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@@charlietian9843 Sure, but find me a conductor or student who has the time and energy to screenshot this video every couple seconds, crop every page to size, print it out wasting almost as much money on ink or a printing service as just buying the thing, and dealing with the reduced quality when it's all said and done!
Navigate to different movements here: 00:04 Promenade 01:52 Gnomus 04:14 Promenade 05:18 Il vecchio castelo 10:00 Promenade 10:28 Tuileries 11:30 Bydlo 14:45 Promenade 15:24 Ballet des poussins dans leurs coques 16:42 Samuel Goldberg und Schmuÿle 19:16 Limoges-le Marché 20:36 Catacombs 22:48 Cum mortuis in lingua mortua 25:01 La Cabane sur des pattes de poule (Baba-Yaga) 28:24 La grande porte de Kiev Watch individual movements of the work at this playlist: ruclips.net/p/PLUr1r_wAANZEUX3mTWYCSIgL9HcGRPZiH
Wow! Emerging around 32:37 is a kind of weary recognition that we’re all persevering to the finish, and for about 20 seconds, through trombones at 32:45, so many congested chords-and congested emotions-are resolved, right into another congestion, I can hardly keep my heart in my chest. It’s a finale that shares a special majesty with four others- * the last measures of the last movement of Mozart’s last symphony-The Jupiter; * the skip-flip-vaulting race of grace in the closing minutes of Schumann’s Piano Concerto in A minor; * the heart-stealing denouement of Smetana’s “Moldau;” birthing the first famous 11th on the super-tonic-xi over II-in Common Practice history; * and then, the finial most daringly chromatic as Smetana's was diatonic, after which a glimmering tonic resolution settles Stravinsky’s “Firebird.” If I missed an epic coda, I’d love to be amended!
❤Someone once, long ago, told me he didn't like Mussorgsky. I told him to listen to Ravel's orchestration of PaaE and then get back to me. He changed his mind about Mussorgsky after. Ravel's orchestration [as are most of Ravel's essays] is phenomenal. Thank you for score.
Ravel. My favorite composer. Pictures at an exhibition. One of my favorite piano suites. Ravel x Pictures at an Exhibition. Absolute heaven. This is my favorite orchestral piece (pieces? suite?) by far.
Ravel, like Rimsky-Korsakov, was a genius orchestrator. I also love this work without end-but Mussorgsky’s piano iteration was also powerful. Elgar and Holst were also amazing orchestrators.
@@theduckypianist3109 Yes! And you know, when I listen to Mozart very carefully, it’s not just his miraculous melodic invention, contrapuntal rigor and harmonic innovations that amaze me-his orchestration judgment is flawless, too.
Que opinas de la suite “Le Tombeau de Couperin”? También para piano y luego transcrita también por Ravel. Es mi suite favorita del francés. Me recuerda también el caso de la hermosa suite Holberg Op. 40 de Grieg 🙂
5:34 Whenever I hear a saxophone in an orchestral setting, I can only think of the soundtrack to Poirot! What excellent judgement Ravel had in giving that melody to alto sax!
The more I listen carefully to Brahms, Dvorak, Strauss, Mahler, Ravel and Holst, the more impressed I am with the profound power of their orchestration. And by contrast, the exquisite melodic genius of Chopin, Mendelssohn, Schumann, Liszt, Grieg and Verdi are so underserved by their less-dimensional orchestration. Even Beethoven and Schubert missed opportunities to animate some of their best works by tending toward unadventurous instrumentation.
This masterpiece touched my late beloved mother's heartstrings , and she deeply impressed with and shed tears . The season of blooming cherry blossoms , which my late beloved mother said she wanted to show to her favorite Mussorgsky , who died in poverty at the young age of 42, has come again , Mussorgsky sublimated regret , sorrow , suffering and a friend's memories into this masterpiece From Tokyo of the Land of the Rising Sun 🇯🇵
Good observation; I’ve often wondered that, too. But then when I finally heard the original piano composition, all the wonderful, powerful, surprising harmonies are right there, not waiting for Ravel to “rescue” an uninspired work.
Hah, I clicked because the title of the video says "Official Score Video" and I scoffed. Who would call their video an OFFICIAL score video!? What does that even mean!? Then I read, "Boosey & Hawkes"...oh, yeah I guess if anyone is qualified to create an "Official Score Video" it would be them! Bravo, Boosey & Hawkes! Wonderful video, and keep up the good work!
