with financing, this camera is more than accessible to almost anyone. If you rent out an ARRI camera of your own it will literally pay its own self off in a year or two :)
I'm staring dumbfounded at those waterhouse-looking things. Likely no bounce light on those Aerials, full backlight from the sun. The sky is captured with just the tiny sun dot blowing out AND the shadows on the waterhouses facing camera are ... also captured with nearly no crushed blacks? Am I seeing that correctly??? The 17 stops DR is DEFINITELY on display here. Even the previous Alexas couldn't do that.
@@chrishultgren777 It has nothing to do with light on Set. Shadow is a natural part of an image, you don't want this area to disappear completely with a strong contrast or become grainy... Most cameras can't show fine detail in shadows as this camera does!
Arri , you know when it's there. extremely precise in pixel noise(everything, from lo to hi-light , is captured very firmly)and pixel clock of the sensor(super low jitter in pixel read out, which gives a super steady, precise,“quiet”,firm, grand,epic and spectaculer motion looking). comparing to sony venice, you will find sony's a lot video-like looking in motion due to a high-jitter pixel read-out sensor(sony consumer cameras like A73 will have even more jitter in sensor, which gives serious artifacts problem in motion: lack of uniformity ,“noisy” and less useful information in motion).
The other day I tested the sony a7s2 to film clouds colored slightly red during blue hour. You can get a great picture but as soon as it moves gently the artifacts are extremely visible. You can't push the footage much at all if you want to hide them.
@@LarsRichterMedia Right. If there's a moving shot, putting a Sony on gimbal won't be able to hide that jitter artifact, and it's quite visible on 24/25p. In comparison, Canon cameras do a lot better than Sony, but the trading is less stops of dynamic range. Overall, bigger size of sensor of the same amount of pixels should have less jitter in read-out, like Arri 65 is more steady than 35. By this time, Arri cameras do the best in jitter control on 35mm sensors.
I think a well-known Arri competitor named afer a certain color isn't going to be too happy about this camera. While they were arguably the ones that unlocked digital cinema to be taken seriously by professional filmmakers, they instantly lost the battle for major Hollywood productions on the day the original Arri Alexa with the famous ALEV3 sensor was introduced. After that, they were only really succesful in providing camera's for streaming services such as Netflix that require 4K resolution camera a minimum. While Arri has had the 4K+ 65mm digital camera since 2015, that's so expensive it's not really an option for most streaming service productions. But now Arri offers the 4K LF and mini LF and now also this gorgeous looking S35. Given all the glass available for film makers in this format, this camera is going to see a _lot_ of use.
Hi @paperworkpictures - it's both. The new ALEV4 sensor can capture 2.5 stops more dynamic range than the ALEV3 sensor, and we also had to develop the new LogC4 gamma curve to be able to hold that dynamic range, as the LogC3 curve was only designed for around 15 stops. LogC4 can be used with the ALEV3 sensor cameras too, in post, through the REVEAL workflow. More info at arri.com/reveal
This... is a tricky one! Technically ARRI is a portmanteau of Arnold & Richter, the first two letters of the surnames of the two friends who started the company back in 1917. This would suggest that Ah-Ri would be the correct pronunciation, like in Arnold, however generally we find most people use "Airy". Even within the company in Germany it is split, usually depending on the accent of the speaker. Use what ever feels right in your region!
Getting mine today and could not be more excited / nervous. It’s been a director’s dream to own an ARRI but also a big responsibility to make even on the investment (production bundle).
Raptor looks better with essentially the same dynamic range. Arri just have a marketing department that will claim anything. Skin tones have always looked mushy on arri yet people repeat the same saying that arri skin looks great. I rate arri below sony and Red at the top. Arri's claim of way better graduations between colours if utter rubbish. My Red Komodo is 16bit, how on earth can arri claim better colour graduations than 16 bit. Likely impossible to even measure the numbers are so bonkers at 16 bit. Rant over. :)
Amazing low-light images, remind me of the best Ektachrome film roles which have around 15 f-stops of dynamic range. Ektachrome image quality color and dynamic range were impressive so this must be even better. I would love to see a western shot with those new enhanced color capabilities.
Thanks ARRI for creating the perfect camera, that I still can’t afford 🤣🤣 Joke aside hopefully it will make the ARRI Alexa mini slightly more affordable ?
I was watching the movie 'Stuck in love' and was so amazed by the footage that I had to look up what camera they had used. It was an Arri Alexa, hence, that brought me here and my god this is awesome.
Because it’s not made to shoot stills. S35 is cinema and 90% of everything you watch and continue to watch is S35. True cinematography doesn’t want full frame and it will never become the norm.
“Now, it’s your turn” bruh that’s a $70k+ camera😭
with financing, this camera is more than accessible to almost anyone. If you rent out an ARRI camera of your own it will literally pay its own self off in a year or two :)
😂😂😂 without the lenses.
Each lens is $25K + 😂
@@adrianflores4121 maintanence and servicing costs? insurance?
In my country the price would be 200k
Why can't you guys just ask your dad to buy it for you? Like me and @ Adrian Flores?
