I was watching the movie 'Stuck in love' and was so amazed by the footage that I had to look up what camera they had used. It was an Arri Alexa, hence, that brought me here and my god this is awesome.
Getting mine today and could not be more excited / nervous. It’s been a director’s dream to own an ARRI but also a big responsibility to make even on the investment (production bundle).
@@chrishultgren777 It has nothing to do with light on Set. Shadow is a natural part of an image, you don't want this area to disappear completely with a strong contrast or become grainy... Most cameras can't show fine detail in shadows as this camera does!
with financing, this camera is more than accessible to almost anyone. If you rent out an ARRI camera of your own it will literally pay its own self off in a year or two :)
Hi @paperworkpictures - it's both. The new ALEV4 sensor can capture 2.5 stops more dynamic range than the ALEV3 sensor, and we also had to develop the new LogC4 gamma curve to be able to hold that dynamic range, as the LogC3 curve was only designed for around 15 stops. LogC4 can be used with the ALEV3 sensor cameras too, in post, through the REVEAL workflow. More info at arri.com/reveal
Amazing low-light images, remind me of the best Ektachrome film roles which have around 15 f-stops of dynamic range. Ektachrome image quality color and dynamic range were impressive so this must be even better. I would love to see a western shot with those new enhanced color capabilities.
Arri , you know when it's there. extremely precise in pixel noise(everything, from lo to hi-light , is captured very firmly)and pixel clock of the sensor(super low jitter in pixel read out, which gives a super steady, precise,“quiet”,firm, grand,epic and spectaculer motion looking). comparing to sony venice, you will find sony's a lot video-like looking in motion due to a high-jitter pixel read-out sensor(sony consumer cameras like A73 will have even more jitter in sensor, which gives serious artifacts problem in motion: lack of uniformity ,“noisy” and less useful information in motion).
The other day I tested the sony a7s2 to film clouds colored slightly red during blue hour. You can get a great picture but as soon as it moves gently the artifacts are extremely visible. You can't push the footage much at all if you want to hide them.
@@LarsRichterMedia Right. If there's a moving shot, putting a Sony on gimbal won't be able to hide that jitter artifact, and it's quite visible on 24/25p. In comparison, Canon cameras do a lot better than Sony, but the trading is less stops of dynamic range. Overall, bigger size of sensor of the same amount of pixels should have less jitter in read-out, like Arri 65 is more steady than 35. By this time, Arri cameras do the best in jitter control on 35mm sensors.
I think a well-known Arri competitor named afer a certain color isn't going to be too happy about this camera. While they were arguably the ones that unlocked digital cinema to be taken seriously by professional filmmakers, they instantly lost the battle for major Hollywood productions on the day the original Arri Alexa with the famous ALEV3 sensor was introduced. After that, they were only really succesful in providing camera's for streaming services such as Netflix that require 4K resolution camera a minimum. While Arri has had the 4K+ 65mm digital camera since 2015, that's so expensive it's not really an option for most streaming service productions. But now Arri offers the 4K LF and mini LF and now also this gorgeous looking S35. Given all the glass available for film makers in this format, this camera is going to see a _lot_ of use.
I'm staring dumbfounded at those waterhouse-looking things. Likely no bounce light on those Aerials, full backlight from the sun. The sky is captured with just the tiny sun dot blowing out AND the shadows on the waterhouses facing camera are ... also captured with nearly no crushed blacks? Am I seeing that correctly??? The 17 stops DR is DEFINITELY on display here. Even the previous Alexas couldn't do that.
Thanks ARRI for creating the perfect camera, that I still can’t afford 🤣🤣 Joke aside hopefully it will make the ARRI Alexa mini slightly more affordable ?
This... is a tricky one! Technically ARRI is a portmanteau of Arnold & Richter, the first two letters of the surnames of the two friends who started the company back in 1917. This would suggest that Ah-Ri would be the correct pronunciation, like in Arnold, however generally we find most people use "Airy". Even within the company in Germany it is split, usually depending on the accent of the speaker. Use what ever feels right in your region!
Because it’s not made to shoot stills. S35 is cinema and 90% of everything you watch and continue to watch is S35. True cinematography doesn’t want full frame and it will never become the norm.
Nice, really better color separation but when I look at movies like The Cell, I can see that analog is still several steps in front when it comes to color. But it's good to know Alexa 35 is now the new DR king.
This all depends on grading though, I'm sure with this new camera and workflow you can make things look more vibrant than the Cell, or the Fall. That doesn't mean I don't want 4k bluray releases of those damn movies though...
