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Impossible! Pavarotti - Nessun Dorma Turandot (The Three Tenors 1994) Vocal Coach reaction analysis
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- Опубликовано: 9 май 2024
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Vocal Coach reacts to reaction to analyses analyzes analysis of breaks down Pavarotti - Nessun Dorma
Original Video without interruption: • Luciano Pavarotti sing...
Check out Pavarotti here: en.wikipedia.o...
Luciano Pavarotti, an iconic Italian tenor, remains one of the most admired figures in the world of opera, renowned for his extraordinary vocal clarity and powerful delivery. Celebrated for his mastery of bel canto technique, Pavarotti's performances brought opera to a wider audience through his numerous recordings, televised concerts, and notable appearances like the Three Tenors concert series. His interpretation of arias such as 'Nessun Dorma' from Puccini's Turandot has become legendary, showcasing his ability to convey deep emotions with unparalleled expressiveness. Pavarotti's influence extends beyond classical music, having collaborated with contemporary artists, which helped bridge the gap between classical opera and popular music. His legacy continues to inspire and attract new fans around the globe, cementing his status as one of the greatest operatic tenors of all time
Nessun Dorma," the iconic aria from Giacomo Puccini's opera Turandot, is celebrated globally for its compelling melody and emotional depth. Made famous by legendary tenor Luciano Pavarotti, particularly during the 1990 FIFA World Cup, "Nessun Dorma" has become a symbol of operatic excellence. This powerful aria showcases the protagonist Prince Calaf's victorious declaration as he awaits the dawn that will confirm his triumph. Its climactic high notes and stirring lyrics, translating to "None shall sleep," resonate with audiences, ensuring its place as a staple in classical music and a highlight at major performances. Fans of opera and classical music frequently seek out recordings and performances of "Nessun Dorma" on platforms like RUclips, Spotify, and Apple Music, where its dramatic impact and beauty continue to move and inspire listeners around the world.
Songwriter: Giacomo Puccini
Genre: Opera
Origin: Modena, Italy
Performed by Pavarotti
Location
1994 Three Tenors Concert, Dodger Stadium in Los Angeles, California
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an even better performance...Calaf...is a much younger Luciano in 1978 in his movie Yes Georgio...try to do the same analysis...
No no, your talking during the master's singing is really ugly
*When he hit that last note, I was expecting the heavens to open and beams of light fill the earth.*
No such luck,wink.
His eyes at the end of the piece, are one of the highlights of the aria. It's almost as if he's been singing from a higher plane, and only realises it when he comes back down after delivering the final note. This really is a work of art by the great genius.🙋♂
oh, they did. That's exactly what happened, can't you see?
A few months ago, in our way to school, my 9 years old child told me they were going to talk about opera in school. He told me ‘daddy, what’s opera?’. I got my phone and told him I was going to show him. On the last ‘Vincero’ he started to shake and his mouth was wide open, tears falling through his eyes. When the video ended, I told him ‘that’s opera, I watched this when I was a child and I felt exactly how you feel right now. This is why I love opera’. He said nothing, but I could really see he was genuinely impressed and didn’t know how to express himself.
opera is a browser.
Ópera é a linguagem da emoção!
Apenas corações sensíveis conseguem compreender.
75 yrs from now your kid will remember this as a seminal and life-expanding moment from you. That's what families are for -- cheers!
It's a wonderful gift to give any child. My parents were Italian and as blue collar as anyone and they grew up with opera. I am so grateful to them for the endless hours of great opera that was played in our house (along side other genres). The greatness of Pavarotti is universal.
Pavarotti himself stated emphatically that while he always had a love for football his one and only passion and obsession in life was the Opera. He was a fierce believer that Opera belonged to the people and there is a reason he worked so hard to promote and bring the Opera to the masses. He also taught free classes to up and coming tenors, he was very supportive of his fellow colleagues and wanted to teach them better techniques to further their careers.
That is ambitious, I love it
Yes, but how he could he claim Nessun Dorma?! FRANCO CORELI IS the best Calaf ever! On the whole, Pav. .made a name for himself, as a sĥowman .Corelli stood away from limelight, there was no need for him to attract audience, like Pavarotti did.😮
@@atizaries5512 For me it's about the emotion & passion that exudes from Pavarotti. Also I hear Corelli "dragging" out, or "lingering" on the words a hair's breath more (for lack of a better way to explain it).
He didn't even sing this. He LIVED it. Just his facial expressions after the grand finale alone. Absolutely stunning performance.
