Musician DIscussion About Perfect Pitch
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- Опубликовано: 7 июн 2024
- Violinist? Fiddler... Nikki B Fiddling, discusses her experiences with Perfect
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PitchMusician DIscussion About Perfect Pitch.
#perfectpitch 
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Nice conversational style interview.
Thank you Nikki for being so open and informative. Mike, YOu have the best guests. I love hearing how to get better at listening to music and you two just did that for me.
She was quite easy to talk to. I thank her as well! ✌️
Yo Michael. Interesting interview. Thanks
Thanks Jeanne…..it’s my first!! I definitely would like to do more of them. ✌️ ❤️ 🪀
Bro, great last question and the following observations, thank you Nikki, thank you Mike….. still here, YO,
That one came to me about an hour before and I was trying hard not to forget it!! ✌️ ❤️
Great stuff Michael. I responded to the RUclips call for questions immediately but maybe you missed it. I do understand a lot about the neurological foundations of perfect pitch but it’s way too complicated to go into here. I’m a fluent Mandarin speaker and there are tonal intonations in Chinese which haven’t really helped me with music 😂 I’m hopeless at recognising notes but I can usually pick the key if there are vocals involved lol. Thanks for this it was really interesting and different.
Yeah I saw your question after. I’m not sure why I couldn’t find it when I needed it!! Stupid RUclips!! :). 🙏
It’s an interesting topic for sure.
@@michaelgoyettemusic nah it’s all good the interview was really interesting nice work.
Yo! Enjoyed the interview, and just marvel at people who have perfect or relative pitch.
I've spent this past week picking out the notes to an intro (Ren's "Troubles") and quite sure it would take a musician only a few moments to figure it out and play. The struggle is real for me, but gratifying when I finally figure out the right chords/notes. :)
It’s great to exercise your ear!! Best of luck….I did a mini breakdown of the intro of Troubles if that helps you check your work or something.
@@michaelgoyettemusic Thank you--that was more insightful, watching it again.
Funny thing, is that your reaction to Troubles was what made me wake up the next day and try to figure it out. Problem was, I completely forgot about re-watching your vid, and went to Ren's page and looped that section while figuring it out.
Sorry for getting long winded, but what you were saying about the "trademark" Ren chord structure of building from the 1st and 3rd octave/or 10th lit another light bulb in my mind of how to vision the notes/chords--something I just never connected before. Also, just love the vibrato he puts in there on the 10th (E on the 12th fret???) at the start... --Cheers, and thanks for your help.
@@jameslitzinger6932 it’s so nice to know I’m helping in any small way and not just talking for the sake of talking. I’d love to hear how it comes together for you….post it privately if not publicly and send the link if you don’t mind.
Yo that was really interesting, Thanks to Nikki and of course yourself Mike. Always good to get insights from great musicians.
It was so fun to do as well. I hope I can do this regularly!! ✌️
@@michaelgoyettemusic Yeah that'd be cool. Can I tempt you to enter the tonewood debate? Hahaha.
@@fret-less you mean different wood for different tones? I’m not super technical about how guitars work but I know ppl who are. 🤔
@@michaelgoyettemusic There's a big debate that surfaces every few years about whether the tone of a solid body electric guitar is affected by the wood its built from. I seems like PRS and Gibson would like us to believe that its fundamental. The other side says that tone comes from the pickups and the amp and the cabs. Paul Reed Smith caused a bit of controversy lately by saying some pretty wild things. It's an interesting one but there are very strong beliefs on both sides. ;)
Yo, that was so interesting, thanks to both of you!
Thanks Jennifer!! 😊
Yo, interesting!
Thanks 🙏 for checking out the interview!! 🪀 ✌️