Wunderschöne Interpretation dieser kompakten und fein komponierten Sonate im veränderlichen Tempo mit sedigem doch gut phrasiertem Ton der unvergleichlichen Violine und klarem doch elegantem Klang des ebenso unvergleichlichen Klaviers. Der zweite Satz klingt besonders schön und echt melodisch. Im Kontrast klingt der dritte Satz echt lebhaft und auch inspirierend. Der intime und perfekt entsprechende Dialog zwischen den beiden Virtuosen ist wahrhaft eindrucksvoll. Alles ist wunderbar!
Thanks for uploading this! I have been practicing this piece lately with a violinist and we're going to perform it at a recital next month, it's a really fun piece
Schubert, an accomplished violinist himself, composed 4 Sonatinas during 1816-1817 and they remained unpublished during his lifetime. These were probably written as exercises for a violinist, as opposed to meaningful compositions. The evidence is here before us. They are "quaint", rather than "serious" Schubert.
Szeryng and Haebler thought it worthy to be recorded, that should give you a clue. "Exercises" what an odd description. They are "meaningful" Sonatas, they are well written, concise, effective and highly appreciated by the violin student and professionals alike. I have them acc. a LOT in the violin department. It is fun to play and audiences love it. That is what I call a meaningful composition.
@@bartjebartmans So why does the manuscript clearly describe them as Sonatinas? Are you saying that a Sinfonietta is composed with the same intensity as a Symphony, or a Concertino the same as a Concerto. The very fact they weren't published in Schubert's lifetime becomes a bigger clue than Szeryng & Haebler trying to make money out of works by a master that had not been previously recorded.
Please, read the info before you post your assumptions. The compositions for violin and piano D 384, 385 and 408 were named Sonata in Schubert's autographs.[5][6] They were named Sonatina when published posthumously as Op. 137 in 1836. Does the superior musicianship of Szeryng & Haebler escape you? What about that?
Reminds me of Mozart’s violin sonata in e minor
Uma tessitura deliciosa e o diálogo entre piano e violino é lindíssimo
Esplêndido! ✨
Wunderschöne Interpretation dieser kompakten und fein komponierten Sonate im veränderlichen Tempo mit sedigem doch gut phrasiertem Ton der unvergleichlichen Violine und klarem doch elegantem Klang des ebenso unvergleichlichen Klaviers. Der zweite Satz klingt besonders schön und echt melodisch. Im Kontrast klingt der dritte Satz echt lebhaft und auch inspirierend. Der intime und perfekt entsprechende Dialog zwischen den beiden Virtuosen ist wahrhaft eindrucksvoll. Alles ist wunderbar!
7:23 The Little Bear opening theme
Thanks
Bravissima Katerina!
Thanks for uploading this! I have been practicing this piece lately with a violinist and we're going to perform it at a recital next month, it's a really fun piece
The Third movement was used in the Nelvana Cartoon "Little Bear" but only in the Canadian Version not the Nicktoons version.
Mooie muziek
Speel ik vaak met mijn dochter !
Thanks for uploading 😂😂 really helped 😅
Mozart teve muita influência nas obras de Shubert em geral?
I remember listening to the orchestral version of the 3rd movement in 2009 from the credit of a cartoon.
Credit?
@@M_SC The end of a cartoon episode, where they display who did what
@@dennisdeng3045 this is the opening to Little Bear
@@vSparkx I found it: ruclips.net/video/igFWpoTEayk/видео.html
Thanks! I’ve been looking for this for a while.
Thank you for the explanation and to the person who said which cartoon
Schubert, an accomplished violinist himself, composed 4 Sonatinas during 1816-1817 and they remained unpublished during his lifetime. These were probably written as exercises for a violinist, as opposed to meaningful compositions. The evidence is here before us. They are "quaint", rather than "serious" Schubert.
Szeryng and Haebler thought it worthy to be recorded, that should give you a clue. "Exercises" what an odd description. They are "meaningful" Sonatas, they are well written, concise, effective and highly appreciated by the violin student and professionals alike. I have them acc. a LOT in the violin department. It is fun to play and audiences love it. That is what I call a meaningful composition.
@@bartjebartmans So why does the manuscript clearly describe them as Sonatinas? Are you saying that a Sinfonietta is composed with the same intensity as a Symphony, or a Concertino the same as a Concerto. The very fact they weren't published in Schubert's lifetime becomes a bigger clue than Szeryng & Haebler trying to make money out of works by a master that had not been previously recorded.
Please, read the info before you post your assumptions. The compositions for violin and piano D 384, 385 and 408 were named Sonata in Schubert's autographs.[5][6] They were named Sonatina when published posthumously as Op. 137 in 1836. Does the superior musicianship of Szeryng & Haebler escape you? What about that?
I do wish he had written more substantial violin sonatas but these are charming for what they are.
@@jb1980ist He gave us the Fantasy.
00:07.
Mich erinnert es an Mozart , alles gut und schön anzuhören , aber nichts " Packendes " wie zb manche Sachen von Brahms oder Beethoven😂