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Not going to lie I barely paid any attention to the ad and that’s something I wouldn’t have done if Jordan was doing the ad. Not only is she better on the eye but she brings a bit of energy to her sponsored ads that even if you aren’t interested in the product you are still engaged.
TV Series Fringe you guys should do a reaction to shots in Fringe like the pilot episode with the translucent man and the episode with the bank robbers who walk through solid matter
It's been so cool seeing them get more and more heavyweights on the couch to react. It still blows my mind I've been watching this series for so many years and it just gets better.
They don't research anymore when they don't have an expert tho. They kinda just throw the same random guesses at the wall. Kinda leads to 3 men glazing or making fun of a random movie as opposed to adding insight like how they would have done the shit themselves.
I got the impression that he wasn't entirely pleased with it from when it was made, but there wasn't enough time/money/computer power to get the shot to look the way he wanted.
Series idea: Camera men react! Give some love to the guys doing the camera work and most probably get some cool stories and inside info on the camera shots!
The bit with the weird-scale plane was fantastic. "I can't shoot this, this is absurd, what the f*** is wrong with you?" "Just look through the camera. Look through the camera." "...why does that look alright?"
Eyes and the brain do funny things... like watching all this BTS, and they showed the scene again, and my brain went.... "Ooooh... I see the scale now..."
The simple explanation is that the engine cowls and propellers were scaled down correctly and in the right place, it just looks terrible if you can depth percieve (ie: usng both eyes) rather than single perspective from a camera. The same things happens with an "Ames room", the height/distance distortion is not convincing with both eyes, because you can easily perceive what is really going on, but works with a single point view using a camera.
@@dj1NM3 That is the full explanation. The simple explanation is, "Look at it thru the camera." The point was that that particular miniture was only ment to be shot from "inside" the cockpit behind Leo. Any other angle is like those 2D images that look 3D when viewed from exactly the correct angle but otherwise the effect is ruined..
"What can go wrong here is that I've never thought of it before so therefore it can't work" I think that is the realest statement that has ever been said on this channel.
So you're looking for aviation miniature scenes? I give you Star Trek IV: The Voyage Home. There is a shot of Sulu flying a UH-1 series "Huey" helicopter across San Francisco Bay, but the studio could not get the proper permits to fly an actual helicopter. So what they did was fly a model Huey in such a way that it appeared to be several hundred feet off the ground, as well as several hundred feet away. BONUS: Check the insert shot of Sulu flipping random switches. The wiper starts moving, and at the bottom of the frame, you can see the finger of a member of the film crew manually moving the wiper! By the way, a similar technique was used in the opening sequence of The Towering Inferno (1974), albeit with a mix of real and miniature footage, as well as an attempted rooftop rescue scene.
maaan, bringing Jon Favreau would be the Jackie Chan level of guest, and bringing the guy that MADE the technique used in Avatar was also absurdly cool
@@kennybosefuslol are you kidding me? That guy made Iron Man 1 and 2 as well as Lion King (Bad reception but AMAZING vfx), The Mandalorian, Orville and other high class vfx heavy shows. There is so much knowledge that this guy has, plus he can explain well. Why don't you like him/why do you think he would be a garbage guest? This seems illogical. (Greetings to my fellow trekkies lol)
@@kennybosefus wth hahahahahahaha I think you are at the wrong comment section, why would the guy who made marvel universe be a thing, the guy who also made one of the best star wars content out there, why would he be a bad guest?
@@derAtze Triggered you people with five words. I do not like the guy. You are giving him credit for the work of THOUSANDS of people. You are insulting every artist, musician, writer, and actor that has worked on the projects he is associated with. So I'll reiterate... No thanks.
I know the movie itself gets a lot of flak, but Pearl Harbor (2001), for all its problems, has some of the best CGI aerial combat I've ever seen. Realistic? Maybe not. But hella fun to watch.
4:00 "I can do it in unreal now" because of COURSE he's kept up on the latest technology his entire life. Why wouldn't he be able to? IDK why this never occurred to me before.