All very beautiful and well, but what about the piano....I play this entire score on my piano and I love it. I haven't got the piano score myself and used to play by hearing. With this score I pick out the piano line and have the entire orchestration to boot. Thank you B & H.....
This has to be my favorite orchestral song of all time. It speaks volumes worth of stories. The orchestration is mesmerizing (although I'm not too qualified on that yet). ESPECIALLY that finale. Simply beautiful. I do wish there was a lot more percussion usage, but that's because I'm a big fan of ELP, and Carl Palmer is a fiend with his mix of rock and classical percussion. Actually, it's also one of my top prog rock songs, thanks to the aforementioned Emerson, Lake & Palmer.
"Pictures" is the 1st Trumpet excerpt in Volume 1 of the Trumpet Excerpt International series! Promenade is part of every Trumpet audition.--Michael McClary
Without Mussorgsky and his great performers, the classical music world would have been very lonely and insipid Mussorgsky's masterpiece is an integral part of my life
At minute 32:00 here in Barcelona a spanish ambulance passed by, they have quite an ample glissando up and down sirene, I thought no no Ravel that is a little too much, but couldn't´t believe it, so I paused the video, luckily it was not in the score.......
Can't tell if this is a joke or not, but “baguette” is a French word for “mallet” or “stick.” Here it means to use a timpani mallet. In Italian it's “colla bacchetta.”
33:14 I've always heard [both orchestral version and original piano version] with stringendo, but he dives right into the 'big tune', so I get your point.
Sounds free as it should - I don't really enjoy the precise and short playing most western trumpet players do in this excerpt... also I'm pretty sure this trumpeter is using a Bb trumpet, not a piccolo for this excerpt.
(Since "Austin Smith the classical music fan" doesn't have this, i'm writing this here) Little Einsteins and Courage too episode: 1) *the mask* Art: "haystack at Giverny" and "the train in the snow" by Claude Monet Music: "pictures at an exhibition" by Modest Mussorgsky Mad Dog: **to Bunny, threateningly** If I even smell Kitty, I'll bury the two of ya!
My favorite pieces in these were Old Castle Tuileries Ballet of the Unhatched Chicks Baba Yaga Great Gate of Kiev Edit: I absolutely forgot about Bydlo, I'm sorry
Want to get a closer look at this iconic work? 👀 You can purchase the full orchestral score here 👉bit.ly/MoussorgskyScore This large-size paperback full score, based on the original printed score of 1929, provides a clearer and more authentic edition for conductors and students.
Well, Fedoseev's interpretation is quite interesting, but it isn't canonic. I think, he makes an accest on the common sound, so, it isn't the best performance to go with score, where you try to find the instruments' parts.
It seems that the orchestra players (especially brass, especially first trumpet, whose lips were completely tired off) were tired during the recording, probably it had been a long day.
*SPECIAL OFFER*
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This is the longest beautiful ad I've ever seen.
I hated it
How is it an ad?
@@charlietian9843 because Boosey and Hawkes sells the score
@@mithramusic5909 I know but this is basically the whole product lol
@@charlietian9843 Sure, but find me a conductor or student who has the time and energy to screenshot this video every couple seconds, crop every page to size, print it out wasting almost as much money on ink or a printing service as just buying the thing, and dealing with the reduced quality when it's all said and done!
6:07 look at all those smiley faces!
They're smiling because the saxophone was finally in the orchestra
Navigate to different movements here:
00:04 Promenade
01:52 Gnomus
04:14 Promenade
05:18 Il vecchio castelo
10:00 Promenade
10:28 Tuileries
11:30 Bydlo
14:45 Promenade
15:24 Ballet des poussins dans leurs coques
16:42 Samuel Goldberg und Schmuÿle
19:16 Limoges-le Marché
20:36 Catacombs
22:48 Cum mortuis in lingua mortua
25:01 La Cabane sur des pattes de poule (Baba-Yaga)
28:24 La grande porte de Kiev
Watch individual movements of the work at this playlist:
ruclips.net/p/PLUr1r_wAANZEUX3mTWYCSIgL9HcGRPZiH
Boosey & Hawkes Thank you!
@@mingj7202 Agreed
Boosey & Hawkes the names of the songs were French because ravel is French.
Wow! Emerging around 32:37 is a kind of weary recognition that we’re all persevering to the finish, and for about 20 seconds, through trombones at 32:45, so many congested chords-and congested emotions-are resolved, right into another congestion, I can hardly keep my heart in my chest.
