranga, Karnataka Shuddhasaveri etc.
But sorry to say , it's a injustice don't had problem with the two stream of Indian music system , but there also a third stream of Indian classical music exists as odra magadhi whose main contribution was jayadeva , banamali , kavisurya who are main prominent vaishanavas those days in odisha , like we see in other calssical music systems .
A good production. But it needs versions with subtitles (in the least) in English and possibly other Indian languages. There is as much need to spread the glory of Carnatic music in non-Hindi speaking areas among the general masses as in the Hindi speaking areas.
Very thankful to you all... Here all actor's are acted well as south Indian how ever Carnatic music is one of best ever Syama sastry did lot of contribution to anandabhairavi Raga often it favourite Raga of syama sastry 😍
Brother Kannada is called Kannad in Hindi. She is speaking in Hindi. In Tamil, English is pronounced as Aangilam. It would be odd if someone giving entire talk in Tamil to say English. it is more apt to say Aangilam in Tamil
Enda hedti Kannad padgol Andre ratnang Prana. .... Kannad suddig enra bandre... When GP Rajaratnam poetry was praised even though he wrote Kannad, what is the problem North Indians pronouncing Kannad.
But you should have mentioned that the name came because of purandara dasaru..karnataka music... Not from tamil..purandara dasaru made the system because of purandara dasaru only this got the name as karnataka sangita.... Origin is karnataka
dei. annamacharya from telugu predates purandara das and composed some 320000 songs in carnatic music. and telugu absolutely dominates carnatic music because of it being a lyrical language.
"Vidwan Prince Rama Varma proves scientifically and logically as to why south indian Carnatic music is called Karnataka Kannada Sangeetha" Madam Please correct the title of the course. The word ' Carnatic ' is distorted (by invaders) version of the original divine name ' Karnataka Sangeetha'. Let students learn correct history.
Terrible, looks like The legendary Hindustani musician is misled about South Indian classical music She thinks that Tamil music is South Indian music I respect the legendary Hindustani musician but she should not talk about areas that she is not comfortable with reading some blocks and getting snippets from certain gurus. Some of the South Indian musicians and interacting with select channels. the wholesomeness of the South Indian classical music is beyond one state. South Indian classical music includes music from Andhra Pradesh where Dr Balamurali Krishna Hails from also from Tamil Nadu where legendary violinists like MS Gopalakrishnan come from Karnataka where is vaggeyakaras like Mysore Maharaja Sawai comes from Kerala where great composers and musicians like Swati Thirunal hail from She misses the most important treatise, amongst many- bharata’s natya sastra or Sangeeta ratnakara etc
Vijaynagar empire was known as Karnataka empire and it had the entire Karnataka tamil nadu telengana Andhra Pradesh and Kerala under its rule. So purandara dasa who is father of Karnataka sangitham was from Udupi in Karnataka so it is known as Karnataka sangitham you fool
@@shankarraodiddepura6287 You Nonsense people should study the history. then only you can know where & how the Karainataka (Catnatic) Music has been created from Tamil music.Originated at Tanjore District of Tamil Nadu
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Carnatic music, known as Karnāṭaka saṃgīta or Karnāṭaka saṅgīta in the South Indian languages, is a system of music commonly associated with South India, including the modern Indian states of Karnataka, Andhra Pradesh, Telangana, Kerala and Tamil Nadu, and Sri Lanka.
Carnatic music is mainly sung through compositions, especially the kriti (or kirtana) - a form developed between the 14th and 20th centuries by composers such as Purandara Dasa
Purandara Dasa's Carnatic music compositions in Kannada language
Purandara dasa composed in sanskrit also.
That is correct. sree purandaradasa is known as sangeetha pitha maha and is the father of carnatic music and came up with be beginning exercises such as sarali varsais, jantai varsais, dhattu varsais, thara sthayi exercises, madhya sthayi exercises, mandhara shtayi exercises, keez sthayi exercises, alankarams, and geethams etc...
@@pallavisreetambraparni6995 ಟಕ ಸಂಗೀತವಲ್ಲ. ನಮ್ಮ ತಮಿಳು ಪನ್ನೈಸೈ ರಾಗಗಳ ವ್ಯಾಪಕ ಶ್ರೇಣಿಯನ್ನು ಹೊಂದಿದೆ. ನಾವು ತಮಿಳಿಸೈ ಬಗ್ಗೆ ಚರ್ಚಿಸುವ ಹಲವಾರು ತಾಳೆ ಎಲೆಗಳನ್ನು ಹೊಂದಿದ್ದೇವೆ; ಕರ್ನಾಟಕ ಸಂಗೀತವು ತಮಿಳುನಾಡಿನಲ್ಲಿ, ವಿಶೇಷವಾಗಿ ತಂಜೂರಿನಲ್ಲಿ ಹುಂಬಿಗಿಂತ ಗಮನಾರ್ಹ ಪ್ರಾಮುಖ್ಯತೆಯನ್ನು ಹೊಂದಿದೆ.
