नेपालीको साझा वेदनाको गीत | THE CONVERSATION-01| Shrawan Mukarung | Kali Prasad Baskota|
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- Опубликовано: 15 окт 2024
- नेपालीको साझा वेदनाको गीत | THE CONVERSATION-01| Shrawan Mukarung | Kali Prasad Baskota | Rai Maila |
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कालीप्रसाद बास्कोटा राई समुदायको नै प्रिय कलाकार सदा रहिरहने बनायो यो सृजनाले ।
Rai
Chapter X: Rais and Limbus: Refugees from Sichuan Who Fabricated Connections with the Kirat Dynasty
The historical journey of the Rais and Limbus begins in Sichuan province, China. During the Mongol conquests, significant upheaval forced many communities to flee their homeland. The Rais and Limbus migrated from Sichuan to northern Tibet, and eventually, by the 17th century, they settled in eastern Nepal. Seeking refuge from the conflicts and instability of their original regions, they found protection and land from the Sen kings of Nepal and the Bhutia Chogyals of Sikkim.
Genetic and Cultural Evidence
Genetic studies provide compelling evidence of the origins of the Rais and Limbus. These studies show a significant proportion of Mongolian and northern Chinese DNA in these communities, distinguishing them from other Tibeto-Burman groups in the Indian subcontinent. Their cultural practices, languages, and traditions also bear closer resemblance to those found in northern China and Mongolia, rather than the indigenous cultures of eastern Nepal.
The Historical Dominance of Lepcha, Bhutia, Newar, and Khas Arya
Before the arrival of the Rais and Limbus, the regions of eastern Nepal and Sikkim were dominated by various other ethnic groups. The Lepchas and Bhutias were prominent in Sikkim, with the Bhutia Chogyals ruling the kingdom for centuries. In Nepal, the Newars and Khas Aryas held significant influence, with the Khas Malla kingdom and the Sen Thakuri dynasty leaving behind numerous forts, palaces, and inscriptions. These groups had established rich cultural and political traditions long before the arrival of the Rais and Limbus.
Fabrication of Kirat Connections
While the Kirat dynasty did exist, the Rais and Limbus have no substantial archaeological or historical evidence linking them to this ancient lineage. Instead, they fabricated connections with the Kirats to claim indigenous status in the region. Prominent Limbu historian Iman Singh Chemjong played a crucial role in this fabrication by promoting the idea of a unified Kirat heritage that included the Rais and Limbus. This narrative, however, often overshadowed the histories of the Lepcha, Bhutia, Newar, and Khas Arya peoples.
Chemjong's writings and the political mobilization around the Kirat identity contributed to the marginalization of other ethnic histories. Historical texts and educational curricula began to emphasize the Kirat narrative at the expense of the established histories of the Lepcha and Bhutia in Sikkim, and the Newar and Khas Arya in Nepal. The emphasis on Kirat identity, bolstered by Chemjong's work, led to a rewriting of regional history that minimized the contributions and legacies of these other groups.
The Lack of Archaeological Evidence for Kirat Dominance by Rais and Limbus
One of the significant criticisms of the Rais and Limbus' claimed Kirat identity is the absence of archaeological evidence supporting their long-term dominance in eastern Nepal. Unlike the tangible remnants of the Sen Thakuri and Khas Malla kingdoms, such as forts, palaces, and inscriptions, there are no comparable archaeological sites attributed to a Kirat civilization connected to the Rais and Limbus. This lack of evidence raises questions about the historical accuracy of their claimed Kirat lineage as an ancient and indigenous connection in the region.
Erasure of Indigenous Histories
The arrival and subsequent integration of the Rais and Limbus into Nepal and Sikkim had profound implications for the historical narratives of the region. The promotion of the Kirat identity, particularly by figures like Iman Singh Chemjong, has contributed to the erasure of other ethnic histories. Historical texts and educational curricula began to emphasize the fabricated Kirat narrative, often at the expense of the established histories of the Lepcha, Bhutia, Newar, and Khas Arya peoples.
