Everyone Who Leaves Sony Eventually Realizes This
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- Опубликовано: 7 фев 2024
- Are you thinking of switching from Sony to Canon or Nikon? Maybe Fuji for the colors? Panasonic for the stabilization and video tools? The grass is always greener on the other side. Watch this before thinking of switching your camera system.
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sometimes, in my experience, the grass is always magenta on the other side
😂
M only complaint with Sony color is the brown tones in my wildlife photography. My A1 is better than the A7iii, but it still leaves a little to be desired.
I find Canon to be over saturated, and Nikon to be nicely neutral.
My favorite is Hasselblad.
Hmm... IDK about always, but if magenta grass is your jam, Lomochrome has film that can do that.
@@taylorhickman84 I noticed that too. It's like you have to put a 4 million watt led and a football sized softbox in the forest to offset the green-yellow-brown color cast. Pana is the same though, possibly worse.
@@taylorhickman84I’m clearly playing in a different, much lower, league. I struggle just to spell hasstleblad.
Stopped switching a few years ago. Use what I got and play in post. All good.
Sony?
@@m4rcin847 yes. Went mirror less and haven’t looked back. All the brands are good now. I wouldn’t hesitate to shoot any system but all my glass is E-Mount. So staying put.
Interesting video! As a pro shooter, I chose my system when I started (in 1996). I've had no reason to change, and I've built up a mass of lenses and accessories over the years. It is called a 'system' for a reason. Even so, I do use the odd 'off-brand' camera, for specific purposes. Sony's slomo is fantastic, though the buffer and trigger is a mess. Fujifilm offers amazing options if you want a general point-and-shoot. But overall, I think the bottom line is this: It is not about the camera. As longs as you have good glass and a pro level sensor, you'll get by. Frankly, I've bought tons of gear from guys who decided to switch - suits me down to the ground :) Pick a system and stick with it, there's no reason to flip-flop, it'll just drain your cash. And when a different brand does something amazing that your brand doesn't do - just wait. They all do the same thing after a while...
Great points
That’s why i chose Sony, way better lens choices in the mirrorless world and fantastic pro support
Gear is only gear. And if you understand that your system is limited to you or you want to grow in a different way then why should you be stuck with one system?
It's good to see you back outside, even if it looks like Arctic winter.
Haha 😂
It's 47ºF in Toronto today. That's not snow it's salt crystals laid down by Toronto Roads dept. To rust foreign cars.
Timing is so funny… I switched away from Sony last year. Now I’m constantly scrolling B&H and used camera sites, lusting to come back. So irritated that I tried to get to that greener grass that doesn’t exist.
Visit the Mars to get reg grass, redder than Fujis green ever used to be.
I love Flat Earth Santa. He has brightened the day of many people through his generosity to this channel. I realize that the odds of him seeing this message are low. But thank you, Flat Earth Santa! And thank you for showing us that there are a million ways to make this world a better place.
who is the flat earth santa he is referring to
@@anonymousl5150
😮
Switched from Black Magic Pockets to an FX3, the grass most certainly, undeniably, greener. I mean a whole new shade of green I had never discovered. Traveling and filming has never been more fun. Having such a small camera pack such an incredible look. For what I do, it is practically a pocket Arri. Absolutely love it.
Buys Sony --> Finally I can control EVERYTHING --> Oh god I really hate post processing --> Avoids camera --> I'll just use in camera settings --> Hates self --> Why am I doing this --> Sells Camera after months of it sitting around --> Buys next Sony.
Exakt ❤
Truth bomb haha well said 😂
Is that why there are so many Sony cameras on used sale that have such low shutter counts? I always wondered because for me as a disgruntled Nikon user, all I want is decent AF at this point. That way, at least there would be something worthwhile to post process 😄
@@CC3GROUNDZERO Most Sony's with low shutter count were probably used primarily for video, so shutter count wouldn't be an ideal indicator of use. I sold my s3 and it had like a shutter count of 75, but I used it a lot for video.
i have the a7iv and the z8 ... the colors are def better on the nikon and the autofocus is extremely similar , so do with that what you will
The grass is greener with Sony, and skin tones, sky, food, just about anything really 😂
😂😂😂
🤣 That's for damn sure!@@Sourav1973
lol!!!!!