ತಂಜೂರಿನಲ್ಲಿ, ಕರ್ನಾಟಕಕ್ಕೆ ಹೋಲಿಸಿದರೆ ಕರ್ನಾಟಕ ಸಂಗೀತ ವಿದ್ವಾನ್‌ಗಳ ಗಮನಾರ್ಹ ಸಾಂದ್ರತೆಯಿದೆ. ಕರ್ನಾಟಕ ಮೂವರ ಸಂಪ್ರದಾಯವು ತಮಿಳುನಾಡಿನಲ್ಲಿ ಹುಟ್ಟಿಕೊಂಡಿತು, ಪ್ರವರ್ಧಮಾನಕ್ಕೆ ಬಂದಿತು ಮತ್ತು ಉತ್ಕೃಷ್ಟವಾಯಿತು. ತ್ಯಾಗರಾಜರು ತೆಲುಗು ಬ್ರಾಹ್ಮಣ ಕುಟುಂಬದಿಂದ ಬಂದಿದ್ದರೂ, ತಮಿಳು ಮಣ್ಣಿನಿಂದ ತಮ್ಮ ಮೂಲಭೂತ ಸಂಗೀತ ಜ್ಞಾನವನ್ನು ಪಡೆದರು. ಇದು ಸಂಗೀತಕ್ಕೆ ಸೀಮಿತವಾಗಿಲ್ಲ; 5,000 ವರ್ಷಗಳಷ್ಟು ಹಳೆಯದಾದ ಈಜಿಪ್ಟಿನ ಸಮರ ಕಲೆ ತಾಹ್ತಿಬ್‌ಗೆ ಹೋಲುವ ತಮಿಳು ಸಮರ ಕಲೆ ಸಿಲಂಬಮ್ ಗಮನಾರ್ಹ ಹೋಲಿಕೆಗಳನ್ನು ಹಂಚಿಕೊಳ್ಳುತ್ತದೆ.
5,000 ವರ್ಷಗಳ ಹಿಂದಿನ ವರ್ಮ ಕಲೈ ಮತ್ತು ಸಿದ್ಧ ಔಷಧಿಗಳು ತಾಳೆ ಎಲೆಯ ಹಸ್ತಪ್ರತಿಗಳು ಮತ್ತು ಪುಸ್ತಕಗಳಲ್ಲಿ ಸಂರಕ್ಷಿಸಲ್ಪಟ್ಟಿವೆ. ಯಾವುದೇ ದಕ್ಷಿಣ ಭಾರತದ ಸಂಸ್ಕೃತಿಯು ಸಂಗೀತ, ಸಮರ ಕಲೆಗಳು ಅಥವಾ ಔಷಧದ ಬಗ್ಗೆ ಮಾಹಿತಿಯ ಸಂಪತ್ತನ್ನು ಹೊಂದಿಲ್ಲ.
ಪ್ರಪಂಚದಾದ್ಯಂತ ನಿರಂತರವಾಗಿ ಮಾತನಾಡುವ ಅತ್ಯಂತ ಹಳೆಯ ಭಾಷೆಗಳಲ್ಲಿ ತಮಿಳು ಒಂದಾಗಿದೆ. ಈ ಶ್ರೀಮಂತ ಸಾಂಸ್ಕೃತಿಕ ಸಂಪ್ರದಾಯಗಳ ಆಳವಾದ ತಿಳುವಳಿಕೆಗಾಗಿ RUclips ನಲ್ಲಿ ತಹ್ತೀಬ್ ಮತ್ತು ಸಿಲಂಬಮ್ ಅನ್ನು ಅನ್ವೇಷಿಸಲು ನಾನು ನಿಮ್ಮನ್ನು ಪ್ರೋತ್ಸಾಹಿಸುತ್ತೇನೆ.
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Pannaisai serves as the cornerstone of Carnatic music, not Karnataka music. Our Tamil Pannaisai boasts an extensive array of ragas. We possess numerous palm leaves discussing Tamilisai; Carnatic music enjoys significant prominence in Tamil Nadu, particularly in Tanjore, rather than Humbi.
In Tanjore, there is a notable concentration of Carnatic music vidwans compared to Karnatak. The tradition of Carnatic trios originated, flourished, and excelled in Tamil Nadu. Tyagaraja, although from a Telugu Brahmin family, derived his foundational musical knowledge from the Tamil soil. This is not limited to music; Tamil martial art Silambam, akin to the 5,000-year-old Egyptian martial art Tahtib, shares striking similarities.
Varma Kalai and Siddha medicine, both dating back 5,000 years, continue to be preserved in palm leaf manuscripts and books. No other South Indian culture possesses such a wealth of information regarding music, martial arts, or medicine.
Tamil is one of the oldest continuously spoken languages worldwide. I encourage you to explore Tahtib and Silambam on RUclips for a deeper understanding of these rich cultural traditions.
Great. Evolving..also music history..Tamil Pan or Isai or music ( Iyal, Isai and nadagam) is the recorded earliest music in India. Silapathigaram ( also 2000years back in Tholkappium, Natrinai, kurunthogai and others) authored by Ilango Adigal around 500CE (1500 years ago) gives a perfect description about Classical Music. Is it not amazing that somebody in the Tamizh land defined all these as early as the 5th century? In just one verse, he gives the names of the seven swaras as per Tamizh PaN. குரலே, துத்தம், கைக்கிளை, உழையே இளியே, விளரி, தாரம் என்றிவை எழுவகை இசைக்கும் (Swaptha Swaram) எய்தும் பெயரே சவ்வும் (Sa) ரிவ்வும் (Ri) கவ்வும் (Ka) மவ்வும் (Ma) பவ்வும் (Pa) தவ்வும் (Tha) நிவ்வும் (Ni) என்றிவை ஏழும் அவற்றின் எழுத்தே ஆகும்
Sa-Kural; Ri-Thuththam;Ga-KaikkiLai;Ma-Uzhai;Pa-ILi;Dha-ViLari;Ni-
Tharam. In another verse, he says PaNs(Ragams) are obtained by arranging the 12 Kovais(swaras) in a specified structure in the ascending and descending scale. Sa-Kural; Ri-Thuththam;Ga-KaikkiLai;Ma-Uzhai;Pa-ILi;Dha-ViLari;Ni-
Tharam.