This is olympic gold medal winning performance .
I grew up listening to Punk, Post Punk, and New Wave. I love Metal (death and black metal are favorites), and Alternative. My whole musical life, is dark, hard-hitting - sometimes vulgar - lyrics, and loud, heavy sonics. And Pavarotti brings me to tears every time. Go figure.
By the time I was listening this one song I was like 18 years old (1989) and I also was listening medieval music and discovered Slayer and Metallica 😂 Also alternative and postpunk. We should start a club 😅 Regards from Chile!
Metal and opera have much in common. The emotion and drama!
I'm a dude that only listens to metal yet I like opera like this and classic music. If you ask me, if a lot of the classic composers were born today they would probably have been metal artist
@Pharto_Stinkus
Il tuo errore è cercare di capire,Pavarotti come Vivaldi o Albinoni non passano per il cervello,vanno diritti al cuore...
Che poi siano tutti italiani è solo un caso...😉
Not only have I listened to many singers doing Nessum Dorma, I have also listened to many versions of Pavarotti singing Nessum Dorma, and for me, this one is still, by far, the best. Unbelievable how he could sing so quietly and so loud at the same time. He has a version Caruso (featuring Jeff Beck) in the album Ti Adoro which is phenomenal too.
It's the second best for me. Nobody beats Jussi Björling
WHO is Jussi Björling? My favorite Pavarotti aria is „ e lucevan le stelle“ by far..
@@michaeldr.thalwitzer5580 Jussi Björling is the Swedish tenor that was Pavarotti's idol and that he always studied before tackling a new role
Hearing Jeff Beck play this on guitar was mesmerizing for me;)
This Is Pavarotti toward the end of his career and, although still impressive, this performance Is nowhere near his best. Try looking up the version of this Song with a video direction from Zeffirelli, you can see Pavarotti in the prime of his voice and it'll just blow you away.
I am a musician, a ROCK musician. I had a girlfriend who couldn't understand why I like opera. One day watching PBS -- I'm from Shetland, but I live in America -- Pavarotti was to be featured. It was a nice spring day in South Florida so I had the front door open. Him doing this "song". I never heard the screen door open and close, too focused on the dude. As I was clapping I head someone else clapping. It was my girlfriend who HATED OPERA, tears in her eyes: "Who is that?" she asked. I told her Pavarotti. She said "I love opera." Of course you do! He is amazing!
Only deaf or insane not to like Pavarotti. 😊
Wonderful piece of music! As an English male who loved this as the soundtrack to Italia ‘90, this always gives me goosebumps. Quite amusing that there will be 1000’s of Englishmen who can’t speak a word of Italian (me included) who will sing along to this!! I love to see the obvious joy you get from this. Lovely.
I'm a regular guy. But hearing and seeing that last note and especially the incredible expression on his face that had to come from an almost hyper-human effort had me in tears! He was like no other in my opinion.
Opera was for the working classes in Italy. I once sat in the Amphitheatre in Verona at the very top. The residents around the theatre all sat in their windows with a glass if wine enjoying the show.
amazing
OMG, thank you, Beth. I never listened to Pavarotti before and never knew what I was missing! This was like getting struck by lightning while on top of the highest mountain in the world and discovering you are immortal.
Well said!
"Don't get relationship advice from operas."
Truer words have never been spoken. 😂
Nor from Eastenders
@@thomasmacdiarmid8251?
Not even Marriage of Figaro? :)
@@guitargamesandliverpool Beth had compared the plots of operas to soap operas and used a scene from Eastenders as an example. So I was continuing her comparison.
I started to choke I was laughing so hard. Someone needs to put that line in a movie. "Don't take relationship advice from opera."
I have never been an opera singer but was a dj and my wife was a Jazz singer so I had a wide range of tastes. Till this day as a 50 year old man this song brings tears to my eyes every time.
Doesn’t matter how many times I hear this, never fails to give me goosebumps.
I see so many vocal coach reactions and analyses here on youtube but I came across your channel and your podcast first and I gotta say...Among the dussins of vocal coaches channels here you are the only one who proper analyze the singers and back it up with experience and theory. Thank you Beth!
Thank you so much! Although I would check out Fairy Voice Mother, she is fantastic!
True!
@@BethRoars you both are fantastic, saw both ur reactions. greetings from Rome, italy
Insuperable, inigualable, irrepetible,unico y eterno Pavarotti ❤❤❤
Pavarotti was the greatest and best I knew.