One of the great advantages of being a Canadian videocameraer is the gorgeous low winter sunlight. Driving south into this light looking in the rear view mirror you can see deep into your nostrils, Today I think I might have even seen my brain. Skidoo careful!
I have no regrets switching from Sony to the Pany boy s5ii. Much better stab, open gate, i like v-log better than s-log3, shutter angle, and more. The grass was in fact greener for me lol
What lens(es) are you using?
I just got that camera and its seems a little heavy to me but maybe thats because i used a Fuji X T30 before that. Video Quality is amazing tho and the menu system much better.
And the S5II has almost as good low light performance with much higher resolution, so I can actually use it for still photography as well.
Yeah me too I switched a couple of years ago from Sony to a Panasonic S5 and I haven’t looked back
Why is v-log better than s-log3?
Just left Fuji after 4 years for Sony, I couldn't be happier. The grass was greener for me, full frame is so crispy, sony autofocus is absolutely magic, the lens choices are awesome, over all a much better tool system for me.
I went the other way. I couldn't stand the Sony colors. I hear they have gotten better since the A7s2 and the A6400 but the stuff is priced too high.
Staying with the GH4.
Same here
pro photographer, had to retire due to health problems, ( also lost use of left hand ) sold all my expensive Nikon gear, went back to a GH4, in 2023. Have the 12-35mm f2.8 and forgot how good it looks. Very light and easy to operate 1 handed. Not as fast or quite as good of images as my Nikon stuff, but plenty good enough for most people. So light too. The body and lens weigh less than just the Nikon 24-70 f2.8 alone. Maybe the grass wasn't greener on the other side of the fence, it tasted better though.
Your furry hood in those slow motion clips was mesmerising😵💫
That pocket 3 Topaz slo mo was glorious.
Such a pleasure to watch, love the winter clothes 🌨️
This channel cracks me up - I've been watching for years. I still need to figure out what he says fast at the end. Please tell me.
You forgot to include "Panny Boy" at the end rant.
I was thinking the same thing. Hopefully they’ll impress everyone later this year😂
Do you think the A7CS will come with everything in the A7S3 plus animal eye detect plus better stabilization in a smaller form factor? Would you consider upgrading to that?
Such a fun video, well done. You must be in the GTA area as I noticed the poor snow coverage... oh where did winter go!
Canon 5D3 with magic lantern for static shots, Pocket 3 for moving and more actiony shots.
14 bit lossless is a menace, still got CF for 2k continuous RAW but shorter shots because filesizes, and then overclocked high capacity SD for 1080p lossless to use with longer shots (interviews etc)
Glad to see that it's been years, but you're still running across the street in slow motion
Love those intros with you running in slow mo and man that music. Love it. Is that your music where can I download it to listen to?
vegetablepolice.bandcamp.com/
I’ve been using LUMIX G9II, and I miss Sony A7IV’s stills/video/S&Q switch. I’m never getting rid of Sony. I wish they could get better IBIS.
you know nikon has this switch since nikon z6 in 2018 lol
Panasonic has it on the dial, not sure how difficult it is to turn a dial versus flipping a switch. Sounds like a serious first world problem. "Oh my arm its breaking in two from turning this dial!!"
@@SMGJohn Seriously 😂
@@SMGJohn Yes. I still like the switch
I have been seriously considering that camera. How do you like it? How does it camera to your A7 IV (I know that is an unfair comparison).