This is how *iPhone* users think their camera is 🤡🤳
Ohhh hot damn. That Highlight detail is insane. Even on RUclips this looks stunning
Hey man, nice to see you here!
Completely agree.. but I have seen your fx6 footage’s. They even look good on YT.. 🤟
You won't be able to see it on RUclips. Most (well shot) footage looks good in RUclips.
Remember folks, you only need 1 kidney and 1 Alexa 35 to live.
Quick someone give me $75k
This is the camera we all dreamed of 😍❤️
17 stops of dynamic range. Wow. Can't wait to see the new Oscar-winning movies that will be produced with this!
Can't understand
@@shivam4870 no one can
We are using it on set and it’s actually a very good camera 🙌
@@shivam4870 Why?
I'd like to thank arri once again for creating a new level of master class cinematography.
Where is the link to the class thanks
Looks extremely impressive. Can't wait to see more from it.
I'm staring dumbfounded at those waterhouse-looking things. Likely no bounce light on those Aerials, full backlight from the sun. The sky is captured with just the tiny sun dot blowing out AND the shadows on the waterhouses facing camera are ... also captured with nearly no crushed blacks?
Am I seeing that correctly???
The 17 stops DR is DEFINITELY on display here.
Even the previous Alexas couldn't do that.
Now it's your turn to take out your wallet
Alexa is so good, they produce their own victory lap videos.
Can u gimme one? I promise i’ll take care of it…pinky swear
This doesn't have the Arri look☹️
Mushy skin tones you mean?
素敵な映像ありがとうございました✨✨✨
これからもよろしくお願い致します🙏
Rewatched after the Raptor XL trailer. Arri is undoubtedly superior.
Any chance we can get a Prores download link for this video?
Time to sell house/wife/kids for this beauty!
So many details in these shadows 1:25 Amazing!
Why not buy some lights, they're cheaper than the camera 🤔
@@chrishultgren777 It has nothing to do with light on Set. Shadow is a natural part of an image, you don't want this area to disappear completely with a strong contrast or become grainy... Most cameras can't show fine detail in shadows as this camera does!
Its youtube! You're lucky to see anything.
Arri , you know when it's there. extremely precise in pixel noise(everything, from lo to hi-light , is captured very firmly)and pixel clock of the sensor(super low jitter in pixel read out, which gives a super steady, precise,“quiet”,firm, grand,epic and spectaculer motion looking). comparing to sony venice, you will find sony's a lot video-like looking in motion due to a high-jitter pixel read-out sensor(sony consumer cameras like A73 will have even more jitter in sensor, which gives serious artifacts problem in motion: lack of uniformity ,“noisy” and less useful information in motion).
The other day I tested the sony a7s2 to film clouds colored slightly red during blue hour. You can get a great picture but as soon as it moves gently the artifacts are extremely visible. You can't push the footage much at all if you want to hide them.
@@LarsRichterMedia Right. If there's a moving shot, putting a Sony on gimbal won't be able to hide that jitter artifact, and it's quite visible on 24/25p. In comparison, Canon cameras do a lot better than Sony, but the trading is less stops of dynamic range. Overall, bigger size of sensor of the same amount of pixels should have less jitter in read-out, like Arri 65 is more steady than 35. By this time, Arri cameras do the best in jitter control on 35mm sensors.
Consumer camera? A73? Are you serious?
I think a well-known Arri competitor named afer a certain color isn't going to be too happy about this camera. While they were arguably the ones that unlocked digital cinema to be taken seriously by professional filmmakers, they instantly lost the battle for major Hollywood productions on the day the original Arri Alexa with the famous ALEV3 sensor was introduced. After that, they were only really succesful in providing camera's for streaming services such as Netflix that require 4K resolution camera a minimum.
While Arri has had the 4K+ 65mm digital camera since 2015, that's so expensive it's not really an option for most streaming service productions.
But now Arri offers the 4K LF and mini LF and now also this gorgeous looking S35. Given all the glass available for film makers in this format, this camera is going to see a _lot_ of use.
Nonsense.
@@bighands69 great argumentation.
Is really sensor holding the dynamic range or the gamma curve holding more dynamic range ? ie... new log format which logc4 ?
Hi @paperworkpictures - it's both. The new ALEV4 sensor can capture 2.5 stops more dynamic range than the ALEV3 sensor, and we also had to develop the new LogC4 gamma curve to be able to hold that dynamic range, as the LogC3 curve was only designed for around 15 stops. LogC4 can be used with the ALEV3 sensor cameras too, in post, through the REVEAL workflow. More info at arri.com/reveal
@@ARRIChannel thanks for info ARRI
Most important question: Is Arri actually pronounced "Airy".
This... is a tricky one! Technically ARRI is a portmanteau of Arnold & Richter, the first two letters of the surnames of the two friends who started the company back in 1917. This would suggest that Ah-Ri would be the correct pronunciation, like in Arnold, however generally we find most people use "Airy". Even within the company in Germany it is split, usually depending on the accent of the speaker. Use what ever feels right in your region!
hello.bravo! stunning recording.
Getting mine today and could not be more excited / nervous. It’s been a director’s dream to own an ARRI but also a big responsibility to make even on the investment (production bundle).