उपकारी गुणी व्यक्ति निहुँरिन्छ निरन्तर
फलेको वृक्ष नझुकेको कहाँ छ र
दुबै जना हस्तीहरुमा नमन❤❤❤❤
Dami xa music ❤❤❤❤
Great both of you
गीतले नेपाली मनलाई राम्रै छोएकोछ।सङ्गीतले जीवन दिएकोछ अनि गायन ले मनको गहिराई छोएको छ। समष्टिमा गीत अमर अजेय बनेकोछ।नेपाली बीच प्रीय हुन सकेकोछ।
🙏वाह श्रवण सर र कालीप्रसाद सर! सांच्चै यो गित मौलिक हुन सरस्वती/दैवी शक्ति नै लाग्यो-संगीत संयोजन मादल,सनाई ट्याम्पो वाह👍ःसुनिता थेगिम बैनी त झन् कर्णप्रिय स्वर-४-५पल्ट सुनिरहे।शशक्त गित,संगीत जादू नै लाग्यो।अव युवायुवती गरीबीले देश छाडेको मार्मिक जस्तै गाउंमा मलामी र पर्म काम गर्ने समाज/बसाई सराईबारे बेदनाको गित श्रवण सरले लेख्नुहुन हार्दिक अनुरोध छ🙏🥲
❤❤❤ very good sing had tacig
कति मिठो रचना , कति मिठो स्वर । दुबै मुर्धन्य ब्यक्तिहरुमा हार्दिक आभार ।
मलाई काली प्रसाद बास्कोटा दाजु पहिला देखि नै मन पर्ने संगीत कर्मी हो तर यो गीत सुने देखि एक किसिमले फ्यान नै भएको छु । फेरि श्रवण मुकारुङ दाजुको शब्दले मन कटक्कै खाएको छ अनि सुनिता थेगिम बैनीले यति मिठो गाईदिनु भएको छ कि हरेक पल्ट सुन्दा थाहै नपाई आँखामा आँसु आईदिन्छ
कवि तथा गितकार श्रवण मुकारुङ नेपालको एउटा अमु्ल्य गहना हो।
गहना त लगाउन र फुका फुकाल्न मिल्ने चिज हो हजुर।
सिर्जना. .., समाज र संसारलाई मार्गदर्शन गर्ने चेतना बोकेका व्यक्तिहरू गहना होइनन् भन्ने मेरो बुझाइ हो।
Chapter X: Rais and Limbus: Refugees from Sichuan Who Fabricated Connections with the Kirat Dynasty
The historical journey of the Rais and Limbus begins in Sichuan province, China. During the Mongol conquests, significant upheaval forced many communities to flee their homeland. The Rais and Limbus migrated from Sichuan to northern Tibet, and eventually, by the 17th century, they settled in eastern Nepal. Seeking refuge from the conflicts and instability of their original regions, they found protection and land from the Sen kings of Nepal and the Bhutia Chogyals of Sikkim.
Genetic and Cultural Evidence
Genetic studies provide compelling evidence of the origins of the Rais and Limbus. These studies show a significant proportion of Mongolian and northern Chinese DNA in these communities, distinguishing them from other Tibeto-Burman groups in the Indian subcontinent. Their cultural practices, languages, and traditions also bear closer resemblance to those found in northern China and Mongolia, rather than the indigenous cultures of eastern Nepal.
The Historical Dominance of Lepcha, Bhutia, Newar, and Khas Arya
Before the arrival of the Rais and Limbus, the regions of eastern Nepal and Sikkim were dominated by various other ethnic groups. The Lepchas and Bhutias were prominent in Sikkim, with the Bhutia Chogyals ruling the kingdom for centuries. In Nepal, the Newars and Khas Aryas held significant influence, with the Khas Malla kingdom and the Sen Thakuri dynasty leaving behind numerous forts, palaces, and inscriptions. These groups had established rich cultural and political traditions long before the arrival of the Rais and Limbus.