I watched all the ads... you're welcome. You can now buy a Lamborghini. That last slow mo run was bitchin.
but first, gotta buy more bookshelves
You rock. He'll probably use the lambo money and buy an a7sIV to complain about it being his worse nightmare (everything he wanted 😂)
The old Sigma reflex with Foveon are the one that get the best grass green... But it's photo only, it's stuff for photographers!
it's like the a6000, I still use it daily, love it.
You should check out the 6100 it’s around the same price and it’s autofocus is just like my a7iv and it does unlimited 4k
A6000 was my first camera. It rarely, if ever missed focus in photos. In videos, I never thought about it. It seemed to know what i wanted at all times. I replaced that with the Fuji X T3, and while I love that camera, it's autofocus is FAR behind the a6000 in photos, and for video I only use manual mode (which in some ways has turned out to be a blessing).
@@zaddy6960 Crazy you say the x-t3 is worse than a6000 autofocus. Technically I had both but I never thought it was worse (but I didn't use the a6000 or xt3 in harsh scenarios) so I believe you.
@@phillipbanes5484 I'd be skeptical of "sensor improvement". I'd say more differences in how in camera the software processes the noise. The a6000 had more blue than something like the a6400, but neither should be expected to have accurate colors straight out of camera.
a6000 is such a classic, just sold my x-t3, got a gfx 50sII really loving it so far but I only use MF lenses.@@zaddy6960
I have a serious question because you use Topaz Ai a lot. Using Topaz AI, is it better to film at 1080p/120 and upscale to 4k? Or film at 4k/60 and interpolate to 120?
I use an a6400 and love it. It is the “perfect camera” for me. Because it works well and didn’t make me poor.
It’s an underrated camera.
What I don't understand about mist filters is this: wouldn't it be more functional and versatile to add a subtle glow effect in post-production, rather than during recording? Does a mist filter offer something that cannot be easily achieved in post-production?
That Avoca joint looked cozy and warm..
as a professional wedding film maker your reviews are the only ones that matter and are spot on! thanks! if sony could figure out pannys stability they would be the end all, I switched from canon to panny to sony... unfortunately reliable auto focus and ease of use wins out for me....
I'm a Sony guy too. But I'm curious what you think about Panasonic G line.
I did the same. Got Sony and sold it because I thought it was better on the other side. Tried canon and ibis wobbles and dynamic range killed it. Tried Panasonic which was close however the autofocus couldn’t keep up and it was a little tank. Tried Fuji which offered an awesome handling,good menu system and autofocus. However crop sensor will never compare to full frame in low light and image detail. Ultimately you find yourself coming back. Got an A7Cii recently and truly love it. If the crop in 4k 60 it would be perfect .
Ahhh my favorite channel with a new vdo😄 when will you do a live show answering superchat here or on the vegetable police channel?
What are your thoughts on the Nikon Z8 for video? If you look at the sales brochure you can see Nikon is pushing it as a video camera. Also records raw internally like a RED camera after Nikon won their court case. I’m not a video guy per se.
Stabe is the dealbreaker. I realized getting quick usable handheld shots without a gimbal is worth more than autofocus, lens selection and color science combined. So now I'm back to Panasonic obviously.
Which Panny camera did you get?
@@PWORLD3121 S5II and will probably get an S1 as b cam/portrait camera. Tested the S5II the last couple of days and as with most cameras there are some things you need to work around or be aware of but for my purposes i'm happy.
Agreed, I went from A7 III to S5 II X and the stabilisation is a game changer for anyone that's run and gun or casually documenting life (not shooting rigged up, on a set, with a gimbal etc) being able to just shoot instantly, anywhere - without having to think about it is amazing. It'd be impossible to go without it now I've tried it.
Also really like how it seems more "hybrid" the way you can pick what settings are retained or unique between photo/video was something that never felt as clever on the A7 III. All the UI and controls just make more sense and button bindings are super fast to modify. Really impressed with it - the only thing I miss would be better AF like Sony which I'm sure is a focus for Panasonic going forward since it feels like they've nailed everything else and this was already a great leap in AF for them.
