JOE DIORIO, always an inspiration, always mind enhancing, creative to the greatest heights.... for ever grateful to know of this amazing musician / guitarist... THANK YOU, Rest in peace Joe.
One of my all time favorite guitar players. This is so amazingly simple the way Joe explains it, seems within reach but of course difficult to achieve. Very helpful!
Maestro Joe Diorio sharing stories of Maestro Joe Pass over a cup of Joe is priceless. Although he was inspired by the great Art Tatum, I hear a lot of Jimmy Raney and Jim Hall in his playing. I will definitely just go for it from now on. This is a priceless video from one of the all-time greats! Thanks for sharing.
Joe’s playing is/was so often anchored on his left-hand’s pinky’s strength and abilities; he was such a phenomenally strong left-hand ‘pinky’ player and, he was so fluent in so many aspects that this characteristic would or could simply pass one by without being noticed. His overall chordal reach and inventiveness, because of his pinky’s strength, was one of his greatest creative strength’s, so I believe. RIP Joe
Thank you! Was such a great player and person. Underrated, unknown, and under appreciated. Truly one of the greats. So many ideas in his playing of Stella and Autumn Leaves….sounds so fresh and original years later….I’m gonna be busy for a while. Truly inspirational!
Wooooo…next level. Technique, feel, ideas, concepts, musicality…sublime Such a nice musical experience that literally unfolds before our eyes and ears Just wow!
Thx for this candid video. His wit, creativity & ES175 charmed me. Haven’t listened to enough Joe D’O yet⚡️ Loved his post improv landings back into reality of the lesson. Classic & hilarious!
I haven’t heard of Joe Diorio for years , didn’t he have a Guitar Player jazz article with lessons ? His Stellar was stellar. I could listen to this all day.
Great channel. Thanks for sharing. I was searching for anything on Vincent Bredice (my old teacher), and this came up. Saw Joe when I was just a kid in Miami, some...I don't know, maybe almost 40 years. 😅
This is how it was at G.I.T. for me...he'd sit in his office and rip up the fretboard....I was always blown away by his mastery....he was such a cool cat...suspender man was my nickname for him....R.I.P. Joe Cool....
Joe D.. and Joe Pass must have been classmates from the same Music School.. which sadly do not exist in these modern times.. These master quitarists only comes along once in once own Lifetime.. we miss them all when they move on to the next place... A BIG THANKS TO ALL OF THE Great Ones.. for whom we all owe a great deal for sharing their passion , for encouraging and showing us mere mortals to follow our own .. GREAT VID & THANKS FOR POSTING WHOM EVER YOU MAY BE..!!👍🏻👍🏻👏👏👏✌️✌️✌️
They didn't go to school together. There was no school to learn jazz back in the day. They worked at G.I.T. as teachers but they would jam and get together.
Fantastico querido mago de la guitarra, I wish you can show how to use the pentatonics? on different chords for blues, mainly witch is what I'm trying to bring my life back been disable is very hard, thanks my friend and hope others go your way with that touch of class and knowledge , love you my friend, thanks George
@geosantel As far as I understand Joe's approach he shied away from the pentatonics and other scales. I'm new to his teachings, so I'm sure I'll be corrected if this isn't right. Track down his book Intervallic Designs for Jazz Guitar. In that he has many pages of scales and arpeggios he has created after abandoning the traditional scales. These have blown my mind. So much melodic and harmonic greatness in them. It's very clear to me, as I've read from others years more advanced than I am, that this is the way to go and rigid adherence to pentatonics etc will hold you back as jazz player. You can find the book online easily and it is a treasure trove of answers to your question.
I studied with his teacher, don't knock Joe, he had nothing to hide, he knew his theory well and worked for it. He could play any style and he was outstanding in every way. The only people that picked him apart were jealous and exposed players that hadn't or couldn't reach his level. Many greats are always picked apart including Pat Martino. Where are the videos of you sitting in with them to show what YOU know? We don't care, we want to hear the masters not the wanna be's. Keep practicing, we'll be watching for you! I saw and met Tal Farlow, want to pick him apart? He could also do things you have never seen or heard. How about Barney Kessel, I knew Barney, a super nice guy that no one today can even touch. One thing they all had in common besides talent was they had nothing to hide.
I emailed him many years ago and he told me he used a custom set. its basically like a set of .009's but he would replace the 1st string with a .011 if I recall correctly
I never understood why a jazz player usually has the most expensive guitar, only to plug it into a shitty transistor amp and to roll the tone knob down? For such a muffled sound you could use any cheap Chinese guitar
Never understood how a rock player could play an A major chord in open position in one amp with heavy distortion - not like the sound of it because the midrange is scooped in a way only noticeable to anyone with dog ears - then plays the same A major chord in *another* distorted amp and says “ahhhhh”. Some things aren’t meant to be understood.
