Great stuff! I have been using melodyne for years, even on guitars. I try a lot of creative things with the plugin and still there is a lot of stuff I've never tried here. Thanks for the vid!
MANY people don't realise what a superb creative tool Melodyne is too, not just for pitch correcting vocals! Messing with the harmonics or adding tone from the synth generator can create some amazing guitar sounds. Great video!
It sounds very cool to start an intro with a very cheap guitar sound and then to unmute the Melodyne’s generated tracks after 1 or 2 bars. Thank you for this video, very inspiring
Great video. I use Melodyne for pitch, amplitude, timing, and include/exclude control all the time, but I have not delved deeply into the formant tool because I was disappointed with how cartoonish it quickly becomes on vocals. I'm now inspired to give it another go with an eye toward more subtle use cases as you did with guitar here. Very nice audio result.
Thanks for that. Melodyne is such an incredibly powerful piece of software which is so much more than a vocal tuner. It can align audio stacks, compress audio, de-ess, tempo edit and also be your sound designer. I just *wish* it was more intuitive and had a better GUI. Apologies that this is almost the same comment as in the previous video but I am hugely impressed but a bit frustrated with Melodyne. Still.
Cool ideas - never knew some of those tonal adjustments at the end even existed- thx for turning me on to them. Also, this guitar bit sounds like all the last several John Mayer records lol
I've noticed that sometimes when working with dry electric guitar (EG) sounds or piano recordings, using Melodyne can lead to a loss of some detailed harmonic content. Has anyone else experienced this issue?
Would be interesting to hear some of your sound examples where you experience these issues. Feel free to contact our support team for assistance: www.celemony.com/support
@@celemony In my Reaper daw Melodyne Assistant we work differently in the vst and au versions. In one of them, the Transfer button is enabled when importing a track. In the other, the ARA algorithm. Are there any other differences, I would like to find out in the next video.
@@gulfstreamband6712 Yes, the AU version is slightly different from the ARA version regarding the workflow. If you need assistance, please feel free to contact our support team here: www.celemony.com/support
That would be much better if it was done more subtley. Adding too many digital mods makes it sound robotic or too electronic. If that's what you're going for then cool. In the case of the rhythm mods, I liked the sound of the original rhythm track best.
Thanks for your comment! The tricks in this video might be exaggerated to make them very clear and obvious, but of course you’re free to apply as much or as little of them to your own tracks. 🙂
Please see the video description, it makes clear which Melodyne editions can be used for what. You’re right, it’s not really for Melodyne essential users, but anyone else will find something to experiment with. 🙂
@@celemony Yes, it is a similar result. Even if we recorded the double as its own instance, especially with heavy distorted guitars there are still going to be phase correlation problems, albeit not so much and masked by the real separate performance. It is not a problem to record monger riffs and then just cut the last 4~8 bars and place them as a 'doubler'. It would take about the same amount of time (hard memory is not such a big issue for the doubled size).
Great stuff! I have been using melodyne for years, even on guitars. I try a lot of creative things with the plugin and still there is a lot of stuff I've never tried here. Thanks for the vid!
Excellent! Thanks for watching!
MANY people don't realise what a superb creative tool Melodyne is too, not just for pitch correcting vocals!
Messing with the harmonics or adding tone from the synth generator can create some amazing guitar sounds.
Great video!
This is why I subscribed. I never realized how much more can be done besides pitch correcting and altering. Very cool.
Wonderful video showing creative use of Melodyne.
My word; excellent stuff. I can see that even though I am only at Editor level, this video is an eye-opener. Kudos.
It sounds very cool to start an intro with a very cheap guitar sound and then to unmute the Melodyne’s generated tracks after 1 or 2 bars. Thank you for this video, very inspiring
Cool, pleased you like it!
This is fire. More of these please!
Sure, more coming soon! 😉
Great video. I use Melodyne for pitch, amplitude, timing, and include/exclude control all the time, but I have not delved deeply into the formant tool because I was disappointed with how cartoonish it quickly becomes on vocals. I'm now inspired to give it another go with an eye toward more subtle use cases as you did with guitar here. Very nice audio result.
Depending on your source material, with the Formant tool, a little goes a long way.
These are great tips, fantastic video
Great clip and tutoring, thank you!
Thanks for watching!
Cool, gonna borrow these ideas right now, thanks!
Wonderful, thanks for watching!