There's something to be admired by how Panasonic just seem to not hold anything back and they just pack in as much value as possible.
@@Matt-fo4gg well it's not perfect (too much filtering unless you shoot vlog, especially in apsc mode which is basically useless, and rolling shutter). But it's so much more capable than the a7iii which is kinda antiquated now with 8bit and no 4k60. Not being able to get usable tripod type shots handheld with sony meant it had to go, i have had more footage ruined by that than by focusing issues.
So... youre selling the R8? how much?
Nikon goes a little heavy on the reds. For photos, I just reduce it in red channel by 10 percent. or -6. For video, you could reduce the reds a bit in color in software before editing. Simple fix. I think Nikon Full Frame is doing a great comeback with ZF, 6Zii and soon to be released Z6iii with vari angle LCD. You should also be able to save your color profile in camera using Neutral setting, slightly reduced contrast or reduced color. Then no issues. Latest firmware track subject better.
Switched to Canon R8, After taming the controls, I'm strangely very happy and content.
Man, thanks for making me laugh out loud with your frustrations about your DJI gimble. You made my day.
I was told today by ____ " (fill in major electronics retailer) that my pre-order of the x100vi is not going to ship today..or probably ever. I came here for consolation and was comforted by the thought that my Sony A7rii is all the camera I will ever need 10 years from now. I realize now that the color science is not greener on the other side...at least I know how to use my Sony. Really fast, actually, even with, dare I say it, my Voigtlander manual lenses.
I switched from Sony to Fuji, was 4 years ago, still don't regret it, and I use less and less raw for photos and also less log for video... It's awesome
also, the only people who like sony menus are those who have used them for years. fuji is great if you don't mind focusing yourself, autofocus is hit and miss. the colors are just another world to get lost in, filmsims and recipes.
I hope all your subjects are in focus because the autofocus is truly terrible and the cameras overheat like crazy this is coming from a wedding videographer
@@jose.miguelwong7306 i got an X-H2 and with the latest 3.10 Firmware Autofocus is really great... took it for a spin right after and took some photos of my kids and wife while i was moving. They were moving as well (older daughter was on her bike) and i was shooting from the hip (so without EVF) with the Viltrox 75mm 1.2 at f/1.2 and Eye detection AF. Only 4 out of 62 images were not perfectly in focus, but still usable. Viewing it on a phone you dont even notice that. With the X-T20 i had before i might have shared your opinion... but that combo really performs great and is my go-to.
@@cassijoannaif I'd care much about video í would've gotten an X-H2S... Never ran into that issue with my X-H2 recording 4K-HQ... But I never record continuously for more than 10-15 minutes ^^
@@jose.miguelwong7306 after the latest firmware update I took my X-H2 and the Viltrox 75mm 1.2 for a spin with my family. They were moving, I was moving and was shooting from the hip without EVF. All shots were taken with f/1.2, some even backlit because the sun was already low in the sky, so really challenging for the camera. Only 4 out of 62 shots missed focus, but not by much. On a phone screen you don't even notice it. Not worse than my old Sony A7 III with the sigma 135mm 1.8. So in that regard I don't share your opinion. With my older X-T20 however you got a point there.
I never had the Grass is Greener thing with Cameras and Lenses been with Nikon since 1971 and my Camera of the Year 2023 Z8 just got even better with the Firmware this week
You forgot to mention the amazing lens selection you give up, when you leave Sony. No other brand has the range of lenses and price points. From inexpensive starter lenses from makers like Samyang and Viltrox, to mid-priced Tamron and Sigma, to Sony's own G-Master lenses, nobody else offers the lens options Sony does.
I see Apple show masters of the sky has influenced the jacket ,great video
Using both Sony and BMPCC 6K Pro. The BMPCC colour is simply amazing. And the menu systems is the easiest to work with.
