Hey everyone! Thanks for checking out this weeks video. I managed to get the direct audio capturing on my screen so thats great! Hope you all enjoyed :)
as the guy who requested some mixing-content i feel very satisfied, thank you! :) will probably pull this video up again next time i get motivated enough to produce something :D also nice playing and nice track of course! keep it up, looking forward to what you got in store for us :)
It’s so cool to see this process and I like how you explain what each thing you add does and show the difference between on and off. Very inspiring and helpful for many including myself. Thanks Connor!
Love this series! I am just curious why you bounce in place so early on in the track build-out. Is it to mitigate CPU load? I always feel leery of bouncing without mixing first - I can never commit to a tone too early on I suppose.
@@ConnorKaminski makes sense. I think I need to do this more often. Simply commit to a tone and it relative eq settings early on, might help me to not dwell on the little stuff and finish songs faster! Keep up the great content!
absolutely! just had a LOT of projects to juggle at the moment, including something very special dropping sooooon but yes absolutely, ill get back on that!
press cmd+F. That brings up the flextime of all your audio. find the track you want, make sure you're on polyphonic, and then you can start dragging the transients of your performance. obviously the goal is to be as bang on the beat from the get go but in videos like this where im literally recording as i write, it just makes it a bit easier to get a glued sound. hope that helps!
Call me an old timer but It pains me sometimes to see those Ai plug ins to morph and transform vocals to sound like anyone in any style for the least effort and talent., and then i see stuff like this composing with drum samples instead of a real drummer and i say to myself., yeah i think i know where were all heading 🫤
The first example is legit, since vocals are fairly accessible to record compared to drums. Getting real drums from the get go is a big leap, not suitable for most home-recordings. On the final recording though, I believe real drums make a huge difference.
Programming drums isn't new. Certain people have been whining about it for over a decade at least. Recording drums at home isn't really an option to most bedroom musicians: drums are super expensive, the mics aren't cheap either, you'd need a proper mixer instead of an audio interface and on top of all that, drums are loud as hell. "Hire a drummer to play and record the stuff", you say. That costs a shit ton of money too. You still have to know how drums and drummers work to get an authentic sound out of the software: velocities, humanizing the shit etc. If you have the resources to record live drums, that's always the best option, obviously. It just isn't reality to most bedroom musicians.
Hey everyone! Thanks for checking out this weeks video. I managed to get the direct audio capturing on my screen so thats great! Hope you all enjoyed :)
Thanks a lot for recording these longer format videos that go much more into detail about your composition and recording process.
Stoked we got another one of these dude!
This gives me Garden In The Bones kinda vibe, love it!
as the guy who requested some mixing-content i feel very satisfied, thank you! :)
will probably pull this video up again next time i get motivated enough to produce something :D
also nice playing and nice track of course!
keep it up, looking forward to what you got in store for us :)
Thanks man you've given me inspiration to try this out for myself. Hope to get to your level of playing one day.
very inspirational thank you keep them up !!! went to my DAW and Nolly X to record right after watching this :D
this series is super helpful for me!! thanks for making this
im hooked in this series. learning alot :)
i love production videos, amazing Connor 💥💥
It’s so cool to see this process and I like how you explain what each thing you add does and show the difference between on and off. Very inspiring and helpful for many including myself. Thanks Connor!
Loving these, Connor! Thank you!
OMG this could be an amazing song, please do so. thanks for a great lesson.
Thanks, Connor! ♥
Love this kind of content.
@@kevinp_25 thanks! It means a lot
Cool! ❤
😎🤘
This is such a great video man!!!
Amazing video mate ! Captivating ! Learnt a lot, thanks 👍🏻
Sounds epic 🎸
awesome
Cool as always! But what exactly makes it „progressive“?
Love this series! I am just curious why you bounce in place so early on in the track build-out. Is it to mitigate CPU load? I always feel leery of bouncing without mixing first - I can never commit to a tone too early on I suppose.
@@digital360 I can’t remember why I did this, I think I just wanted to avoid any weird cpu issues whilst I was also screen recording hahah!
@@ConnorKaminski makes sense. I think I need to do this more often. Simply commit to a tone and it relative eq settings early on, might help me to not dwell on the little stuff and finish songs faster! Keep up the great content!
Any chance to continue with the ‘my guitar collection’ videos?
absolutely! just had a LOT of projects to juggle at the moment, including something very special dropping sooooon but yes absolutely, ill get back on that!
Did you show the settings you were using in Plini X for the main melody? I didn't see it.
sorry i didnt but it should be available as a preset in the future for a cool project im involved with :)
A perfect recipe to sound exactly like 6578 other instrumental bedroom guitar players
There’s a market for the sound then I suppose 🙂↕️
what were you doing in Logic to nudge the bass notes like that?
press cmd+F. That brings up the flextime of all your audio. find the track you want, make sure you're on polyphonic, and then you can start dragging the transients of your performance. obviously the goal is to be as bang on the beat from the get go but in videos like this where im literally recording as i write, it just makes it a bit easier to get a glued sound. hope that helps!
Call me an old timer but It pains me sometimes to see those Ai plug ins to morph and transform vocals to sound like anyone in any style for the least effort and talent., and then i see stuff like this composing with drum samples instead of a real drummer and i say to myself., yeah i think i know where were all heading 🫤
The first example is legit, since vocals are fairly accessible to record compared to drums. Getting real drums from the get go is a big leap, not suitable for most home-recordings. On the final recording though, I believe real drums make a huge difference.
Programming drums isn't new. Certain people have been whining about it for over a decade at least. Recording drums at home isn't really an option to most bedroom musicians: drums are super expensive, the mics aren't cheap either, you'd need a proper mixer instead of an audio interface and on top of all that, drums are loud as hell. "Hire a drummer to play and record the stuff", you say. That costs a shit ton of money too. You still have to know how drums and drummers work to get an authentic sound out of the software: velocities, humanizing the shit etc.
If you have the resources to record live drums, that's always the best option, obviously. It just isn't reality to most bedroom musicians.
8:41 me checking every cymbal to find the best one, since Logic doesn't help with the mapping 🥲