It’s a finale that shares a special majesty with four others-
* the last measures of the last movement of Mozart’s last symphony-The Jupiter;
* the skip-flip-vaulting race of grace in the closing minutes of Schumann’s Piano Concerto in A minor;
* the heart-stealing denouement of Smetana’s “Moldau;” birthing the first famous 11th on the super-tonic-xi over II-in Common Practice history;
* and then, the finial most daringly chromatic as Smetana's was diatonic, after which a glimmering tonic resolution settles Stravinsky’s “Firebird.”
If I missed an epic coda, I’d love to be amended!
I'm not sure if this is the same vibe you're going for but the coda of the first movement of Brahms symphony 4 always gives me goosebumps
"Huh huh huh, wouldn't it be funny if I, like, laughed rully hard, but, like... through my instrument." - trumpet player at 26:05
LMAO
That was a mistake. Ravel didn't throw that in for the Trumpet !
@@canman5060 But it sounds more hilarious in muted trumpet.
BLAP BLAP BLAP BLAP BLAP BLAP
Hahah
❤Someone once, long ago, told me he didn't like Mussorgsky. I told him to listen to Ravel's orchestration of PaaE and then get back to me. He changed his mind about Mussorgsky after. Ravel's orchestration [as are most of Ravel's essays] is phenomenal. Thank you for score.
Ravel. My favorite composer. Pictures at an exhibition. One of my favorite piano suites.
Ravel x Pictures at an Exhibition. Absolute heaven. This is my favorite orchestral piece (pieces? suite?) by far.
Actually written by Mussorgsky! Arranged by Ravel for orchestra
Ravel, like Rimsky-Korsakov, was a genius orchestrator. I also love this work without end-but Mussorgsky’s piano iteration was also powerful. Elgar and Holst were also amazing orchestrators.
@@prototropo Ravel, Tchaikovsky, Mahler, and Korsakov were such gods at orchestration
@@theduckypianist3109 Yes! And you know, when I listen to Mozart very carefully, it’s not just his miraculous melodic invention, contrapuntal rigor and harmonic innovations that amaze me-his orchestration judgment is flawless, too.
Que opinas de la suite “Le Tombeau de Couperin”? También para piano y luego transcrita también por Ravel. Es mi suite favorita del francés.
Me recuerda también el caso de la hermosa suite Holberg Op. 40 de Grieg 🙂
5:34 Whenever I hear a saxophone in an orchestral setting, I can only think of the soundtrack to Poirot! What excellent judgement Ravel had in giving that melody to alto sax!
Or "The Gadfly" by shostakovich
The more I listen carefully to Brahms, Dvorak, Strauss, Mahler, Ravel and Holst, the more impressed I am with the profound power of their orchestration. And by contrast, the exquisite melodic genius of Chopin, Mendelssohn, Schumann, Liszt, Grieg and Verdi are so underserved by their less-dimensional orchestration. Even Beethoven and Schubert missed opportunities to animate some of their best works by tending toward unadventurous instrumentation.
@@prototropo Liszt’s orchestration is better than people think!
Indeed !
10:02 I love the trumpet promenade here especially the rising scale from the bass clarinet, bassoons, contrabassoon, cellos and double basses ❤️❤️❤️
the bit at 31:10 sounds absolutely magical, especially at 31:30
almost brought me to tears
Ravel is the best orchestrator
Agree. You can even imagine the opening gate hearing it
Yes, I love this section. It reminds me of Holst's Saturn
I used to think that orchestration was a formulaic, methodical task. Ravel makes it clear that is is an exquisite art!
two genius met, plus unrivalled execution of the orkest,
This masterpiece touched my late beloved mother's heartstrings , and she deeply impressed with and shed tears .
The season of blooming cherry blossoms , which my late beloved mother said she wanted to show to her favorite Mussorgsky , who died in poverty at the young age of 42,
has come again ,
Mussorgsky sublimated regret , sorrow , suffering and a friend's memories into this masterpiece
From Tokyo of the Land of the Rising Sun 🇯🇵
Thank you for sharing your story-I feel like I was allowed to meet your mother. 💝
@@prototropo
Thank-you so much to your comments
Take care of yourself
Good luck ！
Be on the alert for Covid - １９
I was lucky to get to play this in an orchestra. I loved the Bydlo so much that I wanted it to never stop....
Were you on euphonium
Yeah Byflo is so good
I cant tell who I should be commending more, mussorgsky for composing this, or ravel for arranging it
Good observation; I’ve often wondered that, too. But then when I finally heard the original piano composition, all the wonderful, powerful, surprising harmonies are right there, not waiting for Ravel to “rescue” an uninspired work.