Possibly the greatest intro to a video in world history
There's some pretty slick production values on display..
Lol
Yeah wtf!? I need this track as an alarm clock. Not to mention in general on Spotify. Is it even a real song?
Joe, so glad I knew you in person.
JOE DIORIO, always an inspiration, always mind enhancing, creative to the greatest heights.... for ever grateful to know of this amazing musician / guitarist... THANK YOU, Rest in peace Joe.
I had one open counseling meeting with him..He was Really Kind and Great person as well as a Great Player...Thank You Joe
Thank you for uploading these. Watching him play Stella out front is truly a treat.
Glad you enjoy it!
A great Guitarist the earth has never known... So much creativity and much spurs of emotions...
Rest in peace Joe
dearest teacher I remember when I shook your hand .. we all miss you very much 😢
One of my all time favorite guitar players. This is so amazingly simple the way Joe explains it, seems within reach but of course difficult to achieve. Very helpful!
Great stuff ❤
Thanks ✌️
Thanks Joe, for you books! You were an awesome player and teacher.
Maestro Joe Diorio sharing stories of Maestro Joe Pass over a cup of Joe is priceless. Although he was inspired by the great Art Tatum, I hear a lot of Jimmy Raney and Jim Hall in his playing. I will definitely just go for it from now on. This is a priceless video from one of the all-time greats! Thanks for sharing.
Your welcome!
Jeff Berlin killing on that intro just got me going! What an album! Joe was awesome
Which album is it?
joe - the best teacher i ever had! missed the chance to say it again....rip
One of our great Jazz musicians - Thank you for leaving us this wonderful lesson DVD, or VHS tape most likely
Joe’s playing is/was so often anchored on his left-hand’s pinky’s strength and abilities; he was such a phenomenally strong left-hand ‘pinky’ player and, he was so fluent in so many aspects that this characteristic would or could simply pass one by without being noticed. His overall chordal reach and inventiveness, because of his pinky’s strength, was one of his greatest creative strength’s, so I believe. RIP Joe
His style is genuinely his own
Yes!
Thank you! Was such a great player and person. Underrated, unknown, and under appreciated. Truly one of the greats. So many ideas in his playing of Stella and Autumn Leaves….sounds so fresh and original years later….I’m gonna be busy for a while. Truly inspirational!
BRILLIANT! The master at work. He was only of my teachers at GIT in 1981. love about 2nds...
Wooooo…next level. Technique, feel, ideas, concepts, musicality…sublime
Such a nice musical experience that literally unfolds before our eyes and ears
Just wow!
Well said!
Geniuses are usually not the best teachers, but man are they fun to watch
great comment!
Gene e i...
I was thinking the same. He’s not the best teacher but I did manage to get something from this video.
We must’ve watched different videos. He was a phenomenal teacher.
Joe is a humble genius. Thank you Joe
Thx for this candid video. His wit, creativity & ES175 charmed me. Haven’t listened to enough Joe D’O yet⚡️ Loved his post improv landings back into reality of the lesson. Classic & hilarious!
Stella By Starlight sure was a workout for the fingers! To remember all those chord changes and runs without the aid of sheet music is no easy feat!
Love seeing this. The guitar is an appendage to his body. Just a part of his living body. That's a true guitarist.
THanks!
A treasure! R.I.P. one of the greats!
Bouche bée devant un tel savoir !le top de ce que peut être un guitariste 🙏
Guy was totally unique. Love him.
I haven’t heard of Joe Diorio for years , didn’t he have a Guitar Player jazz article with lessons ?
His Stellar was stellar. I could listen to this all day.
I'm not sure in Guitar player but hid did teach at G.I.T. (Musicians Institute) for many years.
I got to hear Joe at Birdland with Larry Coryell and Jack Wilkins. I caught all 6 sets. Magical.
Great channel. Thanks for sharing. I was searching for anything on Vincent Bredice (my old teacher), and this came up. Saw Joe when I was just a kid in Miami, some...I don't know, maybe almost 40 years. 😅
Great teacher, always has been.
Muchas gracias.
This is how it was at G.I.T. for me...he'd sit in his office and rip up the fretboard....I was always blown away by his mastery....he was such a cool cat...suspender man was my nickname for him....R.I.P. Joe Cool....
Joe D.. and Joe Pass must have been classmates from the same Music School.. which sadly do not exist in these modern times..