His voice was soft and clear. He will never be forgotten by those, like me, who admired him.
Greetings from Brazil.
🇧🇷🇧🇷🇧🇷🇧🇷🇧🇷🇧🇷🇧🇷🇧🇷
Teacher, the same voice. I saw a comparative video of him in 1977 at the age of 41 and at 70 years old it is impressive the quality of the voice being the same.
You're the first vocal coach that explained the context of "Nessun Dorma" in Puccini's Turandot.
Pavarotti hits my cry button every single time
The look in his eyes after he hits that peak. Almost like he could hardly believe the sound that he produced.
The choirs always give me goosebumps!
Allora te ne consiglio uno, non molto famoso, ma per me straordinario, Donizetti, Maria Stuarda, "Vedeste? Vedemmo".
@@adrianoargenziano3103 thx
People that know about Opera, the story is the thing that is important, and the "story teller" are the people that get famous... Pavarotti is one of the best "story" tellers of all time, always will be :)
That final Note touches the stars, and the heavens open,in my opinion. I have listened to this version so many times, but it never fails to touch my heart. Pavarotti truly was the master.
This version is truly great. I came across this one here on RUclips a long time ago, and I love it: The best Nessun dorma - Luciano Pavarotti - Turandot - Puccini. He's young in this one and really holds notes for a long time.
His face when the final note hit seemed like he touched the absolute
I always felt it was like he was coming back from an out of body experience.
That's the face of a man awakening from a deep trance realizing that he just gave his everything and has achieved perfection. A musical orgasm.
I am so glad I came on this video. I saw that little clip you showed. I wanted to find it again but I'd forgotten what it was about. His face at the end has amazed amazed me to see his transition at the end where his eyebrows drop and he looks so intense and slowly lets all that intense emotion out and it's over. Thanks Beth.
Wonderful reaction and explanation! One of the many qualities of Pavarotti's technique is his ability to make all the words perfectly intelligible. Wonderful voice. His famous "high Cs" in Donizetti's La Fille du Regiment are still unparalled to this day: the apparent ease with which he could belt them out is impressive. Thank you for honoring his memory with this beautiful video.
I've never fully understood why, but this song and his performance always brings tears to my eyes. It affects me this way every time I hear it. 😢
As often as I've heard Nessun dorma, by, Pavarotti and countless others, this was so helpful! The combination of your explanations and the camera's view up into Pavarotti's mouth really clarified things. Thank you! Now I need to run through all my other favorite tenors and check whether they start with that nasal consonant the same way.
Pavarotti’s duet with Tracy Chapman of her song ‘Baby can I hold you tonight’ is absolutely stunning
Tracy❤
You've really upped the quality of these reaction videos! Love it!
Glad you like them!
Liquid gold for my ears.
Beth, I love this reaction! Your analysis and recounting of the story are great, but I most appreciate your own dramatic response to Pavarotti's transcendent performance! Brava, Beth! 😊❤️🇨🇦
So much fun to watch Beth go crazy over great singing. 😁
Very nicely reviewed Beth. I have been watching Pavarotti sing this version of Nessun dorma ever since I bought the DVD of this exact Three Tenors Performance long ago.
Thank you for explaining why Pavarotti was so exceptional. I also appreciate the discussion of how opera music sometimes differs from other singing.
If you are looking for emotional versions. Look no further than Jussi Bjorling and his incredibly emotive voice. it was said that he could bring tears out of fully grown up men and even stones...
And Jussi was Pavarotti's favourite. In fact he would always study how Jussi approached a piece before tackling it himself
Jussi's version is the only one that can top Pavarotti's, in my opinion.
This is just a completely iconic performance. I feel like I saw that shot of him hitting that big note a hundred times back in the 90s, before I'd ever actually seen the performance itself. And his face after it is just amazing. He's like, "Oh my god, that was historic!"
This makes me proud of my country 🥹🇮🇹
this song takes me back to the best times in my life, powerful and tearful every time
Pavarotti was uniquely talented by the real genius here is Giacomo Puccini, the arias from his operas are music from heaven
Also worth noting is Pavarotti's breathing during the last "vincerò". How he tops of between "vince" and "rò", so he has enough air to finish air to complete the song the way he wants to. This takes forever to master.
ALL operas have silly plots, and the most beautiful songs often have less than impressive lyrics. What's important is not so much the plot or the lyrics, but the emotion you share as a singer.