Purantharadasa (1500 CE, 500yrs back) a devotee of Vishnu, contributed enormously to further perfect the Tamil Pan as carnatic music and all others iincluding Mumoorthys are followers of Tamil Pan transformed ( name changed) to Carnatic music and further added their kirthana.
Regards Dr. N. Rajam . Top most Artist vry simple n down to earth. Pray to God for her long life n gud health. Pranam Behanji.
Bharatanatyam and carnatic music have their roots in tamil SATHIR AATTAM AND TAMIL PAN. “It is a well - known fact that Tamizh language is one of the oldest languages in the world. Not only is it old but also it is very rich in literature.
But what makes Tamizh unique and special is that it has survived the ravages of time and is still spoken by millions of people across the globe.
Dance and music (or for that matter any form of fine arts) has always been part of Tamizh culture.
‘Tholkaappiyam‘, the authentic work on Tamizh Grammar that was written in 500BC by Tholkaapiyar-considered to be a student of the great sage ‘Agaththiyar’ mentions a lot about classical dance.
Starting from Tolkappiyam, many texts like Pancha Marabu, Kooththa Nool, Bharata Senapathiyam have defined the grammar of classical dance.
‘Pancha Marabu‘by Arivanaar-which was also written almost the same time as Tholkaapiyam - describes in detail about music and dance. It talks about various hand gestures,abhinaya,kooththu,,naatyam.It also describes the letters to be used for jathis-tha,thi,tho,ki,k.
Then there is ‘Kooththa nool‘ authored by Saaththanaar. This is the oldest available text on the grammar of classical dance.‘Kooththa Nool’ has two sections, ‘Suvai’ and ‘Thogai’ with 153 and 162 verses respectively and says that the sound, the letters and the music emanated from the Dance of the Lord.
It also says that ‘Om’ is the beginning and the end for everything.
The author seems like a good psychiatrist, philosopher and most importantly an intellectual.
The link between human life and the Nava Rasaas have been described in detail by the author.
Here is a verse form Koothanool. Tastes emerge from the feelings within and these are expressed as dance. Feeling is the soul, Taste is the Mind, and expression is the body’.
அகம்உயிர் ஆகச் சுவைஉளம் ஆக
இழைஉடல் ஆக இயல்வது கூத்து.
It is a cryptic verse with very deep meanings but what was written nearly 2500 years ago holds good even now. And this is applicable to any art form.
However, ‘Silappathigaaram‘-one of the five major epics in Tamizh-is considered to be a complete book on classical dance. ‘Silappathikaaram’ gives a perfect description about Classical Dance and Music..In the words of the Czech Professor Dr.Kamil Zvelebil,
‘‘The epical poem of Silapathikaaram which by its baroque splendour and by the charm and magic of its lyrical parts belongs to the epic masterpieces of the world and should be admired and beloved by all in the same was as Poems of Homer, the Dramas of Shakespeare, the Pictures of Rembrandt, the Cathedrals of France and Sculptures of Greece”.
Silapathiikaram Author, Ilango AdigaL has presented this simple but complex story, what attracts a connoisseur is the way he has structured the grammar of Music and Dance.
Though there are lot verses, I am giving below one sample verse that speaks volumes about the quality of the work.
It says ‘One must start learning classical dance at the age of five without any compromise on Musical, Dance and Aesthetic Elements, practise rigorously for seven years and perform at the age of twelve.’
ஆடலும் பாடலும் அழகும் என்று இக்
கூறிய மூன்றில் ஒன்று குறைவு படாமல்
ஏழு ஆண்டு இயற்றி ஓர் ஈர் ஆண்டில்
சூழ் கழல் மன்னற்குக் காட்டல் வேண்டி.
However, it is the description about Classical Dance in ‘Silappadhigaaram’ that calls for special mention and appreciation.
Ilango adigaL must have been a perfectionist. The author elaborates on the qualifications of a Dance Teacher, Percussionists,Vocalist,Flautist, and the person(s) playing the ancient instrument ‘Yaazh’.
He deals with each and every aspect of dance starting from the vocalist, the lyricist, the percussionist, the instrumentalists.
What amazes one is the way he has defined the structure of the stage. Not only has he given the dimensions of a stage but also that he has mentioned about the lighting, and the way the stage has to be decorated.
If the verse
எழுகோல் அகலத்து எண்கோல் நீளத்து
ஒருகோல் உயரத்து உறுப்பினது ஆகி
உத்தரப் பலகையொடு அரங்கின் பலகை
வைத்த இடை நிலம் நாற்கோல் ஆக
ஏற்ற வாயில் இரண்டும் பொலியத்
தோற்றிய அரங்கினில் தொழுதனர்
gives the desired dimensions of a stage,
தூண் நிழல் புறப்பட மாண் விளக்கு எடுத்து ஆங்கு
ஒருமுக எழினியும் பொருமுக எழினியும்
கரந்து வரல் எழினியும் புரிந்துடன் வகுத்து
talks about the lighting.
