Behind The Console: Mastering Engineer Oli Morgan Interview | Inside Abbey Road
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- Опубликовано: 5 сен 2023
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Producer: Warren Huart
Camera: Adam Steel
Editing: Adam Steel
Photos from The Art of Recording Vol.1, Abbey Road Studios x Legacy+Art
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Видеоклипы
What are some of your favourite mastering tools in your music production?
i use ozone 10 standard and gullfoss. fantastic plugins when not overused
Lurssen Mastering Suite, EQ-432 and Vari-Mu plugins. Thanks to Everyone at Abbey Road Studios for making my Music Shine. Thank you Warren. Cheers!!!
Meters...
judging by the video, HP printers do a good job😅
@@Czyszythanks ever so much for sharing
Thanks for another great and very interesting video. Did not expect myself to watch the full when starting, but watched it to the end
Thanks ever so much! I really appreciate it
Very much enjoy your Abbey Road tours Warren! Such a magical place most of us will never see but can thru your videos. So very interesting! Thank you!
Thanks ever so much
Glad you enjoyed the video
It's been a great series
Thanks ever so much!@@thesongacademy5017
Great stuff, Oli you Rock!!!! Wonderful to see how the big guns work. Great series of Abbey Road. Thanks very much
Thanks ever so much Joey!
I really appreciate your support
Cool video, Mr. Warren, Ty for all
Thanks ever so much
Thanks for another great Abbey Road video Warren
Glad you enjoyed it!
We feel blessed to be able to work with Abbey Road
Great video!
Thanks ever so much
Really great episode!
Thanks ever so much
Lurssen Mastering Suite, EQ-432, Vari-Mu plugins. A Big Thank you to the Mastering Engineers at Abbey Road. Thank you Warren for bring us there on-line. The Tips I got for Mastering have made Everything Sound Better!!!
Thanks again!
Oli, excellent interview
Marvellous
what great insight in this Abbey Road series!
Thanks ever so much!
I really appreciate it
"Listen, lookit, very simply: Musicologically and ethnically the Rutles were an essentially empirical melange of a rhythmically radical yet verbally passe and temporarily transcendent lyrical content - while with its historically innovative melodic material, transposed and transmogrified by the angst of the Rutland ethnic experience, which elevated them from the alpha exponents of, in essence merely beta harmonic material into the prime cultural exponents of Aeolian cadenza cosmic stanza form."
- Dr. Stanley J. Krammerhead III, Jr. (aka Monty Python's Eric Idle), occasional visiting professor of Applied Narcotics at Pleaseyourself University in California.
It is very well known that the Rutles availed themselves of all the studio trickeries used by the engineers at Abbey Road studios.
The Rutles - a living legend that will live on long after other living legends have died - owe their very sound, popularity, and existence to Abbey Road Studios (which, btw, did not have that moniker prior to "Abbey Road," as it was just called, boringly, EMI STUDIOS. Later, the Rutles would move their studio operations to Baker Street, paint the building up like THE FOOLS, and rock the denizens of London on their lunch break from the rooftop of their building, just PRAYING that the bobbies would come and "bust them," just so the movie they were making, LET IT ROT, would have a cool ending. Whattaya gonna do, it's just show business. That could never have happened on the rooftop of EMI STUDIOS. Not in a hundred years.
Rock On, Abbey Road Studios, Rock On!
Thanks ever so much for the great comment!
Lurssen Mastering Suite Plugin, Mastering EQ-432, and Vari-Mu Mastering Compressor plugin which I starting using because of the last Video with your Mastering Enigeer Friend at Abbey Road. This one Tip has made my Masters so much Better!!! Cheers!!!! Thanks Lads!!!! 🖖🍀♠🎸🎧🎵
Thanks for sharing!
Which video was that one? I'd love to see it.
@@outlawmusic4963it’s probably this one here:- ruclips.net/video/Poh_b3KBYoo/видео.htmlsi=zmH6hyX8tjF5FpFl
Great!!
Thanks ever so much
Ha I went to Kingston and then BIMM in Brighton.
That’s very cool
Thanks for sharing
Hi Warren, I have a quick Q:
From Your experience and others Greats that You've learned from/talked to: How many dB's below the final mastered song I should finish my mix for mastering engineer? How much "room" leave for them to push for final touch?
:)
Thanks ever so much Audrey
I do agree on the Welsh Flag but I do not want to sit in the "middle of the band"
Haha the Welsh flag is amazing!
As for hearing a band exactly as you would at a live show, with all of the reflections etc, I'm ALL about it!
I’ve always supported what the Produce Like a Pro team do but honestly, the comment that it’s “trolling to say that the issues you’re talking about should be fixed at the mix stage” is ignorant at worst and pandering to the interviewee at best. I’m not a writer or composer but my impression was that, at the preproduction stage, the intent was always to minimise the amount of writing done when recording. My goal as a recording engineer was always to have the mixer do as little as possible and as a mixer, have the mastering engineer tell me they did nothing. I know most audio people feel the same. Having the capability to do stem mastering is great but we’re unnecessarily further deferring decisions and commitments that should be made at the recording and then mixing stages. Surprised you don’t feel that way.
I'm not sure what you are referring to? I strongly believe (and have said many, many times) that the song (and it's arrangement) comes first, then the performance, the recording (capturing in the best way so mixing is an easy job) and then the Mastering needing very little work to do.
I am very surprised with your comment, what I've always expressed in every video is exactly what I've said in the previous comment. I was so taken aback with your comment that I am 20 mins into the transcript and have done a search for what what you've said and cannot find the comment anywhere.
Great video!
Thanks ever so much