@@celemony you bet....the timing of this video could not have been better, so thanks for putting it out when you did.
Brilliant creative ideas, thank you!
Thanks for watching!
Very cool. Thank you.
Cool ideas.
Very informative. Learned a lot of new stuff.
Thanks! Enjoy your Melodyne!
great tips! didnt knew all of those functions!
Glad we could help. Thanks for watching!
Thanks for that. Melodyne is such an incredibly powerful piece of software which is so much more than a vocal tuner. It can align audio stacks, compress audio, de-ess, tempo edit and also be your sound designer. I just *wish* it was more intuitive and had a better GUI. Apologies that this is almost the same comment as in the previous video but I am hugely impressed but a bit frustrated with Melodyne. Still.
Thanks for your comment. If you have any suggestions for GUI improvement, feel free to contact our support team.
Cool ideas - never knew some of those tonal adjustments at the end even existed- thx for turning me on to them. Also, this guitar bit sounds like all the last several John Mayer records lol
Thanks a lot for your comment. Cool to see we gave you some inspiration. 🙂
"how to make a crappy performance sound like a computer played it for you"
A-mazing! 🤩
that's quite cool. with a bit more tinkering it could even sound like a sax or something. cool.i have melodyne I'll try it sometime. 😀
Thanks for your comment and thanks for watching!
I've noticed that sometimes when working with dry electric guitar (EG) sounds or piano recordings, using Melodyne can lead to a loss of some detailed harmonic content. Has anyone else experienced this issue?
Would be interesting to hear some of your sound examples where you experience these issues. Feel free to contact our support team for assistance: www.celemony.com/support
Thx for video.
Once question - what different AU and Vst3 Melodyne Assistant?
Sorry, what exactly is your question?
@@celemony In my Reaper daw Melodyne Assistant we work differently in the vst and au versions. In one of them, the Transfer button is enabled when importing a track. In the other, the ARA algorithm. Are there any other differences, I would like to find out in the next video.
@@gulfstreamband6712 Yes, the AU version is slightly different from the ARA version regarding the workflow. If you need assistance, please feel free to contact our support team here: www.celemony.com/support
@@celemony thank you!!! Melodyne is very quality instrument.
good video but, what is the name of this app and also is it free
The program is called Melodyne and can be purchased e.g. here: shop.celemony.com/
5:38 - gotta be careful, in this case the phase is destroyed
Wow
Por un momento al ver la miniatura del video eras Darkrai...
Igualmente estuvo bueno el video.
Saludos 👋
That would be much better if it was done more subtley. Adding too many digital mods makes it sound robotic or too electronic. If that's what you're going for then cool. In the case of the rhythm mods, I liked the sound of the original rhythm track best.
Thanks for your comment! The tricks in this video might be exaggerated to make them very clear and obvious, but of course you’re free to apply as much or as little of them to your own tracks. 🙂
Overly 'chorused'.....insert Soundtoys Little Microshift using the 1 setting and dial back amount to about 20 to 25 percent and Ned's Yur Auntie'.
Good, but I will be faster and better playing the duplicate parts with my guitar (or another guitar)
It’s not meant to replace a guitarist. But not all of us are guitarists. 😉
Thank you, Weird Andy Samberg
i never knew i could learn so much from Wierd Al Pete Davidson
Bros hairline is taking off to the north pole.
Nice hairline. You should edit that next.
WTF WHY DID YOU HAVE TO END HIM LIKE THAT
So obviously, you can only do this on the expensive version.
Please see the video description, it makes clear which Melodyne editions can be used for what. You’re right, it’s not really for Melodyne essential users, but anyone else will find something to experiment with. 🙂
Is that a wig?
oh nah 🥶
mmmm, no thanks… so many phase issues got introduced
Why on earth would this introduce phase issues! 😂
Doesn’t a chorus, for example, or double-tracking guitars also ‘introduce phase issues’?
@@celemony Yes, it is a similar result. Even if we recorded the double as its own instance, especially with heavy distorted guitars there are still going to be phase correlation problems, albeit not so much and masked by the real separate performance.
It is not a problem to record monger riffs and then just cut the last 4~8 bars and place them as a 'doubler'. It would take about the same amount of time (hard memory is not such a big issue for the doubled size).
Yes without a doubt you are brilliant and the vibes are…mad cool…🪕🪕🪕