The tech that they made Lion King and Jungle Book remakes were the catalyst for building the fabled Volume LED Stage... Which was powered by Unreal 4 and used on Mandalorian by... Favreau. In short. He didn't keep up with the tech... He pushed it to get to where it is. :P Though virtual cameras to previs cgi characters was experimented with much earlier with by Peter Jackson for the Cave Troll sequence in Lord of the Rings. And using giant screens to light sets and talent and give final backgrounds can be seen earlier as well in Tom Cruise's Oblivion. Even returning to Cameron, he famously used hand held cameras and cranes on rear screen shots in ways I haven't seen since or before until the Volume.
@@jmalmsten the volume was derived from Lucas Arts. Lucas built a small one for Phantom Menace as a test idea but shelved it. When Favreau visited for his CLone Wars voice role not only did he revive the dark saber but saw the test rig in a back garage and immediately realized its potential.
It's great to see because there are so many people that refuse to keep up with the times. They do the "back in MY day we did it THIS way and that's how I'm gonna do it!". And that's not always a bad idea (new isn't always better) but just refusing to keep up with tech at all is a crazy thing to do
Idea for a future VFX react: Please react to The Adventures of Prince Achmed from 1926. If you want some mind-blowing old but gold visuals, that's your film. Albeit I don't know if it would fall more under VFX Artists or Animators react.
Obligatory talking about the seaplane escape scene from The Phantom, 1996. There's some great moments with it and I think the effects, trickery holds up to this day. There's a few moments I think I see cuts, when they transition to from different shots, different effects. Would love to see you guys react to it.
Speaking of aviation, have y'all reviewed The Rocketeer? It was the first live action superhero film to truly be executed exactly as seen in the comics it was based on as opposed to Tim Burton's live action depiction of Batman in his own stylized version.
It's people like this that I love. A baby boomer, but never let changing technology affect his love of film making, and it seems to only have made it stronger. He never saw digital as a bad thing. Instead of retiring because technology "surpassed" him, no, he uses it as the tool it should be, and invents all these cool hybrid digital/OG filming methods. Bravo. This is a perfect lesson on embracing change no matter what generation you are.
Oh! This is part 2 from last month! I had to go look at the vid from last month to confirm you're wearing the same clothes. :) Anyhoo, I goddamn LOVE Robert Legato's work. No wonder he has a pile of dem statues. So many good stories and insights that I hope he agrees to come back. Great job, guys.
He's so exactly right. The happy little accidents that happen when you're live operating a camera simply can't be reproduced with planning. The scene always gifts you with a surprise but you have to go find it.
For plane sequences, check out the 1960s Battle of Britain movie. Lots of miniatures and practical aircraft. One scene in particular you see the wire antenna for the radio controlled German bomber as it crashes, so they went back and filmed the control cables inside the plane being cut by bullets to "explain" the error in filming.
w00t w00t. As amazing and beautiful looking as the “live action” Disney movies are (and I’m always down for a Chris Walken show tune), I’d be more than happy if they just left all that behind and went back to more stylized films.
I found Robert Legato’s perspective of having started in photography & producing before engaging in practical and then VFX fascinating. Listening to him share his wholistic understanding and breadth of experience with visual storytelling was a true treat. I like how he didn’t seem too precious with anything, his work was to serve the story. Thank you guys for bringing so many amazing guests on to draw back the curtain on filmmaking. 📽️❤
One of my favorite surprises watching one of Favreau's movies was Cowboys & Aliens on bluray with the commentary track. He was just so soft-spoken and genuine about working with everyone. He knew everyone's name and gave so much credit and enjoyed making the movie that I appreciated the movie more.