What do you think of the new Panasonic cams?
There are no new Panasonic cams. I've reviewed their latest cameras like the s5 II and G9 II.
I'm not sure what you're trying to say. Are you saying I should buy an FX3 and a Nikon Z8?
This is me, I already have the Z8, will sell my A7rv for the Fx3, I already have the 35-150 Tamron.
@@OkwyUgonweze do you have the 35-150 for Sony or Nikon, lol. I also have the 35-150, happy with it (with a7rv)
I do wonder, why do you prefer your Z8 over A7RV
The Freewell mist almost seems to have a slight ND filter/look to it, compared to the Ulanzi... But that's only noticeable if viewing the footage side by side with a microscope.
That's right... A MICROSCOPE! I take my job seriously as a professional RUclips commenter!
I sold my Canon gear last year (2x R5, 16-35, 24-105, 50, 70-200, 100-500) and bough a Sony 7RV with 24-70 GMII. About 80% of the images in the past I shot were in the range of 24-70. If more wide is required for landscape and architect images I can often work around by stitching images. The quality of the Sony lens and the high Mega Pixel allows to crop. Hence I can easily cover 90% of the shots which I did in the past. Yes I can not do all the pictures I did with my old equipment and the creamy images with the 50mm were outstanding. On the other side I take my new Sony much more often with me. The combo is so light and small. Some other advantages of the 7RV are the amazing autofocus and the higher dynamic range. I have been a bit disappointed with high ISO noise but thanks to the new Lightroom AI noise reduction it can be compensated. Also love the Sony App for GPS synchronization. But it took me a while to get used to the Sony menu. Also the feel of the camera in my hand is not so nice like holding a R5. I only shoot still by the way. Overall I do not regret making this step. Sony really impresses me.
The Ulanzi mist looks better to me. The exposure looks more even. Mmmm... Liver. The organ that filters toxins out of blood and turns them into bile. I personally would love to eat that, but I can't come up with a valid reason to poison myself. So many videos are shot on the Canon R5 as a studio rig that I have to believe it's the best choice for indoor video. Outdoor vlogging demands something simple to use. Is the Sony A7-III easy to use for vlogging? I haven't tried it but I can't imagine using a full frame camera body for run-&-gun that's for sure.
Can absolutely relate to this. Switched from the Sony A7S3 (because they didn't give us lens breathing comp which sucked) to the Lumix S5II. I recently switched to the Sony A7C2 again because of the massive support from companies in terms of accessories, lenses etc. The AF is also the best in the game. Won't switch from Sony again, lessons learned haha
I picked one up open box for $1998, still was able to register it aswell.
It's been a great camera!
I did the same ahaha, I had the A7C, bought the S5IIx, 2 videos with it, instant regret, it destroyed some of my footages because of completely out of focus on some clips...(the most important ones) bought the A7CII instantly after
The S5II is a better camera than the A7C II and it was on sale for $1,500. Something you'll never see from Sony's overpriced cameras that still sell for full retail a decade after release lol.
@@michaelbell75 Totally agree, thats why I still have my s5iix, I know one day with some update the autofocus will be as good as sony, and during this time, the A7CII will be replaced by another model with some new functions which could be just replaced by some firmware update instead on releasing another what ever new model again.... ahah
My A7IV is the best decision I ever made. My model clients love getting cinematic portrait videos to go with 33mp photos.
I loved the siii. Ill wait to see what they replace it with to see if im getting it or another siii. PP 11 and roll on with your life
The best camera RUclipsr on my feed. Critiquing photos is hysterical. I like almost every camera I have more than the A7SIII. Dealing with the noise using S-LOG or Prores RAW is painful.
Hi Casey, I have already chosen a camera system. However I sill watch every vlog of yours because it't entertaining, regardless of the color of your face 😄
I switched from Canon to Nikon and then to Sony. There are more reasons to stay with Sony than to switch to another system. My new A9-III is one more reason for me to stay with Sony. This camera is absolute madness. Anyone who says the opposite hasn't tested this camera yet or is just trying to talk themselves out of this camera.
