thanks a lot for adding the playing camera. I have been following your videos for quite some time, using your presets (thank you!) on both the QC and the Nano, and always wanted to see how you play what I hear in your videos!
Completely agree. It sorta connects the tones being heard with the attack of the note/playing style - or something like that. Bonus: stealing licks, poorly in my case.
I find myself loving that 64 deluxe capture for sure. I mentioned this in an earlier post on one of your videos, but on one of my presets it has replaced the Lone Star capture for my clean patch. 😱 I know that is blasphemy for you since it is your favorite capture! This is definitely heavy with the delay, but that's easily adjusted. I love the lead tone you got here. Really, really nice. I've never been a fan of any kind of fuzz, and this one is no different for me even though it is bass-centric, It still sounds too flubby for me! I'm going to play around with the split like you have here with a dry signal mixed in with the wet signal. I'm not sure how that's going to change the sound compared to using the mix knob on the delays, but there should be a difference for sure using this method with the doubler. I always learn something new from watching your videos! Thanks again!
Yeah, the new Fender model gives the LS a run for its money. I still think the LS is more flexible, has more control. But this new Fender does what it does very well.
Nice wet/dry concept for the delays with the split down the middle. That said, I use mono for most of my QC stuff. For live playing, it's just more practical for me. Great sounding Tele btw...
There is a Cortex preset out in the cloud called “FG Jazz”, and I am wondering what the amp model is. It’s pretty dark but also clear, and I am trying to figure out which amp it is modeled / captured after? I think only QC users can see that info in the GUI / chain, and I have a Nano and cannot see that info. The creator of FG Jazz is a “ghost”…I think it may be a Henricksen, but not sure.
thanks a lot for adding the playing camera. I have been following your videos for quite some time, using your presets (thank you!) on both the QC and the Nano, and always wanted to see how you play what I hear in your videos!
I'll try to do it more. If it's extra effort, but you're not the first person to ask for it.
Completely agree. It sorta connects the tones being heard with the attack of the note/playing style - or something like that. Bonus: stealing licks, poorly in my case.
@@begooode380 stealing licks is the bonus that comes with seeing how they are actually being played 😄
Nice to watch your skills man, thanks for everything! ❤
That sounds awesome!
I find myself loving that 64 deluxe capture for sure. I mentioned this in an earlier post on one of your videos, but on one of my presets it has replaced the Lone Star capture for my clean patch. 😱 I know that is blasphemy for you since it is your favorite capture!
This is definitely heavy with the delay, but that's easily adjusted. I love the lead tone you got here. Really, really nice. I've never been a fan of any kind of fuzz, and this one is no different for me even though it is bass-centric, It still sounds too flubby for me!
I'm going to play around with the split like you have here with a dry signal mixed in with the wet signal. I'm not sure how that's going to change the sound compared to using the mix knob on the delays, but there should be a difference for sure using this method with the doubler. I always learn something new from watching your videos! Thanks again!
Yeah, the new Fender model gives the LS a run for its money. I still think the LS is more flexible, has more control. But this new Fender does what it does very well.
Sounds great!
Excellent tones. The Jack capture is great.
One of the first captures I made and I still use it all the time.
Man, the dry and doubler trick is amazing
Yeah, I was happy with how it turned out.
Love it.
Nice wet/dry concept for the delays with the split down the middle. That said, I use mono for most of my QC stuff. For live playing, it's just more practical for me. Great sounding Tele btw...
Thanks very much. My only thought is that for a lot of us for live use, a stereo rig just isn’t practical.
Thanks for sharing this preset, it sounds very good!
Thanks, great tone!
Thanks!
Thane so much!
There is a Cortex preset out in the cloud called “FG Jazz”, and I am wondering what the amp model is. It’s pretty dark but also clear, and I am trying to figure out which amp it is modeled / captured after? I think only QC users can see that info in the GUI / chain, and I have a Nano and cannot see that info. The creator of FG Jazz is a “ghost”…I think it may be a Henricksen, but not sure.
When I search the Cortex Cloud I don't find anything called "FG Jazz" either.
Love the clean tones but overall way too much delay for me. But I just don't like the delay.
It is heavy on the delay. Part of what I was trying to do was try out using the circular delay so that definitely puts it high in the mix.