finally some good fucking sounddesign no fucking around just straight to the point... i always forget how powerful vital is thanks for the reminder... sounds so sick
Man I discovered vital because of you and it’s become my preferred synth. I still love serum but damn vital is versatile. Thanks for the weird noises 👾
Great vid, always watch your channel when im feeling uninspired to get some coolio ideas, and a few powerful propulsions of air out my nostrils. Thanks for the tut. Have a good week, sir.
I never comment on shit, but after long time lurking and learning so much from your vids, just had to show you some love, dude. You're the best channel doing this! As someone in not the greatest of financial times, but trying to become educated on production -- I appreciate you immensely. Just grabbed Flux off Bandcamp. I'll be working that into a DJ set real soon. Much love and respect, Bunting
So for 8:56 I find that using a real disperser plugin (such as Kilohearts one) gives a much wetter sound than using the massive EQ3 disperser technique for a lot less of a CPU cost. Disperser was easily one of the handiest plugins I've bought, cannot recommend it enough for these types of sounds. Thank you for the tutorial I learned a lot of new tricks!
Yo Bunt... You've helped me so much🫵🔥🥀 Thank you... I'm still mixing this kind of stuff with "bluegrass" I know, I know, sounds crazy... But if you go deep... And start sound designing the Bluegrass itself as well... Crazy awesome shit starts to happen... 🥀🥀🪕🎻🎚🎛🎹🥀🥀 You do great work... Don't ever stop...
Just found your channel and am blown away with how helpful it is. I've been trying to digest your call and response video by analyzing some of my favorite songs. If you make another video on call and response or really any song writing technique could you analyze Split Personality by Deathpact? So many ideas going on there. It seems like simple call and response but I don't understand how all the variations work so well together. A video on how/when to use bass/drum fills would also be helpful. I understand they are used to build tension but it doesn't seem like there is a formula. Why are they typically at the last half bar of every 4 or 8 bars? When use a "riser" type fill vs a growl or toms etc. Lots of words sorry
Ah, the womps, squonks and cromps, of course of course. You, my good sir, truly understand Tipper and the magical dripping sploinky bwaumph language that he speaks. Thank you for your excellent analysis and walkthroughs of your fantastic flavor of this style. Love it.
Always love your videos man. Was wondering, did you go to any production school and if you did would you recommend any to learn my way around ableton and preferably specialising in bass music type stuff if possible
Could you make a tutorial on how to make a mix sound fully dimensional? Your track throughout the entire video sounds very full and my mixes always end up sounding flat compared to this, as if they only occupy one field. I don't know why, cause I do mid side EQing and I do put my sub in mono etc.
will do, a lot comes down to sound design in making gr8 full spectrum sounds and post processing them well check the post processing video but i might make a vid on this in particular
Great stuff as always! Do any of your videos address when to layer a clean, direct out sub, vs processing the sub along with the rest of the highs? Or skipping a dedicated sub altogether? I'm always scared (to a fault) to run my sub thru any processing because I don't want to weaken it.
I’m sure it’s easily learnable once I understand vital or serum better but I’ve been trying to figure out how Micman gets sick deep wubble growl noises lol
moving combs/phasers/peaky filters and or messing with the spectral modes could probably get you close but the hyper clean quality of it is from additive synths eg razor harmor otherwise a freq shifter could have a similar effect
I got ableton, serato dj and studios…this is the program I need lolol…any suggestions on equipment/ Instruments I should get? Got the keyboard and pioneer tables…
Love the tutorial, brother! The tipper stuff is dope! The sounds are great, but how do you write these riffs? How do you know what lfo shape to use or where in the beat it goes? How do you know when to use an lfo for rythym vs writing the rhythm with the midi? How do you decide where the types of sounds go in the measure? Can you recommend some heuristics?
check my arrangement and songwriting playlist on the channel, i also talk more about riff stuff in my resonant language specific video, will cover more on this as well
Great vid, always watch your channel when im feeling uninspired to get some coolio ideas, and a few powerful propulsions of air out my nostrils. Thanks for the tut. Have a good week, sir.
I’m feeling squonkier already
finally some good fucking sounddesign no fucking around just straight to the point... i always forget how powerful vital is thanks for the reminder... sounds so sick
Right in time for Tipper n friends
This is undoubtedly the best video about tipper sounds in the history of videos
Waiting till T&F weekend was a smart choice hahaha. I couldn’t make it this year so this is exactly what I needed today
Man I discovered vital because of you and it’s become my preferred synth. I still love serum but damn vital is versatile. Thanks for the weird noises 👾
You rock man, I'd say you are the headiest spunion
Great vid, always watch your channel when im feeling uninspired to get some coolio ideas, and a few powerful propulsions of air out my nostrils. Thanks for the tut. Have a good week, sir.
Oh Jesus is it my birthday already? I was going to sleep (2 am in Italy) but I can always sleep next year. Thanks mate
This channel is such a goldmine
Great vid!!! Would love to see a spoonbill style vid♥️✌️
I never comment on shit, but after long time lurking and learning so much from your vids, just had to show you some love, dude. You're the best channel doing this! As someone in not the greatest of financial times, but trying to become educated on production -- I appreciate you immensely. Just grabbed Flux off Bandcamp. I'll be working that into a DJ set real soon. Much love and respect, Bunting
So for 8:56 I find that using a real disperser plugin (such as Kilohearts one) gives a much wetter sound than using the massive EQ3 disperser technique for a lot less of a CPU cost. Disperser was easily one of the handiest plugins I've bought, cannot recommend it enough for these types of sounds. Thank you for the tutorial I learned a lot of new tricks!
Thank you.
Ya boy Bunting puts in the work!