He then goes on to describe the ‘Pancha Sandhi’ Kavuththuvum-an item that is performed in the beginning to ward off evil forces-and then the 11 different dances called as ‘Pathinoru aadal’..
And that is the reason ILango AdigaL paid importance to music as well while talking about dance.
In just one verse, he gives the names of the seven swaras as per Tamizh PaN.
குரலே, துத்தம், கைக்கிளை, உழையே
இளியே, விளரி, தாரம் என்றிவை
எழுவகை இசைக்கும் எய்தும் பெயரே
சவ்வும் ரிவ்வும் கவ்வும் மவ்வும்
பவ்வும் தவ்வும் நிவ்வும் என்றிவை
ஏழும் அவற்றின் எழுத்தே ஆகும்
Sa-Kural; Ri-Thuththam;Ga-KaikkiLai;Ma-Uzhai;Pa-ILi;Dha-ViLari;Ni-Tharam.
In another verse, he says PaNs(Ragams) are obtained by arranging the 12 Kovais(swaras) in a specified structure in the ascending and descending scale.
But more than all these, what leaves one wonder struck is his definition of Gruha Bedam-tonic shift. He calls this as ‘Kural Thiribu’.
He says ‘if the Thuththam(ri) of Mohanam is the base, it would give Madhyamavathi, if the KaikkiLai(ga)is the base it would give Hindolam, the ILi(pa) would give Sudhha Saveri and the ViLari(dha) Sudhha Dhanyasi’.
Is it not amazing that somebody in the Tamizh land defined all these as early as the 5th century?Bottom of Form
‘MaNimekalai’- considered to be an offshoot of ‘Silappathikaaram’ since MaNimekalai was the the daughter of Madhavi and Kovalan- also talks a lot about the dance.
Written by ‘Seeththalai Saaththanaar’, the text mentions about Tala Aruthi,the eleven different forms of dance-as already mentioned in detail in ‘Silappathikaaram’-the two forms of ‘Kooththu’ and the existence of a grammar book on ‘Bharatam’.
In another major text, ‘Seevaka ChintamaNi’, the chief protagonist, Seevakan himself is a dancer.
Sources: Mr. Rajendra Kumar who acknowledged the information provided by Prof.Raghuraman in the book titled ‘Tamizhar Natana Varalaaru’.
Here are a few websites that you may access for further reading
www.thinnai.info/downloads.php - for downloading Tamil Documents
tamil.net/projectmadurai/- Project
Very well explained
@bhagyagopal2484 mad dogs barking at wrong tree ...grow up kids
@bhagyagopal2484 Annoucing To Kannada speaking Pigs(varahaa- Nayakas and Kannadhis symbols- vijayanagara symbol pig - varahaa)ಟಕ ಸಂಗೀತವಲ್ಲ. ನಮ್ಮ ತಮಿಳು ಪನ್ನೈಸೈ ರಾಗಗಳ ವ್ಯಾಪಕ ಶ್ರೇಣಿಯನ್ನು ಹೊಂದಿದೆ. ನಾವು ತಮಿಳಿಸೈ ಬಗ್ಗೆ ಚರ್ಚಿಸುವ ಹಲವಾರು ತಾಳೆ ಎಲೆಗಳನ್ನು ಹೊಂದಿದ್ದೇವೆ; ಕರ್ನಾಟಕ ಸಂಗೀತವು ತಮಿಳುನಾಡಿನಲ್ಲಿ, ವಿಶೇಷವಾಗಿ ತಂಜೂರಿನಲ್ಲಿ ಹುಂಬಿಗಿಂತ ಗಮನಾರ್ಹ ಪ್ರಾಮುಖ್ಯತೆಯನ್ನು ಹೊಂದಿದೆ.
ತಂಜೂರಿನಲ್ಲಿ, ಕರ್ನಾಟಕಕ್ಕೆ ಹೋಲಿಸಿದರೆ ಕರ್ನಾಟಕ ಸಂಗೀತ ವಿದ್ವಾನ್‌ಗಳ ಗಮನಾರ್ಹ ಸಾಂದ್ರತೆಯಿದೆ. ಕರ್ನಾಟಕ ಮೂವರ ಸಂಪ್ರದಾಯವು ತಮಿಳುನಾಡಿನಲ್ಲಿ ಹುಟ್ಟಿಕೊಂಡಿತು, ಪ್ರವರ್ಧಮಾನಕ್ಕೆ ಬಂದಿತು ಮತ್ತು ಉತ್ಕೃಷ್ಟವಾಯಿತು. ತ್ಯಾಗರಾಜರು ತೆಲುಗು ಬ್ರಾಹ್ಮಣ ಕುಟುಂಬದಿಂದ ಬಂದಿದ್ದರೂ, ತಮಿಳು ಮಣ್ಣಿನಿಂದ ತಮ್ಮ ಮೂಲಭೂತ ಸಂಗೀತ ಜ್ಞಾನವನ್ನು ಪಡೆದರು. ಇದು ಸಂಗೀತಕ್ಕೆ ಸೀಮಿತವಾಗಿಲ್ಲ; 5,000 ವರ್ಷಗಳಷ್ಟು ಹಳೆಯದಾದ ಈಜಿಪ್ಟಿನ ಸಮರ ಕಲೆ ತಾಹ್ತಿಬ್‌ಗೆ ಹೋಲುವ ತಮಿಳು ಸಮರ ಕಲೆ ಸಿಲಂಬಮ್ ಗಮನಾರ್ಹ ಹೋಲಿಕೆಗಳನ್ನು ಹಂಚಿಕೊಳ್ಳುತ್ತದೆ.