You guys have got to do a review of Rhaenyra getting off of her dragon in House of the Dragon S2E1, I literally had to pause the episode and rewind because the CGI was so goofy for such a major budget production!!
i was watching it at 2x speed and it definitely looked unnatural. it looked a little better at normal speed - but still not very convincing. nonetheless, i don't think it's because of bad technique or low skill but just not enough time / too much workload
I watched that close to when it came out, it was long ago enough that I don't remember the details other than being completely sucked into the moment during that sequence, it still sticks with me
In my experience camera department personnel are very grounded. They like capturing everything real and in camera. Talking to them about VFX is often a challenging endeavor. But it's good when you find someone who is willing to adjust their view when presented with some reassurance. Loved hearing that story about the Cinematographer and the propellers.
Talking about The Aviator saying "we didn't have a lot of money" and "we had a small budget" meanwhile the film has a budget of over 100+ million is wild
Alright, I've got timestamps for Die Hard 2. 1:18:15 for the janky vfx airplane ejection, and 1:50:10 for the start of the airplane explosion. There is a good fight scene leading up to the airplane explosion starting at 1:46:52. Hope this helps. Been on a Die Hard kick recently, and you showed the scene from 3 Body Problem that I (and probably a lot of other people) pitched. Love you guys! Thank you.
I just watched Contact (1997) and now I wanna see you guys bring up the mirror shot. It's an amazing perspective-altering shot but fairly simple to pull off.
Yay Rob! I love this guy! All the react videos with these old school guys talking about their “war” stories are the best! The amount of knowledge, experience and insight they bring is so incredibly valuable that I kinda feel guilty 😅. I feel like I should be paying to hear them speak! THANK YOU SO MUCH CORRIDORCREW!
Starting when? There are 12 minute VFX artist reacts videos from over 6 months ago. I'd be willing to bet if I spent slightly more time I could find multiple 15 minute or less VFX artist react videos since they've started the series.
@3:48 I recently watched the 1960s movie Catch-22, and it had World War II bombers flying in formation really close to camera. They were smoky and looked stinky, might have been war salvage. That movie starred Alan Arkin when he’s really young, good watch for more than just the cool aviation.
As someone who identifies as someone who has read this comment and also seen VFX in movies I can also say this comment is great and this video is great.
I love the people you have on because they are all so insanely modist because they are all behind the camera and just love the work they do. They never come on the show with something to sell they come because they love the art
Rob is one of my favorite guests on the whole of this show. I love how casually he's always just like "yeah i invented something that would change VFX forever cuz I was bored"
"What can go wrong here is that I've never thought of it before so therefore it can't work" That's Wren for you. The starry-eyed kid watching in wonder and suddenly he drops a line so heavy it generates gravity. Well, I mean, gravity that you can measure and sense. Like, really heavy stuff? I dunno. GRAVITY!
This was one of my favourites so far! I love the technical stuff behind those movies and it was very impressive to see, what he achieved! Must be really cool to work in virtual environments like you do in real life, would love to do that :D
I loved to see the practical effects from The Aviator- it would have been great to have a deeper description of how they did that cockpit & undersized engines perspective effect.
If you want a great " mistake turned gag" that I did. I was filming a student event at a college campus. The students were racing on office chairs. Well one team got a bit out of control and I had to step back to stay out of the action. The shot ended up with a camera shake right as the chair left shot. So I got sound effects for a tire screech and a door hit and turned it into a "car hits camera pole" gag.
Would love to see you guys talk about Furiosa. Maybe even comparing it to Fury Road, as both used heavy CGI, but Fury Road made it look a bit more seamless than Furiosa
Man, The Aviator is a prime example of when filmmakers make technical and budgetary limitations to work for the movie! Having no limitations doesn't always mean better results when it comes to immersion and cinematic storytelling! What a brilliant man Mr. Legato is.
For flight scenes in films I would love to see the Behind the scenes from Independence Day, The Rocketeer and maybe Sky Captain and the World of Tomorrow (that movie needs lots of love)
Take a look at Tora! Tora! Tora! for some intense plane footage. It was crazy the amount of actual military equipment they used and how close some of the cast came to death on one particular scene!