@@BrennanMartin No I'm pretty sure it's impossible in all situations (some of course yes). I have retouched hundreds of analog pro photos throughout the 00s and even 14bit film scans. Nothing comes close to this day. Even the humble matrix pill scene shows aesthetics that digital can't surpass.
@@chronokoks I agree. A certain tactile impact of film is never matched except for a few shots where everything falls favourably to create a certain look. Alexa comes the closest relatively but still miles off the feel of true film. But I guess these cameras are essential steps needed to get closer towards a time when digital will surpass film. And seeing how much has been achieved in the last 15 years, I won't be surprised if by 2030 or 2035 we breakthrough.
Raptor looks better with essentially the same dynamic range. Arri just have a marketing department that will claim anything. Skin tones have always looked mushy on arri yet people repeat the same saying that arri skin looks great. I rate arri below sony and Red at the top. Arri's claim of way better graduations between colours if utter rubbish. My Red Komodo is 16bit, how on earth can arri claim better colour graduations than 16 bit. Likely impossible to even measure the numbers are so bonkers at 16 bit. Rant over. :)
Great first pass! There's a guy at 3:56 with his nose out of his mask ruining the shot. Please either roto his mask on, or remove this shot altogether. Then we should be good for final upload and launch!
![BLACK BAG - Official Trailer [HD] - Only in Theaters March 14](http://i.ytimg.com/vi/Du0Xp8WX_7I/mqdefault.jpg)
![I.N "HALLUCINATION" | [Stray Kids : SKZ-PLAYER]](http://i.ytimg.com/vi/n5B5q1Hwt_U/mqdefault.jpg)
Ohhh hot damn. That Highlight detail is insane. Even on RUclips this looks stunning
Hey man, nice to see you here!
Completely agree.. but I have seen your fx6 footage’s. They even look good on YT.. 🤟
That’s 17 stops of real dynamic range, unlike the crap RED spews
17 stops of dynamic range. Wow. Can't wait to see the new Oscar-winning movies that will be produced with this!
Can't understand
@@shivam4870 no one can
We are using it on set and it’s actually a very good camera 🙌
@@shivam4870 Why?
I'd like to thank arri once again for creating a new level of master class cinematography.
Where is the link to the class thanks
Alexa is so good, they produce their own victory lap videos.
Rewatched after the Raptor XL trailer. Arri is undoubtedly superior.
just watched "Why Red 2" and then this immediately after. arri's color science and high light roll off is unmatched!
This is the camera we all dreamed of 😍❤️
I was watching the movie 'Stuck in love' and was so amazed by the footage that I had to look up what camera they had used. It was an Arri Alexa, hence, that brought me here and my god this is awesome.
Getting mine today and could not be more excited / nervous. It’s been a director’s dream to own an ARRI but also a big responsibility to make even on the investment (production bundle).
Such amazing pictures. All the lowest point in light is captured. I can see the dynamic range at work with this New one.
Looks extremely impressive. Can't wait to see more from it.
So many details in these shadows 1:25 Amazing!
Why not buy some lights, they're cheaper than the camera 🤔
@@chrishultgren777 It has nothing to do with light on Set. Shadow is a natural part of an image, you don't want this area to disappear completely with a strong contrast or become grainy... Most cameras can't show fine detail in shadows as this camera does!
The colors & details dudeeeee
Amazing Cinematic Camera 🎥
That underwater footage was insane
“Now, it’s your turn” bruh that’s a $70k+ camera😭
with financing, this camera is more than accessible to almost anyone. If you rent out an ARRI camera of your own it will literally pay its own self off in a year or two :)
😂😂😂 without the lenses.
Each lens is $25K + 😂
@@adrianflores4121 maintanence and servicing costs? insurance?
In my country the price would be 200k
Why can't you guys just ask your dad to buy it for you? Like me and @ Adrian Flores?
So happy for you guys! Congrats ARRI!
Wow.. dynamic range King! can't wait to see Movies produced using this 😍
Background music is amazing on this video.
素敵な映像ありがとうございました✨✨✨
これからもよろしくお願い致します🙏
Too perfect ! Alexa Classic still has life ahead...
FINALLY! WOW!!!
That's not for dumb youtubers lol
@@Makta972 It’s for whoever!
Any chance we can get a Prores download link for this video?
Is really sensor holding the dynamic range or the gamma curve holding more dynamic range ? ie... new log format which logc4 ?