5,000 ವರ್ಷಗಳ ಹಿಂದಿನ ವರ್ಮ ಕಲೈ ಮತ್ತು ಸಿದ್ಧ ಔಷಧಿಗಳು ತಾಳೆ ಎಲೆಯ ಹಸ್ತಪ್ರತಿಗಳು ಮತ್ತು ಪುಸ್ತಕಗಳಲ್ಲಿ ಸಂರಕ್ಷಿಸಲ್ಪಟ್ಟಿವೆ. ಯಾವುದೇ ದಕ್ಷಿಣ ಭಾರತದ ಸಂಸ್ಕೃತಿಯು ಸಂಗೀತ, ಸಮರ ಕಲೆಗಳು ಅಥವಾ ಔಷಧದ ಬಗ್ಗೆ ಮಾಹಿತಿಯ ಸಂಪತ್ತನ್ನು ಹೊಂದಿಲ್ಲ.
ಪ್ರಪಂಚದಾದ್ಯಂತ ನಿರಂತರವಾಗಿ ಮಾತನಾಡುವ ಅತ್ಯಂತ ಹಳೆಯ ಭಾಷೆಗಳಲ್ಲಿ ತಮಿಳು ಒಂದಾಗಿದೆ. ಈ ಶ್ರೀಮಂತ ಸಾಂಸ್ಕೃತಿಕ ಸಂಪ್ರದಾಯಗಳ ಆಳವಾದ ತಿಳುವಳಿಕೆಗಾಗಿ RUclips ನಲ್ಲಿ ತಹ್ತೀಬ್ ಮತ್ತು ಸಿಲಂಬಮ್ ಅನ್ನು ಅನ್ವೇಷಿಸಲು ನಾನು ನಿಮ್ಮನ್ನು ಪ್ರೋತ್ಸಾಹಿಸುತ್ತೇನೆ.
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Pannaisai serves as the cornerstone of Carnatic music, not Karnataka music. Our Tamil Pannaisai boasts an extensive array of ragas. We possess numerous palm leaves discussing Tamilisai; Carnatic music enjoys significant prominence in Tamil Nadu, particularly in Tanjore, rather than Humbi.
In Tanjore, there is a notable concentration of Carnatic music vidwans compared to Karnatak. The tradition of Carnatic trios originated, flourished, and excelled in Tamil Nadu. Tyagaraja, although from a Telugu Brahmin family, derived his foundational musical knowledge from the Tamil soil. This is not limited to music; Tamil martial art Silambam, akin to the 5,000-year-old Egyptian martial art Tahtib, shares striking similarities.
Varma Kalai and Siddha medicine, both dating back 5,000 years, continue to be preserved in palm leaf manuscripts and books. No other South Indian culture possesses such a wealth of information regarding music, martial arts, or medicine.
Tamil is one of the oldest continuously spoken languages worldwide. I encourage you to explore Tahtib and Silambam on RUclips for a deeper understanding of these rich cultural traditions.
@bhagyagopal2484 Present Day Achievements:
Tamilians are significantly more intelligent than any other race, including Telugus, Kannadigas, Punjabis, or Malayalis.
(1)Google, the world's leading IT company known for its high intelligence, is headed by a non-Brahmin Tamilian named Sundar Pichai.
(2)Velupillai Prabhakaran, a great Tamil warrior, led a significant battle with an army equipped with four indigenous-built aircraft. Despite Indian DRDO's attempts to develop an aircraft engine for over 40 years, they have not achieved success. (3)Notably, several Tamil leaders, including the presidents of Singapore and Guyana and the Prime Minister of Malaysia, are Tamilians. Tamil is the national language in Sri Lanka, Singapore, Malaysia, Fiji, Mauritius, and French Réunion.
(4)The BrahMos missile system was successfully developed by Sivathanupillai, another Tamilian.
(5)Numerous Tamilians hold leadership positions in ISRO and DRDO, as evidenced by the high representation of Tamilians on the ISRO directorate list.
(6)Many Tamilians continue to work in the defense sector in Bangalore.
(7)In the intellectually demanding game of chess, Tamilians produce a higher number of grandmasters compared to Telangana, Andhra Pradesh, Karnataka, or Maharashtra.
(8)Regarding historical achievements, Tamilians have consistently demonstrated exceptional intelligence, creativity, and productivity, rivaling only Jews, Russians, Japanese, and Germans.
(9)Historically, the Chola naval forces, the ancient dam engineer Karikalan Chola, and the martial arts system Silambam stand out. Additionally, the ancient dance form Bharatanatyam and the literature in Tamil, which predates Sanskrit, highlight the cultural richness of Tamils. (10)The ancient cities of Poompuhar and Keeladi, dating back over 3000 years, along with archaeological findings such as Adichanallur artifacts and cave writings in Siddha Vasal and Thirunelveli, attest to the antiquity and sophistication of Tamil culture. Tamil Brahmi inscriptions, discovered in various countries including Cambodia, Egypt, Vietnam, Thailand, Laos, and Indonesia, further underscore the extensive influence of Tamil civilization.
(11)The construction of numerous Hindu temples in Indonesia and Java by the Pallava and Chola kings, adorned with Tamil Brahmi inscriptions, showcases the architectural prowess and cultural exchange facilitated by these dynasties. (12)These contributions, documented through the works of scholars like Praveean Mohan(See Praven mohans channel), emphasize the significant role of Tamil kingdoms in shaping the cultural landscape post-Alexander's conquest
Tamilians are significantly more intelligent than any other race, including Telugus, Kannadigas, Punjabis, or Malayalis.