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Not going to lie I barely paid any attention to the ad and that’s something I wouldn’t have done if Jordan was doing the ad. Not only is she better on the eye but she brings a bit of energy to her sponsored ads that even if you aren’t interested in the product you are still engaged.
JON
@@Turdstool78 I can't believe you took the time to write such a comment
Ok👍👍👍
TV Series Fringe
you guys should do a reaction to shots in Fringe like the pilot episode with the translucent man and the episode with the bank robbers who walk through solid matter
It's crazy how regularly you guys have Academy Award winning filmmakers on the couch, this series has come so far
This guy is one of the best if not the best in his field and a true innovator/pioneer.
so casually too lol
It's been so cool seeing them get more and more heavyweights on the couch to react. It still blows my mind I've been watching this series for so many years and it just gets better.
They don't research anymore when they don't have an expert tho. They kinda just throw the same random guesses at the wall. Kinda leads to 3 men glazing or making fun of a random movie as opposed to adding insight like how they would have done the shit themselves.
i'm sure being localised in LA doesn't hurt.
*looking at an old shot of his that hasn't aged that well*
nonchalantly: "yeah this sucks, I could do it better in unreal now"
I love this man
That statement really shows that he's passionate and an artist at heart
I got the impression that he wasn't entirely pleased with it from when it was made, but there wasn't enough time/money/computer power to get the shot to look the way he wanted.
Series idea: Camera men react! Give some love to the guys doing the camera work and most probably get some cool stories and inside info on the camera shots!
As a former camera op, I agree!
Doesn't even have to be a massive series, just a few episodes here and there. I would love to watch that.
Would love to see Hoyte van hoytema on the couch.
13:04 The visual explanation for when he says "it's the balls enough to do something they've never done before" with the arrows sent me😂
Just so we're clear on what we mean by that
Bit juvenile, that
🤣🤣🤣
The bit with the weird-scale plane was fantastic.
"I can't shoot this, this is absurd, what the f*** is wrong with you?"
"Just look through the camera. Look through the camera."
"...why does that look alright?"
Eyes and the brain do funny things... like watching all this BTS, and they showed the scene again, and my brain went.... "Ooooh... I see the scale now..."
The volume mantra
@@th3R0b0t yeah, they like to do a little trolling sometimes
The simple explanation is that the engine cowls and propellers were scaled down correctly and in the right place, it just looks terrible if you can depth percieve (ie: usng both eyes) rather than single perspective from a camera.
The same things happens with an "Ames room", the height/distance distortion is not convincing with both eyes, because you can easily perceive what is really going on, but works with a single point view using a camera.
@@dj1NM3 That is the full explanation. The simple explanation is, "Look at it thru the camera."
The point was that that particular miniture was only ment to be shot from "inside" the cockpit behind Leo. Any other angle is like those 2D images that look 3D when viewed from exactly the correct angle but otherwise the effect is ruined..
"What can go wrong here is that I've never thought of it before so therefore it can't work"
I think that is the realest statement that has ever been said on this channel.
Just casually dropping he's the reason I had to wait almost a decade and a half for Battle Angel.
You should look into the whole Battle angel to Avatar pipeline, suuuuper interesting how it all went down.
So you're looking for aviation miniature scenes? I give you Star Trek IV: The Voyage Home. There is a shot of Sulu flying a UH-1 series "Huey" helicopter across San Francisco Bay, but the studio could not get the proper permits to fly an actual helicopter. So what they did was fly a model Huey in such a way that it appeared to be several hundred feet off the ground, as well as several hundred feet away. BONUS: Check the insert shot of Sulu flipping random switches. The wiper starts moving, and at the bottom of the frame, you can see the finger of a member of the film crew manually moving the wiper!
By the way, a similar technique was used in the opening sequence of The Towering Inferno (1974), albeit with a mix of real and miniature footage, as well as an attempted rooftop rescue scene.
It’d be interesting to see you guys do a “Lion King” (2019) vs “The Lion, The Witch, and the Wardrobe” (2005) lion effects.