Fabrication of Kirat Connections
While the Kirat dynasty did exist, the Rais and Limbus have no substantial archaeological or historical evidence linking them to this ancient lineage. Instead, they fabricated connections with the Kirats to claim indigenous status in the region. Prominent Limbu historian Iman Singh Chemjong played a crucial role in this fabrication by promoting the idea of a unified Kirat heritage that included the Rais and Limbus. This narrative, however, often overshadowed the histories of the Lepcha, Bhutia, Newar, and Khas Arya peoples.
Chemjong's writings and the political mobilization around the Kirat identity contributed to the marginalization of other ethnic histories. Historical texts and educational curricula began to emphasize the Kirat narrative at the expense of the established histories of the Lepcha and Bhutia in Sikkim, and the Newar and Khas Arya in Nepal. The emphasis on Kirat identity, bolstered by Chemjong's work, led to a rewriting of regional history that minimized the contributions and legacies of these other groups.
The Lack of Archaeological Evidence for Kirat Dominance by Rais and Limbus
One of the significant criticisms of the Rais and Limbus' claimed Kirat identity is the absence of archaeological evidence supporting their long-term dominance in eastern Nepal. Unlike the tangible remnants of the Sen Thakuri and Khas Malla kingdoms, such as forts, palaces, and inscriptions, there are no comparable archaeological sites attributed to a Kirat civilization connected to the Rais and Limbus. This lack of evidence raises questions about the historical accuracy of their claimed Kirat lineage as an ancient and indigenous connection in the region.
Erasure of Indigenous Histories
The arrival and subsequent integration of the Rais and Limbus into Nepal and Sikkim had profound implications for the historical narratives of the region. The promotion of the Kirat identity, particularly by figures like Iman Singh Chemjong, has contributed to the erasure of other ethnic histories. Historical texts and educational curricula began to emphasize the fabricated Kirat narrative, often at the expense of the established histories of the Lepcha, Bhutia, Newar, and Khas Arya peoples.
@@creation4737 यसको मतलब राष्ट्र कोे गहना देश कोे गहना भने झै हो क्या
malai ni yo geet sarai man pareu suneko sunekai😊..Thanku
रचनाकार श्रदेय श्रवण मुकारुङ सङ को अन्तरङ सम्बाद, प्रसिद्ध सङीतकार कालि प्र. बास्कोटा ज्युको ( राई माईला ले गावै छाड्यो रे) कुराकानि अन्तर्गत दुबै जना एक अर्का प्रति को सम्मान अनि सदभाव प्रति लोभ लागेर आयो, अनि बिस्तृत ब्याख्या। आहा,,, मज्जा लाग्यो। हामि अपेक्षा राख्छौ आउदा दिन हरु मा यस्तै जिबन्त गीत सङीत सुन्न पाउ।जय होस्🙏🇳🇵
One my favorite compositions kali sir thank you so much wonderful composition Rai maila Wawo
राइ माइलामय नै भको छ फेसबुक टिकटक इन्स्ट्रा जताततै उच्च सम्मान दुवै सर्जकहरुमा🙏
यो राइमाइला गीत नेपाली संगीत को कोसे ढुङ्गा हो ।
मलाई लाग्छ ।यति धेरै मौलिक नेपाली पन भएको गीत अरु कोही छैन होला।
Yo song chahi kali dai ko voice ajh ramro mach x hai ❤❤❤❤❤
फल लागेको बृक्ष सधैं झुकेको हुन्छ ,यस्तै उहाहरु दुबैजना एक आपसमा कति सम्मानपुर्बक प्रस्तुत हुनुभयको,काली सर,श्रावण मुकारुङ सरप्रती हार्दिक नमन!अनि यो गीत कुन फिल्ममा लिइयकोछ बताइदिनु होला ,हेर्न मन लाग्यो
हुन त म गाउनु जान्दिन तर दिन मा यो गीत दस ब्राह पल्ट सम्म सुन्छु। यो गीत काे जून गाउँले भाका काे लय छ अति मिठो सुनिन छ। काली प्रसाद भाई अनि रचनाकार श्रावण मुकुरङ sir लाई हृदय बाट नमन!!!
