You really know your stuff! I work at a post house and this helped me beef up my skills a bit. Safe practices and smart workflow. Thank you for your hard work!
Hi! I have some additional questions. Thanks again for sharing your valuable knowledge from the field. Question 1. For proxies created inside the camera, do I have to reimport them in DaVinci resolve when I want to reel name them? (If not, would it be okay to manually put the Reel Name in the Tape name in Premiere pro?) Question 2. Similarly, when applying proxy temporary LUTs, should camera generated proxies be imported back into Davinci resolve and output again?
Hi thanks for watching! I would rarely suggest that anyone edit with camera-generated proxies. Those can be ok for sending to producers for previews, but they are often not in a preferable codec for editing, and sometimes don’t even have decent time code (depending on the camera). Often they don’t relink at the end of the project in the way you would expect, causing a lot of problems in online. I would always use camera original raw files and make my own proxies for editing. Cheers!
Hi, thanks for watching! There isn't a preset checkbox in the data burn in window to automatically add FPS data. Instead, you can enter it manually via one of the "custom text" options. If you have a variety of frame-rates in your project, do this under the "clip" tab in the burn-in window (rather than the "project" tab) so you can customize it for different clips.
Let me know if this tutorial is helpful to you, and pop any questions in the comments.
You really know your stuff! I work at a post house and this helped me beef up my skills a bit. Safe practices and smart workflow. Thank you for your hard work!
Amazing thank you!
Hi! I have some additional questions. Thanks again for sharing your valuable knowledge from the field.
Question 1. For proxies created inside the camera, do I have to reimport them in DaVinci resolve when I want to reel name them? (If not, would it be okay to manually put the Reel Name in the Tape name in Premiere pro?)
Question 2. Similarly, when applying proxy temporary LUTs, should camera generated proxies be imported back into Davinci resolve and output again?
Hi thanks for watching! I would rarely suggest that anyone edit with camera-generated proxies. Those can be ok for sending to producers for previews, but they are often not in a preferable codec for editing, and sometimes don’t even have decent time code (depending on the camera). Often they don’t relink at the end of the project in the way you would expect, causing a lot of problems in online. I would always use camera original raw files and make my own proxies for editing. Cheers!
@@FastHatFilms 👍👍
Hi! I need help. Can you please guide how to add fps metadata in burn in data.
Hi, thanks for watching! There isn't a preset checkbox in the data burn in window to automatically add FPS data. Instead, you can enter it manually via one of the "custom text" options. If you have a variety of frame-rates in your project, do this under the "clip" tab in the burn-in window (rather than the "project" tab) so you can customize it for different clips.