Lion effects is a great shout. Check out Megan Fox's Rogue for the other end of things!
maaan, bringing Jon Favreau would be the Jackie Chan level of guest, and bringing the guy that MADE the technique used in Avatar was also absurdly cool
No thanks. Garbage guest request.
@@kennybosefuslol are you kidding me? That guy made Iron Man 1 and 2 as well as Lion King (Bad reception but AMAZING vfx), The Mandalorian, Orville and other high class vfx heavy shows. There is so much knowledge that this guy has, plus he can explain well.
Why don't you like him/why do you think he would be a garbage guest? This seems illogical. (Greetings to my fellow trekkies lol)
@@kennybosefus wth hahahahahahaha I think you are at the wrong comment section, why would the guy who made marvel universe be a thing, the guy who also made one of the best star wars content out there, why would he be a bad guest?
@kennybosefus hater detected 🙄
@@derAtze Triggered you people with five words. I do not like the guy. You are giving him credit for the work of THOUSANDS of people. You are insulting every artist, musician, writer, and actor that has worked on the projects he is associated with.
So I'll reiterate... No thanks.
I know the movie itself gets a lot of flak, but Pearl Harbor (2001), for all its problems, has some of the best CGI aerial combat I've ever seen. Realistic? Maybe not. But hella fun to watch.
By far is the best part from Pearl Harbor and it definitely would be a treat to see the VFX breakdown of that scene.
you could say that about most of roland emmerich's movies lol
@@360.Tapestry Pearl Harbor is directed by Michael Bay, not Roland Emmerich
@@turbochargedfilms bruh...
@@turbochargedfilms Uh thanks? No one said that?
I could listen to Robert talk about his movies for hours. It’s amazing to hear how they do their art
4:00 "I can do it in unreal now" because of COURSE he's kept up on the latest technology his entire life. Why wouldn't he be able to? IDK why this never occurred to me before.
He's a craftsman at the top of his game, he will know all the tricks, his passion drives him.
The tech that they made Lion King and Jungle Book remakes were the catalyst for building the fabled Volume LED Stage... Which was powered by Unreal 4 and used on Mandalorian by... Favreau.
In short. He didn't keep up with the tech... He pushed it to get to where it is. :P
Though virtual cameras to previs cgi characters was experimented with much earlier with by Peter Jackson for the Cave Troll sequence in Lord of the Rings. And using giant screens to light sets and talent and give final backgrounds can be seen earlier as well in Tom Cruise's Oblivion.
Even returning to Cameron, he famously used hand held cameras and cranes on rear screen shots in ways I haven't seen since or before until the Volume.
@@jmalmsten the volume was derived from Lucas Arts. Lucas built a small one for Phantom Menace as a test idea but shelved it. When Favreau visited for his CLone Wars voice role not only did he revive the dark saber but saw the test rig in a back garage and immediately realized its potential.
It's great to see because there are so many people that refuse to keep up with the times. They do the "back in MY day we did it THIS way and that's how I'm gonna do it!". And that's not always a bad idea (new isn't always better) but just refusing to keep up with tech at all is a crazy thing to do
Idea for a future VFX react:
Please react to The Adventures of Prince Achmed from 1926. If you want some mind-blowing old but gold visuals, that's your film.
Albeit I don't know if it would fall more under VFX Artists or Animators react.
More from that time. Like more Fritz Lang.
Also Wings
Using puppets to help the young actor better engage with the story and characters is such a good idea and so unexpectably adorable
Obligatory talking about the seaplane escape scene from The Phantom, 1996.
There's some great moments with it and I think the effects, trickery holds up to this day.
There's a few moments I think I see cuts, when they transition to from different shots, different effects. Would love to see you guys react to it.
Speaking of aviation, have y'all reviewed The Rocketeer? It was the first live action superhero film to truly be executed exactly as seen in the comics it was based on as opposed to Tim Burton's live action depiction of Batman in his own stylized version.
That shot with the small aero-engines is so clever and effective.