These master quitarists only comes along once in once own Lifetime.. we miss them all when
they move on to the next place... A BIG THANKS TO ALL OF THE Great Ones.. for whom we all owe a great deal for sharing their passion , for encouraging and showing us mere mortals to follow our own .. GREAT VID & THANKS FOR POSTING WHOM EVER YOU
MAY BE..!!👍🏻👍🏻👏👏👏✌️✌️✌️
They didn't go to school together. There was no school to learn jazz back in the day. They worked at G.I.T. as teachers but they would jam and get together.
Let's talk about solo guitar today... after a minute of Jeff Berlin noodling on his bass. Never the less, Joe is killing when he get's going...
Joe is just awesome and the fact that his day job was as the underboss of the Gambino family is cool! Lol
this was cutting edge learning back in the day.
It still is
Its still very much is. His sound is ultra modern
Great lesson, wisdom and sense of humour, thanks for sharing!
Q.E.P.D. Joe 🙌
impresionate , gran maestro !!! Descansa en Paz
Joe Dorio Meraviglioso
Impressive in every way
RIP legend.
Muito bom fantástico, se trata de um gênio maravilhoso!!!!👏👏👏👏
Fantastico querido mago de la guitarra, I wish you can show how to use the pentatonics? on different chords for blues, mainly witch is what I'm trying to bring my life back been disable is very hard, thanks my friend and hope others go your way with that touch of class and knowledge , love you my friend, thanks George
Hope you are well God loves you deeply shalom 🤗🐼♥️✝️💐 Philippians 4:8
@geosantel As far as I understand Joe's approach he shied away from the pentatonics and other scales. I'm new to his teachings, so I'm sure I'll be corrected if this isn't right. Track down his book Intervallic Designs for Jazz Guitar. In that he has many pages of scales and arpeggios he has created after abandoning the traditional scales. These have blown my mind. So much melodic and harmonic greatness in them. It's very clear to me, as I've read from others years more advanced than I am, that this is the way to go and rigid adherence to pentatonics etc will hold you back as jazz player. You can find the book online easily and it is a treasure trove of answers to your question.
I studied with his teacher, don't knock Joe, he had nothing to hide, he knew his theory well and worked for it. He could play any style and he was outstanding in every way. The only people that picked him apart were jealous and exposed players that hadn't or couldn't reach his level. Many greats are always picked apart including Pat Martino. Where are the videos of you sitting in with them to show what YOU know? We don't care, we want to hear the masters not the wanna be's. Keep practicing, we'll be watching for you! I saw and met Tal Farlow, want to pick him apart? He could also do things you have never seen or heard. How about Barney Kessel, I knew Barney, a super nice guy that no one today can even touch. One thing they all had in common besides talent was they had nothing to hide.
Nasceu p isso
Amazing...
SENSACIONAL!!
yeah man !
thx for sharing this 🙏
I see he is using a unwound 3rd , what was his string gauge ?
I emailed him many years ago and he told me he used a custom set. its basically like a set of .009's but he would replace the 1st string with a .011 if I recall correctly
@@ES175jazz interesting, thanks
A master.
What song was the intro? Is that a Diorio tune?
Probably just made that track for the video. If you like that song you should check out "Minor Elegance" joe diorio w/ Robbin ford.
ES175jazz is most likely correct that it was a jam Joe made for the video. I’d offer to guess that’s Jeff Berlin on bass, if so.
Yes it is a real tune, it is on his album 20th century impressions I believe.
What was the final outro music?
What was the intro music?
You think you could make the intro any longer?
What song was that?
14:57 - 15:10 = Jazz
What effects is he using?
nothing...maybe some reverb?
Super
I see Joe was sweeping before Frank Gamble.... : )
Wow!!! this is a better tutorial on the topic then any of Joe Pass's videos -- sorry Joe.
❤
Cats like joe diorio hear music differently to us mere mortals on the planet
Show!!!!!
Is that an L-4?
Yes Sir!
Nice recommendation youtube.
Glad you think so!
His notes have a percussive quality like a Fender Rhodes....
I polish my shoes!
In other words have a relatonship with your guitar and get to know it and feel.it.
✨🎵
Mario bross sound...
I never understood why a jazz player usually has the most expensive guitar, only to plug it into a shitty transistor amp and to roll the tone knob down? For such a muffled sound you could use any cheap Chinese guitar
It’s how it plays and feels in your hands, not the electronics.
Shut up and listen to the master !
Never understood how a rock player could play an A major chord in open position in one amp with heavy distortion - not like the sound of it because the midrange is scooped in a way only noticeable to anyone with dog ears - then plays the same A major chord in *another* distorted amp and says “ahhhhh”.
Some things aren’t meant to be understood.
I agree that a lot of jazz guitarists need a little more edge in their sound, but joe sounds great. Also, how jazz guitar is RECORDED is a big factor.
He should shave.
Big master !!
❤