Subharmonicon > WMD Orion > TRex Replicator > Lyra 8-FX > Bruxa > WMD Orion. Both Lyra and Bruxa are delay-filters, sort of like a comb filter. "Filter" is resonance, and "Absorb" is cut-off. What gets "interesting" is that in a series of delays, they can accent unheard faults of the previous delay. Using them in sequence produces a harmony-drone sound. Try plugging the top CV out (gold squiggle) into the Filter input, set the +- knob towards the -.
Great jam at the end. Stopped watching and just listened. On the fence though if I should order Bruxa, get a Strega or just chill with Echophon and Mimeophon.
They're only making a couple hundred of them, so probably worth getting and if you end up not needing there'll definitely be a used market ready to pick it up....
Not exactly. From the Make Noise website “It is a new evolution of Tony and Alessandro’s original prototype circuits which eventually became the Strega’s Time/Filter Experiment.” Elsewhere they described Bruxa and Strega as cousins with a common ancestor (or something like that).
Not quite. Has some different levels of clarity coming out of it vs the Strega’s circuit. Also having some cv out and modulation of the absorb/fine tune of the delay is great for subtle shifts.
Yes, it is. Same chips, similar feedback paths/architcture. Extremely similar in sound. They like to mistify it with some alchemical-techno-babble, but it's just basically a few pt chips in series to create delay taps, there is a multimode filter in one part of the feedback circuit (FILTER) and a second lowpass filter in the feedback (DECAY) path from the last tap to the input (ABSORB). Strega has three PT chips, Bruxa has two, so it's a bit more controlled and less noisy/rowdy.
16:30 😳🫢🤌
Just wow. Can't wait to receive mine.
I’m waiting for the cinematic treatment
Subharmonicon > WMD Orion > TRex Replicator > Lyra 8-FX > Bruxa > WMD Orion. Both Lyra and Bruxa are delay-filters, sort of like a comb filter. "Filter" is resonance, and "Absorb" is cut-off. What gets "interesting" is that in a series of delays, they can accent unheard faults of the previous delay. Using them in sequence produces a harmony-drone sound. Try plugging the top CV out (gold squiggle) into the Filter input, set the +- knob towards the -.
It’s not a BBD delay. It’s a PT2399 like the Lyra 8 fx and NLC Delay No More(and the other NLCs)
Correct, I just looked at mine. The Soma Lyra 8-FX uses two PT2399, and the Bruxa uses three PT2399 chips. Different designs, different sounds.
Great jam at the end. Stopped watching and just listened. On the fence though if I should order Bruxa, get a Strega or just chill with Echophon and Mimeophon.
They're only making a couple hundred of them, so probably worth getting and if you end up not needing there'll definitely be a used market ready to pick it up....
@@JohnSchussler I think there's over a thousand. That was the chat on modwiggler at least.
That... sounds remarkably similar to the Strega's delay section. Did they just rehash the circuits for this module?
Not exactly. From the Make Noise website “It is a new evolution of Tony and Alessandro’s original prototype circuits which eventually became the Strega’s Time/Filter Experiment.” Elsewhere they described Bruxa and Strega as cousins with a common ancestor (or something like that).
Not quite. Has some different levels of clarity coming out of it vs the Strega’s circuit. Also having some cv out and modulation of the absorb/fine tune of the delay is great for subtle shifts.
Yes, it is. Same chips, similar feedback paths/architcture. Extremely similar in sound. They like to mistify it with some alchemical-techno-babble, but it's just basically a few pt chips in series to create delay taps, there is a multimode filter in one part of the feedback circuit (FILTER) and a second lowpass filter in the feedback (DECAY) path from the last tap to the input (ABSORB). Strega has three PT chips, Bruxa has two, so it's a bit more controlled and less noisy/rowdy.