Yes! I’ve been waiting to see some clips from The Aviator; one of my favorite movies that used special effects to elaborate the story, not rely on it.
It's people like this that I love. A baby boomer, but never let changing technology affect his love of film making, and it seems to only have made it stronger. He never saw digital as a bad thing. Instead of retiring because technology "surpassed" him, no, he uses it as the tool it should be, and invents all these cool hybrid digital/OG filming methods. Bravo. This is a perfect lesson on embracing change no matter what generation you are.
Fun Fact: Corridor Crew friend Travis Wong did the Mowgli parkour/stunts
Whoever edited the gag at 13:02 needs a raise. That gave me a genuine chuckle 😏
Would love to see John Favreau on the couch. His range from Elf to Iron Man to Lion King is absolutely incredible.
A bridge to far, the plane even with them dropping with the parachutes is so good
Oh! This is part 2 from last month! I had to go look at the vid from last month to confirm you're wearing the same clothes. :) Anyhoo, I goddamn LOVE Robert Legato's work. No wonder he has a pile of dem statues. So many good stories and insights that I hope he agrees to come back. Great job, guys.
He's so exactly right. The happy little accidents that happen when you're live operating a camera simply can't be reproduced with planning. The scene always gifts you with a surprise but you have to go find it.
For plane films, it has to be Wings (1927)
Yes when you realize the limitations of the 1920s it’s actually insane to think about what they pulled off. Hence it won the Oscar.
I was just about to comment this! They absolutely need to look at Wings
Also THE BLUE MAX. INSANE what the ly pulled off back then.
Also Hell's Angels (1930), would have been an interesting comparison to "The Aviator" since that movie is part of the story.
There's a gold mine of content in video game cinematics
Animatronic episode please, rise of Skywalker has a full animatronic Maz Kanata, but nobody noticed (or cared) because it was assumed it was CGI
a bunch of people noticed immediately, she barely moves lol
Even though the Last Jedi was not the best, I did loved those crystal foxes shown
For plane sequences, check out the 1960s Battle of Britain movie. Lots of miniatures and practical aircraft. One scene in particular you see the wire antenna for the radio controlled German bomber as it crashes, so they went back and filmed the control cables inside the plane being cut by bullets to "explain" the error in filming.
13:04 - Thank you for the arrow graphics. I wasn't sure where the balls were 😅
You have to check out the miniature fire fighting flight sequences from Stephen Spieldberg's "Always"! The scenes still give me chills.
Keep up the good work on all of these videos guys! I love the channel so much and i just wanted to tell y’all that!
Thank you guys for dropping betterhelp i haven't seen you sponser them lately
The tiny propellers looking great in camera was 🧑🍳👌🏻
Robert is one of the top guests, he is both funny and brilliant, he also really knows how to explain things well.
w00t w00t. As amazing and beautiful looking as the “live action” Disney movies are (and I’m always down for a Chris Walken show tune), I’d be more than happy if they just left all that behind and went back to more stylized films.
I found Robert Legato’s perspective of having started in photography & producing before engaging in practical and then VFX fascinating. Listening to him share his wholistic understanding and breadth of experience with visual storytelling was a true treat. I like how he didn’t seem too precious with anything, his work was to serve the story. Thank you guys for bringing so many amazing guests on to draw back the curtain on filmmaking. 📽️❤
Iron eagle was my childhood favorite airplane movie 😂❤ 4:32
Most of the movie was meh, but the Cessna Aerobat vs dirt bike race was amazing.
One of my favorite surprises watching one of Favreau's movies was Cowboys & Aliens on bluray with the commentary track. He was just so soft-spoken and genuine about working with everyone. He knew everyone's name and gave so much credit and enjoyed making the movie that I appreciated the movie more.
You guys have got to do a review of Rhaenyra getting off of her dragon in House of the Dragon S2E1, I literally had to pause the episode and rewind because the CGI was so goofy for such a major budget production!!