The Ulanzi filter looks best because the image are the least sharp and have lower contrast, which is the Pocket 3's biggest weakness. But the image is overexposed. Optimal would be to use the Ulanzi with minus 1.5 EV compansation or so.
4:58 You sir are a movie 😂
A7S III + Tamron 35-150mm f/2-2.8 is basically THE best single-camera solution on the market today. Period.
I have the 35-150 and can't wait to get an A7S III because I don't need 60MP photos, I don't need cine functions, I don't need a workflow that takes forever to work through in Resolve, I don't need 30fps shooting, and I don't need a stupid amount of rigging capability.
But what I DO need (and pretty much what every single other aspiring RUclipsr needs) is the following: insanely good low-light performance and slow motion with really good autofocus in any scenario, 4K60 uncropped full frame, and the ability to record a clean feed externally. The A7S III does all of that, and does it really goddamn well. It's the 5D Mark IV of video.
How does that Tamron feel compared the g master lenses? I love your lens versatility rather me bringing my 2 G Master leneses
@@JasonCalPayne never used a G Master lens in my life, honestly. For APS-C, I have an 11-20 and an 18-50 (20-75mm total coverage FFE). For full frame, I have the 35-150 and that's it. If I'm going to be taking pictures or video and I KNOW I'm bringing my camera, I really don't care to carry too much weight.
The biggest thing about the Tamron is that you really need to make sure you have what I call a "rifle" stance - no weak wrists, solid posture, and good core support. Because it's a big, heavy lens and I usually use it on my tiny APS-C body, it's actually quite unbalanced. But I get 225mm equivalent, so it's not AS much of an issue. LOL.
Love the comments so much on videos like this. I had a Sony NEX 7 and a Fuji X-T1 as my main cameras.
Was at the point I wanted just one main system with just one main set of lenses rather than in all practicality the same focal range lenses on two different systems.
I went with Fuji in the end, and the main reason I would miss the Fuji a tiny bit more. Either did the job and surpassed my needs and ability with a new or newer body. We all need to look at the question and start to realise buy a good camera, and it will outperform you. Do we all strive to have our daily runaround as the latest F1 or Indycar ? A camera is like a car. it's there to do a job. Do we need the camera that focuses a 10th or 100th of a second quicker. It was not that long ago and within the lifetime of many a photographer we only had manual focus, it was not that long ago we had a 24 or 36 exposure and then had to put fresh film in and wait days or weeks ro see the images to dind out if they where good.
A7SIII rocks but lacks in the stabe. I have recently bought a Lumix G9ii and the stabe and AF is so good it has become my go to camera
Perhaps the G9ii? I think for most consumers Sony works very well and they still make some smaller cameras..think the a6700 might be one of the best choices or A7cii (passable IBIS). Hey, when are you going to test the Obsbot Air?
I've got a G9 and am very happy with it. I use a Meike cinema lens with fantastic manual focus.
Which focal length / aperture is the Meike lens you use?
@cb2000a
curious question why do say verse , instead of saying versus as in us vs them , is it a regional saying ? i'm miami florida we say this lens versus that lens , but no verse that lenses at it doesn't sound complete , anyways just asking and curious thank you :)))
Man in follow you to soo much time..
And you are soo right.
Maybe ive found the perfect camera for you...
Lens depend but usually from 12 to 120
Internal prores
Internal RAW
Internal encoding RAW to prores ,hevc, h264,DNG and color correction and noise reduction.
Easy to use
Portable in youre pocket
Perfect autofocus.
What do u think?? U want to know this camera?
Use youre android phone and use motioncam pro... Is that
Sony ZV-E1. Panasonic G9ii. DJI Pocket 3. GoPro 11. I think I have my bases covered (for now).
