Absolutely my favourite berceuse but I never heard the accompaniment for piano without the vocal part. Well, this is beautiful and to me an absolute treasure! So very well performed!!!! Thank you!
Another one I know and have played! This is incredibly beautiful. I appreciate how well you executed the legato octaves (no easy feat), and your performance of the slow single line--concluding the extended intro--was so expressive without bogging down. Perfect. 💯😄
Some of those harmonies from 1:00 to 1:25 are reminiscent of modern fantasy film scores. It's fascinating to see how late romantic opera influenced OSTs. Very beautiful and expressive playing as always.
Beautiful playing and beautiful music; although the Stark edition of I suspect Godard’s own pen says that the andante should be slower, around half, of the precedente. The andantino-andante controversy…
Rather curiously, his other Berceuse through Durand from a decade earlier marks Andantino, too, but with half the metronome of the Stark edition. People should make have up their minds! But then, “pour bercer”, 33 to the quarter note seems to be more effective for that earlier work, especially when comparing the notation and time signatures.
I recall this piece from many years ago when I took piano lessons. I always remembered it. Apparently, Godard didn’t experience much success during his brief lifetime. A misfortune.
Absolutely my favourite berceuse but I never heard the accompaniment for piano without the vocal part. Well, this is beautiful and to me an absolute treasure! So very well performed!!!! Thank you!
Another one I know and have played! This is incredibly beautiful. I appreciate how well you executed the legato octaves (no easy feat), and your performance of the slow single line--concluding the extended intro--was so expressive without bogging down. Perfect. 💯😄
Some of those harmonies from 1:00 to 1:25 are reminiscent of modern fantasy film scores. It's fascinating to see how late romantic opera influenced OSTs. Very beautiful and expressive playing as always.
I also thought the same. I was slightly reminded by Rach but also of modern film scores.
Still imo the most beautiful piece ever written. I especially like the 4 hands version of this
Beautiful Song
Berühmtes Stück.....❤
Beautiful playing and beautiful music; although the Stark edition of I suspect Godard’s own pen says that the andante should be slower, around half, of the precedente. The andantino-andante controversy…
I love this piece! It is actually a popular aria from his opera Jocelyn. I wonder who wrote it for solo piano.
❤❤❤❤❤
Rather curiously, his other Berceuse through Durand from a decade earlier marks Andantino, too, but with half the metronome of the Stark edition. People should make have up their minds! But then, “pour bercer”, 33 to the quarter note seems to be more effective for that earlier work, especially when comparing the notation and time signatures.
I recall this piece from many years ago when I took piano lessons. I always remembered it. Apparently, Godard didn’t experience much success during his brief lifetime. A misfortune.
I liked Rebecca a little more.