I noticed that on first watch as well, it's not awful but it's just 'off' enough that you can notice it easily the first time
i was watching it at 2x speed and it definitely looked unnatural. it looked a little better at normal speed - but still not very convincing. nonetheless, i don't think it's because of bad technique or low skill but just not enough time / too much workload
@@360.Tapestryyeah I think its more of a time/budget thing where it was on the lower tier of fx shots to be done over the majority of ‘money shots’
What a lovely man and so kind to be at the top of his game and take the time to share what he's learned over the years
Speaking of plane shots, I’d love to see you guys break down the plane crash from “The Grey” with Liam Neeson!
I watched that close to when it came out, it was long ago enough that I don't remember the details other than being completely sucked into the moment during that sequence, it still sticks with me
In my experience camera department personnel are very grounded. They like capturing everything real and in camera. Talking to them about VFX is often a challenging endeavor. But it's good when you find someone who is willing to adjust their view when presented with some reassurance. Loved hearing that story about the Cinematographer and the propellers.
Talking about The Aviator saying "we didn't have a lot of money" and "we had a small budget" meanwhile the film has a budget of over 100+ million is wild
The mayority went to actors, marketing and director.
I think he means cgi production.
You make it sound like there was a pile of money in the set and the VFX department could go there and pick as much as they want 😂
Compared to movies that cost 350-500 million, 100 million is small
@@kylecarter1599 tell that to godzilla minus one
Because about 20% of that went directly to Dicario.
Alright, I've got timestamps for Die Hard 2. 1:18:15 for the janky vfx airplane ejection, and 1:50:10 for the start of the airplane explosion. There is a good fight scene leading up to the airplane explosion starting at 1:46:52. Hope this helps. Been on a Die Hard kick recently, and you showed the scene from 3 Body Problem that I (and probably a lot of other people) pitched. Love you guys! Thank you.
I just watched Contact (1997) and now I wanna see you guys bring up the mirror shot. It's an amazing perspective-altering shot but fairly simple to pull off.
Im sure they did
They did. Episode 4
@@yordan2509 oh you're right!
Yay Rob! I love this guy! All the react videos with these old school guys talking about their “war” stories are the best! The amount of knowledge, experience and insight they bring is so incredibly valuable that I kinda feel guilty 😅. I feel like I should be paying to hear them speak! THANK YOU SO MUCH CORRIDORCREW!
Check out the airplane scenes from Dr. Strange Love.
This episode was fun, have fond memories watching "The Aviator" with my family in the theater. I like his style.
Ignoring the terrible love story and clunky writing, Pearl Harbor DID have a lot of very cool sequences that you guys might look at.
The opening plane scene in Overlord was so good!
These videos are getting shorter and shorter
with 2+ minutes of ads
Let’s just be happy this kind of content exist, it’s a goldmine of information every Saturday I’m looking forward to, whether it’s 22 or 12min.
Agreed.
I don't like complaining about content I get for free I just like these so much that I always want more.
But quality over quantity for sure!
Starting when? There are 12 minute VFX artist reacts videos from over 6 months ago. I'd be willing to bet if I spent slightly more time I could find multiple 15 minute or less VFX artist react videos since they've started the series.
@3:48 I recently watched the 1960s movie Catch-22, and it had World War II bombers flying in formation really close to camera. They were smoky and looked stinky, might have been war salvage. That movie starred Alan Arkin when he’s really young, good watch for more than just the cool aviation.
As someone who identifies as someone who has seen VFX in movies, I have to say that this is great.
As someone who identifies as someone who has read this comment and also seen VFX in movies I can also say this comment is great and this video is great.
I like motion pictures...
More, more, more of Robert.L please. I'm learning so much from these. Thanks so much to the team on making these happen.
Legato my Eggato
Legato is so humble about what he does, where hes from and so on.
This video went by _way_ too fast!
