Buxtehude Praeludium d-Moll/d-minor BuxWV 140 - Luedingworth Schnitger-Orgel Pier Damiano Peretti
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- Опубликовано: 7 сен 2024
- NOMINE Orgelvideo, Pier Damiano Peretti spielt das Praeludium d-Moll/d-minor BuxWV 140 von Dieterich Buxtehude an der Wilde/Schnitger-Orgel in Lüdingworth. Aufnahme in CD-Qualität. Details zum Instrument unter nomine.net
und www.orgelstift...
Die Wilde/Schnitger-Orgel in der Lüdingworther St. Jacobi-Kirche ist die zweite Orgel dieser Kirche. Sie wird ursprünglich im Jahr 1598/1599 mit ca. 20 Registern von Antonius Wilde aus Otterndorf erbaut und nach der Hadeler Gottesdienstordnung solistisch im Wechselgesang mit der Gemeinde eingesetzt. Mit der sich schnell entwickelnden Orgelkunst wird bereits 1682/1683 von Arp Schnitger eine wesentliche Erweiterung vorgenommen, sodass die Orgel nun 35 Register besitzt. Jürgen Ahrend (Leer-Loga) restauriert das Instrument 1981/1982 und 1998 wird es mitteltönig eingestimmt.
www.orgelstift...
Thanks, God bless you guys! He loves you abundantly!
Bravo bravo bravo
Ganz wunderbar!
J’aime l’Orgue , j’aime les œuvres en général de D.BUXTEHUDE , depuis 36 ans . Effectivement le souffle divin et le jeu de pedale si connu du maître sont un véritable espace temps.
Sehr sehr sehr schön!!
Thanks for this so intelligent, sensitive, expressive, architectural, well paced, well phrased, contrapuntally limpid performance/recording. Mister Pier Damiano Peretti is a particularly amazing and talented organist.
Great!!!
love the instrument, what a color! I assume it's very original? I remember seeing a dm black and white photo of it in the E Power Biggs set in the 60s. I think the text said it was unplayable. LOVE the playing, a very sincere style.
@@cromorno8749 Only around 3 or 4 stops were reconstructed on this organ - the rest original Schnitger and Wilde :)
@@cromorno8749 the voicing was definitely changed in the 50's by Ott due to lowering of the wind pressure, but Ahrend was able to recover many original cut ups and other parameters based on notes from Beckerath pre WWII. The tuning is meantone in Chorton, both of which are known to be original for Schnitger organs - by the way one of the only Schnitgers returned to their original meantone tuning.
@@cromorno8749 LOL, if anything Ahrend is known for being one of the best restorers of North German Baroque organs - historically informed and far from "disrespect the original voicing". Although everyone has their own idea of how a Schnitger must sound like.
Now what do you know about voicing Schnitgers? :)
@@cromorno8749 cappel has been moved from a larger church to a very small dry church, wind pressure lowered and system altered, tuned in equal temperament, and then restored by von beckerath (things like the original composition of the cimbel are also not reconstructed). Original?
@@joannescouchet7038 With this important information we can realize the quality of the materials employed in the pipes: truly extreme high quality.
That's an amazingly "French" sounding trumpet 8' in the pedal!
Youre right, it has something french. but thats the typical nothern style Trombet/ Posaune/ reed sound. It has something to do with the baroque period and the language. An south german Organ is much softer than a northern one for example. I think french reeds are much harcher and not as beautiful. I love the northern style very much.
@@hansvonhochtann2739 Still rather bright and fiery for usually dark-sounding Schnitger trumpets! Looked it up, the pedal trumpet (along with the hauptwerk trumpet and the famous brustwerk regal) is actually built by Wilde (1599) and taken over by Schnitger.
@@joannescouchet7038 awesome! Where was Wilde from?
@@hansvonhochtann2739 Also North Germany, a student of the Scherers.
There is nothing specifically French in the sound. The pedal trumpet (by Wilde?) sounds so rich in overtones because it is still the earlier Renaissance type with wide open shallots (like the French and Spanish ones too). Compare the similar old trumpet in Wijk or the still essentially preserved 1518 Van Covelens trumpet RP in Leiden P-Kerk.
It must have cost so much to build an instrument like that at that time. Who paid for it? Were the farmers in that thinly settled area able to?
The region was spared from the 30 Years War. This made the farmers immensely rich. Hamburg owed its prosperity in the late 17th century and its large city organs to the fact that the city was neutral during the war.
Why he look like Sietze tho???