Opera singing seems to be something that either comes naturally to you (still takes a LOT of practice) or it doesn't. I'm one of those, where it simply suits my voice better, and the first time I let go of beliefs of how a teenage girl was supposed to sing, it changed me forever, because it gave me the freedom to express myself.
To some it will be unnatural, and it will sound as weird as if I tried to sing gospel. Either is perfectly fine, as long as you embrace your voice as it is, not as you wish it to be.
Right there with you. That climax flattens me every time.
That B is the greatest note in all of music 🙂
Thank you Beth. I really enjoyed this analysis of Pavarotti's performance
Every time I hear this I'm struck by the beauty of the bridge (?) - Ed il mio bacio scioglierà il silenzio
che ti fa mia!. It's not just the dynamics, as you mentioned, but the melody, as well. It's a virtually haunting interlude.
For a comparison on the delivery of "vincero", look up Jussi Björling singing Nessun Dorma. There's a video of the recording from 1944 floating around here.
DAN VASC!!! I heard Pavrotti sing in concert in Miami in 1986 I believe. No one since has driven me to tears with Nessun Dorma, UNTIL Dan Vasc. His version doubles the ending. Dan may have one of the best trained voices in the world today.
I love watching videos of Pavaratti (though his performance of Vesti la Guibba from I Pagliacci is my favorite of his) because he isn't just a phenomenal singer, but he's the total package of a performer. He's so in-character with his facial expressions, even in a setting like this one.
Beth,
You asked for another emotional version of this. Dan Vasc (a metal singer) will blow you away! Totally unexpected.
Enjoy-
There are 2 versions i recommend you: the first one is franco corelli, and the other is jonas kauffman (totally different types of voices, but it is worth it) :)
When he was younger and performing in the Opera Turandot, he held those last two notes for 18 (yes 18) seconds, check it out. He was one of a kind, no question.
I have to mention something he does that is epic. Just before the last of the last measure you can see him take on the character, and at the finish you can see him let go of the character. It is so amazing, as if he must go outside his mundane world and become someone else. Breathtaking! What you said about his ability as a story teller is so obvious here. Anytime you need inspiration just play this clip. You will win, YOU will win, YOU WILL WIN! Just AWSOME!!!
The look on his face at the end.....just ethereal
Pavarotti was very inspired by the Swedish opera scene and obviously Jussi Björling in particular. It's very apparent in his style that he always studied Jussi before tackling a new piece. In fact Pav once said that just being compared to Jussi was the greatest honor he could ever wish for
Nothing to say about Pavarotti that hasn't been said before - but your enthusiasm is absolutely charming and "little girlish" as mine is - and I'm a man!! Submission before great art is the last uplifting pleasure left, isn't it...
In the movie Gio, Gorgio, Pavarotti sustains that last note for 18 seconds. Probably the longest held note in history. Very impressive!
I truly enjoy your reactions, Beth! Keep them coming!
Beth it is such a pleasure to witness your pure excitement when you analyse one of your favourite performers. One can see in Luciano's expression at the end, that he knows he has surpassed his own superb high standards with that performance. The next best rendition, I think, comes when the majestic three sing this in the encore of this same concert.
Love your site, Beth. Thank you.
This is simply magnificent. A maestro in action. The gods wept when he launched into that final note.
Might you consider reviewing this beautiful performance by Bocelli and Brightman please? 'Time to Say Goodbye'. It's a roaring performance.
Cheers
I completely agree, never take romance advice from opera. His version is simply, the best!
@bethroars I've listened to this dozens of times and just seen your wonderful, joyful reaction ! Thanks so much 🙋
Believe it or not, there is a video out there of Pavarotti singing a duet with James Brown of It's A Man's World.
And Ian Gillan. Cool and odd.
@@Spo-Dee-O-Dee Where is the evidence of that. They are actually8 on stage together. That much is clear.
@@Spo-Dee-O-Dee Watch it and tell me you see any evidence it wasn't a live performance.
@@Spo-Dee-O-Dee I'd just like a little documentation. "It was known" doesn't cut it as evidence.
@@Spo-Dee-O-Dee I see no evidence of lip syncing and it seems you're just speculating.
