STUCK WITH THE SAME DRUMS TRY DOING THIS! 😤🔥
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- Опубликовано: 19 дек 2022
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Video by:
@IBEENART
In this video, we're going to show you how to fix a filter crash on your drum kit by doing a halftime groove. This will help you get more groove and reach your full potential as a music producer!
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STUCK WITH THE SAME DRUMS TRY DOING THIS! 😤🔥 
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It’s not the bpm in half time that gives more bounce. It’s the timeline moving slower so you can learn to see the rhythms in between. Halftime and double time are irrelevant when working in beat divisions. 70 at 16ths is the same as 140 in 1/8ths. It doesn’t give you more bounce. It helps you find the spaces easier but you left that part out lol
Yeah its the same tempo essentialy, you could make beats at 280 as well.
Project tempo does affect how some synth presets sound tho!
@@Pabloesc571 that’s true! I don’t think that was a point in the video though lol
@@Pabloesc571 Why is that? I thought any parameters of the synth sound like attack ,release etc are set in seconds not beats.
@@patyt1210 yeah adsr is fixed, but some parameters are synced to project tempo sometimes. Honestly I have no idea why is that, but a lot of the times synths sound a little different on different tempos.
This came in clutch. Been stuck on this problem for a min. Thanks for explaining half time
go crazy my guy
Textures as crashes 🤯🤯
💎💎💎💎💎
It sounds smoother with the nice textures!
@@HealthyAndInspired what exactly is a texture? Just a one shot sound effect?
Might have to try this
go crazy. the best thing you can do is try something out of your normal creative process.
Litty
I'm liking this video because I'm glad to see someone telling these kids not to do the same drums on every fkn beat
Clutch
love
def came in clutch im about to go coom right now and i already knew my drums waa gon come out the same lol
Bro! Halftime! Ima learn how to use that more often
It’s the same thing but a little different
That’s why dancehall on reggae beats is one ☝️ of the most popular genre 💯🇯🇲
love dancehall music. they got the most interesting rhythms
@@IBEENART 🇯🇲❤️🎤 🎻 🥁
Yessir
Thats 100bpm dude
I don't get the half tempo tip. From a math point of view there is the exact same space to get bouncy. And from a producer point of view... you don't get "more space", quite literally the opposite. I am not saying that it is a bad tip cause at least it will break you out of you common visual patterns but... I still don't get the reasoning lol
you dont get more space but your mind is tricked & the effects sound different in a lower tempo. like gross beat halftime sounds different in a low bpm cause there is more room. looperman too. its the same effects but it gives you more room to try new things so next time throw grossbeat or halftime & make a melody with it running on a low bpm i promise you'll make something different.
Where do you get your drum sounds from. The sound selection is GOATed
Edit: just realized that this is Splice lol. Still wanna know what the sounds are cuz they heat
many kits but majority of the time i take more time tweaking the sound than just leaving it as is. i do have a collection of all the best splice sounds i do use tho (like 35% of the sounds in the video are in that pack)
I always wondered why some people make a beat in half time
definitely gets you out of the same placement of drums. try it out.
I find halftime useful in a more arrangement like setting as well. Have everything be in full or double time, and then the bridge or even Drop in halftime. Higher tempos tend to be more tense, and lower tempos can provide that release from the tension.
this isn't even halftime. it's just normal tempo
@@KRISTIJAN63 yep, technically what most people do (snare on the 3) IS halftime already.
I don't see the point of going halftime, you can detail a drum sequence way more on higher bpms.
this just personal advice from me. I always get different types of ideas when i used effects in halftime for melodies & drums. but thats just what works for me tho i do use any bpm
@@IBEENART that is fair enough, i mean sometimes working within limitations actually improves creativity.
Try stop thinking about stuff and actually TRY different things.
@@MrFree-vj8qj My head doesn't work on bpms lower than 100
@@Jalmaanmaybe that's why you should try
Not understanding why hip-hop bpm’s under 100 would be called halftime when it’s just regular time. Producers learned to double the bpm to increase the resolution of the hardware sequencers they used back in the day. It’s not really necessary now we have DAWs that allow you to increase the resolution as much as you like.
The tip about alternative sounds as crashes was pretty dope.
majority of producers start making stuff in doubletime so they rarely think to use half time or "regular time" because its too slow. everybody different
@@IBEENART You don't know what you're talking about bro lol. It's the exact same tempo to anyone who is listening to the music. The only reason to double the tempo while creating the song is to double the resolution of the sequencer. It makes no difference to the person listening to the actual song. Making a beat at 140bpm in your DAW while placing the snares on beat 3 will make the actual tempo 70bpm. That's why all this trap/drill music is so slow. If you're talking about the metronome sounding slower than they're use to, the producer can just adjust the settings of the metronome in the DAW.
@@DjMiflyn im not reading all that but i feel you tho do whatever works my g. its all about creating the way that makes us comfortable.
@@IBEENART it’s not about doing what works for you. You don’t seem to understand the concept. There’s too much bad information on the internet and it needs to be stopped.
I was making a future and Travis Scott type beat and the piano wasn’t sounding good all I needed was to lower the tempo cuz it was automatically too fastbfor the chords I did .
who, who and who?
DAMN look at da master track when it shows FL11 sumbody don’t know what they doin😂😂 ( Soft Clipper ) will help errything i promise
wym i still use FL 11 as my main. I use soft clipper, limiter or sometimes nothing on it at all & let it clip. its really no rules just stages for the process.
@@IBEENART make a default template wit soft clipper already on it and cook up, you gon see lol y’all new producers goofy as fucc no disrespect but damn y’all don’t listen😂
@@SkKartel new lol i dont think you know who i am.... i made a whole video & gave folks my templates with those exact things.. its all love, i forgive you tho.
@@IBEENART he the new one 😂
@@YungBearPH if you so smart make sumthing better then me then lol bet you can’t
How do you get your patterns to look like that?
change pattern view to solid.
Dont even kno bout textures
Never heard of these producers u mentioned
man i wonder what your playlist is like because they are cemented in music today.
@@IBEENART bro must listen to classical or something 😂
bro u don’t know metro?
@@clag1109 he is insane for that
I only know metro 🤣
140 bpm started because producers are lazy. 90's hip hop producers didn't go over 97 bpm, mainly staying between 78 and 88 bpm. More work, but better detail.
I dont get why they're lazy
na its not laziness & that 90s producers statement is false. jake one & even premiere made their records in a double time bpm. it varies but they def showed it before. it all has to do with how people perfer to get their sound.
There's nothing lazy about this technique. It's just a way to double the resolution of hardware sequencers to allow for finer detail in rhythm. It's no longer necessary if recording in DAWs because you can freely adjust the resolution in the software.