यो एउटा गीत मात्र होईन ।गीत रचना र संगीत अनि गायकि को हिसाबले पनि । यो नेपाली सांगेतिक जगतमा साहित्यिक खण्ड काब्य नै हो।
नमन हजुर हरूलाई हजुरहरू नेपाली समाजको चम्किलो ताराहरू हुनु हुन्छ ।
lyrics र यसको मर्म निकै गहिरो र बिस्तारित छ । music composition ले त्यति म्याच गरेको त छैन जस्तो लाग्छ । यद्यपि पूर्वेली र आधुनिकलाई blend गरिएको छ भन्छन् संगीत जान्नेहरु । By luck गीत हिट भयो । राम्रो भयो ।
Only real music lovers can understand what they were really talking about. I enjoyed every bit of their talk. When the greatest lyricist meets the greatest composer, the magic unfolds.
मलाई पनि यस्तै भयेको थियोे, प्रथम पटक सुन्दर त त्यति खासै लागेजस्तो भयेन तर सुन्दै जांदा असाध्यै मनपर्यो अहिले यो गीत प्रायः सुन्ने गर्छु।
बधाई छ हजुरहरुलाई 🎉
एउटा सफल रचनाकार र संगितकार सँगै हुँदा सृजना मात्रै होइन कुनै विषयमा अन्तरक्रिया पनि यति राम्रो हुने रहेछ।
राजनीतिले जन्माएको जातिय बिभाजन कला र साहित्यले यति मीठो सँग जोडिदिएको छ।
रचनाकार र गितकार सर हरु लाई सम्मान छ यो गित भनेको नेपालिको मनमुटुमा बस्नु सफल गित हो कालजय वा जिबन्त गित हो
धेरै चोटि हेरेको/सुनेको गीत हो-राई माइलाले गाउँ छोड्यो रे ।
जुन जुन कुरा आउनु पर्थ्यो, सप्पै आयो। खुशी लाग्यो । श्रष्ठा द्वयलाई सम्मान, नमस्कार, धन्यवाद, बधाई एबं शुभकामना छ।
होटेल इलाम हाइट, इलामबाट सोम सुनुवार/
एस एन खुल्दुली
कालिप्रसाद बास्कोटा ज्यु मा म मेरो हृदयबाट नैई शत शत नमन गनॅ चाहान्छु🙏🙏सहरी माहोलमा हुर्केको मान्छे यति राम्रो राम्रो सृजनाहरू दिनु भएर पनि सोच बोली तपाईको त्यो सालिन्ता
देख्दा साचैई नै तपाई एउटा असल ब्याक्तीत्व को पनि धनि हुनुहुदो रैछ🙏🙏
एउटा् गितमा सिङ्गो कथा कसरी बोक्छ थैट मुकारुङ दाइलाइ धन्यवाद
सबै सङितकर्मी आदरणीय नेपाली संगीतकार ज्यु हरु लाई सम्मान गर्दै मैले भनी रहेको छु कि नेपाली गित संगीत लाई पछिल्लो समय फरक तरिकाले परिबर्तन ल्याउने काली प्रसाद बास्कोटा सर नै हुनुहुन्छ।यो गित ले धेरै न्याय पाएको छ र जिबन्त बन्ने छ।🙏🙏🙏
आह !❤ कति आनन्द लाग्ने कुराकानी ❤❤राई समुदाय हरु संग धेरै नजिक भएर होला ,साथीहरू पनि धेरै भएर होला मलाई धेरै मन पर्छ । बोलचाली पनि नम्र कसरी बोल्ने राई संग सिक्नु पर्छ❤❤❤❤
उत्कृष्ट गीत । कबि श्रवण मुकारुङको शब्दलाई मान्नै पर्छ । संगीतकार कालीप्रसाद र गायिका सुनितालाई पनि धन्यबाद !