Hi @paperworkpictures - it's both. The new ALEV4 sensor can capture 2.5 stops more dynamic range than the ALEV3 sensor, and we also had to develop the new LogC4 gamma curve to be able to hold that dynamic range, as the LogC3 curve was only designed for around 15 stops. LogC4 can be used with the ALEV3 sensor cameras too, in post, through the REVEAL workflow. More info at arri.com/reveal
@@ARRIChannel thanks for info ARRI
Wow!!! This is incredible. ❤❤❤
Bravo from Berlin! I can’t wait to get my hands on it 😍
Amazing low-light images, remind me of the best Ektachrome film roles which have around 15 f-stops of dynamic range. Ektachrome image quality color and dynamic range were impressive so this must be even better. I would love to see a western shot with those new enhanced color capabilities.
Arri , you know when it's there. extremely precise in pixel noise(everything, from lo to hi-light , is captured very firmly)and pixel clock of the sensor(super low jitter in pixel read out, which gives a super steady, precise,“quiet”,firm, grand,epic and spectaculer motion looking). comparing to sony venice, you will find sony's a lot video-like looking in motion due to a high-jitter pixel read-out sensor(sony consumer cameras like A73 will have even more jitter in sensor, which gives serious artifacts problem in motion: lack of uniformity ,“noisy” and less useful information in motion).
The other day I tested the sony a7s2 to film clouds colored slightly red during blue hour. You can get a great picture but as soon as it moves gently the artifacts are extremely visible. You can't push the footage much at all if you want to hide them.
@@LarsRichterMedia Right. If there's a moving shot, putting a Sony on gimbal won't be able to hide that jitter artifact, and it's quite visible on 24/25p. In comparison, Canon cameras do a lot better than Sony, but the trading is less stops of dynamic range. Overall, bigger size of sensor of the same amount of pixels should have less jitter in read-out, like Arri 65 is more steady than 35. By this time, Arri cameras do the best in jitter control on 35mm sensors.
This video is already so beautiful. Amazing to imagine what this will do for the industry output. 🔥
I think a well-known Arri competitor named afer a certain color isn't going to be too happy about this camera. While they were arguably the ones that unlocked digital cinema to be taken seriously by professional filmmakers, they instantly lost the battle for major Hollywood productions on the day the original Arri Alexa with the famous ALEV3 sensor was introduced. After that, they were only really succesful in providing camera's for streaming services such as Netflix that require 4K resolution camera a minimum.
While Arri has had the 4K+ 65mm digital camera since 2015, that's so expensive it's not really an option for most streaming service productions.
But now Arri offers the 4K LF and mini LF and now also this gorgeous looking S35. Given all the glass available for film makers in this format, this camera is going to see a _lot_ of use.
Nonsense.
@@bighands69 great argumentation.
*I see arri wanted to remind the competitors whos leading the game*
Arri had made the most compelling high end Super 35mm cinema camera.
Remember folks, you only need 1 kidney and 1 Alexa 35 to live.
if I sold my whole body, that even enough 🙂
Stunning footage!!
I'm staring dumbfounded at those waterhouse-looking things. Likely no bounce light on those Aerials, full backlight from the sun. The sky is captured with just the tiny sun dot blowing out AND the shadows on the waterhouses facing camera are ... also captured with nearly no crushed blacks?
Am I seeing that correctly???
The 17 stops DR is DEFINITELY on display here.
Even the previous Alexas couldn't do that.
FANTASTIC
Oh my goodness the footage looks beautiful
didn't the fuji xh2s just offer 14 stops dynamic range in their log 2?
Is this video on You Tube in HDR?
Congrats on this new camera! It will rock!
BEST Questa è una CINEMA CAMERA da provare ;-)
....do they accept payment plans?
Please contact a local ARRI distributor in your region. You can find a list of them here: www.arri.com/en/contact#f0=Camera+Systems
Currently drooling
game changer ♥️ can’t wait to play with this on set
Beautiful!
Stunning image. Beautiful Dynamic Range.
hello.bravo! stunning recording.
Thanks ARRI for creating the perfect camera, that I still can’t afford 🤣🤣
Joke aside hopefully it will make the ARRI Alexa mini slightly more affordable ?
@Random Thought true. I think the size is what made the price go down so much, the alexa mini with the same sensor still is over 30k
I will own this camera some day...
75K ? This shit better make my footage reality
I can't believe they have finally done it. Digital has finally surpassed Analogue film well down Arri.
Only in DR. In colors and overall aesthetics? Hell no...
It is pure nonsense.
Digital does not even come close to film. And will not do some for decades.
@@chronokoks yes
@@bighands69 well they are both equal now both have their strengths and weaknesses.
Now you just need about 1.5 to 2.5k more resolution and it is perfect.
My goodness I am SOLD. I'll take two
What's the difference between the LF and 35?