Panasonic G9II + LX10, you would be able to slap that LX10 ontop of the G9II and have a second view, actually practical thing to do, we often do this with GoPro but using a pocket camera is way better cause it has an actual lens that zooms. Perfect for interviews on the go.
How are you liking the G9 II?
I like your style. G9ii would be the workhorse with all its video tools, image quality, and stabilization. ZV-E1, while less reliable, would be a low light specialist and great B roll camera.
@@zaddy6960I just got it but so far so good, especially the stabilization!
@@TheBlakeEverhartLow light is exactly what I use the ZV-E1 for but Panasonics have a better look overall imo.
Yeah, OM System disappoints with their OM-1 ii, but it does have some improvements. The GND system and a bigger buffer. The autofocus on the Mk 1 wasn't great and that's been improved...apparently. I don't own either. I'm still using the EM1X.
I love your videos and you are correct. Sony A7S III is still the king in my opinion.
Sony A7S III is still the king!
Sony marketed a certain camera as a "dedicated vlogging camera", that was the ZV1.
At the time I was looking for a good light travel camera capable of 4K video. ZV1 vlogging camera? I didn't want no stinkin' vlogging camera!
Then I took a closer look and realized this was a classic case of misleading advertisement.
The ZV1 is almost useless for vlogging as it doesn't do a wide enough angle: Hold it at arms length, point it at your face and all you see is your own nose hair.
But it has Zeiss lenses with a fairly good optical zoom. Good firmware, as you already mentioned, typical for Sony. And a good microphone. Pair it with the lightest gimbal capable of carrying this camera and you'll get extremely nice footage from a very stow-able, tiny, light setup.
If used right those things can punch way above their price tag.
I had nice photo that i edited many hours, the skin tones were beautiful. Many years later i was viewing the photo on another PC and it was compleatly green.
Finally you understand that for ease of use Sony is very good. I use 3 types of cameras. Sony for agile and fast projects. Blackmagic for projects with better image quality but low budget. For large projects Arri. Canon has left my heart. Panasonic is doing things right and deserves its chance.
Yepp, some wild theories.
One makes your
Nose stick out farther..
Really get that 3D Pop 🎉
Love a reality check video for the audience Ty
I think black magic got a rig(saw in kick starter) that can flip screen or got a separate screen on the rig...now it's functional
The greener grass thing sometimes drives me nuts. I went from sony a6300 to a7 IV and wow! What a difference! At first I was so impressed but then I'm thinking...that blackmagic image, braw, would love to try it 😅
And sometimes I grab my a6300 and think to myslef this was soo good. I got so many great shots with it. It's small and compact - maybe I should buy a6700? 🤔
Then I have to snap out of it, take my a7iv and go shoot something!!😂
The tricks our mind play on us... 😅
One HUGE issue with the A7S3, is the COST. $3495. Throw in a lens and a person is looking at $4000-$4500.
For that much money a person could get an R8, a Z30, a Pocket 3, a couple lenses for each camera, a microphone, some lighting, and STILL HAVE MONEY LEFT OVER vs the A7S3. So really, the A7S3 is absolutely NOT an apples-to-apples comparison.
But - taking out the $3495 issue, are we then down to Sony vs Nikon (full frame)?
3 cameras that are all worse than the A7S III, and you spent the same money :) They are cheaper used, and the ZVE1 is basically the same for even cheaper.
Well, I'd argue, that besides 1080/240 and 4k/120, which of course for some people are VERY attractive features, :) a person would have more capability for more kinds of situations, for the same-ish money using something like the list of cameras/equipment I mentioned previously.
No one is arguing that the A7S3 isn't a great/winning camera, but that's like saying that any given "expensive" camera is better than any given less expensive camera that costs a fraction of the price. Well, of course.
Now for folks who can afford the A7S3 or ZVE1 (and a couple lenses), and are OK with having ONE camera to do it all for whatever that would cost, then OK, sure, the A7S3 wins.