(1)Google, the world's leading IT company known for its high intelligence, is headed by a non-Brahmin Tamilian named Sundar Pichai.
(2)Velupillai Prabhakaran, a great Tamil warrior, led a significant battle with an army equipped with four indigenous-built aircraft. Despite Indian DRDO's attempts to develop an aircraft engine for over 40 years, they have not achieved success. (3)Notably, several Tamil leaders, including the presidents of Singapore and Guyana and the Prime Minister of Malaysia, are Tamilians. Tamil is the national language in Sri Lanka, Singapore, Malaysia, Fiji, Mauritius, and French Réunion.
(4)The BrahMos missile system was successfully developed by Sivathanupillai, another Tamilian.
(5)Numerous Tamilians hold leadership positions in ISRO and DRDO, as evidenced by the high representation of Tamilians on the ISRO directorate list.
(6)Many Tamilians continue to work in the defense sector in Bangalore.
(7)In the intellectually demanding game of chess, Tamilians produce a higher number of grandmasters compared to Telangana, Andhra Pradesh, Karnataka, or Maharashtra.
(8)Regarding historical achievements, Tamilians have consistently demonstrated exceptional intelligence, creativity, and productivity, rivaling only Jews, Russians, Japanese, and Germans.
(9)Historically, the Chola naval forces, the ancient dam engineer Karikalan Chola, and the martial arts system Silambam stand out. Additionally, the ancient dance form Bharatanatyam and the literature in Tamil, which predates Sanskrit, highlight the cultural richness of Tamils. (10)The ancient cities of Poompuhar and Keeladi, dating back over 3000 years, along with archaeological findings such as Adichanallur artifacts and cave writings in Siddha Vasal and Thirunelveli, attest to the antiquity and sophistication of Tamil culture. Tamil Brahmi inscriptions, discovered in various countries including Cambodia, Egypt, Vietnam, Thailand, Laos, and Indonesia, further underscore the extensive influence of Tamil civilization.
(11)The construction of numerous Hindu temples in Indonesia and Java by the Pallava and Chola kings, adorned with Tamil Brahmi inscriptions, showcases the architectural prowess and cultural exchange facilitated by these dynasties. (12)These contributions, documented through the works of scholars like Praveean Mohan(See Praven mohans channel), emphasize the significant role of Tamil kingdoms in shaping the cultural landscape post-Alexander's conquest
It is not krishnappa nayak. Srinivasa Nayaka. Nava koti Narayana his other name.
Vijay Prakash sir in vandisuvuda song by purandara daasa
Tamilians are significantly more intelligent than any other race, including Telugus, Kannadigas, Punjabis, or Malayalis.
(1)Google, the world's leading IT company known for its high intelligence, is headed by a non-Brahmin Tamilian named Sundar Pichai.
(2)Velupillai Prabhakaran, a great Tamil warrior, led a significant battle with an army equipped with four indigenous-built aircraft. Despite Indian DRDO's attempts to develop an aircraft engine for over 40 years, they have not achieved success. (3)Notably, several Tamil leaders, including the presidents of Singapore and Guyana and the Prime Minister of Malaysia, are Tamilians. Tamil is the national language in Sri Lanka, Singapore, Malaysia, Fiji, Mauritius, and French Réunion.
(4)The BrahMos missile system was successfully developed by Sivathanupillai, another Tamilian.
(5)Numerous Tamilians hold leadership positions in ISRO and DRDO, as evidenced by the high representation of Tamilians on the ISRO directorate list.
(6)Many Tamilians continue to work in the defense sector in Bangalore.
(7)In the intellectually demanding game of chess, Tamilians produce a higher number of grandmasters compared to Telangana, Andhra Pradesh, Karnataka, or Maharashtra.
(8)Regarding historical achievements, Tamilians have consistently demonstrated exceptional intelligence, creativity, and productivity, rivaling only Jews, Russians, Japanese, and Germans.
(9)Historically, the Chola naval forces, the ancient dam engineer Karikalan Chola, and the martial arts system Silambam stand out. Additionally, the ancient dance form Bharatanatyam and the literature in Tamil, which predates Sanskrit, highlight the cultural richness of Tamils. (10)The ancient cities of Poompuhar and Keeladi, dating back over 3000 years, along with archaeological findings such as Adichanallur artifacts and cave writings in Siddha Vasal and Thirunelveli, attest to the antiquity and sophistication of Tamil culture. Tamil Brahmi inscriptions, discovered in various countries including Cambodia, Egypt, Vietnam, Thailand, Laos, and Indonesia, further underscore the extensive influence of Tamil civilization.
(11)The construction of numerous Hindu temples in Indonesia and Java by the Pallava and Chola kings, adorned with Tamil Brahmi inscriptions, showcases the architectural prowess and cultural exchange facilitated by these dynasties. (12)These contributions, documented through the works of scholars like Praveean Mohan(See Praven mohans channel), emphasize the significant role of Tamil kingdoms in shaping the cultural landscape post-Alexander's conquest
Fact will speak very loudly>>In contemporary times, musicians like Maestro Ilaiyaraaja and AR Rahman, both hailing from Tamil Nadu, have made significant global impacts with their music. Ilaiyaraaja is renowned for his symphonies, including those orchestrated in London, while AR Rahman has garnered international acclaim, including winning two Academy Awards for his musical compositions. Their achievements serve as a testament to the enduring legacy and innovation of Tamil Isai on the global stage
Excellent series! Waiting eagerly for the remaining series.
