Intresting seeing someone using so much right hand. I was taught that you should be alternating hands as much as possible, but I know that it ultimately depends on the percussionist. Still Interesting to see, and great work with the parts.
Alternating is a good heuristic when beginning percussion, with orchestral playing it’s common to play as much as possible with one hand as it minimizes issues with hand-to-hand evenness
@@Histgyphin my own practice I’ve found myself much more rhythmically consistent when using one hand instead of two. I think the rhythmic inconsistencies you’re hearing are a product of me trying to live-adjust with the recording and not quite catching the tempo. I usually won’t catch small inconsistencies like this until I start editing videos, at which point I have to decide if it’s bad enough that I need to re-record the section or not.
Are you familiar with Santa Clara Vanguard's 2004 show "Scheherazade"? If not, you should check it out! It's a fantastic rendition of this piece, and arguably one of the most musical percussion arrangements in drum corps history.
hi, do you mind sharing what snare drum you were playing on in the softer segments? it looks like a pearl steel piccolo but modified with the triad strainer?
I believe you’re correct that it’s a pearl piccolo with a triad strainer, if I remember correctly all 3 snares were guitar string. It was one of the studio drums at Temple so I don’t have access to it anymore to confirm.
You must be the Fairy of Scheherazade! I was blown away by the wonderful performance!✨
Incredibly fun and amazing editing. Great performance!
Thank you! It was fun to put together.
Sometimes I just wish that conductors dealt with percussion with a little more dignity and respect.
Agreed!
U MISSED THE TAMTAM
Super cool content, bring it on!
very good work man!
🤛
This is so dope! 🥁
💯
Intresting seeing someone using so much right hand. I was taught that you should be alternating hands as much as possible, but I know that it ultimately depends on the percussionist. Still Interesting to see, and great work with the parts.
Alternating is a good heuristic when beginning percussion, with orchestral playing it’s common to play as much as possible with one hand as it minimizes issues with hand-to-hand evenness
@@triangleboy5798at 5:06 it seemed to me you were more rhythmically inconsistent than you would have been if you alternated hands.
@@Histgyphin my own practice I’ve found myself much more rhythmically consistent when using one hand instead of two. I think the rhythmic inconsistencies you’re hearing are a product of me trying to live-adjust with the recording and not quite catching the tempo. I usually won’t catch small inconsistencies like this until I start editing videos, at which point I have to decide if it’s bad enough that I need to re-record the section or not.
I want to watch the Ⅳ！
Are you familiar with Santa Clara Vanguard's 2004 show "Scheherazade"? If not, you should check it out! It's a fantastic rendition of this piece, and arguably one of the most musical percussion arrangements in drum corps history.
hi, do you mind sharing what snare drum you were playing on in the softer segments? it looks like a pearl steel piccolo but modified with the triad strainer?
I believe you’re correct that it’s a pearl piccolo with a triad strainer, if I remember correctly all 3 snares were guitar string. It was one of the studio drums at Temple so I don’t have access to it anymore to confirm.
👍
Don't you have tam-tam and suspended cymbal?
Which triangle is that one?
It’s a classic Alan Abel symphonic triangle. Mine’s over a decade old at this point so it sounds a little different than the newer ones.
@@triangleboy5798 Thank u so much!
Hello Jewish owl