मनै छुने गीत, सुन्दा आँशु झर्छ,कला भन्ने यस्तो हुनुपर्छ, बधाई बास्कोटा ज्युलाई
देश को यथार्थपरक गित का सर्जक लाई हार्दिक नमन ।।
काली जी को स्वरमा अझ मिठो सुनियो । धन्यवाद !
गह भरिएर मुटुनै गाँठो पार्ने खालका गीत र सङ्गित सृजना गर्नु हुने दुवै सर्जकहरूको भलाकुसारी पनि उहाँहरूको गीतझै एकतमासले सुनिराखु जस्तो लाग्यो । करिव एक घण्टाको कार्यक्रम पूरै हेर्न पुगेछु। नेपाली सर्जकहरू प्रति फेरी गर्व गर्न मन लागेर आयो। हार्दिक धन्यवाद एवम् शुभकामना दिन चाहन्छु। शनिवार, २९ असार २०८१ जापान ।
यो गीत गाउदा मात्रै होइन पढ्दा सुन्दै मात्रै आनन्द लाग्ने ।
Rai maila ❤ loved the songs great composition sundai Jada jhana man parne geet
Qqqq
❤❤❤❤à1111111111
Rai mila is very nice song
जीवन्त रहने गित ।
श्रावण मुकारुङ सर र काली प्रसाद सर मेरो मन पर्ने संगीतकार हो यो गीत सुने देखि कालीप्रसाद सर को झन् ठूलो फ्यान भएको छ आगामी गीतहरूको लागि शुभकामना दिन चाहन्छु
गित त दोहोर्याएर हेरिन्थो सुनिन्थो तर अन्तर्वार्ता पनि दोहोर्याएर हेरियो।❤
इतिहासमा रहिरहनेछ यो गित🙏🙏
धन्यबाद् काली सर अनि श्रवन मुकारुङ सर लाई यति राम्राे कालजयी रचना नेपाली माझ ल्याई दिनु भयाे, जति धन्यबाद् दिँदा पनि कमै हुन्छ, काली सर वाउ, lots of respect ❤❤❤🙏🙏
गित अत्यन्तै राम्रो छ 🙏🙏
नेपाली माटोमा नेपाली खोला झरना गाउँपाखा नेपाली आकाशमा सधैं भिजेर बस्ने काली प्रसाद रिजाल र अहिलेका कालीप्रसाद सापकोटा। नेपालीहरूको जनजन जिब्रोमा हृदयमा अमर रहनेछन्।
याहा दुईजनाको कला क्षमता र यो गितको बारेमा कुरा सुन्दा आशुआयो ❤❤ शब्दले नेपालको पुरै गाउघर बोकेको छ र compose झन कसैको मुखबाट हटनै सक्दैन ।
Best poet shwaran mukarung and best musician and singer kali ❤
काली प्रसाद प्रतिभाशाली युवा संगीतकार
श्रावण मुकारुङ नामुद नेपाली कवि
तिन चुलाको श्रृजना नै अद्भुत छ।।।सदा नमन छ हजारहरू प्रति. ❤❤❤
दुबै जनालाई सलाम🙏
राई माईलाभन्दा नी सहकारीका नाईकेहरूले गाउंबस्ती ध्वस्त बनाए।साथै देशमा रोजगार नपाई बांच्ने सहज जीबनलाई महन्गो ऋण काढी बिदेशिएको स्थीति झन् बिकराल छ। प्लटीन्ग र चुरे दोहनले उर्बरा भूमि उजाड छ।सारा नेपालीको आमा-बाहरूका सन्ततीलाई सुख/दुःख पाउने झिनो आशाका साथ आंशु चुहांउदै र मुटु भक्कानिदै त्याग गरी दिएका पाकाको आशीर्बाद,अन्तमाःलामो प्रतिक्षाको पट्यार लाग्दो समय ब्यतीत्तामा-बिरामी,अभाब,सन्तान पुनरमिलनको आंखा तन्काई,अन्तमा स्वर सुक्दै/आंखा कमजोर भई झल्झली चक्षुदर्शनमा फगत् प्यारो आंखा वा मुख सदाको लागि खुलिरहन्छ।तबसम्म मृत्युका मलामी बचेखुरेका र भनौ नेपालमै माटो खन्दै,धुस्रोमा लटपटिदै तिनले मात्र भन्ने अवसर पाउलान्-मेरो प्यारो नेपाल..आमा…बा..आ.वाह गीतले कतिथरि सन्देश दियो।🥲🥲👍