The Aviator is by far one of the most well shot/edited movies ever, absolutely amazing
react to dr who
I love the people you have on because they are all so insanely modist because they are all behind the camera and just love the work they do. They never come on the show with something to sell they come because they love the art
It’s pretty unfortunate that these episodes feel like they’ve been getting shorter and shorter in favour of selling your website
Rob is one of my favorite guests on the whole of this show. I love how casually he's always just like "yeah i invented something that would change VFX forever cuz I was bored"
The long ad in the middle always kills it
12 Seconds ago
Damn 49...
38 for me 😅
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wait my town's air raid siren is going off in real life rn/srs
Great airplane (and rocket) sequences in The Right Stuff (1983). Very well done for the time period.
"What can go wrong here is that I've never thought of it before so therefore it can't work" That's Wren for you. The starry-eyed kid watching in wonder and suddenly he drops a line so heavy it generates gravity.
Well, I mean, gravity that you can measure and sense. Like, really heavy stuff? I dunno. GRAVITY!
this show is the high point if youtube entertainment
Wow.. I love how you guys get more and more of these geniuses on the couch!
Always great to have these kind of guests on the show!
What an absolute legend and so grounded as well.
Amazing! What an honour to have Rob’s insight. Now, Get Favreau!
Absolute legend! So cool seeing him on the couch and listening to him. Another great episode guys!
“as above so below” has some unique vfx!
3 legends on the couch. I've learned soooo much❤
This was one of my favourites so far! I love the technical stuff behind those movies and it was very impressive to see, what he achieved! Must be really cool to work in virtual environments like you do in real life, would love to do that :D
These interviews are so amazing. Just letting them talk is the best.
So cool with the plain through the camera, thanks for continuing to make this videos
The plane crash sequence from Hitchcock's Foreign Correspondent is great.
Ya'll need to start putting the filmography of guests like this up on the screen so viewers know just how insane some of these resumes are
The Great Waldo Pepper has some amazing aerial photography and stunts. great film.
This was so freaking rad guys, I could have watched like 3 more hours of it.
I loved to see the practical effects from The Aviator- it would have been great to have a deeper description of how they did that cockpit & undersized engines perspective effect.
Robert Legato is AMAZING! I would love to see more of his brilliance! Favreau would be amazing too.
If you want a great " mistake turned gag" that I did. I was filming a student event at a college campus. The students were racing on office chairs. Well one team got a bit out of control and I had to step back to stay out of the action. The shot ended up with a camera shake right as the chair left shot. So I got sound effects for a tire screech and a door hit and turned it into a "car hits camera pole" gag.
Rob is awesome. My favorite work of his is Interview with the Vampire. Lots of great visual and subtle special effects in that film.
great stuff. what a legend! 🎉 thanks for putting out all this highly informative and entertaining content
Have you guys ever seen Spielberg's "Always"? Great firefighting plane work. A quasi-remake of one of his favorite films, "A Guy Named Joe".
Would love to see you guys talk about Furiosa. Maybe even comparing it to Fury Road, as both used heavy CGI, but Fury Road made it look a bit more seamless than Furiosa
Corridor crew is probably my favorite channel on yt
What an incredible guest to have on this show!
Man, The Aviator is a prime example of when filmmakers make technical and budgetary limitations to work for the movie! Having no limitations doesn't always mean better results when it comes to immersion and cinematic storytelling! What a brilliant man Mr. Legato is.
Suggestion: Please react to the dragon vfx in Damsel, the reviews absolutely HATED it but I have my doubts. Would love to see you guys cover it!
An absolute god, sat on your sofa, wow I’m so jealous. Thanks for sharing!
Love seeing your RUclips to private website video durations become shorter. GREAT JOB!
I like when yall show how normal things are cgi, like glass and other breakable things or filler background seamlessly integrated
For flight scenes in films I would love to see the Behind the scenes from Independence Day, The Rocketeer and maybe Sky Captain and the World of Tomorrow (that movie needs lots of love)
Take a look at Tora! Tora! Tora! for some intense plane footage. It was crazy the amount of actual military equipment they used and how close some of the cast came to death on one particular scene!