Purandaradasa's first name was shrinivasa nayaka not venkatappa nayaka
Karnataka sangeeta 🔥❤️
we dont need carnatic music reason below>>> Tamil Isai, originating over 2000 years ago, finds its roots intertwined with ancient Tamil literature and culture. References to the yaazh can be traced back to the Tholkappiyam and other literary works like Kurinji, Mullai, Marutham, Neithal, and Palai. The Silapathigaram, regarded as a treasure trove of Isai, vividly portrays various aspects of music and dance. Scholars like Adiyarkunallar and Aarumbathanar have significantly contributed to Tamil Isai and Dance through their interpretations of Silapathigaram.
Religious literary works such as Thevaram and Thiruvasagam, composed between the 7th and 9th centuries by saints like Thirugnanasambanthar, Thirunavookarasar, Sundarar, Manickavasagar, and Karaikkal Ammaiyar in the 3rd century, feature numerous panns.
Silapathigaram mentions 11991 panns, Thevaram 103 panns, and Divyaprabhandum 23 panns. fostering ongoing research and understanding in the field of Tamil Isai. >>>>>>
S.No Name of the Panns Equivalent Raga((Kannada ragams in the bracket)))))
1 Panchamam (Ahiri)
2 Puraneermai (Bhoopalam)
3 Andhalikurinji (Sama)
4 Gandhara Panchamam (Kedaragavlai)
5 Thakkesi (Kambhodhi)
6 Sevvazhi (Yedukulakambhodhi)
7 Vyazhakurinji (Saurastram)
8 Seekamaram (Nadhanamakriya)
9 Kausigam (Bhairavi)
10 Sendurutthi (Madhanamakriya)
11 Pazham Panjuram (Sankhara Bharanam)
12 Kolli (Navaroj)
13 Kolli Kouvanam (Navaroj)
14 Gandharam (Navaroj)
15 Piyandhai Gandharam (Navaroj)
16 Megharagakurinji (Neelambari)
17 Sadhari (Pantuvarali)
18 Nattaragam (Pantuvarali)
19 Thakkaragam (Arabhi)
20 Pazhamthakkargam (Suddha Saveri)
21 Indhalam (Mayamalava Gavlai)
22 Nattapadai (Ghambeeranattai)
23 Yazhmuri (Atthana)
24 Palaiyazh (Harikambhodhi)
25 Velavali (Velavali)
26 Cheeragam (Sreeragam)
27 Malagari (Malagari)
28 Narayani (Narayani)
29 Bhairavam (Bhairavam)
30 Varati (Varali)
31 Dhanasi (Dhanyasi)
32 Ramakri (Ramakriya)
33 Salarapani (Anandabhairavi)
34 Padumalai (Natabhairavi)
35 Mullai (Mohanam)
36 Marudhayazh (Kharaharapriya)
37 Sevvazhi Yazh (Todi)
38 Kaudi (Gauri)
39 Paadai (Paadi)
40 Kuzhari (Gurjari)
41 Nagadhoni (Nagadhvani)
42 Udhayagiri (Revagupti)
43 Nagaragam (Nagasvaravali)
44 Kedhalikurinji (Kedharam)
45 Udhayagiri (Revagupti)
46 Nagaragam (Nagasvaravali)
47 Soorthungaragam (Sooryakantham)
48 Megharagam (Kokilapriya)
49 Seekandi (Sikandi)
50 Sayavelarkolli (Sarasangi)
51 Manral (Nattaikurinji)
52 Andhi (Vasantha)
53 Chandi (Purvikalyani)
54 Surudigandharam (Gandharvamanohari)
55 Pakkazhi (Balachandrika)
56 Viyandham (Vilasini)
57 Anandhai (Bhogavasantham)
58 Marul (Kokilanandi)
59 Saaral (Ratnakanthi)
60 Kurinjiyah (Natabhairavi)
61 Mandaliyazh (Charukesi)
62 Thanukanchi (Dhenuka)
63 Thathala Panchamam (Malava Panchamam)
64 Thiradam (Thirumoorthi)
65 Velarkolli (Reethichandrika)
66 Kinnaragam (Keeravani)
67 Nirupathungaram (Shanmukhapriya)
68 Thaaraooandiram (Mechakalyani)
69 Devathali (Subhapantuvarali)
70 Sendhu (Chakrava)
71 Achari (Vakulabharanam)
72 Thaanu (Thaamarasi)
73 Vipanchi (Malayamarutham)
74 Cheevani (Cheevani - Sreemani)
75 Kanchi Meghanchi - (Kanchanavati)
76 Sadhakkiyam (Sreemanjani)
77 Varunam Thakkanadi -(Vasantha)
78 Yamai (Agnikopam)
79 Mallari (Ghambheeranattai)
80 Pungaali (Kalaavati)
81 Serundhi (Bhudharanjani)
82 Azhungu (Manohari)
83 Sayai (Jayantasena)
84 Sogavaraati (Amrutha Dhanyasi)
85 Dheepavaraati (Kannada Maruva)
86 Periyavaraati (Kannada Salavi)
87 Ariyavelarkolli (Chalanavarali)
88 Chittiravelarkolli (Abhogi)
89 Naanupanchamam (Hamsavinodhini)
90 Desakri (Ranjani)
91 Malarvakri (Hindolam)
92 Ariyaguchari (Amrutavarsini)
93 Savagakurinji (No equivalent raga)
94 Mudhirnadhakurinji (Suddha Dhanyasi)
95 Payyulkanji (Yogini)
96 Kondargiri (Kannada Gavlai)
97 Anuthrapanchamam (Kamala)
98 Andhaalipaadai (Bahudhari
There are many ragas in the name of Kannada and Karnataka. We don't find any raga with the name of other languages.