यो युगको सन्देश बोक्ने महान गीत बन्नेछ। देवकोटाको मुनामदनको बेला झै आजकल विदेश जाने वा गाउँ छाड्ने युग बोलिरहेको छ। मार्मिक छ।
यो गीत master piece. नै हो ।। शब्द सगीत असाध्य राम्रो जति सुन्यो त्यति goosebumps आउछ ।।
श्रवन मुकारुङ नाम धेरै सुनियो देखेको थिएन एसरि मिडिया तिर बल्ल आनन्द लाग्यो ☺️☺️👏👏
This song made me cry today.. Hats off to Shrawan Ji & Kali Ji… milestone of our era.. ❤❤
KhanalU
Jakarta
Congratulations both of you! Both are deserving ❤ done very good job 👍👍
जादू नै भयो।श्रवण भाइ काली भाइ लगायत गायिका बहिनीलाई हृदयदेखि नमस्कार गरेँ। कालजयी गीतकालागि।बझाइभित्रको बुझाइले उधिनेको श्रृङ्खला र तरङ्गले जुरुक्क जुरुक्क पारिरहने छ।वस् यति भन्दा पनि ढङ्ग नपुगे जस्तो लागिरहेछ ।सम्पूर्ण टिमलाई साधुवाद!!!
Leving legendary man . कवि तथा लेखक श्रबण सर लाख लाख नमन उत्कृष्ट सृजनाको लागी । काली प्रसाद सरको उत्कृष्ट समायोजन । ❤❤❤❤🙏🙏🙏🇳🇵🇳🇵🇳🇵
Same here … maile pani dherai patak sune
मार्मिक लाग्यो, नेपाली समाजमा घटिरहेको यथार्थ कथा हो यो।
Akdamai man xchuyoo yo gitt Lee mero pani jati sunyo tatinai sunirakhnu jasto mero mannnai rune❤
दुबै जाना होनहार संगितकारहरु हुनुहुन्छ ❤🙏🙏👍👏👏
यो गीतका सर्जक,शब्द,भाव,संगीतकार,गायन,सबै पक्षलाई अनन्त बधाई तथा अनन्त शुभकामना !!
नेपाली संगीतको एउटा कोशेढुंगा हो राई माईलाको गीत। दुई अब्बल महारथीहरुको अमुल्य समागमबाट निस्किएको अमेट संगीत। सप्रेम शुभकामना हजुरहरु दुवैलाई।
दुवै जना संगितका आदरणीय महान हस्तीहरुमा सदैव नमन 🙏🙏❤❤
दुबै जना श्रष्टा ज्यूहरु प्रती हार्दिक नमन ।
साह्रै राम्रो गित काे शब्द चयन राम्रो छ। संगित पनि त्यतिनै राम्रो ।
श्रवण मुकारुङको रचना र कालिप्रसाद बासकोटाको संगीत उत्कृष्ट छ।
बरिष्ठ संगीतकार,शब्दकार श्रवण मुकाराङ्ग औ नव पिँढीका प्रभावशाली संगीतकार, गायक श्री कालीप्रसाद बासकोटा माझ भएको यो अन्तरक्रिया, परस्पर संवाद अत्यन्तै रोचक, रमाइलो, जानकारीमूलक, उत्साहवर्द्धक,आकर्षक लाग्यो। नेपाली संगीत जगतका यस्ता लोकप्रिय ब्यक्तित्वहरुलाई लिएर यो अन्तर्वार्ता आयोजना गरिदिने हुने आयोजक टोलीप्रति हार्दिक आभार व्यक्त गर्दछु 🙏👌❤️।
overall very sweet song
Big salute to both of you🎉
राईमाइला ले गाऊँ छाड्यो रे,,,❤👍
गयाे गयाे😊
This song fits better with Kali ji’s voice. I think he should consider recording this song in his own voice. Loved the conversation👏
राई माईला गित सबै तरिकाले उत्कृष्ट यो सधै जिवन्त रहने समयसापेक्ष छ। अहिले सबैभन्दा हिट रचना पनि हो । सबै टिमलाई शुभकामना छ
दुबै जनालाई सम्मान डङुर माया
"Rai maila" is a masterpiece, perfect story crafted and presented as a song, the mirror of the modern Nepalese society.