Your editing is straight hilarious. Best on the tub!
Thank you, gonna tip it up now
See y'all at Suwanee 🖖👽
To help getting a new computer. Thanks for the tutorials
Brother, I subscribed 14 seconds in.
welcome aboard 🥂
Yo Bunt... You've helped me so much🫵🔥🥀
Thank you...
I'm still mixing this kind of stuff with "bluegrass"
I know, I know, sounds crazy...
But if you go deep...
And start sound designing the Bluegrass itself as well...
Crazy awesome shit starts to happen...
🥀🥀🪕🎻🎚🎛🎹🥀🥀
You do great work...
Don't ever stop...
God damn dude you’re incredible. Using this for sure.
thank you bro
suwanee was lit af this year
Damn you are speaking my language now wonk my wonks and squanc the squanc
s q u o n k
Just found your channel and am blown away with how helpful it is. I've been trying to digest your call and response video by analyzing some of my favorite songs. If you make another video on call and response or really any song writing technique could you analyze Split Personality by Deathpact? So many ideas going on there. It seems like simple call and response but I don't understand how all the variations work so well together. A video on how/when to use bass/drum fills would also be helpful. I understand they are used to build tension but it doesn't seem like there is a formula. Why are they typically at the last half bar of every 4 or 8 bars? When use a "riser" type fill vs a growl or toms etc. Lots of words sorry
Fire bro
hey, im squanching here
the squawnks
Ah, the womps, squonks and cromps, of course of course. You, my good sir, truly understand Tipper and the magical dripping sploinky bwaumph language that he speaks. Thank you for your excellent analysis and walkthroughs of your fantastic flavor of this style. Love it.
Magical dripping sploinky bwaumph 😂👌 nailed it
Awesome content homie. Great breakdown on sound design !!
bro lol you could be up on mainstages at festivals like infra.. your shit is top notch
I love having access to your files now, but damnit you’ve made me love to make my own! Much love, Bunting! ❤️
Nice
Always love your videos man. Was wondering, did you go to any production school and if you did would you recommend any to learn my way around ableton and preferably specialising in bass music type stuff if possible
Could you make a tutorial on how to make a mix sound fully dimensional? Your track throughout the entire video sounds very full and my mixes always end up sounding flat compared to this, as if they only occupy one field. I don't know why, cause I do mid side EQing and I do put my sub in mono etc.
Maybe try adding some reverb and delay to certain sounds in your mix. Always helps out my mixes when it doesn’t sound full
will do, a lot comes down to sound design in making gr8 full spectrum sounds and post processing them well
check the post processing video but i might make a vid on this in particular
@@BuntingMusic thank you, i would love that, also the post processing video was so good i watched it several times
need width? *chorus*
does serum have the same capabilities??? idk if its possible to freeze the flanger.....?
Protect this man.
Thanks
Great stuff as always! Do any of your videos address when to layer a clean, direct out sub, vs processing the sub along with the rest of the highs? Or skipping a dedicated sub altogether? I'm always scared (to a fault) to run my sub thru any processing because I don't want to weaken it.
soon, most of what matters in sub tho is the level, so compress & mono sub and you’re usually good
Figure out the Vorso hyper chord basses
I’m sure it’s easily learnable once I understand vital or serum better but I’ve been trying to figure out how Micman gets sick deep wubble growl noises lol
praying for a mickman or pheel video
would it be possible to make an Xtrullor/Au5 style phaser bass in vital?
moving combs/phasers/peaky filters and or messing with the spectral modes could probably get you close but the hyper clean quality of it is from additive synths eg razor harmor
otherwise a freq shifter could have a similar effect
update:try notch filters
@@BuntingMusic yay thanks
you're a g dude
Can we please get a MIckman or peel vid!!!
For that fluttering sub sound do u turn that into two tracks and separate the lows from the highs? Or do u keep them all in one sound like that
I got ableton, serato dj and studios…this is the program I need lolol…any suggestions on equipment/ Instruments I should get? Got the keyboard and pioneer tables…
love the content. glad there arent so many "rights" good work man
next level shit as usual
Can you transfer these sounds from vital into FL studio?
That’s wild. How does adding a gang of EQ3s have that effect?
because eq3 sucks so bad it destroys the phase of anything that goes through it
@@BuntingMusic eq3 absolutely roasted
Squonks sound like squishy farts!
🔥🔥
Where can I get that disperser rack
u can make it by duplicating eq 3 a bunch or its in my free 10k sample pack
Yummy mustache my dude 👍👍👍👍
Cool
How in fucks name do ya make the triangle like that😅
Love the tutorial, brother! The tipper stuff is dope! The sounds are great, but how do you write these riffs? How do you know what lfo shape to use or where in the beat it goes? How do you know when to use an lfo for rythym vs writing the rhythm with the midi? How do you decide where the types of sounds go in the measure? Can you recommend some heuristics?
check my arrangement and songwriting playlist on the channel, i also talk more about riff stuff in my resonant language specific video, will cover more on this as well
@@BuntingMusic dude, I've watched all of your videos like 5 times each and my riffs still suck
Should add timestamps!
Is Tipper a confirmed Razor user? That's neat.
yarrrrrr
that editing tho. lol kick and snare from scratch vid?
@@gill_yum i have a drum sound design tut but will make an updated one soon
@@BuntingMusic word I’ll check it out missed it
eyyy Gill_Yum in da haus 🏡 🙌
Peaky Blinders? GTFO We stan
Peaky FILTERS round chere 🥊
Great vid, always watch your channel when im feeling uninspired to get some coolio ideas, and a few powerful propulsions of air out my nostrils. Thanks for the tut. Have a good week, sir.