Example:
Kannada, Kannada Bangala, Kannadagowla, Gowla Kannada, Kannada maruva, Sama Kannada, Navarasa Kannada, Sindhu Kannada, Karnataka Behag, Karnataka Devagandhari, Karnataka hindola, Karnataka Kaapi, Karnataka Khamach, Karnataka Saranga, Karnataka Shuddhasaveri etc.
But sorry to say , it's a injustice don't had problem with the two stream of Indian music system , but there also a third stream of Indian classical music exists as odra magadhi whose main contribution was jayadeva , banamali , kavisurya who are main prominent vaishanavas those days in odisha , like we see in other calssical music systems .
Ya I know
It's oddisi sangeet
This is such a good series. Please keep uploading more ma’am 😊
A good production. But it needs versions with subtitles (in the least) in English and possibly other Indian languages. There is as much need to spread the glory of Carnatic music in non-Hindi speaking areas among the general masses as in the Hindi speaking areas.
Good.. But you should have mentioned that during of purandararu only this South music got the name as karnataka sangita
Thank you for such helpful videos
Subtitles are not available ! it is very easy to generate them
Please upload the next part soon
Very thankful to you all...
Here all actor's are acted well as south Indian how ever Carnatic music is one of best ever
Syama sastry did lot of contribution to anandabhairavi Raga often it favourite Raga of syama sastry 😍
Why cannt we think about Hindusthani Music before Mughal Era ? Its more than 5000 years civilisation.. need to put more efforts.
It's like language if we think like that hindi is also 5000 years old as at some point it evolved from other languages.
Very good exposed all realty tks
It's Kannada NOT KANNAD It's like Hindi not Hind. Please correct it. Pronunciation blunder.
Brother Kannada is called Kannad in Hindi. She is speaking in Hindi.
In Tamil, English is pronounced as Aangilam. It would be odd if someone giving entire talk in Tamil to say English. it is more apt to say Aangilam in Tamil
Enda hedti Kannad padgol Andre ratnang Prana.
....
Kannad suddig enra bandre...
When GP Rajaratnam poetry was praised even though he wrote Kannad, what is the problem North Indians pronouncing Kannad.
@@raghu4utube uneducated poet we don't know him
Superb
But you should have mentioned that the name came because of purandara dasaru..karnataka music... Not from tamil..purandara dasaru made the system because of purandara dasaru only this got the name as karnataka sangita.... Origin is karnataka
❤️🔥
U know Tamil people all ways fake history 😂 alll know who ruled South India
Ever heard of annamacharya( telugu) much older than your purandaradasa. Purandaradasa made a system for teaching carnatic music which already exists
It's not ಕರ್ನಾಟಕ, it is ಕರ್ಣಾಟಕ ಸಂಗೀತ...
dei. annamacharya from telugu predates purandara das and composed some 320000 songs in carnatic music. and telugu absolutely dominates carnatic music because of it being a lyrical language.
Super no words to Express
🙏🙏
Wahh
No English ?
Most of the songs sung by vijaya prakash sirrrrr...
English subtitles please T_T
"Vidwan Prince Rama Varma proves scientifically and logically as to why south indian Carnatic music is called Karnataka Kannada Sangeetha" Madam Please correct the title of the course. The word ' Carnatic ' is distorted (by invaders) version of the original divine name ' Karnataka Sangeetha'. Let students learn correct history.
Terrible, looks like The legendary Hindustani musician is misled about South Indian classical music
She thinks that Tamil music is South Indian music
I respect the legendary Hindustani musician but she should not talk about areas that she is not comfortable with
reading some blocks and getting snippets from certain gurus. Some of the South Indian musicians and interacting with select channels.
the wholesomeness of the South Indian classical music is beyond one state.
South Indian classical music includes music from Andhra Pradesh where Dr Balamurali Krishna Hails from
also from Tamil Nadu where legendary violinists like MS Gopalakrishnan come from
Karnataka where is vaggeyakaras like Mysore Maharaja Sawai comes from
Kerala where great composers and musicians like Swati Thirunal hail from
She misses the most important treatise, amongst many- bharata’s natya sastra or Sangeeta ratnakara etc
It is not Karnataka Music. It is Tamil Music. They have stolen from Tamil Nadu & Renamed it as Karnataka Music...
Vijaynagar empire was known as Karnataka empire and it had the entire Karnataka tamil nadu telengana Andhra Pradesh and Kerala under its rule. So purandara dasa who is father of Karnataka sangitham was from Udupi in Karnataka so it is known as Karnataka sangitham you fool
@@shankarraodiddepura6287 You Nonsense people should study the history. then only you can know where & how the Karainataka (Catnatic) Music has been created from Tamil music.Originated at Tanjore District of Tamil Nadu
Telugu stands tall in Carnatic music
Sundara Telugu
Why do Tamils keep embarrassing themselves with clowns like this? 😳🤦♂️
@Vidya CK Annamacharya is older than purandaradasa 😎