Hats off🎉
दिनमा कैयौ पटक सुन्छु हरेक पटक आशु आउँछ।
धन्यवाद सर्जक सबैजनामा।
महान विषय बस्तु उठाउनु भाको छ।
Katti mitho gaf 🙏🙏🙏🙏🙏 rai maila song jastai❤❤
Chapter X: Rais and Limbus: Refugees from Sichuan Who Fabricated Connections with the Kirat Dynasty
The historical journey of the Rais and Limbus begins in Sichuan province, China. During the Mongol conquests, significant upheaval forced many communities to flee their homeland. The Rais and Limbus migrated from Sichuan to northern Tibet, and eventually, by the 17th century, they settled in eastern Nepal. Seeking refuge from the conflicts and instability of their original regions, they found protection and land from the Sen kings of Nepal and the Bhutia Chogyals of Sikkim.
Genetic and Cultural Evidence
Genetic studies provide compelling evidence of the origins of the Rais and Limbus. These studies show a significant proportion of Mongolian and northern Chinese DNA in these communities, distinguishing them from other Tibeto-Burman groups in the Indian subcontinent. Their cultural practices, languages, and traditions also bear closer resemblance to those found in northern China and Mongolia, rather than the indigenous cultures of eastern Nepal.
The Historical Dominance of Lepcha, Bhutia, Newar, and Khas Arya
Before the arrival of the Rais and Limbus, the regions of eastern Nepal and Sikkim were dominated by various other ethnic groups. The Lepchas and Bhutias were prominent in Sikkim, with the Bhutia Chogyals ruling the kingdom for centuries. In Nepal, the Newars and Khas Aryas held significant influence, with the Khas Malla kingdom and the Sen Thakuri dynasty leaving behind numerous forts, palaces, and inscriptions. These groups had established rich cultural and political traditions long before the arrival of the Rais and Limbus.
Fabrication of Kirat Connections
While the Kirat dynasty did exist, the Rais and Limbus have no substantial archaeological or historical evidence linking them to this ancient lineage. Instead, they fabricated connections with the Kirats to claim indigenous status in the region. Prominent Limbu historian Iman Singh Chemjong played a crucial role in this fabrication by promoting the idea of a unified Kirat heritage that included the Rais and Limbus. This narrative, however, often overshadowed the histories of the Lepcha, Bhutia, Newar, and Khas Arya peoples.
Chemjong's writings and the political mobilization around the Kirat identity contributed to the marginalization of other ethnic histories. Historical texts and educational curricula began to emphasize the Kirat narrative at the expense of the established histories of the Lepcha and Bhutia in Sikkim, and the Newar and Khas Arya in Nepal. The emphasis on Kirat identity, bolstered by Chemjong's work, led to a rewriting of regional history that minimized the contributions and legacies of these other groups.