Thank you for sharing this Beth. I have fond memories of my dad 'singing' along to many famous operas on the weekends. I still have his LP box sets of many famous operas. I think he loved LaBoheme the most with Pavarotti singing of course. If he didn't have the opera he would turn on his stereo receiver and listen to the simulcast of the Met Live from New York. We lived in Chicago and I am not sure if he ever saw Pavarotti live. He saw many operas at the Lyric Opera House in Chicago but whenever Pavarotti was scheduled to appear he would mysteriously cancel at the last minute. This behavior caused him to be banned from the Lyric Opera House by Ardis Kranik the director.
As a side note it is nice to see that even in action movies Opera can serve as a backdrop. In Quantum of Solace Daniel Craig attends a performance of Tosca to learn more about a secret organization.
In Mission Impossible Ethan Hunt tries to locate a terrorist at a performance of Turandot in Vienna.
My dad had a decent voice but didn't know Italian so he just imitated what he heard. It didn't matter to him, I think expression was more important than any language barrier. Opera is very powerful, as any music that touches the heart. Thank you for the analysis and look forward to many more.
You should listen to Franco Corelli’s version of Nessun Dorma. He was one of the best (if not the best) Calaf.
If you like Pavarotti's voice in this. You should listen to U2's "Miss Sarajevo" with Pav. playing an integral part in the song. It was live and he brings the house down with a single note!!!! Just search: U2's "Miss Sarajevo"
Thank you! In my opinion the best analysis of this performance I have seen on RUclips so far!
Wow, thank you!
Americans did and amazing job producing three three tenors show and preparing the MSG for a superb recording that will live forever
You did not mention his perfect anchoring of his tongue at the end!!
An opera piece is nothing if not dramatic. And must be one the most specialized styles of singing of all. As he cuts off the final note, his face is stark with amazement. And then relief washes over him as the power of his own performance has brought the hall to rapture.
Loved to see your enthusiasm. I always get teared up when I hear Pavarotti sing this.
My favourite quote from the You Tube comments was: "He hit that note like it owed him money..."
Giacomo Puccini: A genius. How else should one best portray resounding triumph ("I will win; I will win") than building up tension -like a roller-coaster going up (forcing us to hold our breath)- and taking us to the highest almost unbearable point (the high B), to then release it with that final A, filling our souls with a sense of great victory, relieved, tears in our eyes, joyful, grateful to be alive...to have defeated evil and darkness...as we witness the dawn of a new, glorious day...still standing...
Pavarotti the absolute Legend! you should do a reaction to the "A mes amis" aria from his 1972 MET performance of La fille du régiment! 9 absolutely effortless high C's gave him a record of 17 curtain calls. He drove the crowd crazy!
Top-notch reaction to a legendary performance. Listen to that audience. Do you think they might agree? Thanks for your insights, Beth. I always learn something from you.
Pavarotti was hands down the best to ever do it. There's just something about his vocal quality that triggers the emotions. Dunno what it is. As far as his facial expression goes at the end of this particular performance. My pet theory has always been that going into this performance he wasn't 100% sure he could pull that B4 at the end off and his face at the end is just absolute relief that he still had it. This was toward the end of his career after all and at this point he'd been experiencing a lot of health problems
I've never been an opera fan, but I've always loved Pavarotti's voice. There was something about the way he sang that just sounded much more natural and emotive than other opera that I've heard and now that I know about bel canto, I think that explains it. Incidentally, what you were saying about operas being the soap operas of their day reminds me a lot of Shakespeare. Most people think of his plays a being highbrow and, while he was a genius when it came to putting words together (a lot of phases that he coined are still commonly used), most of the plots of his plays were basically soap operas and were meant to appeal to a very general audience.
What people do not really think is that "highbrow" culture classics used to be just normal entertainment, that incidentally was looked down from people from the previous generation. Society-wise, there is literally no difference between Chopin, Wagner, Andrew Lloyd-Weber and Pink Floyd. Literally none.
@@maffa2849 Great point. People always think that the entertainment they grew up on is inherently better than anything new and I guess time just lionizes that tendency.
@@johnhmaloney whats worse, the entertainment of the past is seen as inherently more profound and layered and more "culture" instead of the poor and shallow stuff you get nowadays (for any given "nowadays"). All it is is just institutionalized "fandoms" that reeeeally are into one specific author and eviscerate it inside out and more oeften than not applies their own meaning to something that wouldnt necessarily have. and mind you, I am a great opera lover, I see at least one performance at year when not more, but I am the first to say the stories are super silly (Turandot included, which is my all time favourite and used to sing it when I was a kid) and pulp, and not everything is super excelsior all the time. The only difference between then and now is that back then you wouldnt have much apart from the theatre (prose and opera and symphonies) and reading books, and they needed to be long and large because bourgoise life pivoted around theatre life.
