How To Sing High Notes Without Sounding Airy - 3 Simple Exercises for Quick Power On High Notes
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- Опубликовано: 15 июл 2024
- How To Sing High Notes Without Sounding Airy - 3 Simple Exercises for Quick Power On High Notes. The exercises in this video will help you learn how to sing high notes without sounding airy. When you learn to sing high notes without sounding airy, you gain greater confidence. Knowing how to sing high notes elevates you above singers who can't. Knowing how to sing high notes will give you an advantage every time you perform.
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Chuck Gilmore
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Хобби
When you sound airy, especially on high notes, your listeners lose interest. They want to be impressed. They want their ears to vibrate with the penetrating strength of your voice.
Keep watching learn more!
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I've just discovered that I can sing! Ha-ha, I was chocked.. thanks!!
Way to go!
I think these are my favourite of your (many excellent) exercises.
Glad you like them!
Thank you cause my voice has been different cause of before i lost my voice for 2 days so my singing voice has been different thank you for tips🙂
Did you go see a doctor like an ENT to see if there is something effecting the vocal cords?
Thanks Coach Chuck!
Welcome!
Love your videos.
Thanks! How did it help?
Thank you for the exercises, Chuck - Invaluable for me, because being 'airy' as I go into mix and head voice is plaguing me.
Is this correctly defined as 'lacking compression'?
I've been doing a semi-occluded exercise with a straw and that seems very beneficial for me as I get better cord closure after doing them (and a more connected tone).
That's the right idea I think. Although I could still be very compressed and still have a lot of air escaping from my cords. If we address the quality or condition of the vocal cords and their depth of adduction and how long they stay adducted, and lumped it into the term "contracted" then the vocal cords may be referred to as under contracted which is a more shallow depth of cord adduction, and an ideal contraction more of a "just right" contraction with a little more depth of cord adduction, vs over contraction which is too much depth of cord and results in too much force, too tight, too squeezed, too labored. We are looking to maintain a "just right" contraction of the cord structure when we go from the closed to the open vowel. The straw helps you get the just right cord contraction which you apply to your singing. The same thing can be achieved in Bubble Lips, Tongue Trills and in the exercises illustrated in this video...by keeping the vowels in the smaller "place" established by the first vowel.
@@PowerToSing Thank you
Thank you for the tips! Great! (Y)
Did it help? How?
@@PowerToSing Well, I tortured myself for 2 years, trying to shout most difficult heavy metal singers, not for some special purposes, perhaps in the case of demo. I reached level to sing most of Judas Priest songs for e.g. 2 hours without some special heating the voice but I would feel I would drop after one hour. With that my wife and daughter hated it and told me that I sound 'like a cat when someone steps on its tail'. Some of the singers/friends and specially laymens told me it's quite good (ppl sure thought that and also encouraged me to continue). Even some Queensryche songs worked for me. Never tried some low pitched songs in that period. Followed many coachs specially for heavy metal singing and borrowed some tips, it worked. But didn't understand what they and some of my friends which are singers meant ' you have to open your throat'. How to do it?!!!! Then I started to understand what does it mean after I started to follow you/Power to Sing, Shimizu/diaphragm, Chris Liepe/vocal fry & his 'try to feel free to sing even if it sounds silly, find your way' and Adam Mishan/diaphragm & opening the throat and gave up heavy metal coaches for some period. Chris imho forces more for advanced singers and Plant inspired grunge screamers, I've learnt some tricks but...what definitely helped me were your NAY NAY NAY things and exercices ;) TBH, I don't practice like a singer, but after I find a time to do your exercices I don't need to struggle, can find bridge easy and sing some high notes or songs checkin' my larynx, it doesn't move up (I learnt that tip from Shimizu and Mishan but Nay Nay Nay and that sort of things made it work :) ) I don't try to mimic any singer, if I sing Rod Stewart (I started to sing classical songs and not terrible high old school heavy metal vocals) I sing by my own vocal. Yesterday evening after messing with nay nay nay neh neh for longer time while my ladies were in another room I started to sing Thin Lizzy's song, darn, I enjoyed (bad problem: I always read the lyrics, but always, I know only choruses of songs :D ) I have to tell, I don't shout but my ladies are iritated by me playing fool at...48 :D So, nay, nay, nay works perfectly for warming up and opening the throat for me, finding the bridge and not shouting or straining + enjoying to sing even for a while (*my girls) :) (Y) \,,/ Sorry for my epistole but you've asked for it and sure...thank you very much again for great tips. If I would start to learn singing professionally I would definitely choose you + some Shimizu's and Adam Mishan's lessons. Was frankly. Cheerzzzzz!!!!
...and just to add, I've learnt and am learning how to apply all that crp that I didn't understand - mixing the voice and a lot of stuff. Great lessons really. Am just watching your live#178, super tips :)
You know, it's videos like this that have made me realize I may have actually been walking around with some vocal damage for quite a while (probably years). I'll be sure to see if I can get an appointment with a specialist sometime in the future. I thought my voice just broke at a certain point, but it doesn't break - it splits and creates very obvious overtones on a large range. I can get 'through' that by either using way too much airyness or by forcing it through diaphragm pressure. Both will result in me losing my voice (obviously). Thanks for helping me make that step towards seeking some help.
For sure...it will really help to have an ENT do a scope. Try to find someone who works with singers.
Thanks
Did it help! How?
Thanks! Very helpfull!💪👍
Is there a way I can change the tone of my falsetto like Sam Smith? My falsetto sounds like a Mariah/Ariana and sometimes operatic if i choose to.
Watch this video and follow the directions. ruclips.net/video/d0Ob8WGmvPc/видео.html
Wish I could trade with u
You say this should be at the top of our first bridge. So we shouldn't feel very different from if we were just in chest, right? As in, if we have to choose on those first notes (the ones at the top before we come down), we should put more chest in rather than more head in? This isn't an exercise in which we move from being decisively in head to decisively in chest - yes? We're in one mode throughout, albeit with *some* natural gradual shift as we move down the scales. Or have I misunderstood?
This exercise is about keeping the second vowel, which is more open, in the same condition or place as the first vowel, which, if done as demonstrated is more narrow or closed and is in mix. If you do, both will be in your mix, and you will build and strengthen your mixed voice. Don't focus on sound. Focus on the vowel staying as demonstrated. Sound will follow as a result.
I didn’t practice for one day and I suck again OoF
Start up again. You'll improve!
Hi sir chuck can u give me a free daily vocal exercise plssssss sir help me...
Yes....start at Episode 1 on this channel and watch one a day for 103 days, then start on all the live broadcast videos and you will have a free daily vocal exercise for many many months.