The Lack of Archaeological Evidence for Kirat Dominance by Rais and Limbus
One of the significant criticisms of the Rais and Limbus' claimed Kirat identity is the absence of archaeological evidence supporting their long-term dominance in eastern Nepal. Unlike the tangible remnants of the Sen Thakuri and Khas Malla kingdoms, such as forts, palaces, and inscriptions, there are no comparable archaeological sites attributed to a Kirat civilization connected to the Rais and Limbus. This lack of evidence raises questions about the historical accuracy of their claimed Kirat lineage as an ancient and indigenous connection in the region.
Erasure of Indigenous Histories
The arrival and subsequent integration of the Rais and Limbus into Nepal and Sikkim had profound implications for the historical narratives of the region. The promotion of the Kirat identity, particularly by figures like Iman Singh Chemjong, has contributed to the erasure of other ethnic histories. Historical texts and educational curricula began to emphasize the fabricated Kirat narrative, often at the expense of the established histories of the Lepcha, Bhutia, Newar, and Khas Arya peoples.
सबै नेपाली कथा बोकेको साह्रै मार्मिक गीत दुवै ज्ञष्टा प्रति हार्दिक नमन🙏🙏🙏
दुबै सिर्जनाका धनीहरुमा नमन
Katti mitho kurakni hajurharuko❤
❤🎉
Dami xa song🎉
मैले यो ५८ मिनेट को भिडियो सजिलै हेर्न सके l
What a don to earth man Kali you are awesome man.
श्रदेय कबि श्रवण मुकारुङको नेपाली साहित्यमा नामै काफी छ।
Legend two of them ❤❤❤❤❤❤❤
THe great Poet, Shrawan Mukarung, love you man!
Sarbapratham ta yo geet ko sarjak sraban mukarung sir ra kaliprasad sir lai redai dekinai nmn.🙏🙏🙏 Yeti marmik sirjana x ki kunai pani sabdama biyakha garnai sakina? Omg.🤭nepali sangetik etihasma yo geet sadaiba jibanta ajar amar rahirahanex👏👏👏👍👍👍❤❤❤
त्यो फिल चाहि मलाई नि भएको थियो सुनिता जि ले गाउनु भएको र कालि सर ले गाउनु भएको मा शब्द सुद्द को धेरै नै फरक छ ! जब कालि सर ले गाउनु भयो त्यहा देखि मात्रै मैले त्यो गित धेरै सुने मनमा छोयो !
I love both of you...God bless you 🙏🙇You are gems of Nepali music n literature. As for me Kali is Nepal's AR Rehman. I am never disappointed with his music. Always worth listening n proud to call them my Nepali music.
M sangit kehi jandina bt yo song sunne bittikai goose bumps aaux
श्रवण सर , नमस्ते !
शालीनता, नम्रता र प्रतिभाको अर्को नाम - श्रवण मुकारुङ !
साच्चिकै यो गित र लयले आखा रसायो मेरो 😢😢😢😢
Amazing songs one of the best of my life
कत्ती पटक गित सुने तर लेखक र गायक आज मात्र थाहा पाए 🙏
Atyantai ramro sabda, laya sangit ,gayan sabai hit xan.
heartbreaking song respect all tim❤️❤️❤️😢
सुनिरहुँ लाग्ने कति मिठो प्रेमिल बार्तालाप दुबै सर्जकहरुमा हार्दिक नमन ।
वा!
Mind blowing song composition and singing this one song ! obviously this is one of the best of best song created for this century for Nepal and the Nepalese community which meticulously is giving the naked picture of present Nepal Nepalese community like being helpless as a family head in order to maintain his family status to fulfill their basic urgent needs does everything in this struggle full community, always trying to find the best source of income up to the last drop of blood in his body. And whenever He doesn’t find the best option in his native place then finally with a heavy mind and soul he beckons obligated to leave for foreign lands ! Millions of thanks and respect for entire crews of Kali sir especially giving justice and life in this national song created by one of the best song writer poet Mukarung sir of our beloved nation Nepal keep it up Chetena Vahaya
Dubai jana ma kati pani ghamanda chhaina kati dherai down to earth❤respect❤