*I see arri wanted to remind the competitors whos leading the game*
Such amazing pictures. All the lowest point in light is captured. I can see the dynamic range at work with this New one.
Red raptor xl 8K costs half. URSA MINI PRO 12K cost much more less.
Raptor looks better with essentially the same dynamic range. Arri just have a marketing department that will claim anything. Skin tones have always looked mushy on arri yet people repeat the same saying that arri skin looks great. I rate arri below sony and Red at the top. Arri's claim of way better graduations between colours if utter rubbish. My Red Komodo is 16bit, how on earth can arri claim better colour graduations than 16 bit. Likely impossible to even measure the numbers are so bonkers at 16 bit. Rant over. :)
Plus the komodo is 6K and global shutter and almost 17 stops. I didnt used to but I trust Reds specs far more than Arri's specs.
* mY iPhOne iS bEtTeR *
it shoots film I guess
#Salaar Movie in India is using this camera to shoot
#Bhuvan #Prabhas #Prashant
Wow.. dynamic range King! can't wait to see Movies produced using this 😍
....do they accept payment plans?
Please contact a local ARRI distributor in your region. You can find a list of them here: www.arri.com/en/contact#f0=Camera+Systems
"now, it's my turn?" some day, some day......
Now you just need about 1.5 to 2.5k more resolution and it is perfect.
Arri had made the most compelling high end Super 35mm cinema camera.
fire looks phoney lear how to light properly noobs
I will own this camera some day...
Who will buy the camera for Me or should I go and steal to get it?
Amazing low-light images, remind me of the best Ektachrome film roles which have around 15 f-stops of dynamic range. Ektachrome image quality color and dynamic range were impressive so this must be even better. I would love to see a western shot with those new enhanced color capabilities.
FINALLY! WOW!!!
That's not for dumb youtubers lol
@@Makta972 It’s for whoever!
Sony fx3 is very very very similar 😮😮😮
Thanks ARRI for creating the perfect camera, that I still can’t afford 🤣🤣
Joke aside hopefully it will make the ARRI Alexa mini slightly more affordable ?
@Random Thought true. I think the size is what made the price go down so much, the alexa mini with the same sensor still is over 30k
No lo vimos todo nos aburrió
Wow!!! This is incredible. ❤❤❤
The colors & details dudeeeee
That underwater footage was insane
una demensia
BEST Questa è una CINEMA CAMERA da provare ;-)
I hear you Sam Harris
So happy for you guys! Congrats ARRI!
Se que algun dia tendre una de estas camaras
Worth the 12 year wait
I was watching the movie 'Stuck in love' and was so amazed by the footage that I had to look up what camera they had used. It was an Arri Alexa, hence, that brought me here and my god this is awesome.
I hope Arri and others are able to beat Red over their patent in courts. It's patent trolling that's holding back the industry.
❤❤
didn't the fuji xh2s just offer 14 stops dynamic range in their log 2?
Music sounds like ripped Venetian Snares.
Background music is amazing on this video.
sige
So cool : )
70k camera to vlog now all you need is 250k lenses and you are good to go
My toxic trait is thinking I’d be able to care for a camera like this
Perfect for my Zoom conference call at 480p 😂
lets see how many oscar winning films in the future used this shit
so..cool!!!
They said they gonna use it in thalapathy 67
Yep that’s why I am here😂
Bravo from Berlin! I can’t wait to get my hands on it 😍
Honestly, shooting on film is kind of dumb...
My goodness I am SOLD. I'll take two
Stunning footage!!
Beautiful!
just watched "Why Red 2" and then this immediately after. arri's color science and high light roll off is unmatched!
"it definitevly wont be called alexa" 😅😂😂
Dear Arri, VIMEO 4K pleeease🙏🏻
Is this video on You Tube in HDR?
argentina papá 🇦🇷
Film still looks better. This looks like a video. Too sharp and digital.
Yup. Only the tuk tuk hug scene looked good. Everything else had poor colors
incredible
💙
Why wouldnt you make this full framwe?!?!?!?!?
Because it’s not made to shoot stills. S35 is cinema and 90% of everything you watch and continue to watch is S35. True cinematography doesn’t want full frame and it will never become the norm.
Because movies on film were shot on 35mm film
I can't believe they have finally done it. Digital has finally surpassed Analogue film well down Arri.
Only in DR. In colors and overall aesthetics? Hell no...
It is pure nonsense.
Digital does not even come close to film. And will not do some for decades.
@@chronokoks yes
@@bighands69 well they are both equal now both have their strengths and weaknesses.
Someone need a kidney ? ...😅
Fact: Noone watched this video in 480p
I did
Welcome to the gello effect.
My dream
Too perfect ! Alexa Classic still has life ahead...
damn
Omg 😮
what ever!
Stunning image. Beautiful Dynamic Range.
FANTASTIC
Oh my goodness the footage looks beautiful
Goodness..
Currently drooling
Favorite !
Congrats on this new camera! It will rock!
So insane, I’ll have one thanks xx
beautiful
game changer ♥️ can’t wait to play with this on set