Both. The original is amazing, and the orchestrated version is phenomenal
I personally think Mussorgsky should have composed it as a tone poem for orchestra rather than a piano piece.
This version is much more adequate to the original. The promenade is a...promenade, gentle and slow. Thanks
the only ad i want to see
Hah, I clicked because the title of the video says "Official Score Video" and I scoffed. Who would call their video an OFFICIAL score video!? What does that even mean!?
Then I read, "Boosey & Hawkes"...oh, yeah I guess if anyone is qualified to create an "Official Score Video" it would be them! Bravo, Boosey & Hawkes! Wonderful video, and keep up the good work!
Thanks for checking out our score videos! Glad you enjoy them and find them useful.
I had the same first impression. I only realized when I saw this comment. Thanks, B&H!
@@BooseyHawkescan you please fix your edition of the Cimarosa oboe concerto? It's absolutely awful - wrong notes everywhere...
love love love LOVE this piece so freaking much
31:03 my favourite part :)
The old castle for alto sax players is at 5:18
19:13 last sixteenth note triplet ends with a concert C. The orchestra played a concert Bb instead. Rimsky-Korsakoff may have written it that way.
in the original piano version it is a Bb
The chord at 24:43 is honestly one of the most beautiful things I have ever heard
I agree. This section is absolutely gorgeous.
Love this. I wonder what some people would think nof Emerson, Lake & Palmer's version. Without them, I would have never eard this.
me too ✌
It's Sunday 2/27/2022 20.53 CET, this is peculiar moment to listen to this masterpiece. Culture, not violence.
Beautiful music! The visual score going with the music is a nice touch too!
All very beautiful and well, but what about the piano....I play this entire score on my piano and I love it. I haven't got the piano score myself and used to play by hearing. With this score I pick out the piano line and have the entire orchestration to boot. Thank you B & H.....
This has to be my favorite orchestral song of all time. It speaks volumes worth of stories. The orchestration is mesmerizing (although I'm not too qualified on that yet). ESPECIALLY that finale. Simply beautiful. I do wish there was a lot more percussion usage, but that's because I'm a big fan of ELP, and Carl Palmer is a fiend with his mix of rock and classical percussion.
Actually, it's also one of my top prog rock songs, thanks to the aforementioned Emerson, Lake & Palmer.
It's so beautiful!!
GLORIOUS ✨✨✨
31:03 HOW CAN YOU CREATE A MUSICAL MOMENT THIS GOOD?????
"Pictures" is the 1st Trumpet excerpt in Volume 1 of the Trumpet Excerpt International series! Promenade is part of every Trumpet audition.--Michael McClary
Without Mussorgsky and his great performers,
the classical music world would have been very lonely and insipid
Mussorgsky's masterpiece is an integral part of my life
Precious Memories of this piece! Michael McClary
Those trumpets only know one dynamic I swear :)
I agree. They were often too prominent--too brassy--for my tastes. Even with mutes.
At minute 32:00 here in Barcelona a spanish ambulance passed by, they have quite an ample glissando up and down sirene, I thought no no Ravel that is a little too much, but couldn't´t believe it, so I paused the video, luckily it was not in the score.......
😂
12:30
13:19
25:15
26:30
26:40
27:00
27:25
31:10
32:09
33:00
I never knew that Boosey & Hawkes has a RUclips channel.
This is my favorite classical masterpieces
Thank you so much, B & H, for posting these fabulous pieces! ❤️💕
We're so glad you're enjoying the videos!
4:14-5:18 is the prettiest part in the whole song in my opinion
GMEA 2024-2025 violin: state level
1: 10:52-11:21
2: 16:42-17:30
3: 19:18-19:37
4: 25:35-26:00
26:06
aWEsOmE
Rest in peace ears
Amazing. Remember being in the Hall of Glory in Sid Mier's Civilizations Revolution
The real question is, how do you play a cymbal with a baguette? (33:39)
Can't tell if this is a joke or not, but “baguette” is a French word for “mallet” or “stick.” Here it means to use a timpani mallet. In Italian it's “colla bacchetta.”
@@littlewishy6432 thank you, I didn't know this. I was very amused when I first read it
Whooo! Thank you❤❤
I'm not worthy to listen to such fine music
Oh but you are...take it in!!!
It is definitely humbling!