Basically, crowning a winner has to include budget as well as the needs of a given creator. But yes, for studio and slow motion squirrels and such, :) the A7S3 is beyond reproach. Vlogging? Not so much (weight).
@@cameraconspiracies
Bro your content doesn’t even matter to me I love your character it’s just interesting to watch you in action with that said get a Canon R3 and you’ll be hooked
Spend $7200 CAD to match my A7S III specs?
Unlike Donald, you create something of value with your gifts and you're grateful for everything you get, rather than feeling entitled to them.
I'm looking to upgrade my camera for a while now. But till that there there is no perfect camera. With Sony it's a pity that there is such chaos in the in the lineup. Three camera lines all with overlapping functions and still most of them miss some specs. A faster burst mode would be great, but if you want to have more than 10 or 11 images/s you need the A9 or A1.
If you want to get a fast camera with high resolution you have the Z9, Z8, R5 which all cost way less than the A1 and get more updates...
@10:22 This DJI pocket 3 is like the guy in the meme looking away from his gf to another girl.. but the other girl is open air? A baseball diamond? A tree? 😂
Sony used to have an actual color cast issue on their introduction to mirrorless (which funnily enough was a magenta cast which had a gradient which was impossible to correct in post.) But that has been gone for the better part of a decade now. I honestly don't understand how it's still being thrown up everytime Sony gets mentioned.
Add in a bit of yellow and you got your Canon 5D warm skintones.
Loved it!
brilliant presso mate
No raw. What's the matter with them?
“The grass is always greener where the dogs are 💩ing!” 😂
My camera feels DISRESPECTED... i own a Panasonic :P
EDIT: Actually just remembered I shot with the F707 in 2001!
I have been shooting Sony since 2005 with the R1. Then in 2010 I purchased the NEX-5, their first mirrorless camera. I used adapted Leica and Voigtlander glass until I bought the A7R II in 2015. Then I started using adapted Canon TSE lenses until I bought the A9. That's when I finally purchased Sony FE mount lenses to take advantage of the insane autofocus. The 24-70mm f4 "Zeiss" and the 70-200mm f4 OSS, which shattered when I dropped it on set earlier this year. Disappointing build quality for such a costly lens. Just four thin plastic tubes holding the lens mount onto the rest of the lens and they all snapped in half at impact. I can't bring myself to buy the old or new 70-200mm f4... All this time and I still haven't memorized the menus. Probably because I'm a dumb@$$ PHOTOGRAPHER ; )
The yellow of the Nikon colors makes the grass greener in their plot of land.
Frozen grass conserves the green of the grass while you are switching 🙂
All good points. I should just buy my A7RV and stop thinking about Z8s and R5s. I already have a ZV-E1, and some Sony glass. That ZF sensor is amazing, and I loved the R6ii when I had it, but the glass isn't as good and they have weird quirks. You're right, lizard people are cool (blooded).
Canon usually runs a little red on the flesh tones. Sony seems to run a little greenish on flesh tones.
I always enjoy your slowmos
I tried the Canon R5 last year for photography only. Being a Nikon user i hated the menu system, no continuous scrolling through the page menus like on Nikon/ Sony. Having to keep going into the menu to enable manual / AF if i was using a lens that didn't have a M/AF button on it. They really are behind the times with their menu system.
The Grass is always greener on the other side of the Street, until you cross the street and take a better look at it. When you look at your grass from across the street it looks pretty good. (Grassy McGrasster)
I've always described Sony cameras as a Jack of all trades with minor flaws In areas
3:25 Yonder Year Hot Damn... 😂
Nikon and Panasonic Lumix is the "right" choice for me if I ever consider (and had the money ofc) to move on mirrorless world, I'd love to got my hands on Z50 and GX9. Canon EF-M is a good candidate though, but it's a dead system, cheap manual lens is my only choice slap a M50 with some TTArtisan lens.