LF sensor is bigger than S35
@@AaaA-my1ud so why is this being sold as the next big thing? I mean how is the 35 better than the LF?
@@Oceansta ……… Because this is a new sensor
Arri use the old one for 11 years
@@AaaA-my1ud LF sensor is 11 Years old??
#Salaar Movie in India is using this camera to shoot
#Bhuvan #Prabhas #Prashant
This doesn't have the Arri look☹️
Mushy skin tones you mean?
Worth the 12 year wait
beautiful
so..cool!!!
Se que algun dia tendre una de estas camaras
incredible
Most important question: Is Arri actually pronounced "Airy".
This... is a tricky one! Technically ARRI is a portmanteau of Arnold & Richter, the first two letters of the surnames of the two friends who started the company back in 1917. This would suggest that Ah-Ri would be the correct pronunciation, like in Arnold, however generally we find most people use "Airy". Even within the company in Germany it is split, usually depending on the accent of the speaker. Use what ever feels right in your region!
Who will buy the camera for Me or should I go and steal to get it?
Dear Arri, VIMEO 4K pleeease🙏🏻
So insane, I’ll have one thanks xx
Why wouldnt you make this full framwe?!?!?!?!?
Because it’s not made to shoot stills. S35 is cinema and 90% of everything you watch and continue to watch is S35. True cinematography doesn’t want full frame and it will never become the norm.
Because movies on film were shot on 35mm film
So cool : )
Nice, really better color separation but when I look at movies like The Cell, I can see that analog is still several steps in front when it comes to color. But it's good to know Alexa 35 is now the new DR king.
This all depends on grading though, I'm sure with this new camera and workflow you can make things look more vibrant than the Cell, or the Fall. That doesn't mean I don't want 4k bluray releases of those damn movies though...
@@BrennanMartin No I'm pretty sure it's impossible in all situations (some of course yes). I have retouched hundreds of analog pro photos throughout the 00s and even 14bit film scans. Nothing comes close to this day. Even the humble matrix pill scene shows aesthetics that digital can't surpass.
@@chronokoks I agree. A certain tactile impact of film is never matched except for a few shots where everything falls favourably to create a certain look. Alexa comes the closest relatively but still miles off the feel of true film. But I guess these cameras are essential steps needed to get closer towards a time when digital will surpass film. And seeing how much has been achieved in the last 15 years, I won't be surprised if by 2030 or 2035 we breakthrough.
@@guptageneralstores5243 The breakthrough that can get us there as fast as possible is AI (just look at the DALLE 2 and Google's Imagen).
Can u gimme one? I promise i’ll take care of it…pinky swear
Sony fx3 is very very very similar 😮😮😮
I hope Arri and others are able to beat Red over their patent in courts. It's patent trolling that's holding back the industry.
why is this video not in HDR :-(
Because lot of people are not viewing hdr correctly.
This is how *iPhone* users think their camera is 🤡🤳
They said they gonna use it in thalapathy 67
Yep that’s why I am here😂
argentina papá 🇦🇷
❤❤
Wow!
My toxic trait is thinking I’d be able to care for a camera like this
I can get the same look on my Iphone
they should be making films with your Iphone then, why bother renting pro equipment? alexa beware, you got serious competition !
Perfect for my Zoom conference call at 480p 😂
Red raptor xl 8K costs half. URSA MINI PRO 12K cost much more less.
Raptor looks better with essentially the same dynamic range. Arri just have a marketing department that will claim anything. Skin tones have always looked mushy on arri yet people repeat the same saying that arri skin looks great. I rate arri below sony and Red at the top. Arri's claim of way better graduations between colours if utter rubbish. My Red Komodo is 16bit, how on earth can arri claim better colour graduations than 16 bit. Likely impossible to even measure the numbers are so bonkers at 16 bit. Rant over. :)
Plus the komodo is 6K and global shutter and almost 17 stops. I didnt used to but I trust Reds specs far more than Arri's specs.
I hear you Sam Harris
"now, it's my turn?" some day, some day......
Goodness..
My dream
Time to sell house/wife/kids for this beauty!
💙
Omg 😮
Класс!
Fact: Noone watched this video in 480p
I did
Quick someone give me $75k
Welcome to the gello effect.
Great first pass! There's a guy at 3:56 with his nose out of his mask ruining the shot. Please either roto his mask on, or remove this shot altogether. Then we should be good for final upload and launch!
Lol
70k camera to vlog now all you need is 250k lenses and you are good to go
* mY iPhOne iS bEtTeR *
it shoots film I guess
lets see how many oscar winning films in the future used this shit
una demensia
Someone need a kidney ? ...😅
Music sounds like ripped Venetian Snares.