GMEA 24-25 viola:
1: 1:52
2: 16:42
3. 19:20
4. 25:29
Love this opus it is wonderful thanks, so much good music.
Tom Crown made a Straight Mute SPECIFICALLY for the Selmer Model #59 Piccolo Trumpet used in the "Ba-yaga" mvt. In Pictures.--Michael McClary
Samuel Goldenberg und Schmuÿle* not Baba Yaga
La musique, C'EST LA VIE!!!!!!!!!!!!!!!!!!!!!
Longue vie à la Musique et vive les instruments!
François COLIN
It’s so nostalgic listening to promenade
What orchestra???
Beautiful
not a fan of this conductor's overall choice of pacing, but the timbres they're getting out of the instruments are perrrfect
26:05 😂😂😂😂
33:14 I've always heard [both orchestral version and original piano version] with stringendo, but he dives right into the 'big tune', so I get your point.
13:23 I think I would add this to a cartoon when a villain is going down. Do you get it?
my schools marching band show is based off this and it sounds so cool
17:19 mouse click sound??
LOLOLOL heard that too
17:30 Is the trumpeter drunk?
Sounds free as it should - I don't really enjoy the precise and short playing most western trumpet players do in this excerpt... also I'm pretty sure this trumpeter is using a Bb trumpet, not a piccolo for this excerpt.
😆. No, just Greek.
10:27 Rusty And Rosy Part!
(Since "Austin Smith the classical music fan" doesn't have this, i'm writing this here)
Little Einsteins and Courage too episode:
1) *the mask*
Art: "haystack at Giverny" and "the train in the snow" by Claude Monet
Music: "pictures at an exhibition" by Modest Mussorgsky
Mad Dog: **to Bunny, threateningly** If I even smell Kitty, I'll bury the two of ya!
11:30
Personal time stamps
10:52
16:42
19:18
25:36
Hmm.. yes. this is quite poggers indeed, my good sir.
25:00 Brutal
19:30 violin rehearsal 65
That trumpet player needs to not be a fifth grader
HAHAHAHA HONESTLY
What are all the instruments required for this piece?
amazing!!
this song gives me an irresistible urge to build a pipeline connecting moscow to tokyo
And one to Europe please! And to America. I want cheap gas!!
😆
My favorite pieces in these were
Old Castle
Tuileries
Ballet of the Unhatched Chicks
Baba Yaga
Great Gate of Kiev
Edit: I absolutely forgot about Bydlo, I'm sorry
And Bydlo!
Bydlo is amazing also!
Bydlo is epic
Nice ad.
10:28 i always though this came from the smurfs
20:37, this remember me little nigthmares 1
IS THAT TOURIAN!?!?!?!!?!?!!?!? 3:20
19:12 the trumpet made a mistake 😂
They all played the same notes. I think it's a difference in scores. They all played C Db Bb Bb instead of C Db C Bb. I wonder why.
Anyone else feeling a bit spooked by gnomes listening to this?
4:14
10:29
11:29
15:24
8:00 31:05 32:30
10:52
16:42
19:50
7:34
Pictures at an Exhibition - Mussorgsky❌
Cathedral Picture - Wayne Lytle ✅
0:50 key signatures are hard...
Have you never played a wrong note before? Why do you feel the need to comment?
Bhdlo 11:30 sorry this timestamp is only for UNI purposes
best thx
11:29 32:36 favorite
formidabile.
Well, the person promenading must be 100 years old and using a walker. That's the slowest tempo of the first movement I've ever heard.
Well I mean Mussorgsky was like really fat
Thats how its sposed to be. They aren't running thru the exhibition
22:56
Want to get a closer look at this iconic work? 👀
You can purchase the full orchestral score here 👉bit.ly/MoussorgskyScore
This large-size paperback full score, based on the original printed score of 1929, provides a clearer and more authentic edition for conductors and students.
16:42
19:16
25:29
31:01
schöne Sendung
The only piece in which the remix could be better than the original
@17:25
20:24
1:52
A hundred good recordings and they choose this one. Can't even hear the strings half the time.
guten tag
Well, Fedoseev's interpretation is quite interesting, but it isn't canonic. I think, he makes an accest on the common sound, so, it isn't the best performance to go with score, where you try to find the instruments' parts.
It seems that the orchestra players (especially brass, especially first trumpet, whose lips were completely tired off) were tired during the recording, probably it had been a long day.
@@nicksm7980i think everyone's being too harsh on first trumpet here. It's a very different style of playing to the one most in the West are used to.