There is no place for culture snobbery, anywhere and anytime.
@@Spo-Dee-O-Dee IT doesnt change the fact that Chopin's production was still, in fact, entertainment first and foremost.
Well done Beth.
Well done.
Il Maestro Pavarotti ha segnato un'era, che ancora oggi riecheggia in chi, purtroppo sempre meno, ama l'Opera Lirica.
Well done dear.
Well Jussi Björling is one to look into. He was kind of an idol for Pavarotti. Personally I believe that from a technical standpoint Jussi was the best of them all, but Pavarotti had de Mediterranean soul in his singing that gets you in the feels. I love them both.
Unfortunately, the recording quality back in Jussi Bjorling's days were not even close to the quality Pavarotti was able to record in. So hard to do 1 to 1 comparison.
Yes. Jussi was/is incredible.
Jussi Björling O'helga natt might be the best use of a tenor voice ever❤
@@VoxTone2009 And the same is true for Caruso. But I don't like to compare, I like to enjoy them all :)
Just amazing!!!! What a performance
His voice makes women swoon and men empowered!
I’m not sure if it’s a myth, but I remember hearing that there was a Nessun Dorma B&B or hotel. Which is amusing when you know that it means ‘None shall sleep”.
It looks so effortless, just insane:)
i love this song and performance.
In the mid-'70's I heard Pavarotti in recital, performing for an audience that included many trained singers. With a truly great artist on stage, many experts can turn from being critics to being blubbering fanboys and girls, carried away with emotion. After Pav hit a high C it was like a magnetic force dragged everyone to their feet, cheering wildly. Yes raw emotion is a valid part of operatic expression and we need it more than ever now when the art form, beset by cynical revisionism, is having a lot of trouble.
What a great reaction video to one of the greatest songs ever! Keep up the great work!
Imposoble que una maestra de musica o analista nunca hubiera escuchado esa cancion y version antes
Deep Purple was a part of Pavarotti's annual fund raising tour in 2003. And Ian Gillan said to Pavarotti that Nessum Dorma is really a great rock ballad, and therefore they sang this as a duet. I don't know how many rocksingers that actually would came up with the idea to that. But you can of course check it out on RUclips.
Thank you! That was very interesting, and a great reaction. Your explanations though,, I've watched a lot of reactions to this. And probably at least 4 vocal coaches, but you explained some things that no one had mentioned in just the right amount of detail. Without over explaining, which is massively appreciated 😁😎🤣
P S. I'm half Italian, and always liked opera. I know this from the 1990 world cup like you said, lol. It worked sooo well
Beautiful...🎙🎙🎙🎼🎶🎵🎶🎵🎶🎵🎶🎵🎶🎵🎶🎵🎶🎵🎶🎵💎💎💎💕💕💕🙏🙏🙏
It is possible to argue that the character Calaf lends itself to being performed by other types of voices, within the tenor range, but it cannot be denied that Luciano Pavarotti made this aria even more famous in modern times.
Well, it has nothing to do with your finesse of mind, your apparent kindness. I've been enjoying them for several years now, and I keep coming back to them. but since you've been getting back into shape, your blue eyes, so ... 🙏🏻oh, my goodness, jumps out like a lagoon of serenity. You're bluffing, superb🤌. Am I being subjective, inappropriate? Yeah, so what? I'm Latin, from that island between France and Sardinia, where you don't have a sluggish temperament; so I won't do them like I'm reciting an instruction manual with an uptight, faulty air.
It won't be fake-ass. That's what makes a compliment worthwhile, damn it.
Be happy. Never wait for a good enough reason to. Go get it!
Grazie per tuttu, Beth, stà cum’è tù sì.
Goosebumps - every single time I hear this .....
The fact that the chosen version was from when he was 59 years old says everything
I love that you explained that Opera isn’t filled with stories about lovely people. It amuses me that my music-loving mother at a very young age listened to the Met on Sunday afternoons after having read the storyline of the opera ahead of time! (I’m talking 6-8 years old!) I’m amazed my very Victorian grandmother thought that was suitable literature for her little baby!
Only he could have sung like that. Grande Italiano.
He is the greatest of all time in my opinion.
Opera does often have klutzy storylines...but the music is absolutely stunning...taking your breathe away when a master sings the aria of a masterpiece. This is an example...proof perfect.